With Dagon, director Stuart (Re-Animator) Gordon returns once more to author HP Lovecraft, this time for an adaptation of the novella The Shadow Over Innsmouth, with the setting switched from the coast of New England to the creepy Spanish fishing village of Inboca. After a sudden storm and a yacht-wreck, a bespectacled and bewildered Paul Marsh (Ezra Gooden) finds himself stranded in the literally fishy town, which has thrown over Catholicism to devote itself to the worship of the Philistine sea-god Dagon. His influence means that the inhabitants are transforming into pop-eyed, tentacled and gilled creatures. Though Gooden perhaps strikes too strident a note to convince as an everyday guy, director Gordon orchestrates the rising terrors well. These range from a supremely damp and uncomfortable hotel room through an impressive flashback about the rise of the Esoteric Order of Dagon to some sinister business with a mad-eyed mermaid (Macarena Gomez), human sacrifice and nasty surprises all round. Unfortunately, Gordon still can't quite distinguish between acceptably gruesome and downright nasty, especially when it comes to disposing of secondary female characters. On the plus side, Dagon boasts an excellent score, which even tries to set to music some of Lovecraft's invented language ("Ia Ia Cthulhu fh'tagn"). --Kim Newman
With Dagon, director Stuart (Re-Animator) Gordon returns once more to author HP Lovecraft, this time for an adaptation of the novella The Shadow Over Innsmouth, with the setting switched from the coast of New England to the creepy Spanish fishing village of Inboca. After a sudden storm and a yacht-wreck, a bespectacled and bewildered Paul Marsh (Ezra Gooden) finds himself stranded in the literally fishy town, which has thrown over Catholicism to devote itself to the worship of the Philistine sea-god Dagon. His influence means that the inhabitants are transforming into pop-eyed, tentacled and gilled creatures. Though Gooden perhaps strikes too strident a note to convince as an everyday guy, director Gordon orchestrates the rising terrors well. These range from a supremely damp and uncomfortable hotel room through an impressive flashback about the rise of the Esoteric Order of Dagon to some sinister business with a mad-eyed mermaid (Macarena Gomez), human sacrifice and nasty surprises all round. Unfortunately, Gordon still can't quite distinguish between acceptably gruesome and downright nasty, especially when it comes to disposing of secondary female characters. On the plus side, Dagon boasts an excellent score, which even tries to set to music some of Lovecraft's invented language ("Ia Ia Cthulhu fh'tagn"). --Kim Newman
An innocent camping trip takes a dark turn for a young brother and sister when they witness a murder. The young siblings become the killers' next target as they are chased and hunted through the wilderness. Serving time over a protest gone terribly wrong their father Jack Damson (Brendan Fraser) devises a plan to break out of prison and rescue his kids from the pair of criminals Tommy (Dominic Purcell TV's Prison Break) and Kenny (Ethan Suplee TV's My Name is Earl). A fight for survival ensues in the action-packed thriller where the hunters become the hunted.
Trying to reach the limits of evil... but evil has no limits! In Spain the vanished six years old daughter of the editor Claudia (Emma Vilarasau) is found completely mutilated in a well by the police being recognized by her husband only due to a bracelet and her shorter leg. Five years later Claudia divorced and addicted to prescription tranquilizers receives a short phone contact from her daughter. She looks for the former detective in charge of the investigation and together with a reporter of a magazine of parapsychology they find the existence of a diabolic sect called ""Los Sin Nombre"" that searches for the essence of pure evil...
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