Based on the French film, The Return of Martin Guerre (which itself was based on a famous court case), this 1993 film by director Jon Amiel recasts the same essential story in post-Civil War Tennessee, in a dirt-poor town suffering the effects of the South's loss. Jodie Foster plays Laurel Sommersby, a widow whose husband died in the Civil War--or so everyone thinks. Then one day, Jack Sommersby (Richard Gere) strolls back into town and back into Laurel's bed--seemingly a very changed man. Gone is the selfish, nasty guy no one much liked. In his place is a friendly, sensitive and resourceful new Jack who not only rekindles the long-dead fire of his marriage, but revives the entire town. Except for one small catch: he may not actually be Jack Sommersby at all. Beautifully shot by Amiel (with a great assist from cameraman Philippe Rousselot) from a script by Nicholas Meyer and Sarah Kernochan, the film features a sturdy, even flinty performance by Foster and a beguiling one by Gere. Though the ending will squeeze the tear ducts, the film earns those tears. --Marshall Fine, Amazon.com
Jeremy Brett Susan Fleetwood Robin Ellis and Geoffrey Chater star in this adaptation of Ford Madox Ford s classic Edwardian story of love and deception widely regarded as one of the greatest English-language novels of the twentieth century. A household name from his iconic performance in ITV s The Adventures of Sherlock Holmes Brett relishes the title role giving one of the outstanding performances of his long and distinguished career. The complex plot evolves around two outwardly perfect married couples Englishman Edward Ashburnam and his wife Leonora and Americans John and Florence Dowell; the couples meet annually in the German spa town of Bad Nauheim a resort favoured by those with heart conditions. But as the friendships deepen the intricacies of the relationships are gradually laid bare and the carefully concealed flaws destructive passions and infidelities of the protagonists bring about a sequence of tragic events that will consume them all.
These are all the definitive highlights from the 2003 World Cup featuring all the teams and all of the action. This box also contains a special 'Winners Review' programme following the mighty Australian team from their first game - through to the final.
The Last Vampyre is an overblown two-hour adaptation of Sir Arthur Conan Doyle's short story "The Adventure of the Sussex Vampire", and was perhaps the most ill-advised of Granada Television's Sherlock Holmes series. Entirely contrary to the tone and spirit of Doyle's tale--which finds Holmes victoriously pitting his well-grounded deductive powers against irrational fears of a rise in blood sucking--The Last Vampyre is something of an embarrassment to the largely wonderful legacy of Granada's earlier efforts. (For the record, most of the creative executives who, along with star Jeremy Brett, had made the beloved series what it was in the 1980s were replaced by 1992, the year of this film.) In this version, Holmes does battle with a Dracula-like fellow who may or may not be the real McCoy. There is a great deal of padding to fill out the story to feature length, and it is mostly silly. So, you ask, is there anything to recommend this? Well, there is the ailing Brett's ever-fascinating performance, which deviates from Doyle's vision of the detective hero toward something darker and more personal. Edward Hardwicke does his usual warm and capable work as Dr Watson. --Tom Keogh
The Dead Hate the Living is a love letter to the nightmarish scenarios and visual freakouts of Italian horror pictures, although it also echoes with such American genre classics as Phantasm, The Evil Dead, and Scream. What could be better than a bunch of Italian horror buffs making their own zombie flick in a spooky abandoned hospital? Being attacked by the real thing, of course. The hapless crew discover a creepy black altar (complete with its own decorative corpse) and incorporate it into their film. When their scripted ceremony opens a portal from another dimension and unleashes an army of rampaging zombies, the hallways become flooded in red and blue and green pools of light for no good reason other than it looks cool. The hospital is suddenly adrift in an alternative reality because... well, just because. Writer-director Dave Parker never tries to explain the madness (a zombie's exclamation, "Hate the living! Love the dead!" is as much motive as we're offered), choosing instead simply to plunge viewers into the inspired mayhem. What makes it all work is a love of the genre, a cast of energetic, likable performers, cool zombie makeup, and a sure, stylish hand. Horror movie mavens will pick up on oodles of clever references (a bumper sticker that reads "Fulci lives"; a zombie king commanding, "Make them die... slowly"), but these are merely asides in an accomplished, clever, and remarkably entertaining indie horror riff. --Sean Axmaker, Amazon.com
Gregory K' is a 12-year old boy who made history. Abused and neglected by his parents he became a celebrity when he took them to court and pleaded to be divorced from them so that he could be adopted by his loving foster parents. We see the emotional pressure put on Gregory himself as he is torn between his loyalty to his loving but alcoholic mother and his own need for happiness and security.
Welcome to Beverly Hills where upper class white married couples like Bill and Bernadette (Andrew Duggan and Joyce Van Patten) enjoy their happy life of wealth and privilege. But when a violently unstable black criminal (Yaphet Kotto) invades their home each will be forced to explore their own nightmares of lies and desire where every perverse secret is exposed and nothing is ever really black and white. This is the daring disturbing and still controversial directorial debut of one
This delightfully fun and lighthearted comedy is based on Jane Austen's classic novel. Dazzling Gwyneth Paltrow (Shakespeare In Love) shines as Emma a mischievous young beauty who sets up her single friends. Funny thing is...she's not very good at it! So when Emma tries to find a man for Harriet (Toni Collette Knives Out) she makes a hilariously tangled mess of everyone's lives. You'll enjoy all the comic confusion... until Emma herself falls in love, finally freeing everyone from her outrageously misguided attempts at matchmaking!
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