The pinnacle of this innovative style, The Mother and the Whore follows Alexandre (Jean-Pierre Léaud), a Parisian pseudo-intellectual who lives with his tempestuous girlfriend, Marie (Bernadette Lafont), even as he begins a dalliance with the sexually liberated Veronika (Françoise Lebrun), leading the three into an emotionally turbulent love triangle.
Features SHOOT THE PIANIST, JULES ET JIM, THE SOFT SKIN, ANNE & MURIEL, A GORGEOUS GIRL LIKE ME, THE LAST METRO, THE WOMAN NEXT DOOR, FINALLY SUNDAY.
Too often overlooked and undervalued, Claude Chabrol was the first of the Cahiers du Cinema critics to release a feature film and would be among the most prolific. The sneaky anarchist of the French New Wave, he embraced genre as a means of lifting the lid on human nature. Nothing is sacred and nothing is certain in the films of Claude Chabrol: anything can be corrupted, and usually will be. The hidden meaness of provincial life is at the heart of Cop Au Vin (Poulet au vinaigre), as deaths and disappearances intersect around the attempt by a corrupt syndicate of property developers to force a disabled woman and her son from their home. Actor Jean Poiret would prove so compelling as the laconic Detective Inspector Lavardin good cop/bad cop all in one that the sequel would be titled after him. Inspector Lavardin sees the titular detective investigating the murder of a wealthy and respected catholic author, renowned for his outspoken views against indecency, whose body is found naked and dead on the beach. In Madame Bovary, Chabrol directs one of his greatest collaborators, actress Isabelle Huppert, in perhaps the definitive depiction of Flaubert's classic heroine. Meanwhile Betty, adapted from the novel of the same name by Maigret author Georges Simenon, is a scathing attack on the uppermiddle classes, featuring an extraordinary performance by Marie Trintignant as a woman spiraling into alcoholism, but fighting to redefine herself. Finally, in Torment (L'enfer) Chabrol picks up a project abandoned by Henri Georges Clouzot, in which a husband's jealousy and suspicion of his wife drive him to appalling extremes. Francois Cluzet and Emmanuelle Beart give career best performances as the husband and wife tearing each other apart. With brand new digital restorations, this inaugural Arrow Video collection of Claude Chabrol on Bluray brings together a wealth of passionate contributors and archival extras to shed fresh light on the films and the filmmaker. Dark, witty, ruthless, mischievous: if you've never seen Chabrol before, you're in for a treat. If you have, they've never looked better. Limited Edition Contents: High definition (1080p) Bluray presentations of all five films New 4K restorations of Madame Bovary, Betty, and Torment (L'enfer) Original lossless French PCM mono audio on Cop Au Vin (Poulet au vinaigre), Inspector Lavardin, Madame Bovary, and Betty Original lossless French PCM stereo audio on Torment (L'enfer) Optional English Subtitles Fully illustrated 80page collector's booklet of new writing on the films by film critics Martyn Conterio, Kat Ellinger, Philip Kemp, and Sam Wigley plus select archival material Limited edition packaging featuring newly commissioned artwork by Tony Stella Disc One: Brand new commentary by film critic Ben Sachs An Interview with Ian Christie, a brand new interview with film historian Ian Christie about the cinema of Claude Chabrol Claude Chabrol at the BFI, Chabrol discusses his career in this hour long archival interview conducted onstage at the National Film Theatre in 1994 Claude Chabrol, Jean Poiret & Stephane Audran in conversation, an archival Swiss TV episode in which the director and cast discuss Cop Au Vin (Poulet au vinaigre) Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Two: Brand new commentary by film critic Ben Sachs Why Chabrol?, a brand new interview with film critic Sam Wigley about why the films of Claude Chabrol remain essential viewing Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Three: Brand new commentary by film critic Kat Ellinger Imagining Emma: Madame Bovary on screen, a brand new visual essay by film historian Pamela Hutchinson Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Four: Brand new commentary by film critic Kat Ellinger Betty, from Simenon to Chabrol, a brand new visual essay by French Cinema historian Ginette Vincendeau An Interview with Ros Schwartz, a brand new interview with the English translator of the Georges Simenon novel on which the film is based Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Five: Brand new commentary by film critics Alexandra HellerNicholas and Josh Nelson On Henri Georges Clouzot, an archival interview with Claude Chabrol in which he talks about fellow director Henri Georges Clouzot (Les diaboliques), whose original attempt to make L'enfer was abandoned, and how the project came to Chabrol An Interview with Marin Karmitz, an archival interview with Marin Karmitz, Chabrol's most frequent producer Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery
The pinnacle of this innovative style, The Mother and the Whore follows Alexandre (Jean-Pierre Léaud), a Parisian pseudo-intellectual who lives with his tempestuous girlfriend, Marie (Bernadette Lafont), even as he begins a dalliance with the sexually liberated Veronika (Françoise Lebrun), leading the three into an emotionally turbulent love triangle.
As a way of getting on in the world working for wages and constantly being in danger of being fired or laid off is a pretty poor system. In this movie pretty young Aimee decides that marriage to the right man is a much better bargain. Though she is very fond of an impoverished bookstore owner the man who meets her strict criteria is a famous and high-strung restaurant critic. After cohabiting with her new spouse for a while she goes for the really big-time payoff that comes with divorce and stages everything entirely to her satisfaction.
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p on the Blu-ray New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
The 'lost cult classic' French new wave film about feminism art music and post-68 revolutionary ideals.
French comedy drama written and directed by Sylvain Chomet. Guillaume Gouix stars as Paul, a 30-something musician who lives in Paris with his two aristocratic aunts, Annie and Anna (Bernadette Lafont and Hélène Vincent). Although grateful that they have provided for him since he was two-years-old, Paul now wants to live his own life and tries to break free from his daily routine. His outlook begins to change when he meets his mysterious neighbour Madame Proust (Anne Le Ny), who tells him that she has a recipe for herbal tea that, when consumed with music, can reveal supressed memories. Will bringing back memories that Paul has long forgotten help him move on with his life or will it just make his present existence more unbearable? The cast also includes Fanny Touron and Kea Kaing.
1979. 10-year-old Albertine and all her relatives have gathered in the family house in Brittany for their grandmother’s birthday. All believe the Skylab a piece of a NASA rocket will fall on their heads that summer. This reunion turns out to be a crazy weekend of revelations that none of them expected... Starring Emmanuelle Riva (Amour) Eric Elmosnino (Gainsbourg) and Julie Delpy (Before Midnight 2 Days in Paris) SKYLAB is a wonderfully quirky off-beat coming-of-age tale.
A sociologist researching a book interviews murderess Camille who tells him the story of her life. Put in a reform school as a child for suspected patricide and later transferred to an orphanage she escaped and tricked a young man called Clovis into marrying her. After attempting to kill Clovis' mother she fled to Paris where she began an affair with a night-club singer. Camille has left a trail of destruction and deceit in her wake which now threatens to engulf the sociologist.
A sociologist researching a book interviews murderess Camille who tells him the story of her life. Put in a reform school as a child for suspected patricide and later transferred to an orphanage she escaped and tricked a young man called Clovis into marrying her. After attempting to kill Clovis' mother she fled to Paris where she began an affair with a night-club singer. Camille has left a trail of destruction and deceit in her wake which now threatens to engulf the sociologist.
Danielle (Bernadette Lafont) a grandmother in her sixties is planning to take her two grandchildren to their father's house for the Easter vacation. Since retiring as a schoolteacher Danielle has regularly taken on this responsibility after her daughter's divorce. This time however the children's father is not there to welcome them giving Danielle the opportunity to spend a bit more time with her grandchildren and to take them out for the day. Jumping at every opportunity presented to them Danielle soon transforms this day-outing into an impromptu holiday. Only what starts out as a fun adventure gradually turns into an inexorable deconstructing experience and it soon becomes impossible for Danielle to contemplate taking the kids back...
Stanislas Previne is a young sociologist he meets Camille Bliss who is in prison to interview her as researching for a book entitled Women Criminals... Camille is accused of having murdered her lover Arthur and her husband Clovis. She tells Stanislas her life and her love affairs...
Claude Chabrol's Les Bonnes Femmes is a deft blend of frank eroticism Hitchcockian suspense and cinematic derring-do that characterizes the best films of the French New Wave. In the drab and dingy Paris of the early sixties four shop-keeping girls are looking for love - of one kind or another. While their lecherous and petty boss savors every opportunity to deliver a dressing down the girls find emotional escape by flirting with delivery men wandering the nightclubs and gossiping about the enigmatic motorcyclist who hangs about following Jacqueline (Clotilde Joano) the doe-eyed romantic. For the vulnerable timid Jacqueline his dogged persistence can only signify the true love in which she fervently believes. But when she finally decides to speak to the mysterious stranger her dreams of romantic bliss are marred only by nagging suspicions...
Fugitive Jimmy Cobb hides in a farm, only to face a betrayal by the people who live there. Each wants a different form of payment - at prices that may be too high for Cobb to pay. But when the stakes are a million dollars in cash and a country's reputation, he may have little choice.
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