From playful romantic comedies to variety extravaganzas, the pre-war British musical films offered audiences a source of much-needed escapism throughout the decade haunted by the Great Depression and the growing menace of war. Often adapting much-loved hits of the music hall as well as serving as vehicles for the era's composers, performers and band leaders, they showcased home-grown talent alongside some of Hollywood's most bankable stars.This ongoing, multi-volume collection makes available a wealth of rare gems from the very earliest days of the British talkies, many of which have remained unseen since their original release; each film is presented uncut, in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.FOR THE LOVE OF MIKE (1932)A useless secretary and his private detective friend try to help an heiress from being swindled by her guardian.FACING THE MUSIC (1933)A joyful medley of farce, romance, song and slapstick starring Stanley Lupino as an impressionable youth whose pursuit of an opera singer's niece lands him in trouble!MY SONG GOES ROUND THE WORLD (1934)Set in Venice, the touching and sometimes comic story of a diminutive tenor who falls in love whilst striving for success.HEART'S DESIRE (1935)Richard Tauber, the great Austrian tenor, features in the story of a singing peasant from a Vienna beer-garden who conquers London, but at a cost...
From playful romantic comedies to variety extravaganzas, the pre-war British musical films offered audiences a source of much-needed escapism throughout the decade haunted by the Great Depression and the growing menace of war. Often adapting much-loved hits of the music hall as well as serving as vehicles for the era's composers, performers and band leaders, they showcased home-grown talent alongside some of Hollywood's most bankable stars. This ongoing, multi-volume collection makes available a wealth of rare gems from the very earliest days of the British talkies, many of which have remained unseen since their original release; each film is presented uncut, in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. DANCE BAND (1935) Life gets complicated for bandleader Buddy when he falls for his greatest rival the leader of an all-girl dance band! KATHLEEN MAVOURNEEN (1937) A hugely popular, much-adapted comedy in which a Liverpool lass visits family in rural Ireland and finds she has several rivals for her affections. HOLD MY HAND (1938)Eddie Marston is wealthy and kind, but his affairs are rapidly descending into chaos. Who can help him? YES, MADAM? (1938) The hilarious tale of two cousins who must complete a period in domestic service in order to receive an inheritance.
This entertaining pre-war farce stars diminutive music-hall stalwart Bobby Howes as an heir-hunter whose determined efforts to trace his aunt’s legacy lead to ructions in a girls’ school! Also featuring stage veteran Lyn Harding Australian comedienne Vera Pearce and noted character player Wylie Watson Please Teacher is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Tommy Deacon learns that a gift bequeathed by his aunt is hidden in her house inside a bust of Napoleon. However the house has been sold and is now a girls’ school – and to gain admission Tommy has to pose as the elder brother of Anne one of the pupils. His arrival in the school results in a variety of escapades but Tommy resolutely persists in his search for the missing legacy... Special Features: Image Gallery PDF Material
Niven plays a rich bachelor the head of a successful greeting-card company in Scotland essentially a kind man but respectable to the point of stodginess and extreme stuffiness. An American troupe wants to produce a musical in town but has trouble getting backers. Niven's character meets several of the leading ladies of the show; through a misunderstanding he doesn't correct they come to think that he's a newspaper reporter. He falls in love with one of the women who reciprocates; he grows more lively and friendly to the surprise of his employees...
Niven plays a rich bachelor the head of a successful greeting-card company in Scotland essentially a kind man but respectable to the point of stodginess and extreme stuffiness. An American troupe wants to produce a musical in town but has trouble getting backers. Niven's character meets several of the leading ladies of the show; through a misunderstanding he doesn't correct they come to think that he's a newspaper reporter. He falls in love with one of the women who reciprocates; he grows more lively and friendly to the surprise of his employees...
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