An alien being chooses two teenagers to assist him in his mission to make the world a better place... A spaceship on a scientific mission is flung into the far reaches of outer space... An ex-NYPD cop fights organised crime on a distant planet... ...these are The Lost Worlds of Gerry Anderson. Creator of the legendary Thunderbirds Gerry Anderson scored incredible successes throughout the 1960s and '70s with Captain Scarlet UFO Space: 1999 and other series which appealed to both children and adults alike. Not all his ideas however went to a full series and this set contains the 1970s pilots for both The Investigator and The Day After Tomorrow as well as the 1986 pilot for Space Police which was eventually reworked as Space Precinct nearly a decade later. Alongside these rare and much sought after programmes this collector's set also includes: You've Never Seen This - Gerry's directorial debut from 1955. Here Comes Kandy - a colour puppet pilot made by Gerry's company Pentagon Films in 1956. Image galleries for all three '70s and '80s pilots. New transfer of remaining film elements for Space Police alongside the 'Reloaded' 1992 edit and test footage. Dick Spanner PI - an unscreened episode with accompanying image gallery. Blue Skies Ahead and an accompanying Blue Cars advert made by Gerry in partnership with Nicholas Parsons
This 4 disc box set features the complete series of Arthur Of The Britons. With the roman withdrawal from Britain the tribes have entered into a period of feudal warfare. Arthur is the war chieftain of a tribe of Celts who has his eye on the bigger picture - unification of the tribes in the face of the Saxon threat. Assisted by his adoptive father Llud and Saxon friend Kai he has his hands full keeping the peace with opposition from the various feuding factions as well as his duplicitous cousin Mark of Cornwall.
Sylvester Stallone never courted as much controversy as he did with the screen violence of the Rambo trilogy. From 1982 to 1988, they kept his name above Schwarzenegger's in the muscle hero league, with "Rambo" becoming a descriptive phrase in the language to describe gung-ho aggression (in Japanese, "rambo" means "violence"). The strangest part of the character's success is that originally he had none. Both David Morrell's novel and the original incarnation of First Blood had the Vietnam vet committing suicide after his rampage through small town America. The un-Hollywood ending was changed when Stallone and the producers recognised here was a character with possibilities. First Blood: Part II was co-written by James (Titanic) Cameron, a man who has always recognised box office possibilities. Stallone took a very relevant (to 1985) issue of surviving POWs and created an alternative end to the Vietnam War. This was achieved courtesy of the Cold War animosity that still existed towards the Russians, embodied in a suitably vile cameo from Steven Berkoff. A little love interest helped ground the movie and prevent it from completely turning into a video game, as did the best of Jerry Goldsmith's stirring scores for the trilogy. After saving himself and then his Country, Rambo III was simply about saving his friend Richard Crenna. The code of honour was by this point watered down into a song lyric, "He Ain't Heavy, He's My Brother". Nevertheless the final instalment continues to say something about the indomitable American spirit that will not accept defeat lightly. Patriotism may never have been portrayed quite so bloodily before Rambo's arrival, but at least a generation learned to question attitudes to war veterans, as well as the benefits of carrying a compass in your hunting knife. On the DVD: The Rambo trilogy on disc brings together all three movies in crisp 2.35:1 widescreen transfers. Sadly the extras are a little thin considering how much more was on the old Laser Discs. The first film has but a trailer; the third has a few minutes of behind the scenes material; the second has quite a few mini-documentaries that could really have done with being edited together, and having repeated interviews cut out. But there's still fun to be had hearing how deep and meaningful the movies were in conception.--Paul Tonks
Like Sylvester Stallone's Rocky and Rambo the hero of Cobra is another original: Lt. Marion Cobretti a one-man assault force whose laser-mount submachine gun and pearl-handled Colt 45 spit pure crime-stopping venom. Rambo: First Blood Part II director George P Cosmatos rejoins Stallone for this thriller pitting Cobretti against a merciless serial killer. The trail leads to not one murderer but to a ""New Order"" - and killing the inadvertent witness (Brigette Nielsen) to their late
Twists, double-crosses and political intrigue abound in this classic thriller starring the golden couple of film noir, Veronica Lake and Alan Ladd (The Blue Dahlia, This Gun For Hire). A crooked political boss, Paul Madvig (Brian Donlevy), falls for Janet Henry (Lake), daughter of a prospective Baltimore governor, and decides to mend his ways. However, when Janet s no-good brother turns up dead, Madvig s colourful past returns to haunt him as he is fingered as the likely suspect. Which of his many enemies conspired to frame him? And can he, with the assistance of right-hand man Ed Beaumont (Ladd), prove his innocence before he is sent down for murder? The earliest collaboration between Lake and Ladd, The Glass Key boasts a screenplay adapted from the novel by Dashiell Hammett (The Maltese Falcon), father of hard-boiled crime. Now appearing for the first time ever on Blu-ray in the UK, this timeless noir thriller shines like never before. SPECIAL EDITION CONTENTS High Definition Blu-ray (1080p) presentation Original uncompressed PCM mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary by crime fiction and film expert Barry Forshaw New visual essay on the film by Alastair Phillips, co-author of 100 Film Noirs Rare 1946 half-hour radio dramatization of The Glass Key by The Screen Guild Theater, starring Alan Ladd, Marjorie Reynolds and Gene Kelly Original theatrical trailer Extensive gallery of vintage stills and promotional materials Reversible sleeve featuring original and newly commissioned artwork by Tonci Zonjic
George and Mildred are the ultimate odd couple the popular landlord and landlady from Man About The House who became a household name with Thames Television in the 1970's and 80's. Mildred is vain snobbish and domineering; George is shy timid frigid and henpecked. Together they make a great partnership! This box set features all ten episodes from the first series. Moving On:When George and Mildred plan a move to middleclass suburbia Mildred is
The World's Greatest Concert Of Musicals. A magical night of theatre that could only take place in your dreams... until now. Hey Mr Producer! features selected scenes from the productions of the world's most successful musical producer Cameron Mackintosh - classic songs from classic musicals performed by the ultimate cast. Now dreams become reality in this stunning theatrical concert introduced by Julie Andrews. Featuring a glittering array of internationall
The comic 'Bluntman and Chronic' is based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
A Texas baseball coach makes the major league after agreeing to try out if his high school team made the playoffs.
Robin Hood: Prince of Thieves reinvented the legend for contemporary cinema audiences, and in doing so far outstripped at the box office even Kevin Costner's own infinitely superior Dances with Wolves to become the biggest hit of 1991. It's an entertaining enough family adventure film, but plays like a big-budget TV movie with no distinctive flair for action or romance. (Director Kevin Reynolds would reunite with Costner four years later for the equally stodgy Waterworld). If the accents are all over the place, at least Mary Elizabeth Mastrantonio makes a Maid Marion of ravishing Pre-Raphaelite beauty. Morgan Freeman is fine as Robin's Moorish sidekick, though, other than to expand the demographic, his character has no business being in the story. Realising that the whole enterprise has the credibility of a pantomime, Alan Rickman outrageously camps up his Sheriff of Nottingham, stealing the film in the process. Costner makes an acceptable hero, though he will never replace Errol Flynn in the definitive The Adventures of Robin Hood. If you can accept explosives in 13th-century England, that the approach to Sherwood Forest is a modern conifer plantation and that the 170 miles from Dover to Nottingham is a matter of a few hours ride via Northumberland, then you may find much to enjoy here. Otherwise an already overlong film has been extended to an excessive 148 minutes in this special edition, making far too much of a not very good thing. On the DVD: Robin Hood: Prince of Thieves is presented as a two-disc set, with a 1.78:1 anamorphic transfer that is generally good looking but with an occasionally soft picture and some evidence of dirt and minor print damage. The Dolby Digital 5.1 remix of the original stereo soundtrack is atmospheric and powerful and shows off Michael Kamen's score to its best. Though presented with 12 minutes of footage not seen in the cinema version, the film still suffers most of the cuts (amounting to 28 seconds) imposed by the BBFC over the years. The main extras are a pair of commentaries: Costner and Reynolds discuss the film in frank and enthusiastic detail, while on a second track Freeman, Slater, writer/producer Pen Densham and cowriter/producer John Watson offer a great deal of insight plus a fair bit of stating the obvious, backslapping and critic bashing. Robin Hood: The Myth, the Man, the Movie (31 mins) is a cut version of a 45-minute TV special originally broadcast in America the night before the premiere, and offers an interesting if brief look at the Robin Hood story plus some routine making-of material. Finally, there is a video of Bryan Adams performing "Everything I Do, I Do It for You" live at Slane Castle and 18 minutes worth of bland electronic presskit-style archive interviews with Costner, Freeman, Mastrantonio, Slater and Alan Rickman, plus the original American trailer, a stills gallery and cast and crew list. --Gary S Dalkin
With 128 million worldwide album sales already under their collective belts, two OBE awards, a million neon lit 'Sold Out' signs, a record 108 appearances on Top of the Pops, this will never be beaten or even equalled! You'd think that HRH Prince Charles favourite band had nothing more to prove in the field of entertainment... But, they've never in all their long and glorious history been seen on a cinema screen...
Dark Star is absurd, surreal and very funny. John Carpenter once described it as "Waiting for Godot in space." (It's also, surely, one of the primary inspirations for Red Dwarf.) Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. The story concerns the Dark Star's crew who are on a 20-year mission to destroy unstable planets and make way for future colonisation. The smart bombs they use to effect this zoom off cheerfully to do their duty. But unlike Star Trek, in which order prevails, the nerves of this crew are becoming increasingly frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff," says Commander Doolittle when presented with the possibility of alien life. "Find me something I can blow up." When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's story "Kaleidoscope", has the remaining crew drifting away from each other in space, each to a suitably absurd end. --Jim Gay
A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com
50 years on from its first transmission, the BBC's Play for Today anthology series remains one of British television's most influential and celebrated achievements. Between 1970 and 1984, plays which combined some of the era's finest writing, acting and directing talents were broadcast direct to living rooms, regularly challenging viewers and pushing the boundaries of TV drama. Featuring plays by the likes of Ingmar Bergman, Julia Jones and Colin Welland and featuring a roster of eminent British actors, Play for Today: Volume One brings together seven iconic dramas on Bluray for the very first time, in a collection that exemplifies the breadth and brilliance of this groundbreaking series. The set includes five plays which have been restored from the original negatives held in the BBC archive. The Plays: The Lie (Written by Ingmar Bergman | Dir. Alan Bridges, 1970) Shakespeare or Bust (Written by Peter Terson | Dir. Brian Parker, 1973) Back of Beyond (Written by Julia Jones | Dir. Desmond Davis, 1974) Passage to England (Written by Leon Griffiths | Dir. John Mackenzie, 1975) Our Flesh and Blood (Written by Mike Stott | Dir. Pedr James, 1977) A Photograph (Written by John Bowen | Dir. John Glenister, 1977) Your Man from Six Counties (Written by Colin Welland | Dir. Barry Davis, 1976)
An artist unwittingly unleashes a wave of violence after learning the true history behind the urban legend of Candyman in this chilling film from Nia DaCosta and Jordan Peele. Note: Blu-ray Disc is Region B.
Sixteen-year-old Terry Connor is sent, along with a few of his friends, to an Outward Bound centre. On his first day at the centre Terry is taken pot-holing by the senior instructor, Alex. All goes well until, at 100 feet underground, Alex goes to search for the torch that Terry has dropped.Hours pass, and, to Terry's astonishment, when Alex finally returns he has no recollection whatever of having been absent. Terry suspects something sinister is taking place - it is surely no coincidence that there is a secret Ministry of Defence establishment nearby. But just how deeply his curiosity will involve him in dangerous matters becomes clear when he learns the truth about the 'Jensen Code'...The Jensen Code was a highly unusual children's thriller series, written by Carey Harrison (author son of actor Rex Harrison), and starring David (Dai) Bradley, the BAFTA-winning young star of Kes, as the teenager who unwittingly uncovers a terrifying space-age espionage project. This complete 13-part series, rarely seen since its original transmission in 1973, is released here for the first time in any format. Originally made in colour, The Jensen Code now exists only as black and white telerecordings made for overseas sales, the full colour episodes having been junked many years ago.
The last film of John Wayne, The Shootist, could not have been more fitting, full of details that can't help but make one reflect upon his legacy in the movies and his life as a star. Wayne plays a career gunfighter in the autumn of his life, trying to hang up his pistols after he discovers he's dying of cancer. Boarding in the house of an attractive widow (Lauren Bacall) and her son (Ron Howard), Wayne's character opts for peace in his final days but is dogged by his reputation when a handful of killers seeks him out for a final fight. Howard is fine as a fatherless boy who needs the strong mentor the hero represents, and James Stewart--who costarred with Wayne in the great Man Who Shot Liberty Valance--plays the doctor who gives the big man the bad news. Don Siegel (Invasion of the Body Snatchers) thoughtfully directs a very special and sensitive production. --Tom Keogh
Acclaimed actor Sean Bean stars in these feature length movies set during the Napoleonic wars of 19th century Spain. After saving the life of a general Sharpe is promoted to lieutenant and given his own group of riflemen to lead. The series follows him and his troops as they make their way between battles making and losing friends along the way. Fast-moving hard-hitting action adventures based on Bernard Cornwell's best-selling novels bring to the screen all the danger and romance of one of the bloodiest periods of warfare.
Ten classic film noirs in this gripping 5 disc collection! Disc 1: Scarlet Street / Robinson / Detour Disc 2: The Strange Love of Martha Ivers / Whistle Stop Disc 3: He Walked By Night / Trapped Disc 4: Impact / D.O.A. Disc 5: Quicksand / The Hitchhiker
If you thought it impossible to set a new record for the largest quantity of hot bodies wild sex and buckets of blood per episode than The Lair Season 1 then look no further than The Lair Season 2! The delicious second series of this fabulously decadent cult hit takes us even deeper into the seedy underworld of the male-only club known as simply 'The Lair' delving even further in to its murky world of steamy love affairs mysterious murders and the hottest guys this side of Dante's Cove! Introducing new even sexier characters and ever more surprising twists and turns The Lair Season 2 will leave lovers of genuine camp fun satisfied - at least until they become hungry for more!
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