Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally reprise their iconic roles as Will, Grace, Jack and Karen in the fabulous farewell season of Will & Grace. Last season's momentous finale saw Jack and Esteban tie the knot, Will propose to McCoy, and Grace fly off to Europe with a new man. Now, Jack is adjusting to married life, Will is navigating his long-distance engagement, Grace is back from her travels with some life-altering news, and Karen is as outspoken as ever. Get ready for loads of laughs and some big surprises as the legendary comedy series bids adieu to its legions of fans around the world.
Very few first-time film directors would have been capable of making such a triumphant adaptation of Henry V; but a still-youthful Kenneth Branagh's years of stage experience paid off handsomely and his 1989 version qualifies as a genuine masterpiece, the kind of film that comes along once in a decade. He eschews the theatricality of Laurence Olivier's stirring, fondly remembered 1945 adaptation to establish his own rules: Branagh plays it down and dirty, seeing the Bard's play through revisionist eyes, framing it as an anti-war story in contrast to Olivier's patriotic spectacle. Branagh gives us harsh close-ups of muddied, bloody men, and of himself as Henry, his hardened mouth and wilful eyes revealing much about the personal cost of war. Not that the director-star doesn't provide lighter moments: his scenes introducing the French Princess Katherine (Emma Thompson) trying to learn English quickly from her maid are delightful. What may be the crowning glory of Branagh's adaptation comes when the dazed leader wanders across the battlefield, not even sure who has won. As King Hal carries a dead boy (a young Christian Bale) over the hacked bodies of both the English and French, a panorama of blood and mud and death greet the viewer as Branagh opens up the scene and Patrick Doyle's rousing hymn "Non nobis, Domine" provides marvellous counterpoint (like the director, the composer was another filmic first-timer). A more potent expression of the price of victory could scarcely be imagined. --Rochelle O'Gorman, Amazon.com
Compiled from McCartney's two concert tours of North America in 2002, Back in the U.S. is chiefly a "selective" biographical film of Macca on tour. Unlike the CD of the same name, which is made up of full-length versions of the songs performed on the tour, the DVD features only excerpts. Presenting the legend and those around it in a somewhat superficial light, the film is as much a tribute to the Heather-reinvigorated McCartney as to his music. There's plenty of footage of the new Mrs McCartney accompanying Paul on his marathon of television and radio interviews; band and crew members pipe on about how much of an honour it is to work with McCartney; and fans' of all ages gush hysterically about how amazing it is to see the star perform live. After sitting through three hours of such material, you can't help wishing that something would go wrong. The set-list includes Beatles favourites, tunes by Wings and selected numbers from McCartney's solo back catalogue. Realising the audience's obvious taste for nostalgia, the film mixes shots of the wild contemporary audience with footage of tearful, screaming fans from 40 years earlier. While the songs and audience reactions remain the same, the most touching moment of the film is when Macca performs his tributes to Lennon ("Here Today") and Harrison ("Something"). On The DVD: Back in the U.S. appears to break all DVD capacity records. As well as the main feature, there's plenty of extra behind-the-scenes material and bonus songs. While the picture quality is satisfactory, the three audio soundtracks (including DTS Surround) more than compensate for any visual shortcomings. Playing the disc on a DVD-ROM drive allows access to a secret Back In The U.S. Web site--one of the most comprehensive bonus Web sites ever. Highlights include additional soundcheck clips, outtakes, music promos and extended performances from the show. --John Galilee
For the first time ever the Queen Collector's Box brings together films which document the band's entire career - telling their story from pop-rock pioneers in the 70s to stadium fillers in the 80s and on to critical acclaim in the early 90s. It will be an ideal visual accompaniment to any fan's collection.
Analyze That has more bada bing than its lukewarm box office reception would lead you to expect. Analyze This (1999) had the advantage of a then-fresh idea--Robert De Niro as a neurotic mob boss seeking therapy with reluctant shrink Billy Crystal--but that idea's stale (and has been handled more authentically in The Sopranos), so this sequel relies on established chemistry and zesty dialogue that matches the original. There's nothing wrong with a retread when it's this funny, and De Niro's latter-day penchant for comedy suits him well when, as kingpin Paul Vitti, he lures Dr Sobel (Crystal) into a prison breakout scheme involving faked catatonia and West Side Story show tunes. The contrived plot involves Vitti's criminal comeback. Unfortunately, there's little room for Lisa Kudrow as Sobel's sarcastic wife, but De Niro's Raging Bull co-star Cathy Moriarty-Gentile is welcomed as a rival mob queen. You want a comedy masterpiece? Fuhgeddaboudit. You want 95 minutes of easy fun? It's right here... and don't miss those obligatory outtakes. --Jeff Shannon
Sparrows Can't Sing, directed by Joan Littlewood and starring Barbara Windsor (Carry on Camping) in her BAFTA nominated role as Maggie, is a 1963 kitchen sink classic filmed in the East End of London. There's panic in Stepney; from the stalls in the street to the bar of the Red Lion the word goes out: tearaway Charlie Gooding (James Booth, Zulu) is back from two years at sea, and on the way home to his old stamping ground. The trouble is that Charlie isn't up to date with the news. Bonus Features: INTERVIEW WITH PETER RANKIN (JOAN LITTLEWOOD BIOGRAPHER) LOCATIONS FEATURETTE WITH RICHARD DACRE (FILM HISTORIAN) STILLS GALLERY INTERVIEW WITH MURRAY MELVIN BFI Q&A WITH BARBARA WINDSOR & MURRAY MELVIN TRAILER
Series 3 and 4 featuring the trio of lovable rogues. Episodes Comprise: 1. The Man From Oswestry 2. Mending Stuart's Leg 3. The Great Boarding House Bathroom Caper 4. Cheering Up Gordon 5. The Kink In Foggy's Niblick 6. Going To Gordon's Wedding 7. Isometrics And After 9. Ferret Come Home 10. Getting On Sydney's Wire 11. Jubilee 12. Flower Power Cut 13. Who's Made A Bit Of A Splash In Wales Then? 14. Greenfingers 15. A Merry Heatwave 16. The Bandit From Stoke-On-Trent
All the glamour and greatness of the world's most exciting drama of speed and spectacle! Nine races. One champion. James Garner Yves Montand Brian Bedford and Antonio Sabato portray Formula 1 drivers competing to be the best in this slam-you-into-the-driver's seat tale of speed spectacle and intertwined personal lives. Eva Marie Saint and Toshiro Mifune also star. John Frankenheimer (who 32 years later would again stomp the pedal to the metal for the car chases of Ronin) directs this winner of 3 Academy Awards crafting split-screen images to capture the overlapping drama and orchestrating you-are-there POV camerawork to intensify the hard-driving thrills. Nearly 30 top drivers take part in the excitement so buckle up movie fans. Race with the best to the head of the pack.
""He's the greatestHe's fantasticWhere ever there is danger he'll be there. He's the ace He's amazing.He's the strongest he's the quickest he's the best. Dangermouse Dangermouse Dangermouse!"" The world's greatest mouse detective Dangermouse together with his bumbling sidekick Penfold embark on a series of devilishly dangerous and definitely death defying missions. Includes The Spy Who Stayed In With A Cold where Penfold is ill at home with a cold and so Agent 57 and Danger Mouse team up to defeat Baron Greenback; the only problem is that Agent 57 has caught the cold too and every time he sneezes he involuntarily changes disguise...
Long ago when majestic fire-breathers soared through the skies there lived a knight who would come face-to-face and heart-to-heart with the most remarkable creature that ever existed. Dennis Quaid stars with the voice of Academy Award winner Sean Connery in director Rob Cohen's heroic adventure that blazes with fantasy humour and the most amazing special effects since Jurassic Park. Co-starring David Thewlis Pete Postlethwaite Julie Christie and Dina Meyer this epic adventure will move and thrill the entire family.
Five years before 'The Silence of the Lambs' Michael Mann directed this stylish thriller based on Thomas Harris' first Hannibal story - Red Dragon. Now recognised as a cult classic it is every bit as brilliant and terrifying as its sequel. Brian Cox is magnificent as Hannibal Lecter the serial killer who holds the key to tracking down a mass murderer who has a perverse penchant for voyeurism. William Petersen as Detective Will Graham is totally convincing as a man with an extraordinary talent that of entering a serial killer's personal nightmare landscapes...
Destry Rides Again will forever be remembered for Marlene Dietrich's performance as Frenchy a crooked saloon waitress with a heart of gold. Her rendition of ""See What the Boys in the Back Room Will Have"" is one of the highlights of her career. But Destry Rides Again has much more to offer than just Dietrich's performance. This hilarious satire carries Jimmy Stewart in the lead as Tom Destry a supposedly tough law enforcement man who doesn't like guns. Stewart's comic touches are brilliant as he eagerly gives out educational anecdotes anytime an opportunity affords itself. The plot concerns the efforts of a saloon owner and a corrupt Mayor to rob the local cowpokes blind. Frenchy's on the payroll of the bad guys but when sparks fly between her and Destry her loyalty becomes a deciding factor in whether it's Destry or the bad guys who will ride off into the sunset.
Suffering a tragic childhood, Chise Hatori has lost all hope for happiness until a mysterious sorcerer named Elias takes interest in her aptitude for magic. To survive, she must learn to wield her powers while Elias must learn what it means to be human. Unaware of what lies ahead, he decides to make her his apprentice and his bride.
Adventure awaits when a pack-mule express owner (Dana Andrews) escorts a young woman (Susan Hayward) home to a remote Oregon town.
Science fiction took a grim turn in the 1970s--the heyday of Agent Orange, nuclear peril and Watergate. Suddenly, most of our possible futures took on a "last man on Earth" flavour, with The Omega Man topping the doom-struck heap. Charlton Heston plays the government researcher behind the ultimate biological weapon, a deadly plague that has ravaged humanity. There are two groups of survivors: a dwindling band of immune humans and an infected, psychopathic mob of light-hating quasi-vampires. The infected are led by Mathias, a clever, charismatic man set on destroying the last remnants of the civilisation that produced the plague. Heston has a vaccine--but he and the few remaining normals are outnumbered and outgunned. By day, he builds a makeshift version of the nuclear family (with Rosalind Cash as his afro-wearing, gun-toting little lady). They plan for the future while roaming freely through an empty urban landscape, taking what few pleasures life has left. By night, they defend themselves against the growing horde of plague victims. Both a bittersweet romance and a gothic cautionary tale, The Omega Man paints a convincing portrait of hope and despair. It ain't pretty, but it's a great movie. --Grant Balfour
A young man leaves his middle class existence for a life a adventure in the North American wilderness. His journey takes him to Alaska, where he must fight to survive in the harsh environment.
Car troubles and a spooky waxworks museum spell trouble for a gang of US teens in this horror re-make.
In the county of Trumptonshire not far away from Camberwick Green is the tiny country hamlet of Chigley. This DVD features all the episodes from the fondly remembered children's series first broadcast in 1966.
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161 a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien a realisation that may compel Ripley to try destroying not only the horrific creature but herself as well.
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