Based on the French film, The Return of Martin Guerre (which itself was based on a famous court case), this 1993 film by director Jon Amiel recasts the same essential story in post-Civil War Tennessee, in a dirt-poor town suffering the effects of the South's loss. Jodie Foster plays Laurel Sommersby, a widow whose husband died in the Civil War--or so everyone thinks. Then one day, Jack Sommersby (Richard Gere) strolls back into town and back into Laurel's bed--seemingly a very changed man. Gone is the selfish, nasty guy no one much liked. In his place is a friendly, sensitive and resourceful new Jack who not only rekindles the long-dead fire of his marriage, but revives the entire town. Except for one small catch: he may not actually be Jack Sommersby at all. Beautifully shot by Amiel (with a great assist from cameraman Philippe Rousselot) from a script by Nicholas Meyer and Sarah Kernochan, the film features a sturdy, even flinty performance by Foster and a beguiling one by Gere. Though the ending will squeeze the tear ducts, the film earns those tears. --Marshall Fine, Amazon.com
His passion made him a legend.... Robert Tyre Jones Jr. aka ""Bobby Jones"" (Caviezel) rises from complete obscurity to become a golfing legend. Jones overcomes his own fierce temper intense passion and perfectionist tendencies to master the game and win the Grand Slam the U.S. British and Amateur Opens in golf a feat unequaled even today. But it is Jones's style personality and character that separate him from the other professionals in his field. When Jones realizes that hi
What Seagal does in Vegas nearly destroys it! Count on Steven Seagal to pack a devastating punch - this time with a little something extra when he proves that the fist is mightier than the gun. Harlan Banks (Seagal) is hired to drive a delivery truck in Vegas. When he picks up $20 million in cash his double-crossing cohort blasts two security men and then holds his gun to Banks's head ordering him to drive. After one of the most extraordinary chase scenes ever filmed on th
All Allyson and her friends want is a peaceful grown-up evening of dinner and conversation...a long-needed mums' night out. But in order to enjoy high heels adult conversation and food not served in a paper bag they need their husbands to watch the kids for three hours - what could go wrong?
The Last Vampyre is an overblown two-hour adaptation of Sir Arthur Conan Doyle's short story "The Adventure of the Sussex Vampire", and was perhaps the most ill-advised of Granada Television's Sherlock Holmes series. Entirely contrary to the tone and spirit of Doyle's tale--which finds Holmes victoriously pitting his well-grounded deductive powers against irrational fears of a rise in blood sucking--The Last Vampyre is something of an embarrassment to the largely wonderful legacy of Granada's earlier efforts. (For the record, most of the creative executives who, along with star Jeremy Brett, had made the beloved series what it was in the 1980s were replaced by 1992, the year of this film.) In this version, Holmes does battle with a Dracula-like fellow who may or may not be the real McCoy. There is a great deal of padding to fill out the story to feature length, and it is mostly silly. So, you ask, is there anything to recommend this? Well, there is the ailing Brett's ever-fascinating performance, which deviates from Doyle's vision of the detective hero toward something darker and more personal. Edward Hardwicke does his usual warm and capable work as Dr Watson. --Tom Keogh
Unshackled is the unforgettable story of two men. One Harold Morris was white - a sharecroppers son from South Carolina. The other Marcus 'Doc' Odomes was black - raised by his mother in inner city New York. Both were doing life sentences in Georgia State Penitentiary when the prison was forced to integrate under federal mandate. It was the last prison in America to do so. They were thrown into an 8ft by 10 ft cell and the door was slammed shut. This is their story.
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