It is said that Halloween is the night when the dead rise to walk among us and other unspeakable things roam free. The rituals of All Hallows Eve were devised to protect us from their evil mischief and one small town is about to be taught a terrifying lesson that some traditions are best not forgotten. Nothing is what it seems when a suburban couple learns the dangers of blowing out a Jack-o-Lantern before midnight; four women cross paths with a costumed stalker at a local festival; a group of pranksters goes too far and discovers the horrifying truth buried in a local legend; and a cantankerous old hermit is visited by a strange trick-or-treater has a few bones to pick. Costumes and candy ghouls and goblins monsters and mayhem... the tricks and treats of Halloween turn deadly as strange creatures of every variety try to survive the scariest night of the year!
Scorsese's invigorating history of American movies avoids the straitjacket of chronology. Although he makes dutiful nods in the direction of Edwin S. Porter, D.W. Griffith and Orson Welles, he is equally interested in figures working at the margins, film-makers such as Andre De Toth, Ida Lupino, Sam Fuller and Edgar Ulmer, "who circumvented the system to get their vision onto the screen". He describes them as "illusionists", "smugglers", con artists who managed to hoodwink the money men into allowing them to make the films they wanted. Some worked in B-movies ("less money, more freedom") others (like Scorsese himself) struck their own Faustian bargains with the studios, making "one movie for them, one for yourself"His heroes are the outsiders, the film-makers who chafe against the assurances of the American dream. He offers a vivid, guilty vignette of himself as a four-year-old child, sitting in a darkened auditorium watching in amazement as Gregory Peck overpowers Jennifer Jones in Duel in the Sun, one of the first films his mother took him to. "The savage intensity of the music, the burning sun, the overt sexuality ... it seems that the two could only consummate their passion by killing each other". There's a certain irony in Scorsese, who once seriously considered becoming a priest, succumbing to a David O. Selznick Technicolor extravaganza which had already been condemned by the church.While often sounding like a serious-minded apprentice who watches old movies to pick up tips which will help him in his own work ("study the old masters, enrich your palette, expand the canvas-there's always so much more to learn") he never overlooks the illicit pleasure that cinema can bring. "I don't really see a conflict between the church and the movies, the sacred and the profane". --Geoffrey Macnab
One of the best comedies of the 1970s, Blake Edwards' ode to midlife crisis and the hazards of infidelity now plays like a valentine to that self-indulgent decade, and it's still as funny as it ever was. In the signature role of his career (along with Arthur), Dudley Moore plays a songwriter with a severe case of marital restlessness, and all it takes is a chance encounter with Bo Derek (in her screen debut) to jump-start his libido. Julie Andrews plays Moore's wife, who will only tolerate so much of her husband's desperate need to reaffirm his sexual vitality, while Moore pursues Derek to a tropical rendezvous. The action builds to the now-famous bedroom scene that sent everyone rushing to the music store for their own copy of Ravel's Boléro. Talk about a classical climax! --Jeff Shannon, Amazon.com
In Nazi-occupied Crete British officers Fermor (Bogarde) and Moss (Oxley) aided by local patriots are assigned the job of kidnapping German commander-in-chief Kreipe (Goring). The operation if successful will be an incredible propaganda coup for the Allies; while the abduction goes smoothly the resultant chase across the rocky Cretan landscape proves anything but...
With all-star casts including HUGH JACKMAN, MICHAEL FASSBENDER, JAMES MCAVOY, JENNIFER LAWRENCE, HALLE BERRY, PATRICK STEWART and IAN MCKELLEN THE X-MEN COLLECTION CONTAINS 8 FILMS! Follow the epic story of the X-MEN, a group of humans with genetic mutations that give them extraordinary abilities. Engaged in a constant battle for acceptance in society, the X-MEN must learn to use their powers to fight those intent on world domination. Join Professor X, Storm, Jean Grey, Cyclops and Wolverine as they try to save themselves and the world from Magneto, Sentinels, and Apocalypse, a powerful mutant whose vengeful wrath threatens the planet. Includes hours of special features X-Men Born into a world filled with prejudice are children who possess extraordinary powers - the result of unique genetic mutations. Under the tutelage of Professor X (Patrick Stewart), the outcasts learn to harness their powers and must now protect mankind from the evil Magneto (Ian McKellen). This first chapter of the X-Men saga features an all-star cast, including Hugh Jackman, Halle Berry, Anna Paquin and Rebecca Romijn. X-Men 2 Hatred and distrust brew between human and mutantkind. An unprovoked mutant attack on the President gives General William Stryker (Brian Cox) his long-awaited opportunity to wage all-out war against the mutants. A war that would leave only one race victorious. Xavier (Patrick Stewart), Wolverine (Hugh Jackman), Storm (Halle Berry) and the other X-Men must unite with their old adversary Magneto (Ian McKellen) to prevent a devastating confrontation that could destroy everyone on the planet. In X-Men 2, acclaimed director Bryan Singer delivers state-of-the-art special effects, explosive action and one twist after another. X-Men 2 takes excitement to the Xtreme! X-Men: The Last Stand The third installment in the X-Men films: The divide between humans and mutants has gotten to a crucial point when a cure to irradiate mutations is found. Pushing patience to the limit in the mutant community, the line has been drawn and Professor X needs to decide which path to follow. X-Men: First Class See how it all began in this thrilling first chapter of the X-Men saga. Before Charles Xavier and Erik Lehnsherr became Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were enemies, they were the closest of friends and gathered an elite team of mutants to form the X-Men in an attempt to prevent World War 3! X-Men: Days of Future Past The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in X-Men: Days of Future Past. The beloved characters from the original X-Men film trilogy join forces with their younger selves from X-Men: First Class, in an epic battle that must change the past to save our future. X-Men Apocalypse Following the critically acclaimed global smash hit X-Men: Days of Future Past, director Bryan Singer returns with X-Men: Apocalypse. Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel's X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction. The Wolverine This stand-alone epic-action adventure set in modern day Japan reveals the untold story of Wolverine (Hugh Jackman), the most iconic character from the X-Men universe, and evolves the character saga to new levels of depth, intensity and visceral action. Out of his depth in an unknown world he will face a host of unexpected and deadly opponents in a life-or-death battle than will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than ever before. X-Men Origins: Wolverine Beastly badass Wolverine (Jackman) is a member of elite military squadron Team X. But when he tries to leave violence behind to become a family man, he finds his past catching up with him in brutal fashion - not least his carnage-loving half-brother Sabretooth (Schreiber). Special Features: Includes Apocalypse 2D & 3D discs X-MEN Audio Commentary by X-MEN BRYAN SINGER & BRIAN PECK Deleted/Extended Scenes with Optional Commentary by BRYAN SINGER & BRIAN PECK Easter Eggs FOX SPECIAL: The Mutant Watch BRYAN SINGER Interview Animatics ArtGallery X-MEN 2 Audio Commentary by BRYAN SINGER & TOM SIGEL Audio Commentary by LAUREN SHULER DONNER, RALPH WINTER, MICHAEL DOUGHERTY, DAN HARRIS and DAVID HAYTER Marvel Universe Trailers X-MEN: THE LAST STAND Director & Writer Commentary by BRETT RATNER, SIMON KINBERG & ZAK PENN Producer Commentary by AVI ARAD, LAUREN SHULER DONNER & RALPH WINTER Deleted Scenes Easter Eggs X-MEN ORIGINS: WOLVERINE The Roots of Wolverine: A Conversation with STAN LEE and LEN WEIN Filmmaker Commentaries The Thrill of the Chase: The Helicopter Sequence Weapon X Mutant Files: 10 featurettes providing background on new mutants, such as Sabretooth, The Blob, Deadpool, Wraith and Gambit Deleted Scenes WOLVERINE UNLEASHED in-depth WOLVERINE documentary X-MEN: FIRST CLASS Children of the Atom Multi-Part Documentary Deleted Scenes Cerebro: Mutant Tracker Composer's Isolated Scor X-MEN: DAYS OF FUTURE PAST Set Tour THE WOLVERINE Alternate Ending The Path of a Ronin - A comprehensive look at the flmmaking journey from comic to the big screen X-MEN: DAYS OF FUTURE PAST Deleted Scenes with Optional Commentary by BRYAN SINGER Kitchen Sequence Gag Reel Double Take: Xavier and Magneto X-MEN: REUNITED Classifcation M Sentinels: For a Secure Future Stills Gallery: Trask Industries X-MEN APOCALYPSE Deleted/Extended Scenes with Optional Introductions by BRYAN SINGER Gag Reel Wrap Party Video X-MEN: APOCALYPSE Unearthed - Documentary Audio Commentary by BRYAN SINGER & SIMON KINBERG Stills Gallery
From visionary filmmaker Kathryn Bigelow, "The Hurt Locker" is an intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat.
There's comedy among the dustbins with this classic top-rated series from the late 60s/early 70s. Created by celebrated writer Jack Rosenthal ('The Evacuees') the series revolves around four misfits and their affectionately-named dustbin van - ""Thunderbird 3"". Rosenthal would go on to write the highly-successful comedy series 'The Lovers' and create one of ITV's most watched programmes - 'London's Burning'. 'The Dustbin Men's' working-class humour outraged Mary Whitehouse at the t
Adapted from Gerald Durrell's bestselling autobiography this much-loved classic tells the story of the naturalist's childhood years spent on the island of Corfu. A new world of freedom and adventure opens up to young Gerald when his somewhat eccentric family decide to leave the grey skies of England behind and start a new life. He soon discovers the wonder of nature in this sun-drenched environment and into the lives of the family come a succession of colourful characters including larger-than-life taxi-driver Spiro who helps them move from one villa to the next. An acclaimed BBC series with wonderful performances by Hannah Gordon and Brian Blessed.
John Candy has one of his finest opportunities in this film by John Hughes (The Breakfast Club) about a perpetual screw-up (Candy) who gets his act together enough to watch over his brother's kids effectively. The late actor scores big points resurrecting elements of his more decadent persona from SCTV days, but he also has some persuasively touching, sentimental moments. Hughes's direction is not as focused as it was only a few years before, but there's no mistaking his touch. The DVD release has a widescreen presentation, production notes, biographies, Dolby sound, optional Spanish and French soundtracks. --Tom Keogh
In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe all with connected, yet conflicting, objectives on the world's fastest train...and he's got to figure out how to get off. From the director of Deadpool 2, David Leitch, the end of the line is only the beginning in a wild, non-stop thrill ride through modern-day Japan.
The parents of a girl who was killed by a savage dog are granted the opportunity to spend three days with their deceased daughter.
Peggy (Judy Geeson) is recovering from a nervous breakdown when she is attacked by an unseen assailant. As she struggles to break free, her attacker's artificial arm comes loose and Peggy blacks out in sheer terror. Peggy and her new husband Robert (Ralph Bates) spend their honeymoon at the country school where Robert is a teacher. The school is eerily deserted, except for the headmaster Michael (Peter Cushing) and his wife Molly (Joan Collins). Returningto her cottage, Peggy is once more attacked by a man with one arm. Robert goes to London on behalf of the headmaster, but leaves his shotgun behind to reassure Peggy. Michael visits Peggy at the cottage late at night, and she notices for the first time that he has only one arm. Terrified, she reaches for the gun Fear in the Night was the last, and one of the best, of the suspense thrillers that Hammer produced alongside the better-known Gothic horrors. The film was also the Hammer swansong of director and co-writer Jimmy Sangster, who had joined the company in 1949 and helped create its groundbreaking style. EXTRAS: NEW FEATURETTE - End of Term: Inside Fear in the Night ORIGINAL TRAILER
The con is on! Hustle follows the fortunes of a gang of five expert con artists let loose on the streets of London. They are specialists in the way of the grifter and all are keen to liberate cash from the amoral and undeserving. From faking film sets and expensive paintings to double-crossing the duplicitous head of a bank's security system the con is on! Episodes comprise: 1. The Con Is On 2. Faking It 3. Picture Perfect 4. Cops And Robbers 5. A Touch Of Class 6. Th
Ex-Royal Marines Commando Jake O'Neil (Adam Collins, Transformers: The Last Knight) struggles to adjust to civilian life after a failed mission. When former girlfriend Jade Roberts (Jessica Norris) seeks out his help to uncover the truth behind her father's mysterious death, Jake agrees. As he finds himself tangled in a web of corruption and murder, Jake uncovers evidence that could bring down and jail government official Harold Archibald (Ian Hichens, Legacy). When Jade is kidnapped, his mission is to rescue her and let nothing stand in his way.
"The Flying Scotsman" is the remarkable true story about the turbulent life of cyclist Graeme Obree, who built his own bike out of washing machine parts and rode it to gold at the world championships.
Based on a memoir by former undercover cop Joe Pistone (whose daring and unprecedented infiltration of the New York Mob scene earned him a place in the federal witness protection program), Donnie Brasco is like a de-romanticised, de-mythologised version of The Godfather. It offers an uncommonly detailed, privileged glimpse inside the world of organised crime from the perspective of the little guys at the bottom of Mafia hierarchy rather than from the kingpins at the top. Donnie Brasco is not only one of the great modern-day gangster movies to put in the company of The Godfather films and GoodFellas, but it is also one of the great undercover police movies--arguably surpassing Serpico and Prince of the City in richness of character, detail and moral complexity. Donnie (Johnny Depp, a splendid actor) is practically adopted by Lefty Ruggiero (Al Pacino), a gregarious, low-level "made" man who grows to love his young protégé like a son. (Pacino really sinks into this guy's skin and polyester slacks and creates his freshest, most fully realised character since his 1970s heyday.) As Donnie acclimates himself to Lefty's world, he distances himself from his wife (a terrific Anne Heche) and family for their own protection. Almost imperceptibly his sense of identity slips away from him. Questioning his own confused loyalties, unable to trust anybody else because he himself is an imposter, Donnie loses his way in a murky and treacherous no-man's land. The film is directed by Mike Newell, who also headed up Four Weddings and a Funeral and the gritty, true crime melodrama Dance with a Stranger. --Jim Emerson
In 1985 Cocoon was a significant trend-bucker amongst summer blockbusters. Whereas other genre efforts were devised to lure a teenage audience into FX extravaganzas, this looked like one for their grandparents. Except that it turned out to be a gentle, affecting tale for all ages. Adapted from David Saperstein's novel, director Ron Howard took great delight in focusing on family relationships and the encroachment of old age (themes that reappeared in nearly all his work from here on). The plot is rather surreal in summary: a group of Florida OAPs befriend aliens in next-door's swimming pool and are rejuvenated to youthful well-being. It's in the FX and characterisations that the story comes alive. Both were acknowledged with Academy Awards; with Don Ameche's supporting role deserving praise for more than just the moment when he does some bodypopping on the dance floor. Wilford Brimley is the real star, a bluff old codger wanting to do right by everyone. Steve Guttenberg provides comic support and allows for a little non-wrinkly nudity with foxy space gal Kitty (Tahnee Welch). ILM's visuals remain polished and inspired, but never allowing us to lose sight of the characters basking in their dazzle. --Paul Tonks
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
The Mysterious Planet: The TARDIS is drawn to a space station where the Doctor is subjected to a Time Lord inquiry into his behaviour presided over by an Inquisitor. The prosecuting counsel the Valeyard presents the first piece of his evidence which consists of a recording played back on a screen linked to the Matrix. It concerns a visit by the Doctor and Peri to the desolate planet Ravolox which turns out to be a future Earth shifted light-years through space. The court watches as the pair get caught up in a conflict between the surface-dwelling Tribe of the Free led by Queen Katryca and the planet's other inhabitants a group of subterranean technocrats and their robotic ruler Drathro. Mindwarp: The Valeyard's second segment of evidence relates to the planet Thoros-Beta. Here the Doctor and Peri meet their old adversary Sil and others of his Mentor race whose leader Kiv is awaiting an operation from a scientist named Crozier to transplant his brain into another body. They also form an uneasy alliance with a kidnapped Krontep warrior King Yrcanos and encounter a group of resistance fighters. Terror Of The Vervoids: The distraught Doctor gives the court his evidence for the defence. He chooses an incident from his own future in which he and his companion Mel arrive on the space liner Hyperion III in response to a distress call. The Ultimate Foe: With the evidence complete the Doctor learns that the Master has gained illicit access to the Matrix in his TARDIS.
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