A well-oiled Jean-Claude Van Damme makes his starring debut in what may be one of the few kickboxing films to be based on a true story. The Muscles from Brussels plays Frank Dux, the first Westerner ever to win the extreme "whupfest" known as the Kumatai (a long-running, no-holds-barred fighting tournament in Hong Kong). While a bit deficient in the script department (to say the least), this undeniably exciting flick succeeds by letting Van Damme play to his strengths: namely, minimal acting and a lot of impossibly acrobatic splits while kicking people in the head. Bloodsport is a guilty-pleasure testosterone blast of the highest order, with a memorable villain (the massive Bolo Yeung from Enter the Dragon) and a multitude of well-choreographed fight scenes. An embarrassed-looking Forest Whitaker cameos as a hapless (and non-kickboxing) cop. --Andrew Wright
From the burning cities of East Germany during World War II to London's swinging 60s-era, a young man searches for love and freedom.
This near two-hour Granada Television production of The Hound of the Baskervilles, Conan Doyle's most popular Sherlock Holmes tale, stars series regular Jeremy Brett as the Baker Street detective and Edward Hardwicke as his close ally, Dr John Watson. A thrilling blend of detective yarn and Gothic horror, the tale concerns the apparent return of an old curse upon the Baskerville family in the terrifying form of a gigantic killer hound. Fans of Hardwicke get an opportunity to see his Watson on a solo mission for part of this story, though Brett--easily the best of all screen actors to play the sleuth--is never far from the narrative. The supporting cast is very good, and the beast itself, revealed in a famously terrifying finale, is indeed a spooky revelation. --Tom Keogh
The Water Babies is a classically enchanting tale of a young chimney sweep apprentice forced to work long hours and in terrible conditions at the hands of his heavy drinking and dishonest master (Triple Oscar nominee James Mason). One day the young boy Tom is unfairly accused of stealing silverware from the home of a client. Frightened and confused he makes a run for it and leaps into Dead Man's Pool where he is magically transported to a fantasy world filled with animated creatures. Here he makes friends with The Water Babies and becomes immersed in an amazing world of adventure and song. Before he can return to the surface however he must help the Babies escape a tyrannical eel and a devious shark who are holding them prisoner.
It's time for bed! After a long and busy day young children need to calm down before getting ready for bed. This fully animated collection of films is the perfect way to end the day and make bedtime fun! Featuring stories from the best-loved children's writers and illustrator such as Penelope Lively Colin & Jacqui Hawkins and Tony Ross each eppisode has its own theme. Episodes Comprise: 1. Dad! I Can't Sleep 2. Bedtime Story 3. Get Into Bed 4. Go To Sleep! 5. Little Princess' Bedtime 6. Sleep Tight 7. I'm Not Sleepy 8. Goodnight Everyone
A wry and comic look at the shifting of power in sexual relationships Francois Ozon's film is adapted from a play written but never staged by the celebrated German filmmaker Rainer Werner Fassbinder. When the smooth-talking Leopold (Bernard Giraudeau) a successful businessman of 50 seduces 20-year-old Franz the youngster falls under his spell and moves in with him. But Leopold soon reveals his true colours and Franz contemplates returning to her girlfriend (Ludivine Sagnier) -
Ralph Gorse a charmer in every sense of the word is handsome suave and stylish. It soon becomes clear however that there is a much darker side to his character: that of a conman seducer and murderer. Whilst staying in Reading he seduces Joan Plumleigh-Bruce much to the disgust of her friend Mr Stimpson and succeeds in swindling a great deal of money from her. Running off to Brighton with the money he soon wastes it all and has to get his old job back working in a car showroom. The owner's daughter Pamela falls for him and on discovering she is pregnant Gorse is forced to marry. After an insurance scam goes terribly wrong Gorse flits again to try and start a new life with a false identity. With Mr Stimpson catching up with him will Gorse succeed or will he finally get his comeuppance?
James Stewart and Doris Day in a rare dramatic role are superb in this brilliant suspense thriller from the undisputed master. Stewart and Day play Ben and Jo MacKenna innocent Americans vacationing in Morocco with their son Hank. After a French spy dies in Ben's arms in the Marrakech market the couple discovers their son has been kidnapped and taken to England. Not knowing who they can trust the McKennas are caught up in a nightmare of international espionage assassinations and terror. Soon all of their lives hang in the balance as they draw closer to the truth and a chilling climatic moment in London's famous Royal Albert Hall. Special Features: The Making of the Man Who Knew Too Much Production Photographs Trailers
It is the early years of World War II and the Royal Navy must fight a desperate battle to stop Germany's best battleship, the Admiral Graf Spee, from sailing to the South Atlantic.
A film by Guy Green, The Angry Silence, is the heartfelt story of a young factory worker, Tom Curtis, played by Richard Attenborough. Curtis stands up against bullying union leaders and refuses to take part in an unofficial, wildcat strike. As a result, he is immediately ostracised by his fellow colleagues and is victimised by the union, circumstances that can only lead to a tragic climax.
Featuring a score by Elmer Bernstein unique opening credits by Bond optical effects veteran Maurice Binder and gritty performances by Roger Moore and Ray Milland 'Gold' is a superb adaptation of Wilbur Smith's acclaimed novel concerning a group of greed-driven businessmen conspiring to flood a South African gold mine... ....spectacular underground sequences and a rousing finale - Halliwell's Film And Video Guide 1999.
Luc Besson (The Fifth Element) made his American directorial debut with this stylised thriller about a French hit man (Jean Reno) who takes in an American girl (Natalie Portman) being pursued by a corrupt killer cop (Gary Oldman). Oldman is a little more unhinged than he should be, but there is something genuinely irresistible about the story line and the relationship between Reno and Portman. Rather than cave in to the cookie-cutter look and feel of American action pictures, Besson brings a bit of his glossy style from French hits La Femme Nikita and Subway to the production of The Professional, and the results are refreshing even if the bullets and explosions are awfully familiar.--Tom Keogh
The evil organization SPECTRE has hatched a plan to steal a decoder that will access Russian state secrets and irrevocably unbalance the world order. It is up to James Bond to seize the device first, but he must confront enemies that include Red Grant and the ruthless Rosa Klebb, a former KGB agent with poison-tipped shoes. Even as Bond romances a stunning Soviet defector, he realizes he is being lured into a deadly trap, and he will need all of his courage, abilities and cutting-edge techno...
Fidelio - Recorded At The Glyndebourne Festival Opera 1979.
The very first of James Bond's adventures, featuring a young Sean Connery stepping into the role of Britain's super-suave secret agent. Bond's mission takes him to the steamy island of Jamaica, where mysterious energy waves are interfering with U.S. missile launches. As he unravels the astonishing truth, Bond must fight deadly assassins, sexy femme's fatales and even a poisonous tarantula. With the help of crack CIA agents Felix Lieter (Jack Lord) and the beautiful Honey Ryder (Ursula Andres...
Hammer's She might be a travesty of Rider Haggard's epic adventure novel, scaling things down to fit into a budget lavish only by the studio's low standards. At least the film opens with the unexpected sight of Peter Cushing and Bernard Cribbins in a dive in Palestine in 1919, shimmying with belly-dancers and brawling with the locals John Ford-style. Less entertainingly the film then switches attention to blonde clod John Richardson who is dreamily visited by blonde goddess Ursula Andress--her eerie beauty enhanced by the usual Hammer trick of dubbing the foreign crumpet with a posh voice.Our adventurers are given a map which leads them through deserts and mountains to the lost city of Kuma, an Egyptian-style civilisation ruled by Ayesha. This immortal She-Who-Must-be-Obeyed has been unaccountably waiting for Richardson to be reincarnated ever since she pettishly killed him thousands of years ago. In this reading, She is an Aryan fascist given to tipping those who displease her into a pit of molten lava. Her final comeuppance--as she bathes again in the blue flame of immortality and finds the process reversed so she suffers one of Hammer's patented Dracula dissolves to dust--takes place during a native uprising which overthrows her whole corrupt regime.The leads look terrific but can't act for beans so it's a mercy that stalwarts Cushing and Christopher Lee (as the treacherous High Priest) are on hand, not to mention Cribbins (comedy servant in bowler hat), Andre Morell and Rosenda Monteros.The James Bernard music is enchanting in a way Robert Day's direction sadly isn't, but the sets and (especially) costumes are splendid and the film has its moments of magic and terror: as the centurion pours out the remains of Morell's daughter from a jar, as the flame burns blue and the lovers bathe in it.On the DVD: the 2.35:1 widescreen print is in very good shape. Otherwise, there's not even a trailer. --Kim Newman
In Roger Moore's first outing as 007, he investigates the murders of three fellow agents, he soon finds himself a target, evading vicious assassins as he closes in on the powerful Kananga (Yaphet Kotto). Known on the streets as 'Mr Big', Kananga is co-ordinating a globally threatening scheme using tons of self-produced heroin. As Bond tries to unravel the mastermind's plan, he meets Solitaire (Jane Seymour), the beautiful Tarot card reader whose magical gifts are crucial to the crime lord. B...
The Wheeltappers And Shunters Social Club: Series 2 (2 Discs)
The Bounty is the third screen version of one of the best-known stories in naval history, here with Anthony Hopkins as Lieutenant William Bligh and Mel Gibson as Fletcher Christian heading an extraordinary cast including Laurence Olivier, Edward Fox, Daniel Day-Lewis, Liam Neeson, Bernard Hill and Dexter Fletcher. HMS Bounty's voyage to Tahiti of 1787-9 and its infamous consequences are recounted with far greater historical accuracy than in the 1935 or 1962 Mutiny on the Bounty. The movie is gorgeously shot on location in Tahiti, England and New Zealand as well as on a full-size recreation of the original Bounty. Roger Donaldson's film benefits from a literate screenplay by Robert Bolt, who here as in Lawrence of Arabia (1962), brings real insight into the English institutional mind in conflict. Hopkins is at his complex best and Gibson offers more depth than his usual two-dimensional hero persona; here Bligh and Christian emerge as complex men gripped by circumstances beyond their control. The haunting score by Vangelis contributes immensely to a very underrated film which deserves to be considered a modern classic. On the DVD: There is an excellent 52-minute "making of" documentary that mixes historical information with on-location interviews. A 12-minute overview of previous screen versions of the story is narrated by the film's historical consultant, Stephen Walters, who also provides a somewhat stilted but nevertheless informative audio commentary. The second audio commentary is from director Roger Donaldson, Producer Bernie Williams and Production Designer John Graysmark, who genuinely appear to enjoy reminiscing and have real enthusiasm for the movie. Also included is a fascinating 28-page booklet. This is the stuff Special Editions should always be made of, and this would be one of the finest DVDs on the market were it not for the transfer of the film itself, which appears to be a reprocessed version of the same NTSC anamorphic 2.35:1 transfer found on the bare-bones Region 1 DVD, with no sign of PAL speed-up. The picture not only shows considerable grain in some scenes, but also demonstrates marked compression artefacting and enhancement shimmer on all horizontal lines, making some scenes extremely ugly. For such a beautiful film it is a most disappointing transition to the digital format. Most unusually for a UK release, the disc is region free.--Gary S Dalkin
""Atmosphre? Atmosphre? Est-ce que j'ai une gueule d'atmosphre?"" Hotel du Nord is the second part of Marcel Carne's ""fatalistic romantic melodramas"" following Quai des Brumes and later completed by Le Jour se Leve. Renee (Annabella) and Pierre (Jean-Pierre Aumont) take a room at the shabby Parisian Hotel du Nord with the intention of seeing through a suicide pact. However Pierre shoots Annabella but cannot turn the gun on himself. Seedy pimp Monsieur
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