Following his mother's death, Chris is broke, separated, and living alone in his dingy flat. But he is determined not to go back to his old ways. No more taking the law into his own hands. Now, Chris does things by the book. When gang war erupts between two of Liverpool's top drug-dealers, Chris is inexorably drawn in after his DCI threatens to expose his past misdeeds. But Chris is alone. The low-level criminals who once formed his network of informants are now either out of the game or in too deep. Which leaves only his former partner Rachel. Desperate to rebuild her own life and career, Rachel soon realizes she needs a partner who bends the rules. She needs Chris. As they are both sucked back towards the darkness, Chris and Rachel must pull each other back towards the light. Starring: Martin Freeman, Warren Brown, Rita Tushingham, Philip Barantini, Adelayo Adedayo.
50 years on from its first transmission, the BBC's Play for Today anthology series remains one of British television's most influential and celebrated achievements. Between 1970 and 1984, plays which combined some of the era's finest writing, acting and directing talents were broadcast direct to living rooms, regularly challenging viewers and pushing the boundaries of TV drama. Featuring plays by the likes of Ingmar Bergman, Julia Jones and Colin Welland and featuring a roster of eminent British actors, Play for Today: Volume One brings together seven iconic dramas on Bluray for the very first time, in a collection that exemplifies the breadth and brilliance of this groundbreaking series. The set includes five plays which have been restored from the original negatives held in the BBC archive. The Plays: The Lie (Written by Ingmar Bergman | Dir. Alan Bridges, 1970) Shakespeare or Bust (Written by Peter Terson | Dir. Brian Parker, 1973) Back of Beyond (Written by Julia Jones | Dir. Desmond Davis, 1974) Passage to England (Written by Leon Griffiths | Dir. John Mackenzie, 1975) Our Flesh and Blood (Written by Mike Stott | Dir. Pedr James, 1977) A Photograph (Written by John Bowen | Dir. John Glenister, 1977) Your Man from Six Counties (Written by Colin Welland | Dir. Barry Davis, 1976)
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate film-making, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. Along with Hitchcock's other films from the mid-1950s to 1960 (including Vertigo, Rear Window, and Psycho), The Man Who Knew Too Much is the work of a master in his prime. --Tom Keogh, Amazon.com
An explosive, and sometimes surreal, journey through London and the metropolis Meanwhile City charting the path of four disparate characters
Fox is writer Trevor Preston's magnum opus about a South London family who have lived in the Clapham area for generations. A microcosm of London and the way it has changed the series follows the ups and downs and conflicts within the family. A patriarch who rules his family with a mixture of benevolence and despotism 'King' Billy (Peter Vaughan) is a retired Covent Garden porter and his family consists of his second wife Connie and five sons: Vin (Bernard Hill) Ray (Derrick O'Connor) Joey (Larry Lamb) Kenny (Ray Winstone) and Phil (Eammon Boland).
Halle Berry stars as a successful criminal psychologist who wakes up to find herself a patient in her own mental institution with no memory of the murder she's apparently committed.
Critically acclaimed ITV drama series Unforgotten starring Nicola Walker and Sanjeev Bhaskar returns for a second series. The story begins with the discovery of a body; this time the perfectly preserved remains of a middle aged man found in a sealed suitcase in the silt of the River Lea in northeast London. As Cassie and Sunny begin the complicated task of trying to identify the victim, we will meet four unconnected people who we suspect are linked in some way to the victim...
Wrestling superstar The Rock reprises his role from "The Mummy Returns" as a deadly assassin in ancient times, destined to become The Scorpion King.
When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the bestselling movie soundtrack of all time and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story and, although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and, like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon
Award winning legendary British director Peter Greenaway (The Cook The Thief, His Wife & Her Lover, The Belly of An Architect)directs this black comedy revolving around three generations of women called Cissie Colpitts - Joan Plowright, Juliet Stevenson & Joely Richardson When each of the women decides to drown their husband, they enlist the assistance of Coroner Madgett (Bernard Hill), who finds his job seriously compromised as a result. Meanwhile, Madgett's adolescent son Smut plays obscure folk games and becomes obsessed with collecting animal corpses. As the plot progresses, visual & spoken numbers appear in the scenes, counting from 1 to 100.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
An explosive, and sometimes surreal, journey through London and the metropolis Meanwhile City charting the path of four disparate characters
It’s New Year’s Eve at The Charelston, a run-down club in Liverpool owned by the local gangland boss. The new manager has arrives and soon discovers his out of favour predecessor has booked a band that can’t play, a magician with a dead rabbit and two parties of rowdy OAPs. On one coach arrives a devout catholic social club in fancy dress for a non-existent prize, among them a drunker blind ex-boxer, on the other an equally boisterous protestant revellers. When they get together mayhem ensues.
Follow the adventures along the river bank and enjoy the thrill of the chase as a manic Mr Toad escapes from the police in a stolen car. Cheer on Badger and Rat as they lead the battle to reclaim Toad Hall from a band of evil weasels. Packed with comedy fun and high drama 'The Wind in the Willows' is a true classic. Featuring an all-star cast of top British comedians.
50 years on from its first transmission, the BBC's Play for Today anthology series remains one of British television's most influential and celebrated achievements. Between 1970 and 1984, plays which combined some of the era's finest writing, acting and directing talents were broadcast direct to living rooms, regularly challenging viewers and pushing the boundaries of TV drama. In Play for Today: Volume Two, six more iconic dramas from the series arrive on Bluray for the first time, further demonstrating the trailblazing qualities of these innovative, stimulating and abiding television landmarks Special Features Stocker's Copper (Written by Tom Clarke | Dir. Jack Gold, 1972) The Elephant's Graveyard (Written by Peter McDougall | Dir. John Mackenzie, 1976) Gotcha / Campion's Interview (Written by Barrie Keeffe / Brian Clark | Directed by Barry Davis, 1977) The Spongers (Written by Jim Allen | Dir. Roland Joffé, 1978) Victims of Apartheid (Written by Tom Clarke | Dir. Stuart Burge, 1978) Just a Boy's Game (Written by Peter McDougall | Dir. John Mackenzie, 1979)
True virtue triumphs over superficiality in this distinguished BBC production of Jane Austen's celebrated novel Mansfield Park. Set in 18th century England Jane Austen's tale of virtue and vice tells of young impoverished Fanny Price who arrives at the elegant country estate of her uncle Sir Thomas Bertam. Snubbed by everyone except her cousin Edmund Fanny begins her long struggle for acceptance by her shallow relatives who believe wealth automatically means quality. When
1. Jobs For The BoysChrissie assembles an unofficial building gang but their moonlighting is being watched by the Department of Employment's investigators. A raid by the fraud squad leads to tragedy2. MoonlighterDixie father of four and once the proud foreman is working illicitly on the docks when he discovers happenings that he'd rather not see. Meanwhile after threats from the Department of Employment his wife Freda is too scared to open the door.3. Shop Thy NeighbourChrissie's dole money has been stopped pending the enquiry into the 'moonlighting' affair. With no food in the cupboard the scene is set for a showdown with his wife Angie - this after all was going to be her time4. Yosser's StoryOnce Yosser dreamt of making it big. Now his manic search for work alternates with fruitless efforts to avoid eviction and keep his three children from being taken into care.5. George's Last RideA lifetime of adversity has left George's beliefs unbroken. When the end comes Chrissie discovers a legacy and finds that something must be said.
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