A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.
April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy (Brad Pitt) commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.
GLUTTONY. GREED. SLOTH. WRATH. PRIDE. LUST. ENVY. Two cops (Brad Pitt and Morgan Freeman) track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. Gwyneth Paltrow also stars in this acclaimed thriller set in a dour, drizzly city sick with pain and blight. David Fincher (Fight Club, Zodiac, The Curious Case of Benjamin Button) guides the action - physical, mental and spiritual - with a sure understanding of what terrifies us, right up to a stunning denouement that will rip the scar tissue off the most hardened soul. Product Features Film on 4K UHD and Blu-Ray Steelbook (Design TBC) Slipcase (Design TBC) John Doe 38-Page Booklet 7x Deadly Sin Crime Scene Art Cards Double-Sided A3 Poster 'Help Me' Glow-in-the-Dark Art Card Investigation Chalkboard Art Card On-Disc Special Features 4K: BD: 4 Commentaries Featuring Director David Fincher, Actors Brad Pitt and Morgan Freeman, and Other Collaborators on the Film Additional / Extended Scenes Alternate Endings Exploration of the Opening Title Sequence from Multiple Video Angles with Various Audio Mixes and 2 Commentary Tracks Production Design and Still Photographs with Commentaries The Notebooks: Full Motion Video Details 'John Doe's' Writings Mastering for the Home Theater: Includes Alternate Angles and Audio Between Original and New Masters Theatrical Trailer
Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos.
In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe all with connected, yet conflicting, objectives on the world's fastest train...and he's got to figure out how to get off. From the director of Deadpool 2, David Leitch, the end of the line is only the beginning in a wild, non-stop thrill ride through modern-day Japan.
Terrence Malick's magnum opus, a visionary hymn to nature and grace, in an edition featuring a new extended cut. Four decades into an already legendary career, TERRENCE MALICK (Days of Heaven) realized his most rapturous vision to date, tracing a story of childhood, wonder, and grief to the outer limits of time and space. Reaching back to the dawn of creation, Malick sets a story of boyhood memories on a universal scale, charting the coming of age of an awestruck child (newcomer HUNTER MCCRACKEN) in Texas in the 1950s, as he learns to navigate the extremes of nature and grace represented by his bitter, often tyrannical father (Fight Club's BRAD PITT) and his ethereal, nurturing mother (JESSICA CHASTAIN, in her breakout role). Shot with nimble attention to life's most fleeting moments by EMMANUEL LUBEZKI (Gravity), the Palme d'Orwinning The Tree of Life marks the intimately personal, cosmically ambitious culmination of Malick's singular approach to filmmaking. Features: New 4K digital restoration, supervised and approved by director Terrence Malick and cinematographer Emmanuel Lubezki, with 5.1 surround DTSHD Master Audio soundtrack New extended version of the film featuring an additional fifty minutes of footage Exploring The Tree of Life, a 2011 documentary featuring collaborators and admirers of Malick's, including filmmakers David Fincher and Christopher Nolan New interviews with actor Jessica Chastain and visualeffects supervisor Dan Glass Interview from 2011 with composer Alexandre Desplat about the film, and a new interview with music critic Alex Ross about Malick's approach to music Video essay from 2011 by critic Matt Zoller Seitz Trailer PLUS: An essay by critic Kent Jones and a 2011 piece on the film by critic Roger Ebert
THE FUTURE IS HISTORY Following the commercial and critical success of The Fisher King, Terry Gilliam next feature would turn to science fiction and a screenplay by Janet and David Peoples (Blade Runner, Unforgiven) inspired by Chris Marker's classic short film La Jetée. In 1996, a deadly virus is unleashed by a group calling themselves the Army of the Twelve Monkeys, destroying much of the world's population and forcing survivors underground. In 2035, prisoner James Cole (Bruce Willis, Die Hard) is chosen to go back in time and help scientists in their search for a cure. Featuring an Oscar-nominated turn by Brad Pitt (Fight Club) as mental patient Jeffrey Goines, Twelve Monkeys would become Gilliam's most successful film and is now widely regarded as a sci-fi classic. Arrow Films are proud to present the film in a stunning new restoration. Special Edition Contents: Brand new restoration from a 4K scan of the original negative by Arrow Films, approved by director Terry Gilliam DTS 5.1 Master Audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by Terry Gilliam and producer Charles Roven The Hamster Factor and Other Tales of Twelve Monkeys, feature-length making-of documentary by Keith Fulton and Louis Pepe (Lost in La Mancha) Extensive image galley Theatrical trailer More to be announced! Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Nathan Rabin and archive materials
April 1945. As the Allies make their final push in the European Theatre a battle-hardened army sergeant named Wardaddy (Pitt) commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines
Quentin Tarantino's Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood's golden age.
From acclaimed director Steve McQueen comes the incredible true story of one man's fight for survival and freedom. It is 1841 and Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is abducted and sold into slavery.
The true story of several remarkable contrarian investors who, recognizing just how insane the housing bubble and subprime mortgage market had become, figured out how to short the market and make a killing during the financial collapse of 2008.
The true story of several remarkable contrarian investors who, recognizing just how insane the housing bubble and subprime mortgage market had become, figured out how to short the market and make a killing during the financial collapse of 2008.
Quentin Tarantino's Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood's golden age.
Meet Joe Black seemed almost fated to fail when it was released in 1998, but this romantic fantasy--a remake of 1934's Death Takes a Holiday--deserves a chance at life after box-office death. Although many moviegoers were turned off by director Martin Brest's overindulgent three-hour running time, those who gear into its deliberate pace will find that Meet Joe Black offers ample reward for your attention. Brad Pitt plays Death with a capital D, enjoying some time on Earth by inhabiting the body of a young man who'd been killed in a shockingly sudden pedestrian-auto impact. Before long, Death has ingratiated himself with a wealthy industrialist (Anthony Hopkins) and pursues romance with the man's beautiful daughter (newcomer Claire Forlani), whom he'd briefly encountered while still an earthbound human. Under the assumed identity of "Joe Black", he samples all the pleasures that corporeal life has to offer--power, romance, sex and such enticing pleasures as peanut butter by the spoonful. But Death has a job to do, and Meet Joe Black addresses the heart-wrenching dilemma that arises when either father or daughter (the plot keeps us guessing) must confront his or her inevitable demise. The film takes its own sweet time to establish this emotional crisis and the love that binds Hopkins's semi-dysfunctional family so closely together. But if you've stuck with the story this far, you may find yourself surprisingly affected. And if Meet Joe Black has really won you over, you'll more than appreciate the care and affection that gives the film a depth and richness that so many critics chose to ignore. --Jeff Shannon
Few monsters lend themselves better to allegory than the zombie. In the years since George Romero first set the shambling mold with Night of the Living Dead, filmmakers have been using the undead as handy substitutes for concepts as varied as mall-walking consumers, punk rockers, soccer hooligans, and every political movement imaginable. (All this, plus brain chomping.) World War Z, the mega-scale adaptation of Max Brooks's richly detailed faux-historical novel, presents a zombie apocalypse on a ginormous level never seen before on film. Somehow, however, the sheer size of the scenario, coupled with a distinct lack of visceral explicitness, ends up blunting much of the metaphoric impact. While the globe-hopping action certainly doesn't want for spectacle, viewers may find themselves wishing there was something more to, you know, chew on. Director Marc Forster and his team of screenwriters (including J. Michael Straczynski and Lost's Damon Lindelof) have kept the basic gist of the source material, in which an unexplained outbreak results in a rapidly growing army of the undead. Unlike the novel's sprawling collection of unrelated narrators, however, the film streamlines the plot, following a retired United Nations investigator (Brad Pitt) who must leave his family behind in order to seek out the origins of the outbreak. While the introduction of a central character does help connect some of Brooks's cooler ideas, it also has the curious effect of narrowing the global scale of the crisis. By the time of the third act, in which Pitt finds himself under siege in a confined space, the once epic scope has decelerated into something virtually indistinguishable from any other zombie movie. Even if it's not a genre changer, though, World War Z still has plenty to distinguish itself, including a number of well-orchestrated set pieces--this is a movie that will never be shown on airplanes--and the performances, with Pitt's gradually eroding calm strengthened by a crew of supporting actors (including Mireille Enos, James Badge Dale, and a fantastically loony David Morse) who manage to make a large impression in limited time. Most importantly, it's got those tremendous early scenes of zombie apocalypse, which display a level of frenetic chaos that's somehow both over-the-top and eerily plausible. When the fleet-footed ghouls start dogpiling en masse, even the most level-headed viewer may find themselves checking the locks and heading for the basement. --Andrew Wright
When it was announced that Tom Cruise would play the vampire Lestat in Interview with a Vampire, the film adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicised objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal blood lust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honouring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, Interview is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon
Quentin Tarantino presents a look at WWII the likes of which you have never seen before in the hotly anticipated "Inglorious Basterds".
The story revolves around United Nations employee Gerry Lane (Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself.
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