Francis Ford Coppola's 1979 classic tale of the Viet Nam war, re-released with almost an hour of additional footage. Captain Willard (Martin Sheen) is given the task of sailing upriver to find and execute renegade military officer Colonel Kurtz (Marlon Br
Revenge and gold are his only motiviation! Directed by and starring Academy Award winner Marlon Brando.
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Extras: Intro by Francis Ford Coppola Audio Commentary by Director Francis Ford Coppola An Interview with John Milius A Conversation with Martin Sheen and Francis Ford Coppola Fred Roos: Casting Apocalypse Featurette The Mercury Theatre on the Air: Heart of Darkness November 6, 1938 The Hollow Men Featurette o Monkey Sampan Lost Scene o Additional Scenes Destruction of the Kurtz Compound End Credits The Birth of 5.1 Sound Featurette Ghost Helicopter Flyover Sound Effects Demonstration The Synthesizer Soundtrack Article by Bob Moog A Million Feet of Film: The Editing of Apocalypse Now Featurette Heard Any Good Movies Lately? The Sound Design of Apocalypse Now Featurette The Final Mix Featurette 2001 Cannes Film Festival: Francis Ford Coppola Featurette PBR Streetgang Featurette o The Color Palette of Apocalypse Now Featurette Disc Credits Hearts of Darkness: A Filmmaker's Apocalypse (with Optional Audio Commentary by Francis and Eleanor Coppola) NEW: Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW: Never-Before-Seen B-Roll Footage o NEW: Apocalypse Now Dolby featurette (HD) NEW: A history of Apocalypse Now on Home Video (HD) o John Milius Script Excerpt with Francis Coppola Notes (Still Gallery) Storyboard Collection Photo Archive ⪠Unit Photography ⪠Mary Ellen Mark Photography Marketing Archive ⪠1979 Teaser Trailer ⪠1979 Theatrical Trailer ⪠1979 Radio Spots ⪠1979 Theatrical Program ⪠Lobby Card and Press Kit Photos ⪠Poster Gallery ⪠Apocalypse Now Redux Trailer
An angry young Marlon Brando scorches the screen as The Wild One in this powerful '50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a ""good-girl"" whose father happens to be a cop. Unfortunately for Johnny his one shot at redemption is threatened by a psychotic rival Chino (Lee Marvin) plus the hos
In 1995, visionary writer/director Richard Stanley (HARDWARE, DUST DEVIL) got the green light for his dream project: An epic adaptation of H.G. Wells THE ISLAND OF DOCTOR MOREAU starring Marlon Brando and Val Kilmer. But only days into production, an unprecedented storm of natural disasters, monstrous egos and disturbing imagery along with chaos, insanity and witchcraft would trigger perhaps the most infamous behind-the-scenes catastrophe in modern movie history.
An almost absurdly star-studded cast brings to life Horton Foote's story of prejudice, violence, and frustrated love in The Chase. When Bubber Reeves (Robert Redford) escapes from prison, a drunken party in his hometown turns into a vigilante mob. The news disrupts the birthday celebration of a local oil tycoon (E.G. Marshall), whose son (James Fox) is having an affair with Reeves's wife Anna (Jane Fonda). Meanwhile, a bank vice-president (Robert Duvall) knows his wife (Janice Rule) is cheating on him but can't do anything about it except spread a little misery. The sheriff (Marlon Brando) struggles to hold things together until he can persuade Reeves to give himself up. The accents are thick and the emotions seem overwrought at first, but director Arthur Penn (Bonnie & Clyde , Little Big Man) weaves the multiple storylines together into an unsettling finale. Also featuring Angie Dickinson and Miriam Hopkins. --Bret Fetzer, Amazon.com
There's a satisfying sense of closure to the definitive noir kick achieved in The Big Heat: its director, Fritz Lang, had forged early links from German expressionism to the emergence of film noir, so it's entirely logical that the expatriate director would help codify the genre with this brutal 1953 film. Visually, his scenes exemplify the bold contrasts, deep shadows, and heightened compositions that define the look of noir, and he matches that success with the darkly pessimistic themes of this revenge melodrama. The story coheres around the suicide of a crooked cop, and the subsequent struggle of an honest detective, Dave Bannion (Glenn Ford), to navigate between a corrupt city government and a ruthless mobster to uncover the truth. Initially, the violence here seems almost timid by comparison to the more explicit carnage now commonplace in films, yet the story accelerates as its plot arcs toward Bannion's showdown with kingpin Lagana (Alexander Scourby) and his psychotic henchman, the sadistic Vince Stone, given an indelible nastiness by Lee Marvin. When Bannion's wife is killed by a car bomb intended for the detective, both the hero and the story go ballistic: suspended from the force, he embarks on a crusade of revenge that suggests a template for Charles Bronson's Death Wish films, each step pushing Lagana and Stone toward a showdown. Bodies drop, dominoes tumbled by the escalating war between the obsessed Bannion and his increasingly vicious adversaries. Lang's disciplined visual design and the performances (especially those of Ford, Marvin, Jeanette Nolan as the dead cop's scheming widow, and Gloria Grahame as Marvin's girlfriend) enable the film to transcend formula, as do several memorable action scenes--when an enraged Marvin hurls scalding coffee at the feisty Debby (Grahame), we're both shattered by the violence of his attack, and aware that he's shifted the balance of power. --Sam Sutherland
One of the most thoughtful films about World War II, this 1958 Edward Dmytryk (The Left Hand of God) drama, based on a novel by Irwin Shaw The Young Lions, tells parallel stories of two American soldiers (Montgomery Clift and Dean Martin) and one German officer (Marlon Brando), whose war experiences we follow until they intersect outside a concentration camp. Martin plays what he calls "a likeable coward," Clift is intense as a Jewish GI and Brando experiments with the limits of his part as a Nazi re-evaluating his beliefs. Legend has it that Clift accused Brando of bleeding-heart excessiveness. Interestingly, the two Method actors share no scenes together. --Tom Keogh
Struggling to come to terms with his injuries, a paraplegic war veteran turns to his doctor, fiancé and former comrades as he adjusts to a new way of life. Featuring a powerhouse performance from Marlon Brando in his first feature film, The Men is a poignant reflection on the life-changing impact of paraplegia and the support networks that help those affected rehabilitate and integrate back into society. Directed by Fred Zinnemann and starring a stellar supporting cast including Teresa Wright (Shadow of a Doubt) and Everett Sloane (Citizen Kane), this Hollywood landmark is presented on Blu-ray for the first time in the UK. Product Features Audio commentary by filmmaker and film historian Jim Hemphill Illustrated booklet with new essays by Philip Kemp, Scott Harrison and Victoria Millington Other extras TBC Newly commissioned sleeve art by Jennifer Dionisio
'Mommie Dearest' is the outrageous and controversial story of legendary movie star Joan Crawford (Faye Dunaway) and her struggle with the dual roles of fading actress and tormented mother. The public Crawford was strong-willed glamorous and admirable but Mommie Dearest reveals the private Crawford the woman desperate to be a mother adopting her children when she was single and trying to survive in the movie industry. The rage the debilitating strain and the terrifying descent in
Academy Award-winning director Steven Soderbergh (Best Director, Traffic, 2000) presents Naqoyqatsi ('Life As War'), from filmmaker Godfrey Reggio, in collaboration with composer Philip Glass, whose original score features renowned cellist yo-yo Ma. in this cinematic concert - a follow-up to the critically acclaimed Koyaanisqatsi ('Life out of Balance'), and Powaqqatsi ('Life in transformation') – mesmerising images are plucked from everyday reality, then visually altered to chronicle the shift from a world organised by the principals of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique artistic experience that reflects Reggio's vision of a brave new globalised world.
West Side Story (Dir. Robert Wise Jerome Robbins 1961): Garnering a total of ten Academy Awards - including Best Picture of 1961 - West Side Story set a brilliant standard for movie musicals that remains unsurpassed to this day. Directed by Robert Wise and Jerome Robbins from Ernest Lehman's spectacular screenplay the film combines the unforgettable score of Leonard Bernstein and Stephen Sondheim with Robbins' exuberant choreography to create a transcendent fusion of realism and fantasy that will forever be a feast for the eye the ear and ultimately the heart. A triumph on every level this electrifying musical sets the ageless tragedy of Romeo and Juliet against a backdrop of gang warfare in the slums of 1950's New York. Guys And Dolls (Dir. Joseph L. Mankiewicz 1955): Hollywood legends Marlon Brando Frank Sinatra Jean Simmons and Vivian Blaine (from the original Broadway cast) are dazzling in this masterpiece unleashing a spectacular song-and-dance show that's loaded with entertainment. The slickest big-time New York City gamblers Sky Masterson (Brando) and Nathan Detroit (Sinatra) can't resist making or taking a bet on anything. So when a pretty missionary (Simmons) sets up shop in the neighbourhood Nathan stakes a grand that Sky can't seduce her. But all bets are off when Sky falls madly in love in this romantic musical spectacular that sets the Big Apple afire with excitement. Featuring hits like ""Luck Be A Lady"" and ""A Woman In Love"" this smash film version of one of Broadway's most popular musicals is guaranteed rip-roaring five-star entertainment. Fiddler On The Roof (Dir. Norman Jewison 1971): An outstanding accomplishment in every way this lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol) a poor milkman whose love pride and faith help him face the oppression of turn-of-the-century Tsarist Russia. Nominated eight Academy Awards (1971) including Best Picture and Best Director and featuring such classic songs as ""If I were a rich man"" ""Matchmaker"" and ""Sunrise Sunset"" 'Fiddler On The Roof' is a universal story of hope love and acceptance: a musical masterpiece!
A breathless explosive story! When a convict (Robert Redford) escapes from the state penitentiary heads for home and becomes involved in a murder the peace of a small Texas town is shattered. Most of the citizens led by a banker/oil tycoon (E.G. Marshall) see him as a criminal to be hounded and brought to justice. Only the town sheriff (Brando) believes him to be innocent and prepares to stand by him; but when the mob decide to take the law into their own hands even he is power
Marlon Brando's famous "I coulda been a contenda" speech in On the Water Front is such a war horse by now that a lot of people probably feel they've seen the film already, even if they haven't. And many of those who have seen it may have forgotten how flat-out thrilling it is. For all its great dramatic and cinematic qualities, and its fiery social criticism, Elia Kazan's has created one of the most gripping melodramas of political corruption and individual heroism ever made in the United States, a five-star gut-grabber. Shot on location around the docks of Hoboken, New Jersey, in the mid-1950s, it tells the fact-based story of a longshoreman (Brando's Terry Malloy) who is blackballed and savagely beaten for informing against the mobsters who have taken over his union and sold it out to the bosses. (Karl Malden has a more conventional stalwart-hero role, as an idealistic priest who nurtures Terry's pangs of conscience.) Lee J Cobb, who created the role of Willy Loman in Death of Salesman under Kazan's direction on Broadway, makes a formidable foe as a greedy union leader. --David Chute, Amazon.com
Major Lloyd Gruver (Marlon Brando) a Korean War flying ace reassigned to Japan staunchly supports the military's opposition to marriages between American troops and Japanese women. But that's before Gruver experiences a love that challenges his own deeply set prejudices and plunges him into conflict with the U.S. Air Force and Japan's own cultural taboos...
The life and times of the legendary Mexican revolutionary Emiliano Zapata are brought to the screen in Darryl F. Zanuk's powerful production of John Steinbeck's screenplay. Marlon Brando, fresh from his success in A Streetcar Named Desire, gives a stunning portrayal of the outlaw turned revolutionary leader. The film also boasts Anthony Quinn's (Best Supporting Actor, 1952) Academy Award winning performance as Zapata's brother. VIVA ZAPATA! Is one of the classic political movies and another fine example of Brando's genius as a film actor.
""You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it."" - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint
West Side Story: Garnering a total of ten Academy Awards - including Best Picture of 1961 - West Side Story set a brilliant standard for movie musicals that remains unsurpassed to this day. Directed by Robert Wise and Jerome Robbins from Ernest Lehman's spectacular screenplay the film combines the unforgettable score of Leonard Bernstein and Stephen Sondheim with Robbins' exuberant choreography to create a transcendent fusion of realism and fantasy that will forever be a feast for the eye the ear and ultimately the heart. A triumph on every level this electrifying musical sets the ageless tragedy of Romeo and Juliet against a backdrop of gang warfare in the slums of 1950's New York. Guys & Dolls: Based on the Broadway show from the Damon Runyon short story and filled to the brim with Frank Loesser tunes such as Luck Be a Lady and Sit Down You're Rocking the Boat this outrageously comic film featuring Marlon Brando's bold musical debut is a colorful tale about gamblers a feisty Salvation Army lass and a dance-hall girl with a pining heart. Veteran gambler Sky Masterson (Brando) takes a bet from Nathan Detroit (Frank Sinatra) that he can win the affection of a soldier (Jean Simmons) in the Salvation Army setting himself up to lose both his money and his heart. Romance is the last thing the gambler and the missionary expect and they fight against their attraction for all they're worth in glowing singing and dancing numbers. Love proves to be contagious as spicy dancer Miss Adelaide in a role re-created for the screen from Broadway by showstopper Vivian Blaine is determined to get her fiance Nathan to the altar one way or another. Stubby Kaye and B.S. Pully also reprise their stage roles in this glorious Cinemascope film that earned four Academy Award nominations. Guys And Dolls consistently ranks among the most popular film musicals of all time. De-Lovely: Directed by Irwin Winkler De-Lovely depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men Porter found inspiration and virtually unconditional love with Linda Lee (Ashley Judd). Told in flashback as Porter is near death the film follows the Porters' fabulous unconventional relationship from their meeting in Paris to their subsequent moves to Venice New York Hollywood and Williamstown as well as the many stops along the way. Kline perfectly captures the Porters' zest for life and seemingly inexhaustible need for love. Classic tunes such as Let's Do It Let's Fall in Love Let's Misbehave and Anything Goes take on whole new meanings when considered in the context of Porter and Lee's life together. Contemporary musical performers including Alanis Morissette Natalie Cole Robbie Williams Elvis Costello and Sheryl Crow appear in the film singing Porter standards.
The Godfather: (Disc 1) Considered by many to be the greatest movie ever made Francis Ford Coppola's epic masterpiece features Oscar winner Marlon Brando as the head of the Corleone family. Coppola paints a chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from a father to a son who was previously uninvolved in the business. Godfather Part II: (Disc 2 & 3) The Godfather Part II is one of the rare breed of c
Francis Ford Coppola's 1979 classic tale of the Viet Nam war, re-released with almost an hour of additional footage. Captain Willard (Martin Sheen) is given the task of sailing upriver to find and execute renegade military officer Colonel Kurtz (Marlon Br
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