In 1981, Absence of Malice was a prescient drama set in the world of journalism just before its power exploded out of control. The title refers to a verbal loophole effectively allowing invasion of privacy. After months of fruitlessly investigating the disappearance of a prominent figure, the Justice Division contrive to leak a story that'll flush out information. Unfortunately they pick on the one news gal with a moral backbone lurking behind the all-business façade. Sally Field is superb at controlling the contradictions within Megan, and is perfect next to the resolutely calm Gallagher (an Oscar-nominated Paul Newman). His bogus investigation is sure to backfire, and once the two get together it does so in the most satisfying of ways. Shot in gloriously sunny Miami locations, the film has a constant atmosphere of realism. When it's time to point the finger of blame, the film is given over to the starriest of cameos from Wilfred Brimley as the straight-talking Assistant Attorney General. His differentiation between truth and accuracy ought to be required learning for all journalists. On the DVD: The sound may be mono, but the picture is crisp enough. A minute-long deleted scene expanding Gallagher's business crisis is in poor condition however and doesn't add much. Neither does the theatrical trailer or three mini Filmographies of director Sidney Pollack, Newman and Field. The real extra treat is a 30-minute documentary, which features new interviews with Pollack, writer Kurt Luedtke, Newman and Field. Everyone has fond memories of making the film, even Field despite her bruises after the rough-and-tumble scene with the usually genteel Newman. --Paul Tonks
A salvage crew discover a passenger ship lost for forty years floating lifeless in a remote region of the Bering Sea. As they try to tow it back to land strange things start to happen...
Classic 1980'S Bafta-Winning Bbc Drama, Available On Blu-Ray For The Very First Time! Remastered From The Original 16Mm Film. Winner Of Six Baftas, Including Best Drama Series, Best Actor & Best Original Television Music. Featuring Music By Eric Clapton & Michael Kamen As Yorkshire Detective Ronald Craven Investigates The Murder Of His Daughter, The Story Spirals Into A Gripping Eco-Thriller Of Political Conspiracy, Secret Service Machinations And Even Shady Medieval Societies. As He Draws Closer To The Dangerous Inner Sanctums Of Organised Environmental Protests And Nuclear Power Interests, He Discovers The Ultimate Truths At The Heart Of Our Society. Features: Eric Clapton And Michael Kamen'S Bafta Award Winning Score. The Baftas 1986 Including Interviews With Bob Peck And Joe Don Baker. The Broadcasting Press Guild Awards 1986 Featuring Interviews With Producer Michael Wearing And Actor Bob Peck. Magnox The Secrets Of Edge Of Darkness. Featuring Contributions From Writer, Cast And Production Team. Bbc Arts Programme Did You See ? Reviews Edge Of Darkness. Bob Peck Interview From The Bbc Breakfast Time Programme.
A wacky inventor, his camera crazy friend and a madcap monkey make a BIG mistake when let loose in the Professor's laboratory! With lotions and potions spilling everywhere, the trio accidentally create Francoeur, a musical talent of monstrous proportions.
Rocky Morton and Annabel Jankel direct this family adventure based on the Super Mario Bros. characters. When Mario (Bob Hoskins) and Luigi (John Leguizamo), plumbers from New York, are called in to help out with a flood at a dinosaur excavation site by the beautiful Daisy (Samantha Mathis), they become embroiled in a struggle with a parallel reptilian universe, ruled by Koopa (Dennis Hopper), a leader who wants to merge it with Earth.
The trials and tribulations of criminal lawyer, Saul Goodman, in the time leading up to establishing his strip-mall law office in Albuquerque, New Mexico.
One million dollars no questions asked: David and Diana can end their financial worries if they accept the offer of billionaire financier John Gage. One night with Diana nothing more: that's what Gage wants in return. But will David and Diane accept? If they do can their marriage survive? One irresistible movie 'Indecent Proposal': the sizzling controversial exploration of modern love and morality.
It's been nearly 100 years since Earth was devastated by a nuclear apocalypse, with the only survivors being the inhabitants of 12 international space stations that were in orbit at the time. Three generations later, the survivors number 4,000 -- and resources are running out on their dying Ark (the 12 stations now linked together and repurposed to keep the survivors alive). Capital punishment and population control are the order of the day, as the leaders of the Ark take ruthless steps to ensure their future -- including secretly exiling a group of 100 juvenile prisoners to the Earth's surface to test whether it's habitable. No one has set foot on the planet in nearly a century -- until now. Among the exiles are Clarke, the teenage daughter of the Ark's chief medical officer; Wells, son of the Ark's Chancellor; the resourceful Finn; and brother/sister duo Bellamy and Octavia, whose illegal sibling status has them flaunting the rules. Technologically blind to what's happening on the planet below them, the Ark's leaders -- Clarke's widowed mother, Abby; the Chancellor, Jaha; and Jaha's shadowy second in command, Kane -- are faced with difficult decisions about life, death and the continued existence of the human race. For the 100 on Earth, however, the alien planet they've never known is a mysterious realm that can be magical one moment and lethal the next. With the survival of the human race entirely in their hands, the 100 must find a way to forge a new path on a wildly changed Earth that's primitive, intense and teeming with the unknown.
Bob Hope built a career out of the persona of the fussy, fast-talking lothario spooked by sex, the blowhard who crumbles at the first sight of trouble, in the Cat and the Canary Hoe gave this character it's first outing and never looked back, the film to this day is still one of the best horror spoofs ever made.Ten years have passed since the death of millionaire Cyrus Norman, his attorney gathers his six remaining relatives in his old mansion in the swamps of Louisiana to read the will. The family maid appears and announces that the spirits have told her that one of them will die that night and Hendrick, the local prison guard warns that that The Cat a homicidal maniac has escaped and could appear at any minute. This sets up a night filled with murders, mysteries and intrigue. Hope has one great one-liners after another in this old dark house mystery-comedy.
Searching for new directions, Sylvester Stallone starred in this farcical, 1993 SF piece about an ex-cop (Stallone) freed from 36 years of forced hibernation to help catch a criminal (Wesley Snipes) who released himself from a similar incarceration. The futuristic story finds Los Angeles a sea of Taco Bells and enforced peace and within that satiric overview Stallone's character becomes a gun-toting fish out of water. The film plays like a live-action cartoon and while there is nothing particularly wrong with that, Demolition Man is a rather flat experience. The irony of a peaceable society that both requires and despises its bloody saviours has been captured far more profoundly in movies like Dirty Harry. Sandra Bullock costars. --Tom Keogh
We follow Bob Mortimer and Paul Whitehouse once again as they fish side by side in some of the most stunningly beautiful locations in England, Ireland, Scotland and Wales. Across six episodes, cameras will look-on as they dissect life & death against a backdrop of some of the prettiest places in the British countryside. Bob is still a keen apprentice and eager to learn how to catch fish while experienced angler Paul once again has his patience tested as he tries to teach Bob the rules of the river.
A man tries to uncover the circumstances behind his wife's death in this creepy thriller from the "Saw" team.
Although Mad Max Beyond Thunderdome, the third part of George Miller's post-apocalyptic Mad Max trilogy, is certainly the least of the bunch (Mad Max 2: The Road Warrior is the undisputed masterpiece, and maybe the best action movie ever made), it has still got a good share of imaginative industrial-wasteland-pastiche imagery. And casting Tina Turner as Aunty Entity, the queen of Bartertown, was a masterstroke. Mel Gibson's character Max is pitted in a battle to the death against the bizarre Master Blaster in the Thunderdome, flying around on rubbery straps inside a sort of gigantic overturned colander with bloodthirsty spectators clinging to the outside. Miller's producing partner, Byron Kennedy, was killed in a helicopter crash while scouting locations for this film. Miller was devastated, only agreeing to direct the action sequences--and, somehow, you feel his heart wasn't entirely in it. --Jim Emerson
A small-town police chief (Bill Paxton) concealing an explosive secret. A pair of ruthless drug dealers (cowriter Billy Bob Thornton and Michael Beach) who leave a bloody trail in their wake as they make their way from Los Angeles to Arkansas. And an enigmatic woman (Cynda Williams) caught in the middle. The way these desperate lives converge becomes a masterclass in slow-burn tension thanks to the nuanced direction of Carl Franklin, whose haunting film travels a crooked road across America's most fraught divisions of urban and rural, Black and white while imbuing noir conventions with a wrenching emotional depth. Product Features DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, approved by director Carl Franklin, with 2.0 surround DTS-HD Master Audio soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Audio commentary from 1999 featuring Franklin New conversation between Franklin and cowriter-actor Billy Bob Thornton Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by author William Boyle New cover by Vlad Rodriguez
From Academy Award Winner Alexander Payne the director of Sideways and The Descendants comes the film that critics are calling 'a triumph'. When a father (Bruce Dern) and his adult son (Will Forte) embark on a journey to claim a million-dollar prize what begins as a fool's errand becomes a search for the road to redemption.
This is the entire first series of Reeves and Mortimer's long-awaited take on the cult classic Randall and Hopkirk (Deceased) and it's surely the most re-watchable of television series, not least because of its improbable plots. The anticipation which preceded the show was a drama in itself. How will it compare with the original? Would Reeves and Mortimer be able to cut it in acting roles? Will the cast be upstaged by her wardrobe? The answers were, of course, "perfectly", "no problem" and "probably not, but the BBC wardrobe department certainly excelled themselves for this series". In fact, the premise of this humorous supernatural detective fantasy (a genre which probably contains nothing other than this series and the original)--a dead private detective comes back as a ghost to assist his partner, who is the only mortal who can see him--could easily have occurred as one of those surreal narratives from the duo's comedy shows. A must-see. On the DVD: the DVD includes a lively behind-the-scenes documentary (broadcast at the beginning of the series), an unfunny collection of outtakes and a rather better music video which comes on like Blue Velvet "re-imagined" by Cubby Broccoli.--Roger Thomas
Legendary director Powell and Pressburger at their most imaginative - and controversial - with a film about a pilot who suffers strange hallucinations after surviving being shot down over the English Channel.
Perhaps the greatest rock documentary ever made, Martin Scorsese's The Last Waltz captures what was advertised as legendary rock group The Band's final farewell concert appearance. Joined on stage by more than a dozen special guests, including Eric Clapton, Bob Dylan, Neil Young, Muddy Waters and Joni Mitchell, The Last Waltz started as a concert, but it became a celebration. Interspersed with candid discussions between director Scorsese and members of The Band, The Last Waltz has been called the greatest rock concert movie ever made - and maybe the best rock movie, period, and The Masters of Cinema Series is proud to present this iconic documentary on Blu-ray. And remember, This film should be played loud! Special Features: 1080p presentation of the film on Blu-ray PCM 5.1 Audio Optional English SDH subtitles Audio Commentary by director Martin Scorsese and Musician Robbie Robertson Audio Commentary by The Band members Levon Helm and Garth Hudson, journalists Jay Cocks and Greil Marcus, creative consultant Mardik Martin, producers Jonathan Taplin and Steven Prince, Cameraman Michael Chapman, Music Producer John Simon, Irwin Winkler and performers Mavis Staples, Dr. John and Ronnie Hawkins (includes optional subtitles identifying who is talking) Revisiting The Last Waltz [22 mins] Archival Outtakes Stills gallery PLUS: A collector's booklet including essays and archival writing on the film
Intricately plotted and smartly paced, this gangster saga clicks as whodunit, social satire and explosive thriller. The piece is crowned by Bob Hoskins' career-making turn as a London mobster courting respectability and Helen Mirren's subtly detailed performance as his upper-crust mistress. Cockney wiseguy Harold Shand is a would-be burgher whose domination of the city's underworld stems from his shrewdness as a mediator and his skill at harnessing political and economic clout. As Easter approaches, he's poised to launch an aggressive real estate development scheme along the depressed Thames waterfront when all hell breaks loose: a trusted lieutenant is brutally murdered, Shand's mother is nearly killed in a car bombing, one of his pubs is blown apart and the visiting American don crucial to the pending deal is quickly growing wary.Barrie Keeffe's original screenplay keeps the viewer a step ahead of Shand, providing us with a telling but teasingly incomplete glimpse of the misstep by his underlings that has set chaos loose. At the same time, Keeffe underlines the bourgeois pretensions of the rough-hewn, barrel-chested Shand, how the elegant Victoria (Mirren) helps serve those ambitions and the myriad parallels between Shand's minions and the local politicians and police only too willing to join in his scheme. Tart, funny dialogue and alternately playful and pungent Eastertide imagery complete Keeffe's shrewd design--two key scenes, in a meat locker and a warehouse, invoke the Crucifixion itself. Even with lesser performances, the script and John Mackenzie's solid direction would make The Long Good Friday a keeper but Hoskins's explosive portrait of Shand and his descent toward brutal revenge elevates the film into the very front rank, earning admiring comparisons to TheGodfather, Scarface, GoodFellas and other classics of that genre. --Sam Sutherland
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