The KLF became the biggest selling singles act in the world in 1991 with a series of international smash hits including acid house anthems 3 A.M. Eternal, Last Train To Transcentral, and Justified & Ancient, released on their own KLF Communications record label. Produced and directed by Bill Butt in collaboration with Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful, subversively creative and enigmatic electronic bands of the early 90s, 23 Seconds to Eternity takes viewers on a film journey through the collected music videos and short features including The White Room (1989), The Rites of Mu (1991), narrated by Martin Sheen and the previously unreleased Krash (1992). Also included are the world famous music videos for the hit singles 3 A.M. Eternal, What Time is Love? and Justified & Ancient. This release is the first ever compilation of KLF Communication's films and this release will feature an array of special features and an illustrated booklet featuring rare and previously unseen material. Product Features KLF: Unfinished (1992, 30 mins): making of documentary including optional commentary by director Robert Milton Wallace Interview with Bill Butt by Mick Houghton (2023): the producer and director discusses the making of 23 Seconds to Eternity This Is Not What The KLF Is About (1991, 15 mins): a short film shot and edited by Jimmy Cauty capturing the making of Stadium House Trilogy, newly remastered by Rich Osborn 23 Seconds to Eternity theatrical trailer (2023, 2 mins) KRASH trailer (1 min) The White Room trailer (1 min) Stills gallery Limited edition includes an illustrated booklet with new writing by Mick Houghton and the BFI's William Fowler, Bill Butt's filmography, an introduction to The White Room, and rare images from the personal collections of Bill Butt and Mick Houghton
This intense drama is based on the true story of Danny Balint, a former Yeshiva student whose love/hate relationship with God led him to become a neo Nazi skinhead.
Its ads portrayed The Love Letter as a wacky farce, while critics largely ignored it, presuming it to be a vanity project from Kate Capshaw (better known as Mrs. Steven Spielberg). But The Love Letter is neither; on the contrary, it's a low-key but surprisingly rich and touching film about love, illusions, and regret. Helen (Capshaw), a bookseller in a small seashore town, discovers an unsigned love letter that's fallen into the cushions of a couch in her store. The letter doesn't say who it's for, but Helen assumes it's for her and starts wondering who sent it. One would expect this to lead to a whirling comedy of mistaken identities, but after some amusing daydream moments, the movie follows its story with subtlety and nuance. The characters behave according to their own needs and desires, rather than the demands of standard Hollywood goofiness. The performances--from a cast including Tom Selleck, Tom Everett Scott, Ellen DeGeneres, newcomer Julianne Nicholson, and others--are uniformly unforced and natural. Viewers weary of the hyped-up, absurd emotional climaxes of most so-called romantic comedies will find a respite here. The Love Letter is a genuinely charming film. --Bret Fetzer, Amazon.com
Twenty-three years ago, Bill Drummond ceased activities as part of the enormously successful pop group, the KLF. Since 2014, he's been on a World Tour, travelling around the world with his show The 25 Paintings visiting a different city each year. In December 2016, he based himself in Kolkata, while in the Spring of 2018, he was in Lexington, North Carolina. In each place, he carries out his regular work, setting up a shoeshine stand in the street or building a bed in order to give it away. He walks across the longest bridge he can find, banging his parade drum at dawn, starts knitting circles with anyone who wants to join him, bakes cakes and offers them to strangers whose houses sit on a circle he's drawn on a map of the city. He's not rich, and he's deliberately designed his actions so they cannot be monetised. He's mostly been ignored by the art world. So what is he doing it all for? Director Paul Duane shadowed Bill Drummond for three years before starting this film in order to achieve some level of understanding of what he's about. Co-produced by Grammy Award-winning writer Robert Gordon and shot by Oscar-nominated DOP Robbie Ryan, the documentary is a fascinating look at an uncompromising artist. Best Before Death is named after Drummond's belief that the World Tour, scheduled to end when he's 72, is a race against his own mortality. It's a film about life, death, art, money, music, and cake. And some knitting. Extras High Definition presentation Original stereo soundtrack Audio commentary with Bill Drummond and director Paul Duane (2020) What Is Film? (2020, 40 mins): Drummond interviews Duane for his Forty Minute Interviews project Deleted scenes and alternative footage (110 mins): extensive unseen footage from the film's production Three Short Films from the Best Before Death' Project: Tenzing Scott Brown (2018, 3 mins), 23 Seconds with Bill Drummond in the Wig Shop (2018, 2 mins), and Big Mike and the Pike (2018, 3 mins) Three early dramatic works by Duane, united by their macabre themes: Ink (1988, 10 mins), Blind Alley (1992, 11 mins), and Misteach Bhaile Ãtha Cliath/The Dublin Mystic (1994, 33 mins) Theatrical trailer Image galleries: behind-the-scenes photography Optional English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet containing new writing by Bill Drummond, David Keenan on Best Before Death, an interview with Paul Duane, Duane on his short films, and film credits Limited edition of 3,000 copies
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