All 15 episodes from the fifth season of the American crime drama starring Timothy Hutton. Former insurance investigator Nathan Ford (Hutton) leads a team of professional criminals - cyber-geek Alec Hardison (Aldis Hodge), martial arts expert Eliot Spencer (Christian Kane), acrobatic cat burglar Parker (Beth Riesgraf), and charismatic con artist and actress Sophie Devereaux (Gina Bellman) - in a quest for revenge against people and companies who misuse their power.
He Was A Good Man In A Deadly Business. She Was His Only Way Out. John LeTour (Willem Dafoe) is a good man in a bad business working for Ann (Susan Sarandon) on the wrong side of the law. When Ann decides to close up shop LeTour has to go straight and come up with a future. But time is running out on him as he must dodge the cops confront a killer and find his heart before he can leave his past behind.
The expert con artists of the hit crime drama Leverage are back for an all-new season of complex heists and high-stakes action. With the team’s leader Nate Ford (Academy Award-winner Timothy Hutton) now behind bars and his nemesis working for Interpol, a beautiful but mysterious stranger steps in to call the shots for TV's hottest gang of master thieves. These tech-savvy grafters are highly skilled and ready to settle scores with the criminal underworld. It's time to take things to the next level. Special Features: Audio Commentary with Writer and Director
7 years on from the original Fortress movie, Brennick and his family are still on the run from the Mental corporation.
It's goodbye to Capeside, hello to Boston in Dawson's Creek's fifth season (a.k.a.: Dawson's Creek: The College Years). While the end of the fourth season sent the five friends their separate ways--Dawson (James Van Der Beek) to USC Film School, Joey (Katie Holmes) to Wilmington College, Jen (Michelle Williams) and Jack (Kerr Smith) to Boston Bay College; and Pacey (Joshua Jackson) to the high seas--it doesn't take them long to find themselves together again. That's a good thing, especially when tragedy strikes a family member and threatens to tear the survivors apart. More than anything, the fifth season seems to be about falling into bad relationships. Jen dates a cute but sleazy musician (Chad Michael Murray), Pacey gets a job in a restaurant where he pursues a woman (Lourdes Benedicto) already having an affair with a married man, then fends off a vampish new boss (Sherilyn Fenn, Twin Peaks). Joey is drawn to her handsome English professor (Ken Marino). And Jack joins a frat, becomes a jerk, and starts a devoted relationship with his beer bottle. Dawson meets an eccentric young filmmaker (Jordan Bridges) which in turn leads to a meeting with his favorite Boston film critic (Meredith Salenger). And Joey's new roommate, the annoyance-with-a-heart-of-gold Audrey (Busy Phillipps), becomes the newest major addition to the cast. The irritation factor is high this season, a couple of "Joey is threatened" interludes don't have the punch that they could have, and in the season finale, the inevitable resolution of the show's central relationship doesn't really resolve anything at all. But viewers who have followed the Capeside crew for four seasons will still want to see what happens in the fifth. The fifth season is the first to have no DVD extras at all, and it continues the music-replacement strategy (which, since the second season has replaced much of the music, and since the third season has replaced Paula Cole's theme song, all due to licensing expenses). In addition to the usual background-music switches, some scenes have been edited (for example, the episode "Highway to Hell" has cut two of the performances on-stage at the Drunk & Dead). Also, the opening credits of "The Long Goodbye" and "Downtown Crossing" had originally used instrumental versions of "I Don't Want to Wait," which had underscored the emotion of those episodes. In the DVD set, those have been replaced by the standard version and an instrumental version, respectively, of "Run Like Mad." --David Horiuchi, Amazon.com
One’s street-smart and blue-collar born; the other’s book smart and nouveau bankrupt. Together unlikely roommates and unlikelier friends Max (Kat Dennings Nick and Norah’s Infinite Playlist) and Caroline (Beth Behrs) are two broke girls waiting tables in a Brooklyn diner while they’re waiting for real life to begin. Saving $250 000 to open a cupcake shop won’t be easy but the pair’s saucy humor and blossoming friendship make chasing the American dream a priceless adventure. Enjoy all 24 outrageous Season One episodes from Emmy(R) winner Michael Patrick King (Sex and the City) and white-hot stand-up comedian Whitney Cummings (Whitney) plus sweet extras!
No review of Lawn Dogs can adequately describe this extraordinary movie, nor can the title or any simple synopsis. In fact, there's no way of knowing what Lawn Dogs is really about until the very end when the last 90-minutes takes on a whole new significance. The basic story follows the formation and fruition of a simple friendship. Devon (astounding newcomer Mischa Barton) is a 10-year-old girl born to glamour magazine identikit parents who live in the plush US suburban Camelot Gardens Estate. Trent (Sam Rockwell) is a 20-something lawnmower man whom everyone considers trash and who lives in a forest trailer. As secret friends they fill the holes in one another's lives. She has no other friends because she thinks "other kids smell like TV". It's all perfectly sweet and innocent. But naturally there's no way the uptight neighbourhood would perceive it that way. A creeping sense of doom begins to overtake events; but it is where this seemingly obvious tale twists at the end that makes the community's darker quirks a revelation. On the DVD: Lawn Dogs on disc comes in a 16:9 transfer that retains the superb cinematography of endlessly stretching flat horizons. The three-channel sound is equally of benefit to a subtle bluesy score. Regrettably the only extra is a trailer. As a winner at numerous International Film Festivals, this picture really deserved something more. --Paul Tonks
This uproariously funny white trash campfest takes a wicked peek into an extended family of Texas rednecks who've come together for the funeral of their adulterous matriarch. Attending the funeral are her dueling big-haired daughters LaVonda (Ann Walker) and Latrelle (Bonnie Bedelia); sister Sissy (Beth Grant) who picked the wrong time to quit smoking; a revengeful neighbor (Delta Burke); brother Earl (Leslie Jordan) a Tammy Wynette-obsessed drag queen; hunky Ty (Kirk Geiger) Latrelle's estranged gay son; and Bitsy Mae (Olivia Newton-John) a country music-singing ex-con lesbian. The tantrums gossips and revelations spill all over the linoleum floor in this film that deliriously revels at its chitin-loving beer-guzzling gun-totting same sex-loving pill-popping eccentrics.
Keep the dream alive. In the wake of a deadly virus that has wiped out the adult population the children of the world must now survive on their own. The sophisticated hi-tech society that their forefathers created has collapsed into confusion anarchy and fear. It is in this dangerous new world where The Tribe must construct a new culture in their own image and learn that in the aftermath of a disaster there come fresh opportunity and new responsibility. The future is theirs
When Sabrina Spellman is informed by her aunts Hilda and Zelda that she is a witch on her 16th birthday she is hesitant to believe them. Having been sent to live with them in Massachusetts by her Warlock father and mortal mother Sabrina has to learn the tricks of magic in order to receive her witch's license. Along the way she gets into many scrapes while figuring out how certain spells work. She also has to keep the secret from her boyfriend Harvey friends Jenny and later Valerie stuck-up nemesis Libby and her ever-suspicious vice-principal Mr. Kraft.
An All Dogs Christmas Carol is another straight-to-video sequel of a so-so animated film. The original 1989 All Dogs Go to Heaven was hardly inspired but contained expert Don Bluth animation and the amusing voices of Burt Reynolds and his gang. Now Steven Weber voices the animated mutt Charlie who is still palling around with the same gang through three movies and an animated series. Here the arch villain, Carface (Ernest Borgnine), gets the traditional Dickens treatment of being visited by three ghosts on Christmas Eve. The opening number, "When I Hear a Christmas Carol", is a good start, but soon TV-ish animation and the low humour becomes wearing. Kids who like the earlier Dog efforts won't be disappointed, but the entire series can hardly be defined as great entertainment. The saving grace is the foolproof Christmas Carol visitations. --Doug Thomas
Bringing the sixth and final season of 'Dawson's Creek' to a close this disc features the two-part finale aptly titled 'All Good Things Must Come To An End'. Dawson Joey Pacey Jen and Jack are reunited in Capeside after five years to celebrate Dawson's mum's wedding. But the celebratory mood comes to an end when they receive some heartbreaking news. As the gang faces a future more uncertain than ever before Joey struggles to come to terms with her true feelings for Dawson Pa
Jen is a cheerleader and Jack's on the football team. I got sane and everyone else went crazy?" That's how Andie (Meredith Monroe) sums up the topsy-turvy beginning to the third season of Dawson's Creek, in which nothing seems to be as it should and the series takes a major turn. It's junior year at Capeside High, and Jack (Kerr Smith), the town's resident gay teen, is indeed on the football team, and Jen (Michelle Williams) finds herself the object of unexpected and unwelcome popularity among her fellow students, especially the freshman quarterback (Michael Pitt). Pacey (Joshua Jackson) finds that his relationship with Andie can't be restored, and Dawson (James Van Der Beek) and Joey (Katie Holmes), after the events of last year, both think it's for the best that they're no longer together--they just never think it at the same time. Significant events include the friends starting to date outside their circle, Dawson's giving up some of his aspirations, a ! crisis for the school's new principal, a college tour, and the openings of the Potter Bed & Breakfast and Leery Fresh Fish. But the Dawson-Joey relationship is still the heart of the Creek, and it comes to a head in one of the series' most memorable episodes, "The Longest Day," and then the season finale. Even in its first season without series creator Kevin Williamson, Dawson's Creek still had plenty of punch. On the DVDs, executive producer Paul Stupin does his usual commentary track for two episodes, and he's joined by Kerr Smith. They discuss the series itself, Smith's character, and Smith's subsequent career more than the events of the episodes. The second-season DVD set disappointed many fans by replacing a large portion of the music, and that trend continues in the third season, most surprisingly in the loss of Paula Cole's theme song. Instead, the opening credits feature Jann Arden's "Run Like Mad," which was used briefly in the international broadcast. Stupin explains the switch as an attempt to do something different and creative, but then admits there was also "a bit of an economic reality." Fortunately, the DVDs do have John Lennon's "Imagine" and Mary Beth Maziarz's "Daydream Believers"--songs that in dramatic context simply could not have been replaced--and it could be argued that a veteran viewer might skip the opening credits anyway. Still, for many fans, the music made Dawson's Creek what it was, and without all of it--especially the theme song--the DVDs seem like a compromise rather than a permanent keepsake. --David Horiuchi
A lot of young girls move to New York City to make it. Max and Caroline are just trying to make their rent. In this fun outrageous comedy series from Emmy Award winner and executive producer Michael Patrick King (Sex and the City) two girls from very different backgrounds - Max poor from birth and Caroline born wealthy but down on her luck - wind up as waitresses in the same colorful Brooklyn diner and strike up an unlikely friendship that could lead to a successful business venture. All they need to do is come up with $250 000 in start-up expenses. Starring Kat Dennings (Nick and Norah's Infinite Playlist Thor) and exciting new discovery Beth Behrs 2 Broke Girls infuses the classic comedy with something new current and young proving life can be fun - even if you're broke. Max and Caroline... they put the class in working class.
This is a riveting thriller involving a young girl called Kim who is staying alone in a friend's house in Los Angeles. While watching an old black and white film on television she notices that the film is being intercut by a sequence in colour of a man and woman making love. The sequence ends with the man suffocating the woman with a pillow and then bundling her into a plastic bag. Confused and shocked it is only the next day that Kim realises for certain what has happened when a friend informs her that there has been a series of murders in Los Angeles with women found in green plastic bags. As the scenes continue Kim alerts the police and word leaks out to the media of Kim's discovery and the picture is being picked up by a neighbouring scanning TV dish of videos made by the murderer for his own use. Kim's role changes from spectator to victim. As the killer's face is never seen any man becomes a nightmare as she misinterprets friendly gestures from teachers to delivery men. When we think it's all over she gets a phone call. Is the game over yet?
A lot of young girls move to New York City to make it. Max and Caroline are just trying to make their rent. In this fun, outrageous comedy series written by Emmy Award winner Michael Patrick King (Sex and the City) and white-hot stand-up comedian Whitney Cummings, two girls from very different backgrounds -- Max, poor from birth, and Caroline, born wealthy but down on her luck -- wind up as waitresses in the same colorful Brooklyn diner and strike up an unlikely friendship that could lead to a successful business venture. All they need to do is come up with $250,000 in start-up expenses.Starring Kat Dennings (Nick and Nora's Infinite Playlist, Thor) and exciting new discovery Beth Behrs, 2 Broke Girls infuses the classic comedy with something new, current and young, proving life can be fun -- even if you're broke.Max and Caroline ... they put the class in working class.
E. Nesbit's family favourite 'The Railway Children' follows the story of Roberta (Bobbie), Phyllis and Peter, three sheltered siblings who suffer a huge upheaval when their father is falsely imprisoned. The children and their mother, now penniless, are forced to move from London to rural Yorkshire into a new home next to a railway line. Dealing with themes of justice, the importance of family and the kindness of strangers the event is filmed from the National Railway Museum in Yorkshire, featuring the train from the original much-loved film. York Theatre Royal s Olivier award-winning production of 'The Railway Children' has been imaginatively adapted by Mike Kenny and Damian Cruden and beautifully directed for the screen by Ross MacGibbon.
Third Series of the hit BBC Show. Malory Towers is set in post-war Britain based on the iconic novels by Enid Blyton. Perched high on the sun-drenched cliffs of the Cornish coast, Malory Towers is an all-girls' boarding school. It's a protected paradise, bursting with energy, fun and mystery.
After her husband leaves her an American woman travels to London for the funeral of Victor Fox the pop star she's adored all her life. There she meets Fox's gay lover and convinces him to come back to Chicago with her to figure out who killed the singer...
Once upon a time, in a childhood land of lollipops and sleepovers, Chuck and Buck were the best of friends; their days marked out with "fun, fun, fun". The trouble is that Chuck grew up and Buck did not. When the pair are reunited at a family funeral, Chuck (now a thrusting music exec with a pert girlfriend and an apartment in the Hollywood hills) finds himself bothered and bewildered by the creepy lost boy he thought he'd left behind. "I like your house," mumbles Buck, sticking out like a sore thumb at an uptight yuppie party. "It's very old person-y." Shot on a shoestring budget by Miguel Arteta, Chuck and Buck offers a uniquely rich and strange comedy of retarded childhood. Think of this as a Peter Pan for modern-day America, or the Tom Hanks film Big viewed through a glass darkly. The slender premise contains deep pockets of ambiguity. After all, who's the real victim here? The harassed Chuck (played by American Pie co-creator Chris Weitz) or the spurned, saucer-eyed Buck (Mike White, who also wrote the script)? And who is the hero: the successful, status-conscious professional or the dopey, tearful wild card? Throughout the tale, you find your sympathies swinging back and forth between them. Make no mistake, Chuck and Buck is alive with hilarious, often horrific set-pieces. Yet Arteta's direction keeps it on a tight leash, prevents it from descending to the level of a simple freak-show. Instead his film blossoms from an odd-couple farce into a drolly provocative (and oddly humane) portrait of that shadow period between infancy and adolescence. White's character comes across as a very human kind of movie monster. Resplendent in stripy T-shirt, Buck is Chuck's conscience, his id, the ghost of childhood come back to haunt him. --Xan Brooks
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