Forbidden Games is a critically acclaimed 1952 French war film, directed by Rene Clement (Gervaise, And Hope To Die). 1940, Paulette (Brigitte Fossey), a young French girl is orphaned in a Nazi air attack during the battle of France. She is befriended by Michel (Georges Poujouly), the son of a poor farmer whose family take her in to their home to care for her. Together the two children forge a tight bond, attempting to come to terms with the realities of the death and destruction that surrounds them by creating their own reality, building their own small graveyard to bury dead animals they find. In this sealed universe they have created, Paulette and Michel live their experience and most wonderful love story. Special Features: Innocent Love Stories Under Occupation’ – Interview with Brigitte Fossey, Laurence Badie and Historian Denitza Bancheva Alternate Opening and Ending
Forbidden Games is a critically acclaimed 1952 French war film, directed by Rene Clement (Gervaise, And Hope To Die). 1940, Paulette (Brigitte Fossey), a young French girl is orphaned in a Nazi air attack during the battle of France. She is befriended by Michel (Georges Poujouly), the son of a poor farmer whose family take her in to their home to care for her. Together the two children forge a tight bond, attempting to come to terms with the realities of the death and destruction that surrounds them by creating their own reality, building their own small graveyard to bury dead animals they find. In this sealed universe they have created, Paulette and Michel live their experience and most wonderful love story. Special Features: Innocent Love Stories Under Occupation’ – Interview with Brigitte Fossey, Laurence Badie and Historian Denitza Bancheva Alternate Opening and Ending
A deceptively simple film, Francois Truffaut's The Man Who Loved Women is neither an indictment nor an apology for philandering; rather, it's a courageous, lovingly detailed portrait of a complex, intelligent man suffering from an altogether intractable complaint. Scientist Bertrand Morane, "never in the company of men after 5", seduces women by evening and writes about the experiences in the early morning. Though 40-ish and somewhat square, no woman in the town of Montpelier seems capable of resisting his earnest advances. Not much else happens in them film, but in the hands of master visual storyteller Truffaut, the threadbare plot accumulates deep and ominous philosophical resonances. What drives Morane from woman to woman, and what accounts for his remarkable success? Does he secretly dislike women and consider them interchangeable (as one of the more prurient characters charges, to Morane's genuine befuddlement), or is his enthusiasm a kind of celebration? Truffaut refuses to answer plainly, but does drop clues; as his camera focuses on everyday objects, many take on a chilling, otherworldly lustre, and coldly foreshadow Morane's fate. This film was clumsily remade in English in 1983 by Blake Edwards, with Burt Reynolds assuming the role played here with such understated skill by the wonderful Charles Denner. --Miles Bethany
An emotionally fragile code-breaker is called back to the scene of his mental breakdown when the Enigma machine fails to crack the new German code. However, these U-boat cryptograms are not the only problem to contend with when it is discovered that a German mole has infiltrated the Enigma project. Based on a true story.
Years after serving together in the French Foreign Legion American soldier of fortune Franz Propp (Charles Bronson) and French doctor Dino Barron (Alain Delon) are unexpectedly reunited under the most extraordinary circumstances. Hoping to help a friend who has embezzled some bonds Barron tries to break into a safe in the dead of night. Sneaking into an underground vault he is surprised to discover that his old pal Propp is also on the premises likewise intending to crack the saf
Les Valseuses is the controversial groundbreaking classic that shot Gerard Depardieu to stardom and also marked the arrival of a major new talent in director Bertrand Blier. One of the key French films of the seventies. Two aimless drifters spend their days wandering the French countryside looking for trouble and women. Their hedonistic spree of petty crime and debauchery usually results in them fighting or running their way out of trouble. The delinquent pair are joined by a supporting array of characters played by Jeanne Moreau Miou-Miou and Isabelle Huppert in one of her earliest roles.
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