Abraham Lincoln Vampire HunterMany 2012 genre movies have developed a worrisome postmodern tic, often rushing to point out their own ridiculousness before the audience even gets a chance to get swept up and taken in. The historical monster mash Abraham Lincoln Vampire Hunter is profoundly silly--even sillier, possibly, than the title suggests--but it conducts itself with an admirably straight face. Seth Grahame-Smith's script (based on his own novel) finds the Young Mr. Lincoln (Benjamin Walker) set on a path of righteous vengeance after watching his mother get fatally fanged. As he studies the law and woos the ravishing Mary Todd (Mary Elizabeth Winstead) by day, the nights find him throwing down with an unending army of the undead. When he discovers the plot of a master vampire (the excellently dry Rufus Sewell) to conquer the United States, he makes the fateful decision to throw his hat (and silver-bladed axe) into the ring of national politics. Director Timur Bekmambetov (Wanted, the Night Watch series) brings a wide-eyed fervour to the material, offering tantalising hints of a larger mythology while also glorying in the wonky kineticism of the plentiful action sequences. (He's aided in his mission by legendary cinematographer Caleb Deschanel, who gives the images an old-timey View-Master texture.) Scholars of the historical record may well develop the vapours, but for susceptible viewers, the film's wink-free approach and exceedingly game performers make it frightfully easy to sit back, switch off, and bask in its poker-faced outrageousness. Many movies have had somebody thrown by a horse; this movie has a bad guy pick up a horse and throw it at the hero. Brothers and sisters, there is a difference. --Andrew Wright Night WatchNight Watch is that rare film that--like The Matrix--is not only visually dazzling but creates an intriguing, seductive, and thrilling alternative world. A young man named Anton, after dabbling in black magic to bring back the wife who left him, discovers that the world is populated by fantastical Others (vampires, shape-shifters, witches, and more) who have chosen sides--Light or Dark--in an epic battle. A truce has been declared; both sides watch the other to ensure the truce is maintained. But a prophecy has predicted that a powerful Other will tilt the balance, and Anton--who is himself an Other--finds himself crucial to the prophecy's fulfillment. There's no question that Night Watch has weaknesses. Numerous plot holes get glossed over by pell-mell pacing, the visual conception of the apocalyptic battle between Light and Dark is curiously pedestrian (a bunch of knights fighting a bunch of guys in fur with swords--what happened to their various powers?), and more--but, much like similar problems with The Matrix, it doesn't matter. The alternative world Night Watch presents is so rich with possibilities that it takes on a life of its own, both as an imaginative universe and as a vivid metaphor for the moral complexities of our own lives--for example, though the forces of Light claim to be good, their often brutal actions call their virtue into question, and the forces of Dark make some compelling moral arguments on the topic. The movie is so overstuffed with ideas that many don't get fleshed out, but that only contributes to the sense of vitality and unexplored dimensions. Even the subtitles are used creatively. The impending sequels (this is the first film of a trilogy) may--like The Matrix--take all the stimulating possibilities Night Watch raises and drag them into the toilet, but for the moment, this is the sort of electric excitement that blockbuster movies promise but so rarely deliver. --Bret Fetzer Day WatchThe dizzying supernatural Russian epic started in Night Watch continues with Day Watch, in which once again the battle between the forces of Light (the Night Watch) and Dark (the Day Watch) threatens to crack open the world as we know it. The plot centers around Anton (Russian superstar Konstantin Khabensky), an Other (one of many beings with varied supernatural powers) whose son, Yegor, has joined the Day Watch, who are grooming him to be their superpowerful savior. Anton's protégé, Svetlana, also has high-capacity power, and if Yegor and Svetlana come into conflict, the resulting devastation could shatter everything. The key to success seems to lie with the Chalk of Fate, a simple piece of chalk that can rewrite reality. Day Watch is full of plotholes and underdeveloped story points (at one point, to keep him safe, Anton's consciousness is switched into the body of his Night Watch colleague Olga--but mere moments later the Day Watch knows what's happened, before any suspense could be mined from it; as a result, this promising plot twist seems only to exist to allow for some girl-on-girl action), but it's forgivable. As with the first film, Day Watch bubbles over with its wildly imaginative world, its ravishing style, and its fantastic visual effects. If a Hollywood blockbuster had half as much creativity, it would be praised to the skies and be the hit of the year. Don't let the subtitles put you off (particularly since even the subtitles reflect the movie's wit and imagination)--Day Watch is a cinematic feast that any movie fan should devour. --Bret Fetzer
When a mysterious Englishman loses his ancestral home in a poker hand, the lucky winner, Max Taylor, has no idea that, far Irom ending - the game has just begun. For the house is an ancient shrine to the Gods of Fortune, a Temple to chance and fate, and in the depths of its soul a spirit waits. In the modern deck he is the Wild Card, The Joker. In the eyes of a child, nothing more than a Jester and Clown. But to you, Ladies and Gentlemen - he is The Funny Man.
A performance of the Beethoven's Fidelio. James Levine conducts the Metropolitan Opera Orchestra and Chorus.
Abraham Lincoln: Vampire Hunter explores the secret life of one of the greatest US presidents, and the untold story that shaped a nation.
Koli, a peasant boy, is taken from his family and raised by Vikings. Years later, he fights next to them in the warrior clan. Soon after finding an ancient egg, the clan are attacked by a dragon thought only to exist in legends. Koli, in his quest to defeat the dragon, discovers his true lineage and realises the fate of the world now lies with him as only he can stop the impending prophecy and become a true Viking hero.
The complete second series available on DVD for the first time! First screened in 1990 the Australian kids' show 'Round The Twist' soon became a much loved children's show when it was first aired on in the UK on the BBC. Adapted from the stories of Paul Jennings Round The Twist became renowned for its weird mysteries and was broadcast to over 70 countries. This complete series continues the story of the Twist family's amazing adventures. Pete becomes a chicken every time someone
A film student follows a Melbourne-based hitman in this Australian hit.
He's cheeky & he's cruel! When Max Taylor (Benny Young) wins the ancestral home of the mysterious Mr Chance (Christopher Lee) in a hand of Poker he doesn't realise that far from ending the game has just begun. As soon as the Taylor family move into their new home Max's wife (Ingrid Lacey) and two kids are brutally dispatched one-by-one at the hands of the resident demonic jester (Tim James); an evil joker with a varied and imaginative repertoire of homicidal techniques
Based on the novels by William Golding 'To The Ends Of The Earth' is a three part miniseries in which young seaman Edmund Talbot (Benedict Cumberbatch) sets sail on a dazzling and dangerous sea journey from England to Australia...
A collection of four mighty frightening modern horror movies. Includes: Mirror Mirror Mirror Mirror 2 - Raven Dance Mirror Mirror 3 - The Voyeur and Mirror Mirror 4 - Reflection.
Dogma Two fallen angels are searching for a way back from everlasting exile and find it can be hell getting back into heaven. Heathers Veronica is a member of Heathers an elite high school clique until she falls for new school rebel JD who gives her the answer to her secret desire.
With memorable and unsettling opening credits and exceptional performances and direction Armchair Thriller became a massive hit for Thames Television in the late 1970s and early 1980s. With its trademark ghoulish razor-sharp cliff hangers and iconic theme tune (by Roxy Music's Andy Mackay) this haunting anthology series was an immediate success its eerie disturbing and downright scary tales regularly attracting over 15 million viewers. Each of its ten stories is a gripping exercise in compelling television showing ordinary people plunged into extraordinary situations. For many this series remains a high-watermark of dramatic television and its many frightening and spooky moments are remembered by viewers nearly thirty years after its original transmission. A Dog's Ransom: A Chelsea couple's dog is kidnapped and a ransom demanded. When the ransom is paid but no dog is returned an ambitious young policeman takes it into his own hands to solve the dognapping. Unfortunately the dognapper is a vicious sociopath named Kowajinski... Based on a novel by the best-selling novelist Patricia Highsmith A Dog's Ransom is directed by television stalwart Donald McWhinnie.
When students visit a derelict school they accidently unleash a horrific spirit that's been locked away in a vault for over 100 years...
Set in Melbourne, Australia, Hit-man Ray Shoesmith (Scott Ryan) discovers that his next door neighbour, Max (Massimiliano Andrighetto), happens to be a film student and decides to ask him to document his life with the intention of releasing the footage in the event of an early death.Ray goes about doing his everyday business which includes making intimidating threats of violence while documenting his actions to the camera.
Tom Hanks was a relatively unknown TV actor with a sitcom as his biggest credit when relatively unknown director Ron Howard (best known for his own sitcom acting) cast him in this surprise hit. It made stars of Hanks, Daryl Hannah and John Candy and an A-list director out of Howard. Hannah is a mermaid who comes to Manhattan in search of Hanks, the guy she has twice saved from drowning. Hanks runs a business with his loveable, blowhard brother (Candy), whose goal in life is to have a letter published in Penthouse. When this perfect woman shows up, Hanks can't believe his luck and plunges into a dizzyingly romantic relationship, unaware of her sea-water secret. But the mermaid needs to soak and unfurl her tail from time to time, which leads to complications, including her capture by the government for scientific study (what else?). Hanks is winningly charming and Hannah is a perfect match in this enjoyably high-spirited comedy, though the biggest laughs belong to Candy. --Marshall Fine
Set in 1899, this musical drama from director Baz Luhrmann ("Romeo + Juliet") stars Ewan McGregor as a young poet who begins a passionate but doomed affair with the most famous courtesan in Paris (Nicole Kidman).
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