The Omen He was born at 6am on the 6th day of the 6th month. The coming of Armageddon the site of the final confrontation between the forces of good and evil as foretold in the Book of Revelations will begin with the birth of the son of Satan - in human form. Unable to tell his wife Katherine the tragic news of their still-born son American diplomat Robert Thorn accepts a new-born orphan as his son. Details of the child's birth remain a secret but as the boy Damien grows older it becomes apparent that he is no ordinary child. As mysterious deaths and strange warnings occur Robert Thorn slowly becomes aware of the hideous evil behind the child's innocent face and the significance of the numbers 666 which bring about the most terrifying of revelations. The Entity Something is after Carla Moran. It wants her soul. It wants her body. There's no stopping it. There's nowhere she can run. Yet The Entity won't kill Carla because it has far more terrifying other things in store for her... The Blair Witch Project Now prepare for a motion picture experience unlike anything you've ever seen heard or feared before. The Blair Witch Project follows a trio of filmmakers on what should have been a simple walk in the woods but quickly becomes an excursion into heart-stopping terror. As the three become inexplicably lost morale deteriorates hunger sets in accusations fly. By night unseen evil stirs beyond their campfire's light. By day chilling ritualistic figures are discovered nearby. As the end of their journey approaches they realise that what they are filming now is not a legend but their own descent into unimaginable horror.
This brilliant feature debut from director Stephen Frears (My Beautiful Laundrette, Dangerous Liaisons, The Grifters)is an affectionateand uniquely British tribute to the Hollywood detective movies of the 1940s. Starring the great Albert Finney (Saturday Night and Sunday Morning, Murder on the Orient Express, Skyfall) as a Liverpool bingo-caller who dreams of being a private eye and then finds himself suddenly contacted for what appears to be an actual piece of detective work. Features: High Definition remaster Original mono audio New interview with director Stephen Frears (2018) New interview with screenwriter and actor Neville Smith (2018) New interview with Director of Photography Chris Menges (2018) The Burning (1967, 31 mins): Frears' haunting debut short film Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Robert Murphy, an overview of contemporary critical responses, and historic articles on the film World premiere on Blu-ray Limited Edition of 3,000 copies All extras subject to change
A series of '50s box-office hits including Genevieve and A Night to Remember established Kenneth More as one of Britain's most accomplished and durable leading men and this bittersweet 1963 comedy further demonstrated the breadth of his talent. The Comedy Man features one of More's most compelling and sympathetic performances as an embattled but resolutely upbeat provincial actor staring middle age and failure in the face; wry touching and deftly scripted with a superb supporting cast it is easy to see why More ranked this film among his favourites. The Comedy Man is presented here in a brand-new digital transfer from the original film elements in its original aspect ratio. Following an indiscretion involving the producer's wife rep actor Chick Byrd is fired from the play in which he has had a leading role. Heading to London in search of bigger and better things he is reunited with a number of similarly straitened thespians as well as his spirited kind-hearted former love Judy. But it seems Byrd may be poised to find fame and even some fortune when in desperation he manages to land himself the starring role in a deodorant commercial... Special Features: Original Theatrical Trailer Image Gallery Original Promotional PDF
Oscar nominee Albert Finney (2001, Best Actor in a supporting role, Erin Brockovich) stars in this hilarious parody of American Film Noir directed by Stephen Frears (The Queen). Meet Eddie Ginley - small time bingo caller and big time loser. He's lost hi girlfriend and now maybe he's losing his marbles. Why, even his psychiatrist has officially diagnosed him as 'a bloody nut'... See, Eddie dreams of being Sam Spade, the ultimate private dick. He's gone so far as to advertise his services as a 'gumshoe' in the local paper. Then one day he gets a call. A mysterious fat man hands him a package with a photo of a girl , £1000 cash - and a gun. Now Eddie's up to his trench coat in femme fatales, hit men, dead bodies - and an international conspiracy. Not bad for a Liverpudlian with a big mouth and an overactive imagination. Now Eddie plunges himself into the mystery world he's always dreamed of living in. He's in his element - but is he also hopelessly out of his depth?
Payroll is a 1961 British crime thriller; starring Michael Craig and Billie Whitelaw. Traversing the criminal underworld of the north-east of England some ten years before Get Carter Johnny Mellor’s band of ruthless criminals attempt to get away with murder but as the police close in the gang begins to fall apart with each member seeking a way out – and in their panic no one realizes there is one adversary they have all overlooked.
The second of the Merchant/Ivory films (A Room with a View, Howard's End), Maurice deals with a theme few period pieces dare mention--a young man's struggle with his homosexuality. It's not just a gay coming-of-age story, however. The hero wrestles with British class society as much as his personal and sexual identity.The film opens on a stormy, windswept beach, as an older man awkwardly instructs young, fatherless Maurice Hall (James Wilby) in the "sacred mysteries" of sex. The same turbulent, wordless struggle with passion lasts throughout this slowly evolving, beautifully filmed story. Novelist E M Forster's brainy, British melodrama hinges on choice and compulsion, as the pensive hero falls for two completely different men. First comes frail, suppressed Clive (Hugh Grant), who wants nothing more than classical Platonic harmony ... and a straight lifestyle. (Grant's performance is so convincing, one wonders how he ever became a heterosexual sex symbol.) After Clive's wedding, Maurice turns to hypnosis to cure his unspeakable longings. Unfortunately, his "cure" is interrupted by Clive's lustful, brooding, barely literate gamekeeper Scudder (Rupert Graves), a worker more at home gutting rabbits than discussing the classics. Maurice's love for a "social inferior" forces him to confront his illicit desire and his ingrained class snobbery. --Grant Balfour
The Water Babies tells the story of Tom, a chimney sweep who gets framed for theft in 1850s England. Even though a young girl named Ellie knows the real thieves' identities and tries to clear Tom's name, Tom's desperate escape run lands him right in the middle of Dead Man's Pool. Assumed to have met certain death, Tom gets sucked into a magical underwater world. Tom befriends the creatures he meets beneath the sea, and they accompany him on a journey to the land of Water Babies, where he intends to ask the all-powerful Cracken to help him return to the world above the water. However, when Tom finally does manage to return to land, life is far from idyllic as he must set out clear his name and trap the real thieves. Many adults possess fond memories of seeing this 1978 movie as children. The land portions of this musical feature live-action footage, while the water sequence is fully animated. To a fresh, modern audience, the abrupt change from one format to the other is somewhat disconcerting, as is the choppy, older animation style. The story, based on the classic children's book of the same name by Charles Kingsley, is an intriguing look at both Victorian culture and the fantasy world. (Ages 4-8) --Tami Horiuchi, Amazon.com
A star-studded, who's who of British cinema features in this delightful tale of a young street urchin, Tom (Tommy Pender) who unwittingly helps petty crooks (James Mason and Bernard Cribbins) rob a rich country house. As Tom escapes the police by jumping into a lake, he is transported to an underwater cartoon-world where he has to help others fi nd safety in order to redeem himself and return home. Also features Billie Whitelaw, Joan Greenwood, David Tomlinson and the voices of Jon Pertwee, Lance Percival and David Jason.
Catherine Cookson was born Catherine McMullen in 1906. Her life began in poverty and she grew up believing her real mother was her sister. In a life that could have been taken from any of her own novels Catherine aspired to achieve more than many of her time. From poverty to wealth she left the sadness behind to start a new life in Hastings where she was to meet her husband Tom Cookson. As a form of therapy Catherine began to write and never stopped and became one of the world's be
The Water Babies is a classically enchanting tale of a young chimney sweep apprentice forced to work long hours and in terrible conditions at the hands of his heavy drinking and dishonest master (Triple Oscar nominee James Mason). One day the young boy Tom is unfairly accused of stealing silverware from the home of a client. Frightened and confused he makes a run for it and leaps into Dead Man's Pool where he is magically transported to a fantasy world filled with animated creatures. Here he makes friends with The Water Babies and becomes immersed in an amazing world of adventure and song. Before he can return to the surface however he must help the Babies escape a tyrannical eel and a devious shark who are holding them prisoner.
Detective Inspector Martineau (Baker) is tough hard working and one of Manchester's top policeman. So when he hears of a jailbreak involving ruthless criminal and jewel thief Don Starling (John Crawford) whom he helped put away he is convinced Starling will come back to Manchester for one last heist. But when a simple robbery turns to murder Martineau is on the case determined to catch him whatever the cost...
Catherine Cookson was born Catherine McMullen in 1906. Her life began in poverty and she grew up believing her real mother was her sister. In a life that could have been taken from any of her own novels Catherine aspired to achieve more than many of her time. From poverty to wealth she left the sadness behind to start a new life in Hastings where she was to meet her husband Tom Cookson. As a form of therapy Catherine began to write and never stopped and became one of the world's be
Briskly paced and breathtakingly evil The Omen is the first film in one of the most chilling horror series of all time. When Kathy Thorn (Lee Remick) gives birth to a stillborn baby her husband Robert (Gregory Peck) substitutes an orphaned infant for their own - unaware of the child's satanic origins.
He was born at 6am on the 6th day of the 6th month. The coming of Armageddon the site of the final confrontation between the forces of good and evil as foretold in the Book of Revelations will begin with the birth of the son of Satan - in human form. Unable to tell his wife Katherine the tragic news of their still-born son American diplomat Robert Thorn accepts a new-born orphan as his son. Details of the child's birth remain a secret but as the boy Damien grows older it becom
A fast-paced thriller with action playing out on both sides of the Atlantic, Slayground is a story of relentless pursuit, savage revenge and cold-blooded murder. Starring Peter Coyote, Mel Smith and Billie Whitelaw and scripted by Sweeney and Callan contributor Trevor Preston, this hard-hitting thriller is presented here in a brand-new digital transfer from original film elements in its original aspect ratio. Things begin to go wrong for Stone, a highly professional criminal with a st...
The second of the Merchant/Ivory films (A Room with a View, Howard's End), Maurice deals with a theme few period pieces dare mention--a young man's struggle with his homosexuality. It's not just a gay coming-of-age story, however. The hero wrestles with British class society as much as his personal and sexual identity.The film opens on a stormy, windswept beach, as an older man awkwardly instructs young, fatherless Maurice Hall (James Wilby) in the "sacred mysteries" of sex. The same turbulent, wordless struggle with passion lasts throughout this slowly evolving, beautifully filmed story. Novelist E M Forster's brainy, British melodrama hinges on choice and compulsion, as the pensive hero falls for two completely different men. First comes frail, suppressed Clive (Hugh Grant), who wants nothing more than classical Platonic harmony ... and a straight lifestyle. (Grant's performance is so convincing, one wonders how he ever became a heterosexual sex symbol.) After Clive's wedding, Maurice turns to hypnosis to cure his unspeakable longings. Unfortunately, his "cure" is interrupted by Clive's lustful, brooding, barely literate gamekeeper Scudder (Rupert Graves), a worker more at home gutting rabbits than discussing the classics. Maurice's love for a "social inferior" forces him to confront his illicit desire and his ingrained class snobbery. --Grant Balfour
a powerful drama set against the harsh and turbulent background of poverty and class distinction in Tyneside at the beginning of the century. A young docker John O'Brien falls deeply in love with Mary Llewellyn the daughter of a local shipbuilder. Their love unites them but the fifteen streets which separate poverty from wealth threaten to stand in their way.
Byron Flitch (Keith Allen, Trainspotting, The Others) is not enjoying his anniversary party. Instead of making him a partner in their classic car business, his father Burke (Terence Rigby) has demanded that he work harder. His mistress Judith could arrive to gate crash the celebrations at any moment and to top things off midway through the line I'm gonna live forever from his Karaoke Fame rendition, his father keels over with a heart attack. Amidst the chaos, Burke's wife Lili sees a chance to make her escape and ducks out of the party to leave for an impromptu holiday in Tenerife. When she returns, she is a changed woman and intent on taking up marathon running A script as bold, emotionally powerful and downright wacky as this needs a director with a very wide range. The smart move the BBC made was to hire Jean Stewart. Independent Meanwhile, with Burke critically ill and Lili off guard, the rest of the family squabble for control of the business. This six part black comedy, part family drama, part dark farce is Chariots of Fire meets Shirley Valentine (Independent) with a hilarious twisting script and incredible performances across the cast. Keith Allen turned in a performance so sensitive, so honest, so funny and so new that I was mesmerised by it. Allen is a star. Independent
A rather jarring mix of period drama, trashy romance and all-star blockbuster, Duel of Hearts is a swashbuckling, bodice-ripping tale of slightly dubious quality. Based on a novel by Barbara Cartland, it provides the usual dollops of intrigue and love, although its choice of a female protagonist does at least give it some twist. The splendidly named Lady Caroline Faye (Alison Doody) is the story's plucky heroine, fighting to prove the innocence of her beau Lord Vane Brecon and discover his troubling inner turmoil. Donning a disguise that seems to consist largely of wearing her hair in a different manner, Lady Caroline places herself among the very people that would seek Brecon's undoing. Those looking for high quality drama should probably go elsewhere, but this is an entertaining enough piece of silliness, combining the history of Regency England with the production values of a daytime American soap opera. On the DVD: Duel of Hearts on DVD has had very little effort put into it, which is perhaps no surprise given the rather slapdash nature of the main feature. The sound has been digitally remastered but the picture quality hasn't, and has that dubious made-for-television look. The interactive menu is unattractive and unimaginative and there are no extras. --Phil Udell
Eagle In A Cage
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