Upon learning of his mother's (Mary Steenburgen) sudden heart condition Carlton (Justin Timberlake) is faced with the challenge of fulfilling her dire wish to bring his estranged father (Jeff Bridges) to the hospital before the operation. Carlton and his friend Lucy (Kate Mara) set off to Ohio where they find his legendary professional athlete father Kyle Garrett. After much convincing chasing and missed flights due to Kyle's mischievous behavior the awkward threesome head for Houston in a rented car. As they drive down south both father and son are obliged to reexamine their pasts and shed the protective layers of their individual personalities.
The 1994 film Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. In the roles of Colonel Jack O'Neill and Dr. Daniel Jackson are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" Goa'uld--the ancient Egyptian gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative lookalikes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. On this DVD: Picking up a week after the Season Three cliff-hanger "Nemesis", the Fourth Season finds the SG team split apart to win a few "Small Victories". Providing a nice change of scenery for the show, O'Neill and Teal'c are trapped aboard a Russian submarine fending off the remaining Replicator threat. Carter meanwhile is whisked away by Thor to come up with her best "stupid idea" to save the Asgard homeworld. Then the show respectfully broaches the subject of racial tolerance found on a planet at war on "The Other Side". The material is handled superbly by guest star Rene Auberjonois (formerly Star Trek: Deep Space Nine's Odo). A little comic relief is provided in "Upgrades". When Tok'ra scientist Anise/Freya (Vanessa Angel) shows off some fabled technology the team are initially cautious. But the armbands give the wearer increased strength and speed, and in no time at all Jack, Sam and Daniel are abusing them. The fun of seeing them at a local restaurant ordering multiple rare steaks gives way to practical use when it's revealed that arch-enemy Apophis is constructing a new battleship. If the Tok'ra's duplicity is off-putting to the SGC this time, it's nothing compared to seeing Anise/Freya again in "Crossroads". O'Neill notices the "sparkage" between Teal 'c and visiting Jaffa-babe Sho'nac. When she states she has a way for the Tok'ra to obtain information about the Goa'uld from her placid symbiote, it's just bound to go bad. --Paul Tonks
The Tomorrow People was a children's science fiction adventure series launched in 1973 as ITV's answer to Doctor Who. In the opening five-part adventure "Slaves of Jedikiah" we meet Stephen (Peter Vaughan-Clarke) who is about to "break-out" to the next level of human evolution, becoming a Homo Superior, or "Tomorrow Person". Developing telepathic and telekenetic powers, as well as the ability to teleport, he becomes the target for mysterious American cult leader, Jedikiah (Francis de Wolff). Already secretly established with biological supercomputer TIM in an abandoned underground tunnel are three Tomorrow People--John (Nicholas Young), Carol (Sammie Winmill) and Kenny (Stephen Salmon)--who rescue Stephen and then find themselves on a damaged starship in a race against time to save its alien captain. Although the budget was low--the tin robot with his head on fire is particularly laughable--the story is ambitious and the utilitarian special effects are in plentiful supply. There's a trippy, post-2001: A Space Odyssey quality to some of the visuals, a great theme tune and acting of decidedly pantomime calibre. The Tomorrow People themselves come from a past in which teenagers still say "smashing!", but the fantasy of advanced, pacifist children saving the world had a lasting appeal, enough that the show ran eight seasons, then was revived for three more in the 1990s. --Gary S Dalkin
Released in 1971 to critical acclaim and public controversy, THE LAST PICTURE SHOW garnered eight Academy Award nominations (including Best Picture) and was hailed as the most important work by a young American director since Citizen Kane.A surprisingly frank, bittersweet drama of social and sexual mores in small-town Texas, the film features a talent-laden cast led by Jeff Bridges (The Mirror Has Two Faces), Cybill Shepherd (Taxi Driver) and Timothy Bottoms (The Man in the Iron Mask). Cloris Leachman (TVs The Mary Tyler Moore Show) and Ben Johnson (Rio Grande) each won Oscars for their work in supporting roles.
Frederick Forsyth: Just Another Secret
Naked Lie - Jo Daniels a beautiful and successful lawyer has everything a woman could wish for including a prominent judge as a lover. But could he be linked to a prostitute who has turned up dead? Stranger in the Family - Steve Thompson's bright future is destroyed when he is injured in a car crash. With no recollection of his former self Steve must try re-establish some kind of meaningful identity. A Change of Heart - Unable to have a child of their own Kim and Keith Lussier are overjoyed when they learn that they can adopt a Korean orphan but a devastating family tragedy threatens to stand in the way. A Child's Cry - There's an early role for Tobey Maguire in which a loving mother brings her sick son to a hospital for treatment and is suspected of deliberately harming her child.
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" Pharaonic Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife; Sam's father literally joining a renegade faction of the Goa'uld; and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. On the DVD: To resolve the Season Two cliffhanger "Out Of Mind", General Hammond rounds up every conceivable ally to rescue the SG-1 team from Hathor's clutches and gets a much-needed field trip in the process. "Into the Fire " is actually a weak opening for the new year, but does boast some impressive visuals as Hammond and Brat'ac pilot a shuttle through an open Stargate (euphemistically called "threading the needle"). In the next episode, the team are troublingly advised that the ancient God of Evil--"Seth"--has been hiding on Earth for thousands of years. Daniel miraculously tracks him down in about five minutes through a quick surf on the Web! In "Fair Game" O'Neill is "beamed up" to his chum the Asgard Thor in the middle of Carter's promotion to Major. Thor warns him that the Goa'uld System Lords are miffed about his team thwarting Hathor in "Out of Mind". All manner of underhand trickery and subterfuge then follows at a treaty meeting between three representatives and the hapless Jack. "Legacy" on the other hand is a strange connection back to Season Two's "Holiday" when Daniel suffers a mental breakdown courtesy of scientist Ma'chello. Some unnerving imagery (slugs in the ear akin to Star Trek II: The Wrath of Khan) makes this one of the series' darker instalments. --Paul Tonks
Abilene Town (Dir. Edwin L. Marin 1946): It's the Cattle Baron versus the Settlers and the Sheriff (Randolph Scott) has his hands - and jail-cells - full just keeping the peace between them. Great musical numbers by the Sheriff's sweetheart round out this old fashioned rootin' tootin' western! Edgar Buchanan shines as the bumbling Marhsal and Lloyd Bridges co-starring in one of his earliest roles is the settler who leads the fight against the crooked cattlemen! Kansas Pacific (Dir. Ray Nazarro 1953): On the eve of the Civil War southern rebels attack railroad builders in an attempt to stop the Kansas Pacific line from crossing the western frontier. Rugged U.S. Army Captain John Nelson (Sterling Hayden) is sent out to battle the ruthless renegades and make sure the tracks push westward. Violence and treachery abound as the Captain pursues his bloody mission but Nelson must continue fighting the relentless saboteurs not knowing who masterminds the deadly assaults. Colorado Sundown(Dir. Joseph Kane 1944): Lt. Burke (Rogers) is sent to investigate an Indian uprising in Colorado that threatens the success of the Union cause. When Burke arrives he finds the Union boys fighting amongst each other and the instigator of all the trouble is his very own brother Donald Mason (Stone).
A 1950s romantic comedy transported into the end of the swinging 60s, For Love Of Ivy, is an intriguing snapshot of a Hollywood coming to terms with a changing world. Made in 1968, the movie fizzes with the colours of a Day-Glo world and the stark contrast between urban and suburban life at the turn of the decade. The Ivy of the title is a house maid (Abbey Lincoln) who longs to head for those bright lights and give her life more of a purpose, much to the chagrin of the dysfunctional white family that she works for, who set about matchmaking her with suave businessman Jack Parks (Poitier) in an effort to dissuade her. Although initially appearing to play to type, Poitier's character develops both darker and lighter sides as the movie (based on his own story) develops and the film becomes far more interesting when it leaves the semi-comedic scheming behind and focuses on the burgeoning relationship between the two protagonists. To be honest, much on offer here has dated-especially the dialogue-and there are a few sexual and racial howlers, but the film has a sweet heart. On the DVD : Very, very little-scene selection and biographies of Poitier, Beau Bridges and musical director Quincy Jones. Lincoln--arguably the films true star--is totally ignored. The colours and beauty of the film however are given added impact by the crispness of DVD.-Phil Udell
Sometimes there's a man well he's the man for his time and place. He fits right in there. And that's the Dude. The Dude from Los Angeles. And even if he's a lazy man - and the Dude was most certainly that. Quite possibly the laziest in all of Los Angeles County which would place him high in the runnin' for laziest worldwide. Sometimes there's a man sometimes there's a man. Well I lost my train of thought here. But... aw hell. I've done introduced it enough. - The Stranger (Sam Elliott). 'The Dude' Jeff Lebowski (Jeff Bridges) is unemployed and as laid-back as they come. That is until he becomes a victim of mistaken identity when two thugs break into his apartment with the errant belief that they're strong-arming Jeff Lebowski - the Pasadena millionaire. In the hope of getting a replacement for his soiled carpet 'the Dude' pays a visit to his wealthy namesake... It's not long before 'The Dude' and his psychopathic buddy Walter Sobchak (John Goodman) are drawn into a labyrinthine plot of extortion embezzlement sex dope German Nihilists White Russians mysterious cowboys Shomer Shabbos bowling and severed toes... Envisaged as a homage to the musicals of Busby Berkley Robert Altman's The Long Goodbye (adapted from Raymond Chandler's novel) and the ritual of bowling The Big Lebowski has developed a massive cult-following with its hilarious dialogue and quirky characters. Apparently the script was written with Jeff Bridges John Goodman and Sam Elliott in mind... Jeff Bridges even went as far as to say he could have turned out like 'The Dude' had he not been born into the movie business... Sounds good to us man!
A government agent finds himself in the middle of a deadly struggle when he discovers that his murdered sister was both mistress of the President of the United States and a Soviet agent.
From a novel by John Irving comes this darkly comic tale of an eccentric New England family. As the father moves them from one place to the next setting up a new hotel each time the assortment of oddball characters seem to become involved in ever more bizarre situations. Frannie becomes obsessed with the boy that attacks her John becomes obsessed with Frannie his sister and both of them fall for a girl who is so insecure she hides in a bear outfit. Frank is coming to terms with his homosexuality and the youngest Lily is convinced she isn't growing. The family pet is a flatulent dog that ends up stuffed and causes more trouble than when it was alive.
Michael Jordan slams, Bugs Bunny jams and the Looney Tunes starts hoop it up in the rim-rattin' roundball romp that's one of the funniest animation/ live action capers ever made. Jokes fly as the Tune Squad takes on the Nerdlucks in a hard-court game to decide if the Looney Tunes remain here...or become attractions at a far-off galactic off-ramp called Moron Mountain. The Nerdlucks have a monstrous secret weapon: they've stolen the skills of the top NBA stars like Charles Barkley and Patric Ewing and have become Monstars. But the Tune Squad's secret weapon happens to be the finest player in this or any other universe. He's outta this world. So's the fun. Special Features: Commentary by Bugs Bunny, Daffy Duck and Director Joe Pytka; Featurette Jmmin' with Bugs Bunny and Michael Jordan; 2 Music Videos: Seal's Fly like an Eagle and the Movie Cast's Monstars Anthem Hit 'Em High Theatrical Trailer.
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. In the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1. With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. --Paul Tonks On this DVD: the first two episodes of this volume spotlight O'Neill. "A Hundred Days" is the three months he spends stranded on planet Edora by the fire rain of a passing asteroid belt. Then in "Shades of Grey" he appears to suffer a total personality switch when he steals technology from the Tollan and is insubordinate in the extreme. Both these are terrific concepts but are scarcely enough story to have stretched across more than one episode. A little more teamwork is required to break "New Ground" on a planet fighting a war of ideology. Finally, the storyline concerning the Harcesis child from Volume 10 elicits a "Maternal Instinct" in Daniel after the discovery of mystical planet Kheb. But ultimately his agenda only brings them more trouble. As well a trailer for the next volume, the disc includes a nine-minute interview with Michael Shanks on his character of anthropologist Dr Daniel Jackson. He reveals his acting career was inspired by Richard Dean Anderson. There's also seven minutes with production designer Richard Hudolin explaining how the on-location Stargate takes an entire day to set up. --Paul Tonks
With a little help from his gang infamous outlaw Jud Starr slips the hangman's noose and begins a law breaking rampage over the entire Cimarron Strip. Upon discovering that Starr and his gang are using the Cherokee Outlet as a place of refuge Marshal Jim Crown sets out to track them down. Knowing that all the odds are against him Crown boldly rides in to an awaiting caldron of danger in order to bring Starr back to justice.
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr. Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaohnic Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. Concluding the cliff-hanger from the end of Season One, "The Serpent's Lair" is a rollercoaster of wit, plot twists, and cutting-edge special effects as the SG-1 team resign themselves to a suicide mission. Then it's a case of ignorance of the law being no excuse in "Prisoners", as the team winds up in a penal colony striking a deal with someone who will have far-reaching influence on their future. Sam is stalked by an assassin after a rescue mission all "In the Line of Duty". She saves someone in the most unique of ways--by taking over as host of their Goa'uld symbiont. This introduction of Jolinar is key to much of the continuing storyline. Dwight Schultz guest stars as "The Gamekeeper" in a garden that forces the team to puzzle their way out of re-living secrets of the past. But all is not what it seems. --Paul Tonks
When Tessa's ex-husband Michael remarries leaving her with two children she takes an immediate dislike to Carolyn. But when Tessa finds out she is terminally ill she decides to give Carolyn another chance...
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