Although the confectionary does make an appearance at the end of the film, Turkish Delight, as a title, may be interpreted in a number of ways. This violent tale of love is told in flashback from the perspective of bohemian artist Eric Vonk (Rutger Hauer, collaborating for the first time with director Paul Verhoeven). Opening on a brutal attack and then a succession of one-night stands, it seems at first that the guy's a complete jerk. Then a sudden lurch backwards two years reveals the motivations for both his dreams and behaviour, as well as the subject of the photos he spends his time pining for. He meets Olga (a fantastic Monique Van De Ven) as the result of a car accident. But their tempestuous relationship is shaken by many peculiar events: a surreal wedding ceremony, unveiling a statue to the Queen and the death of Olga's father. The real problem is Olga herself, however, which leads to a shock ending many have compared to Love Story. Somewhat dated now, and made long before his move to Hollywood, Turkish Delight is nonetheless unmistakably a product of the now-familiar Verhoeven style. The film's language and images still have the power to shock or offend, and we certainly get to see far too much of Hauer's private parts, even though some amazing visuals (mirrored candles, inspired beach art and a nightmarish red Chinese restaurant) are some compensation. --Paul Tonks
Based on John Lahr's biography of the same name and co-written by Alan Bennett, Prick Up Your Ears charts the 16-year relationship between the monstrously talented but deeply selfish playwright Joe Orton (Gary Oldman), author of West End farces such as Loot and What the Butler Saw, and his neurotic but nevertheless wronged lover and collaborator Kenneth Halliwell (Alfred Molina). Halliwell introduced Orton to art, literature and gay sex only to see his protégeacute; outstrip his mentor with innate and rampant talent for sexual conquest. By turns hilarious and excoriatingly painful, it's as much a tribute to an anti-hero of our times-Orton's ruthless frankness and anarchic mindset helped form the basis of what's called the "queer" sensibility today--as it is a portrait of the Swinging 60s just after the reform of anti-homosexuality laws irrevocably changed society. The modern-day framing device has Lahr (Wallace Shawn) researching his book through interviews with Peggy Ramsay (Vanessa Redgrave), Orton's agent and the diary he wrote, a nimble device which ends up drawing a provocative parallel between Orton and Halliwell's relationship and that of Lahr and his wife (Lindsay Duncan). Director Stephen Frears, fresh off the back of the also-gay-themed My Beautiful Laundrette, nimbly balances our sympathies for both the protagonists while the leads give what may in retrospect look like the standout performances of their careers: Oldman was never more feral and charming, while Molina, foppishingly fretting over his wig and decrying that his lover "even sleeps better than I do" is simply heartbreaking. --Leslie Felperin
John Wayne: Cold Vengeance
Pity poor Vic (Alan Bates): when he begins a relationship with Ingrid (June Ritchie), a typist at the Lancashire factory where he works as a draughtsman; his life comes apart at the seams. Ingrid's gossiping, malicious friends are bad enough, but her mother Mrs Rothwell (the terrifying Thora Hird) is something else. Vic has to marry Ingrid-she's pregnant--and the only place for them to stay is chez Rothwell. There's a tenderness about A Kind of Loving which you don't find in the more abrasive "kitchen sink" films of the 60s. Vic is not a rebel like Arthur Seton in Saturday Night, Sunday Morning or a macho lunk like Richard Harris' rugby-league player in This Sporting Life. He's a likable, easygoing youngster who soon discovers that real-life love affairs are infinitely messier than he and his mates could ever have imagined. The acute, witty screenplay, adapted by Willis Hall and Keith Waterhouse from Stan Barstow's novel, shows how limited Vic and Ingrid's choices really are. They have no privacy or independence. Bounced into a marriage that neither necessarily wants, their romance quickly sours. Mrs Rothwell is truly the mother-in-law from Hell--a busybody and a tyrant. Look out for the Queen Victoria-like expression on her face when a drunken Vic throws up in her front room. Debut-feature director John Schlesinger captures the humour and the pathos in the young lovers' plight without ever making fun of them. --Geoffrey Macnab
Sean (Kerr Smith) is driving cross-country to deliver a vintage Mercedes and attend his sister's wedding when he picks up a hitchhiker, Nick (Brendan Fehr), who just happens to be a vampire hunter with a secret.
One of the great late period films by Sacha Guitry - the total auteur who delighted (and scandalised) the French public and inspired the French New Wave as a model for authorship as director-writer-star of screen and stage alike. In every one of his pictures (and almost every one served as a rueful examination of the war between the sexes), Guitry sculpted by way of a rapier wit - one might say by way of the Guitry touch - some of the most sophisticated black comedies ever conceived... and La Poison [Poison] is one of his blackest. Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) - a woman with similar designs on her husband. When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse - that is, the way in which he can get away with it - an acid comedy unfolds that reaches its peak in a courtroom scene for the ages. From the moment of Guitry's trademark introduction of his principals in the opening credits, and on through the brilliant performance by national treasure Michel Simon (of Renoir's Boudu sauve des eaux and Vigo's L'Atalante, to mention only two high-water marks), here is fitting indication of why Guitry is considered by many the Gallic equal of Ernst Lubitsch. The Masters of Cinema Series is proud to introduce Sacha Guitry into the catalogue with La Poison for the first time on video in the UK in a dazzling new Gaumont restoration. Special Features: New HD restoration of the film, presented in 1080p on the Blu-ray Newly translated optional subtitles Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery
Former tennis pro Tommy Everett teaches wealthy and beautiful pupils to play at their lavish homes. In order to raise the money he needs for a down payment on a private tennis court, he must go above and beyond his teaching duties for some of his clients.
Robbing 36 banks was easy. It's the 37th that you need to watch.... Classic romantic drama about three convicted killers Bowie Chicamaw and T-Dub who escape from prison in 1937 rural Mississippi. Bowie the youngest of the fugitives meets and falls for an ingenious farm girl Keechie. The gang quickly turns to the only thing they know bank robbery. The press closely follows the desperados notorious exploits which include a serious car accident another jail break and several killings. The acclaimed Louis Fletcher made her film debut playing Remsen's sister in law.
Grizz, Panda, and Ice Bear are ready to be DVD famous! Come hang out with these bros as they try to fit in and make friends...which can be hard to do when you re a bear. But they ve already met Chloe, a young student, internet celebrity Nom-Nom, and Grizz somehow made friends with a giant burrito. These bears always know how to turn a crazy situation into a good time.
In this sequel/remake to the original 1980 ecological horror movie a secret government experiment turns nightmarish when genetically altered fish bred as amphibious weapons escape. Scientists believe them dead after a biohazardous chemical spill. Far from it the creatures thrive as bloodthirtsy killers threatening to annihilate a small coastal town by slaughtering the men and abducting the women for mating! Government scientists attempt to keep the creatures' origin a secret while trying to destroy them. Starring Emma Samms Humanoids From The Deep 2 also stars Robert Carradine and Justin Walker as the locals who try to put an end to the carnage!
Scratch is the definitive film that explores the world of the hip-hop DJ. From the birth of hip-hop when pioneering DJs began extending breaks on their party records (which helped inspire break dancing & rap) to the invention of scratching and 'beat-juggling' vinyl to its recent explosion as a musical movement called 'turntablism' it's a story of unknown underdogs and serious virtuosos who are radically changing the way we hear play and create music.Here are some of the worlds best DJs those famous for solo scratching competing in international DJ battles playing for rap artists or just rocking parties with the most insane records ever dug up. Check out dynamic performances and interviews with DJs Qbert Z-Trip Mix Master Mike (of the Beastie Boys) Rob Swift and X-ecutioners Cut Chemist & NuMark (of Jurassic 5) DJ Craze DJ Shadow The Bullet Proof Space Travellers Babu (of Dilated Peoples) DJ Krush DJ Premier (Gang Starr) and others along with 'old-school' innovators like Afrika Bambaataa and Grand Wizzard Theodore.
We click our heels in anticipation. There's no place like home and no movie like this one. From generation to generation The Wizard of Oz brings us together - kids grown-ups families friends. The dazzling land of Oz a dream-come-true world of enchanted forests dancing scarecrows and singing lions wraps us in its magic with one great song-filled adventure after another. Based on L. Frank Baum's treasured book series The Wizard of Oz was judged the best family film of all time by the American Film Institute.
From the books of Peter Tinniswood comes one of television's greatest comedy families The Brandons. There's miserable pessimist Uncle Mort his sharp-tongued sister Annie who is constantly arguing with husband Les their laid-back son Carter and his not so laid-back fianc Pat and finally old Uncle Stavely who carries his friend's ashes around his neck in a box and only enters the constant bickering with a cry of ""I 'eard that! Pardon?"" Episodes comprise: 1. Men At Work 2. A Grave Decision 3. Party Games 4. A Bleak Day 5. Stout Deeds 6. Paradise Lost 7. The Last Tram
Paradise Canyon: An undercover federal agent is on the trail of a gang of counterfeiters. John Wyatt (Wayne) is sent under cover to follow Doc Carter's medicine show to expose a counterfeiting gang. When the main suspect is kidnapped with his daughter by the real villain Wyatt realises he has been chasing the wrong man and switches his attentions to the notorious Curly Joe... The Dawn Rider: John Mason is hit with a bullet. Alice who nurses him turns out to be the si
Follow wide-eyed Dorothy (Judy Garland)and her ragtag friends Scarecrow, Tin Man and the Cowardly Lion as they head down the Yellow Brick Road in search of Emerald City and the all-powerful Wizard of Oz. Shot partly in black and white, partly in Technicolor, THE WIZARD OF OZ is a perfect juxtaposition of reality and fantasy.
One of the earliest attempts to capture the excitement of rock 'n' roll music on film Rock Rock Rock featured an impressive cast list including the man who first coined the phrase rock 'n' roll (Alan Freed) and some of the genres early pioneers including Chuck Berry Frankie Lymon and Johnny Burnette. The storyline such as it is concerns the quest of a teenage girl trying to earn enough money to buy a dress for a school dance but all that really matters are the performances of the likes of The Moonglows and The Flamingos among the greatest vocal groups of all time.
Although Lewis Milestone had been American cinema's premier maker of war films for three decades, 1951's The Halls of Montezuma is one of his more marginal pictures. Milestone had already won an Academy Award for the single most honoured film about WWI, All Quiet on the Western Front (1930), and made one of the most distinctive contemporaneous films of WWII, A Walk in the Sun (1945)--a notable influence on Saving Private Ryan, by the way--but by the time of Montezuma the hallmarks of his directorial style--such as his syncopated tracking shots--were becoming mannerisms, and the screenplay's rhythms of personal crises set against the bigger picture of the military campaign are pretty mechanical. That still leaves room to accord the picture a marginal recommendation: it's well-cast, competently made, and free of "Hollywood heroics". Richard Widmark stars as a Marine platoon leader who, having brought only seven of his men through Guadalcanal, is determined to see them safely through the next island conquest. The lieutenant was a schoolteacher in civilian life--as we see in flashbacks--and one member of his command is a former student (Richard Hylton) he helped overcome fear. Other platoon members include ex-boxer Jack Palance, trigger-happy bad boy Skip Homeier, hardcase veterans Neville Brand and Bert Freed, and Karl Malden as a philosophical corpsman. However, the most arresting performance is given by Milestone discovery Richard Boone, making his screen debut as a sympathetic colonel stuck with fighting the Japanese and fighting off a miserable cold at the same time. --Richard T Jameson, Amazon.com
Buffalo Bill (Paul Newman) plans to put on his own Wild West sideshow and Chief Sitting Bull has agreed to appear in it. However Sitting Bull has his own hidden agenda involving the President and General Custer...
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