The jungle has never looked so lush and sounded so good! Now on Blu-ray for the first time Disney's song-filled celebration comes vibrantly to life with a new digital restoration and glorious high definition picture. Meet the most unforgettable characters and embark on a thrilling adventure with Mowgli as he journeys deep into the jungle and learns The Bare Necessities of life from happy-go-lucky Baloo the bear. Meet Bagheera the wise old panther and crazy King Louie the orangutan. But watch out for cunning Shere Khan the tiger and Kaa the ssssneakiest snake in the jungle! Bursting with wild fun toe-tapping music and beloved characters this timeless masterpiece celebrates the true meaning of friendship. Experience all the excitement of Disney's jumpin' jungle classic and share the wonder with someone you love. Special Features: I Wan'na Be Like You: Hangin' Out at Disney's Animal Kingdom Alternate Ending Growing Up with Nine Old Men Classic DVD Bonus Features: Audio Commentary with Composer Richard M. Sherman Animator Andreas Deja and The Voice of Mowgli Bruce Reitherman Plus Special Guest Archival Appearances Backstage Disney The Bare Necessities: The Making of The Jungle Book - Walt's Lasting Impressions Kings of the Jungle Drawn to the Voices The Jungle Beat The Last Act Disney's Kipling: Walt's Magic Touch on a Literary Classic The Lure of the Jungle Book Mowgli's Return to the Wild Frank and Ollie Discuss Character Animation Deleted Scene: The Lost Character - Rocky the Rhino Disneypedia Junglemania Music and More: Deleted Songs Composed by Terry Gilkyson - Brothers All The Song of the Seeonee The Bare Necessities (Demo Version) Monkey See Monkey Do I Knew I Belonged to Her In a Days Work The Mighty Hunters I Wan'na Be Like You Music Video Sing Along with the Movie Introduction by Richard Sherman (for International Only)
Special Features: Deleted Scene: The Lost Character - Rocky the Rhino Disneypedia Junglemania Alternate Ending
Experience pulse-pounding stunts and intense battle sequences with the action-packed G.I. Joe 3-Movie Collection. Join the Joes for the first two missions, G.I. Joe: The Rise Of Cobra and G.I. Joe: Retaliation, as the elite strike force must race against time to stop Cobra, a diabolical organisation set on plunging the world into chaos with deadly technology. Then uncover the man behind the mask in Snake Eyes: G.I. Joe Origins, and take the journey with the iconic hero as he becomes the ultimate warrior in this high-octane, edge-of-your-seat adventure.Extras:G.I. Joe Origins - Snake Eyes: All-new Snake Eyes Short Film: Discover the secrets of Snake Eyes' legendary sword5 Deleted ScenesEnter Snake Eyes: Meet the man behind the maskA Deadly Ensemble: Meet the Joes and CobrasArashikage: Inside the elite ninja warrior clanG.I. Joe Retaliation: The True Face of EvilThe Sound of SilenceCommentary by Director Jon M. Chu and Lorenzo di BonaventuraG.I. Joe - The Rise Of Cobra:Commentary by Director Stephen Sommers and Producer Bob Ducsay
In his film debut singing idol Elvis Presley stars in this action-filled romance set in the aftermath of the Civil War. After hearing his older brother (Richard Egan) has been killed in combat a young Texas farmer (Presley) marries the man's sweetheart (Debra Paget). But his brother returns sparking a bitter sibling rivalry and tragic confrontations with Union soldiers... Featuring four Presley hits on the film's soundtrack including the title track.
Take off your thinking caps and toss 'em in a corner, 'cos you won't need 'em when you're watching this deliriously dumb thriller from 1997. Bruce Willis stars as a demoted FBI agent who comes to the aid of an autistic boy whose mind holds a potentially deadly secret. It seems that by gazing on a puzzle magazine and making order out of a hidden system of numbers, the 9-year-old autistic boy (Miko Hughes) has accidentally deciphered a sophisticated top-secret government code. This makes him the prime target of the ruthless bureaucrat (Alec Baldwin, in one of his silliest roles) and Willis comes to the rescue. This formulaic thriller sets up this plot with a lot of entertaining urgency but you can't give any thought to Mercury Rising or the whole movie collapses under the weight of its own illogic and nonsense. The redeeming values are the performances of Willis, young Hughes and newcomer Kim Dickens as a woman who agrees (perhaps too easily, it seems) to aid Willis in his plot to out manoeuvre the bad guys. Mercury Rising is not a waste of time compared to other formulaic thrillers but its entertainment value depends on how much you enjoy being smarter than the movie. --Jeff Shannon
If nothing else, the powers that be behind this terrible sequel to the 1989 hit Look Who's Talking will be divinely punished for abusing John Lennon's "Jealous Guy" on the soundtrack. Until then, it's better to push memories of this movie to the back of one's memory. John Travolta and Kirstie Alley reprise their roles from the earlier film, but this time their married relationship is in trouble for sundry reasons. Adding to that complication is the arrival of a new baby (whined by Roseanne Barr) to join the previous one (quipped by Bruce Willis). Mel Brooks and Damon Wayans add their voices to those of some other kids, but this hastily patched-together follow-up wouldn't be funny no matter how may comic minds you threw in the mix. Between the shoddy script and miscasting of Barr, there's enough doom to go around in this thing, but an opening-credits sequence that manages, through crummy special effects, to turn a sperm's path toward an egg into a nauseating experience doesn't help. Stick with the original. --Tom Keogh
Tough two-fisted truck driver Lincoln Hawk (Stallone) is a survivor: a man who holds his own against the biggest and brawniest arm-wrestlers in the country. But when his estranged wife (Susan Blakely) dies leaving his 12-year-old son in the custody of his wealthy father-in-law (Robert Loggia) Hawk's muscles are useless against a powerhouse of money and lawyers. Now to prove he can be a responsible father Hawk must build a new life that he can share with his son but his only chanc
Based on the famous game this fantasy tells of a young princess and her quest to ensure the peace in her land is maintained by finding an ancient sword that will allow her to command dragons.
Anyone who fought in Vietnam can tell you that the war bore little resemblance to this propagandistic action film starring and codirected by John Wayne. But Green Berets itself is not nearly as bad as its reputation would suggest; critics roasted its gung-ho politics while ignoring its merits as an exciting (if rather conventional and idealistic) war movie. Some notorious mistakes were made--in the final shot, the sun sets in the east!--and it's an awkward attempt to graft WWII heroics onto the Vietnam experience. But as the Duke's attempt to acknowledge the men who were fighting and dying overseas, it's a rousing film in which Wayne commands a regiment on a mission to kidnap a Viet Cong general. David Janssen plays a journalist who learns to understand Wayne's commitment to battling Communism, and Jim Hutton (Timothy's dad) plays an ill-fated soldier who adopts a Vietnamese orphan. --Jeff Shannon
That'll Be The Day: Abandoned by his father at an early age Jim MacLaine seems to have inherited the old man's restlessness. Despite his apparent intelligence Jim decides not to take the exams that would pave his way to university; he begins to think that the life of a pop musician might be the thing for him... Stardust: Jim is now enjoying the nomadic gigs and groupies' life of The Stray Cats. When he achieves all his wildest dreams of international stardom the sweet taste of success begins to turn sour...
Three full-length feature films from the popular 'Babylon 5' science fiction series. Third Space (1998) When a mysterious artefact found discarded in hyperspace is recovered and brought back to the station for analysis the crew aboard Babylon 5 face an unexpected threat. Sinister mind altering thoughts take hold through foreboding dreams of a towering structure and giant ships as questions fly surrounding the origin of their discovery. Scientists battle against the clock to
This is a John Wayne Western double-bill featuring The Comancheros (1961) and The Undefeated (1969). Nobody made a fuss about The Comancheros when it came out, yet it has proved to be among the most enduringly entertaining of John Wayne's later Westerns. The Duke, just beginning to crease and thicken toward Rooster Cogburn proportions, plays a veteran Texas Ranger named Jake Cutter who joins forces with a New Orleans dandy (Stuart Whitman) to subdue rampaging Indians and the evil white men behind their uprising. The Comancheros was the last credit for Michael Curtiz (Casablanca), who, ravaged by cancer, ceded much of the direction to Wayne (uncredited) and action specialist Cliff Lyons. With support from Wayne stalwarts James Edward Grant (co-screenplay) and William Clothier (camera), the first of many rousing Elmer Bernstein scores for a Wayne picture and a big, flavourful cast including Lee Marvin (the once and future Liberty Valance), Nehemiah Persoff, Bruce Cabot, and Guinn "Big Boy" Williams (in his last movie), they made a broad, cheerfully bloodthirsty adventure movie for red-meat-eating audiences of all ages. In The Undefeated Wayne and Rock Hudson each play a Civil War commander who, after the ceasefire, lead a community of folks into Mexico to make a fresh start. Hudson is a Southern gentleman; Wayne commanded the Yankee cavalry at Shiloh, where Hudson's brother died. Nevertheless, Rock, with his extended family, and Duke, with his troop of cowboys and 3,000 horses to sell to Emperor Maximilian, soon join forces to outgun banditos and beam paternally over the budding romance between their respective daughter and son. Lingering North-South animosities are celebrated in an obligatory communal fistfight, and the showdown with both Maximilian's lancers and the rebel Juaristas is disconcertingly perfunctory. --Richard T Jameson
Disney's 1967 animated feature The Jungle Book seems even more entertaining now than it did upon first release, with a hall-of-fame vocal performance by Phil Harris as Baloo, the genial bear friend of feral child Mowgli. Loosely based on Rudyard Kipling's original, the film goes its own way as Disney animation will, but the strong characters and smart casting (George Sanders as the villainous tiger, Shere Khan) make it one of the studio's stronger feature-length cartoons. Songs include "The Bare Necessities" and "Trust in Me". --Tom Keogh
Experience pulse-pounding stunts and intense battle sequences with the action-packed G.I. JOE 3-Movie Collection. Join the JOES for the first two missions, G.I. JOE: THE RISE OF COBRA and G.I. JOE: RETALIATION, as the elite strike force must race against time to stop COBRA, a diabolical organisation set on plunging the world into chaos with deadly technology. Then uncover the man behind the mask in SNAKE EYES: G.I. JOE ORIGINS, and take the journey with the iconic hero as he becomes the ultimate warrior in this high-octane, edge-of-your-seat adventure.
Matters of Honour" launches the third series of Babylon 5 with the introduction of the White Star, a spacecraft added to enable more of the action to take place away from the static space station. Also introduced is Marcus Cole (Jason Carter) who, in another nod to The Lord of the Rings, is a Ranger not so far removed from JRR Tolkien's Strider. In "Voices of Authority" the show finds an epic scale as Ivanova seeks the mysterious "First Ones" for allies against the Shadows, and evidence is discovered pointing to the truth behind President Santiago's assassination. A third of the way through the series "Messages from Earth", "Point of No Return" and "Severed Dreams" prove pivotal, changing the nature of the story in a way previously unimaginable on network TV. Earth slides into dictatorship, the fascistic Nightwatch takes control of off-world security and Sheridan takes decisive action by declaring Babylon 5 independent. "Interludes and Examinations" presents the death of a major supporting character, while the two-part "War Without End" reaches apocalyptic dimensions in a complex tale resolving the destiny of Sinclair and the fate of Babylon 4 (dovetailing elegantly with the events of Year One's "Babylon Squared"), resolving a 1,000-year-old paradox and presenting a vision of a very dark future for Sheridan and Delenn. All this is trumped by the monumental "Z'ha'dum". In the preceding "Shadow Dancing", Anna Sheridan (Melissa Gilbert, Bruce Boxleitner's real-life wife) returns from the dead, no longer entirely human. In the mythologically resonant climax Anna invites Sheridan back to the Shadow homeworld with no hope of survival. Just as Gandalf fell into the abyss at Khazad-Dum, so Sheridan takes a comparable leap into the unknown on an alien world. On the DVD: Babylon 5, Series 3 presents all 22 episodes anamorphically enhanced at 16:9 for widescreen TVs. While not up to blockbuster movie standards these are the finest looking B5 discs yet. Likewise the remixed Dolby Digital 5.1 sound packs a considerable punch in the many action scenes while remaining clear and atmospheric throughout. Reasonable though unremarkable extras are in line with previous box sets, with detailed and informative commentaries by series creator J Michael Straczynski on episodes "Z'Ha'Dum", and the Hugo Award-winning "Severed Dreams". Actors Bruce Boxleitner, Jerry Doyle, Richard Biggs and Ed Wasser offer a more jokey and backslapping appraisal of "Interludes and Examinations". Introduction to Point of Return is essentially a six-minute trailer for the season, while Behind the Mask: Creating the Aliens of B5 offers make-up artist John Vulich, JMS, and producer John Copland reflecting on the creation of various races. Complementing this is a seven-minute look at Building a Better Narn. Designing Tomorrow: The Look of Babylon 5 focuses on the work of production designer John Iacovelli. Finally The Universe of Babylon 5 presents five short character profiles. The set offers an alternative French soundtrack and subtitles in English, English for the hard-of-hearing, French and Dutch. --Gary S Dalkin
Bruce Willis and Damon Wayans star as a seedy detective and a disgraced quarterback teaming to dodge ambushes fire off one-liners and bust chops. When the going gets tough they get tougher. And funnier. They came to play. And to settle a score in this raging fireball where bigger is better hits are harder and bad guys end up deader.
The fourth series of Babylon 5 begins on a high point with Centauri Prime in the grip of the insane Emperor Cartagia (Wortham Krimmer) and a run of six shows leading to the climax of the war against the Shadows in "Into the Fire". If this colossal narrative is resolved a little too easily and the ultimate aim of the Shadows turns out to be a tad disappointing, it's still one of the most powerful slices of space opera ever to grace the small screen. In the aftermath the sheer scale drops back a little but the pace never slows as the rest of the year plays out in one relentless cycle of conspiracy, betrayal and conflict, Babylon 5 siding with the rebel Mars colony against the totalitarian Earth regime. Meanwhile, Delenn finds herself increasingly in conflict with her own people and, paralleling her relationship with Sheridan, Garibaldi becomes involved with his ex-fiancée Lise Hampton (Denise Gentile); in addition, an intense platonic love grows between Ivanova and Marcus Cole. On an unstoppable wave fuelled by roller-coaster plot twists and spectacular action shows from "No Surrender, No Retreat"--when Sheridan avows to overthrow EarthGov--to "Rising Star"--when the aim is realised--this series of Babylon 5 achieved a consistent excellence rare in television. Yet within that run "Intersections in Real Time" stands out as a bold experiment; essentially a two-hand drama taking place entirely within one dimly lit room. Then in "The Deconstruction of Falling Stars", a descendant of humanity one million years hence reviews excerpts from the history of Babylon 5. In one sequence set in 2762 a Brother is devoted to the preservation of history some time after the "Big Burn". In a homage to Walter M Miller's SF classic A Canticle for Leibowitz, Sheridan and Delenn have themselves become the stuff of legend. --Gary S DalkinOn the DVD: All 22 episodes of Season 4 of Babylon 5 are presented on six DVDs. Anamorphically enhanced for widescreen TV, the picture is significantly stronger than on the original TV broadcasts, if not up to blockbuster movie standards. The remixed Dolby Digital 5.1 soundtrack is punchy and richly impressive, if again not quite state-of-the-art. As with previous seasons the main extras are three commentaries. The first, by actors Bruce Boxleitner, Jerry Doyle, Peter Jurasik and Patricia Tallman, finds these leading cast members having a great time joshing around on Falling Towards Apotheosis and failing to say anything very interesting. Series creator and writer J Michael Straczynski and director Michael Vejar discuss The Face of the Enemy, the conversation tending towards a technical scene-by-scene analysis, while by far the most interesting commentary is J Michael Straczynski alone on The Deconstruction of Falling Stars. JMS covers many aspects of the show, going into depth explaining both his ideas behind the series and the practicalities of realising his vision. Celestial Sounds is an interesting but too-short five-minute look at the scoring process with composer Christopher Franke, complemented by a powerful six-minute musical suite. The package also includes a six-minute introduction, a three-minute gag reel and video data files of characters, organisations and places. An Easter egg offers a comparison between untextured and completed CGI models of Babylon 5 itself. There is an optional French soundtrack, plus English, English for Hearing Impaired, French and Netherlands subtitles. --Gary S Dalkin
In the gap between seasons four and five of Babylon 5, fans suffering withdrawal symptoms were sated by this first TV movie. As a prequel to the series' timeline, creator J. Michael Straczynski had an awful lot of continuity to consider. Amazingly, there's only one inconsistency throughout (a matter of who met whom and when), making this an essential part of the overall storyline. The tale is told cleverly from the future as the remembrances of Londo (Peter Jurasik), who is now Emperor of a dying Centauri homeworld. He looks back at the beginnings of the Earth-Minbari war and links together many clues strewn throughout the shows' early years. We see exactly how Delenn contributed to the first blows, the death of dignitary Dukhat, and most importantly what really happened to Sinclair (Michael O'Hare) at the Battle of the Line. The FX showcased by the battle are genuinely spectacular, but overshadowed by the make-up department which had the thankless task of making everyone look younger. Their best success is on an uncredited Claudia Christian who appears as an 18-year-old Susan Ivanova dealing with the death of her brother. Being a prequel there's little in the way of a surprise finale, but there's plenty of intrigue along the way. --Paul Tonks
The jungle has never looked so lush and sounded so good! Now on Blu-ray for the first time Disney's song-filled celebration comes vibrantly to life with a new digital restoration and glorious high definition picture. Meet the most unforgettable characters and embark on a thrilling adventure with Mowgli as he journeys deep into the jungle and learns 'The Bare Necessities' of life from happy-go-lucky Baloo the bear. Meet Bagheera the wise old panther and crazy King Louie the orang-utan. But watch out for cunning Shere Khan the tiger and Kaa the ssssneakiest snake in the jungle! Bursting with wild fun toe-tapping music and beloved characters this timeless masterpiece celebrates the true meaning of friendship. Experience all the excitement of Disney's jumpin' jungle classic and share the wonder with someone you love. Special Features: I Wan'na Be Like You: Hangin' Out At Disney's Animal Kingdom Alternate Ending Growing Up With Nine Old Men Audio Commentary With Composer Richard M. Sherman Animator Andreas Deja And The Voice Of Mowgli Bruce Reitherman Plus Guest Archival Appearances Backstage Disney The Bare Necessities: The Making Of The Jungle Book Walt's Lasting Impressions Kings Of The Jungle Drawn To The Voices The Jungle Beat The Last Act Disney's Kipling: Walt's Magic Touch On A Literary Classic The Lure Of 'The Jungle Book' Mowgli's Return To The Wild Frank and Ollie: Frank Thomas and Ollie Johnston Discuss Character Animation Music and More Deleted Songs Composed By Terry Gilkyson Brothers All The Song Of The Seeonee The Bare Necessities (Demo Version) Monkey See Monkey Do I Knew I Belonged To Her In A Day's Work The Mighty Hunters 'I Wan'na Be Like You' Music Video Performed By Jonas Brothers Sing Along With The Movie Introduction By Richard Sherman (for Int'l Only)
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
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