Golden Globe & Emmy winner Elisabeth Moss stars in a terrifying modern tale of obsession, inspired by Universal's classic monster character. Available exclusively to the Home Entertainment release, this is the uncut version of the film which was not shown in cinemas or At Home On Demand. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister, their childhood friend and his teenage daughter. But when Cecilia's abusive ex commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia's sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see. Bonus Features Uncut Feature Commentary with writer/ director Leigh Whannell Deleted Scenes Moss Manifested Director's Journey with Leigh Whannell The Players Timeless Terror
The world of insurance hasn't exactly inspired a wealth of memorable cinema, but Australian film Risk is a feisty, funny, clever and, yes, insurance-related movie. Drawing on a range of cinematic themes (good cop/bad cop, the young newcomer and his guiding light, a love triangle) the film offers a fresh insight by virtue of its unusual setting. Ben Madigen (Tom Long) finds himself working in the business by default and is soon taken under the wing of the charismatic John Kreisky (Brown). While trying to undertake his job without compromising his principles, Madigen is unwittingly lured into a scam by Kreisky and his girlfriend, lawyer Louise Roncaldi (Claudia Karvan). The burgeoning and later unravelling relationship between the three is the film's key story, as Long finds himself torn between the other two. Brown is excellent as the scheming Kreisky, once again proving that his failure to move into a more major acting league is little short of baffling--but then, this type of imaginative film offers him more scope than Cocktail or FX ever could and serves as a welcome advertisement for the growing Australian movie industry. This is a highly intelligent film that keeps its plot-cards closely to its chest, keeping the viewer guessing throughout. On the DVD: the usual scene selection is coupled with the trailer, which presents the film (slightly misleadingly) in pulsating, high-action tones. The "making of" featurette offers the viewer an insight into not very much happening (look, there's a man pushing something) and gives the cast an opportunity to take themselves a little too seriously. --Phil Udell
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