He's heir to the Madison Hotel millions but the only subjects Billy has studied lately are babes and booze. For him life has been a ten-year party since he left high school: drinking bottomless daiquiris catching rays by the pool pulling moronic pranks and chasing anything in (or out of!) a skirt. But when Brian Madison informs his goofball son that he plans to turn over his Fortune 500 company to vice president and corporate weasel Eric Gordon Billy makes the bet of his life
Two examples of British Second World War films, We Dive at Dawn (1943) and Reach for the Sky (1956), are here stylishly packaged as a World War II Classics pack. We Dive at Dawn tells of the encounter between a British submarine and a German warship in the Baltic Sea. John Mills gives a dependable performance as the submarine commander, with Eric Portman the pick of a strong supporting cast. Director Anthony Asquith finds the balance between action sequences and "in situ" dialogue, and there's an evocative score from Louis Levy. The movie was an underrated film that deserves reappraisal, whereas Reach for the Sky (1956) was a box-office hit and remains a fondly regarded classic. Kenneth More is ideally cast as Douglas Bader, the gifted pilot who loses both legs in a pre-war air crash, only to play a major role in the Battle of Britain, rise to the rank of Group Captain and become a war hero. Based on Paul Brickhill's biography, this is an "official" history maybe, but Lewis Gilbert's screenplay and direction are historically accurate and informed by that very British humour of which More was a natural. The film is graced by a decent supporting cast, and a typically "widescreen" score from John Addison. On the DVD: The black and white prints look and sound excellent. Whereas We Dive at Dawn has 4:3 video aspect ratio, 15 chapter points and no subtitles, the later Reach for the Sky has vivid 16:9 anamorphic reproduction, 20 chapter points, subtitles and detailed biographies of More, Gilbert and Barder. The original theatrical trailer is included, but it would also have made sense to include an interview or documentary footage of Bader himself. Even so, this is an excellent starting-point for investigating a key area of British cinema.--Richard Whitehouse
Prepare for a riveting portrayal of some of the most exciting battles of ancient history - as well as the tales of betrayal lust conquest and brutality that often accompanied them. BATTLES BC: THE COMPLETE SEASON ONE the exciting series from HISTORY uses computer graphics and live-action stunts to bring to life the battle strategies tactics and weapons of past military leaders from Hannibal and the Romans to Moses the Athenians and David.
Shot on the streets of Kingston and set to a rich reggae score by Sly and Robbie, the highest grossing film in Jamaican cinema (according to the producers) is a simple cops-and-gangsters thriller that drops the usual two-fisted cop clichés into the slums of a developing nation. Charismatic Paul Campbell (who starred in the previous Jamaican hit Dancehall Queen) is Capone, a Jamaican Dirty Harry who wades into shoot-outs with both guns blazing. His maverick reputation lands him in Kingston, his hometown, where he tracks a gun-smuggling scheme to his boyhood friend Ratty (Mark Danvers), now the ambitious right-hand man to the local kingpin. It's a familiar story and the timid script always chooses action over drama. Capone's violent methods are never questioned, even when he's faced with old friends instead of faceless hoods, and he is given unimaginable leeway to shoot his way through the criminal population. Shot on digital video and released to theatres in a smeary-looking transfer, the video release is mastered from the digital source and looks infinitely better than its theatrical incarnation: crisp, bright and vivid. The energetic style helps the picture overcome some of its generic cop-movie clichés, but the real draw is the street grit of clapboard houses, corrugated metal fences and concrete brick homes: the matter-of-fact poverty of Kingston's slums. --Sean Axmaker
Billy Madison: He's heir to the Madison Hotel millions but the only subjects Billy has studied lately are babes and booze. For him life has been a ten-year party since he left high school: drinking bottomless daiquiris catching rays by the pool pulling moronic pranks and chasing anything in (or out of!) a skirt. (Dir. Tamra Davis 1995): But when Brian Madison informs his goofball son that he plans to turn over his Fortune 500 company to vice president and corporate weasel Eric Gordon Billy makes the bet of his life. He's going back to school - grades 1 through 12 in 24 weeks! - with hilarious results. And this time Mr Madison's cheque book won't be the source of Billy's academic advancement. Can bona fide blockhead Billy clean up his act to win his father's respect the family fortune and the love of his beautiful teacher Veronica? Hey it's worth a shot! Happy Gilmore: Adam Sandler stars in this hilarious comedy that scores a hole in one for gut-busting wit and outrageous slapstick. Happy a raucous hockey player turned golfer sends the sedate sport into overdrive after he becomes a media sensation with his outlandish antics on the links. It's par for the course entertainment co-starring Christopher McDonald Carl Weathers and Kevin Nealon. (Dir. Dennis Dugan 1996) Anger Management: Dave Buznik (Adam Sandler) is usually a mild-mannered non-confrontational guy. But after an altercation aboard an airplane he is remanded to the care of anger management therapist Dr. Buddy Rydell (Jack Nicholson) who could probably use some anger management himself. Now Dave is really mad! (Dir. Peter Segal 2003)
For Adam Sandler fans only, this dopey comedy features the former Saturday Night Live star as an overindulged rich guy whose father insists he repeat grades 1 through 12 before taking over the family business. The scenario is perfect for Sandler's infantile leanings (which he has fortunately outgrown in more recent movies), and for the most part the jokes about being too old and too big for the experiment are obvious. Chris Farley and Steve Buscemi turn up in uncredited cameo appearances, but otherwise the film is pretty dismissible, except for those diehards who can't get enough of Sandler. --Tom Keogh
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