Bud Abbott and Lou Costello were one of the funniest and most popular comedy teams of all time. Joining up in the early thirties to work in vaudeville houses Abbott & Costello made their screen debut in 1940. In this remarkable collection you'll get the very best of Abbott & Costello including two complete feature length films 'Africa Screams' and 'Jack and the Beanstalk' several episodes of their classic fifties TV show a complete Colegate Comedy Hour from 1952 a rare wartime
Colonel Pembroke, having surrendered Fort Holman to the Confederacy without engaging in any combat, finds himself confronted with public humiliation and the looming threat of a court-martial. His only chance to redeem himself lies in reclaiming the fort from the tyrannical Major Ward, who currently holds its power. Desperate for assistance, Pembroke assembles an unlikely team of condemned men, offering them freedom as a reward if they manage to survive. Amidst internal conflicts and discord, the group gradually unites, preparing for the decisive assault.
101 Films presents Brain Dead, a mind-bending nightmare based on a story from The Twilight Zone writer Charles Beaumont, starring Bill Pullman (Independence Day), Bill Paxton (Aliens), Bud Cort (Harold and Maude) and George Kennedy (Cool Hand Luke). Title 016 on the 101 Films Black Label and released on Blu-ray for the first time in the UK, this limited edition version includes slipcase and booklet. The Eunice Corporation is on the ground floor of an exciting growth industry, utilizing a memory re-sculpting technique pioneered by eccentric neurosurgeon Rex Martin (Bill Pullman). It envisions nationwide clinics where anyone can lose the hang-ups of an unhappy childhood, a failed romance or a botched career. At Eunice's New You outlets, a simple operation will give customers peace of mind. Or it might leave them brain dead. But when Martin refuses to cooperate with Eunice, he soon finds himself plunged into a surreal existence that intertwines dreams and reality. Has Martin slipped over the edge into madness? Or have corporate profit mongers given him a push, making him the guinea pig in his own experiment? To know the answer is to know true terror! Special Features: Brand New Extras The Brains Behind the Nightmare, a new documentary on Brain Dead Tales from the Cranium, an interview with director Adam Simon Limited edition booklet: Includes A Dimension of Mind' by Sean Hogan and Evil Brains from the Movies' by Barry Forshaw Additional Extras Audio commentary with co-writer/director Adam Simon and filmmaker Rodman Flender Deleted Scenes Theatrical Trailer 2K Scan of the original film elements
Meet The Invisible Man: Two bumbling private eyes help a man wrongly accused of murder who has become invisible to help clear his name. Go To Mars: Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras... More classic comedy from messers Bud and Lou.
Holy reunion Batman! When the original Batmobile is stolen there's no time to call the police. This is a job for actors! Thirty-five years after 'Batman' went off the air a fiendish criminal mastermind is forcing Adam West and Burt Ward to relive their legendary pasts as The Caped Crusader and The Boy Wonder. What went on when the costumes came off? The Dynamic Duo reveal the entire bizarre-but-true story through classic clips surprise guest stars and THWAK! - filled
Comedy meets horror when Bud Abbott and Lou Costello encounter Universal's classic monsters in the frightfully funny Abbott and Costello Meet Frankenstein. The world of baggage handlers Chick Young (Abbott) and Wilbur Grey (Costello) is turned upside down when they receive the remains of Dracula (Bela Lugosi) and Frankenstein's Monster (Glenn Strange) bound for the House of Horrors museum. When Dracula and Frankenstein's Monster escape, complete chaos ensues as Chick and Wilbur get mixed up in an evil plot to switch Wilbur's brain with Frankenstein's Monster and are aided by Larry Talbot (Lon Chaney, Jr.), who turns into the Wolf Man when the moon is full! Featuring a perfect blend of laughs and thrills, Abbott and Costello Meet Frankenstein is one of the all-time great horror comedies. (Leonard Maltin's Classic Movie Guide). BONUS FEATURES Abbott and Costello Meet the Monsters Feature Commentary with Film Historian Gregory W. Mank 100 Years of Universal: The Lot 100 Years of Universal: Unforgettable Characters Theatrical Trailer
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
Horror Film Director Found Slain, Buried Under Floor , screamed the 1995 headlines read around the world. But the truth behind the wild life of Al Adamson including the production of such low budget classics as SATAN'SADISTS, DRACULA VS. FRANKENSTEIN and THE NAUGHTY STEWARDESSES and his grisly death reveals perhaps the most bizarre career in Hollywood history. Told through over 40 first-person recollections from friends, family, colleagues and historians plus rare clips and archival interviews with Adamson himself BLOOD & FLESH is the award-winning chronicle of bikers, go-go dancers, porn stars, aging actors, freak-out girls, Charles Manson, Colonel Sanders, alien conspiracies and homicidal contractors that House Of Mortal Cinema calls brilliant stuff a superb documentary and one of the top films of the year.
In The Foreign Legion: Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid. Meet The Keystone Cops: Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman a confidence man. They follow Gorman to Hollywood where as stunt men they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Comedy legends Bud Abbott and Lou Costello cemented their place in film history with the hilarious wartime comedy classic Buck Privates. After spending years on stage in burlesque and on radio perfecting classic routines such as 'Who's on First?', the duo transitioned to motion pictures at Universal in 1940. In their first leading roles, Bud and Lou play con artists who accidentally enlist in the U.S. Army to avoid going to jail. Making matters worse, their no-nonsense drill sergeant turns out to be the cop who tried to arrest them! Featuring classic routines such as 'Drill', 'Dice Game' and 'You're Forty, She's Ten', the film also starred the popular singing group The Andrews Sisters performing the Academy Award nominated song 'Boogie Woogie Bugle Boy'. Following the success of Buck Privates, Bud and Lou made an astounding 26 more movies at Universal leaving a legacy of laughter that will be treasured forever.
Hit The Ice: Flash Fulton (Bud Abbott) and Weejie McCoy (Lou Costello) take pictures of a bank robbery. Lured to the mountain resort hideout of the robbers and accompanied by Dr. Bill Elliott (Patric Knowles) and Peggy Osborn (Elyse Knox) they also meet old friend Johnny Long (Himself) and his band and singer Marcia Manning (Ginny Simms). Dr. Elliott and Peggy are being held in a remote cabin by the robbers but Weejie rescues them by turning himself into a human snowball that becomes an avalanche that engulfs the crooks. Lost In Alaska: Set in San Francisco at the turn of the century the comic duo undertake rescue missions as firemen.
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nailbitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: International Rescue's very first adventure provides a template for all the rest: in "Trapped in the Sky" an experimental new aircraft becomes the target of an evil Bond-style megalomaniac who wants to get his hands on all the neat pieces of kit operated by the Tracey siblings. The show introduces, in fetishistic detail, the recurring set-pieces: Thunderbird 1 taking off from the roll-back swimming pool, which pod will Thunderbird 2 use this week--the mole or the submarine perhaps?--and so on. Nostalgia fans will be pleased to learn that despite digital remastering the puppet strings are still in evidence, and no amount of high-tech restoration could remove the clunky expository dialogue: Stewardess: "It's the maiden flight of the new atomic-powered Fireflash." Passenger: "Isn't that the new aircraft that flies six times the speed of sound?" Stewardess: "That's right, but don't worry: it's perfectly safe." [Cut to: interior, Fireflash landing gear, a device clearly labelled "Auto-Bomb Detonator Unit"] Sinister bad guy (talking to himself for no readily apparent reason): "Perfect. Enough explosives to smash the Atomic Reactor." In the second episode, "Pit of Peril", an absurdly impractical US Army vehicle falls into the eponymous pit, necessitating use of pod five, the mole. Joy! Lady Penelope indulges in some James-Bond-style counter-espionage measures in the third episode, "The Perils of Penelope", while Parker indulges some of his famous Eliza Dolittle-isms; although he is trumped by the Cary Grant sound-a-like character Sir Jeremy Hodge (or 'odge as Parker would have it), whose response to a crisis is, "I say, open the door, we're British!". Then it's back to the action for the fourth episode, "Terror in New York City", in which poor Virgil is shot down by the US Navy in Thunderbird 2 before the boys must rescue an unscrupulous newshound from the wreckage of the Empire State Building (featuring the first appearance of their very own yellow submarine, Thunderbird 4) --Mark Walker
Crazy Gang stalwarts Bud Flanagan and Chesney Allen embark on a series of hilarious adventures in this charming musical comedy from 1946. The legendary duo's last screen outing for more than a decade, Here Comes the Sun is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. When a wealthy newspaper proprietor passes away, his crooked business partner moves to secure the deceased's fortune by substituting a false wi...
You've Never Seen The West This Wild! In a desolate Arizona town Marhal Valentine Casey (Dwight Yoakam) is threatened by a family of outlaws who have just robbed the bank murdering everyone in their path. The savage Taylor Henry (Vince Vaughn) marks Valentine for certain death. Valentine journeys out to protect his sweetheart Miss Adalyne (Bridget Fonda) and to bring back the Henry Gang dead or alive.
After 15 years of hit movies, Abbott and Costello departed from Universal studios in the twilight of their partnership with 1955's Abbott and Costello Meet the Mummy, the last of their monster comedies. Decked out in desert safari gear, the boys go looking for a job with an Egyptologist and wind up in the middle of a conspiracy concerning the murdered professor, an ancient mummy, and a magical medallion that, true to form, bumbling Costello manages to eat for dinner. Marie Windsor, the boss lady of a gang of treasure-hunting crooks, dresses in a harem outfit to vamp for our chubby little hero, and the eternally stiff Richard Deacon hilariously plays the leader of an Egyptian mummy cult like a high school principal decked out for Halloween. Directed by longtime collaborator Charles Lamont, it's a typical Abbott and Costello farce with disappearing corpses, mistaken identities and wacky word plays ("Take your pick" riffs on "Who's on first" with garden tools). While not as clever or spirited as their original monster mash Abbott and Costello Meet Frankenstein, the vaudeville veterans are still masters of the double-take and fast-talk patter, and the picture climaxes with a screwball chase that involves not one, not two, but three mummies skittering through the phoniest looking pyramid this side of community theatre. You were expecting realism? The boys appeared together once more on film, in Dance with Me, Henry, and then split up. --Sean Axmaker, Amazon.com
This lively romantic comedy stars Golden Globe winner Nancy Kwan as a girl who s determined to establish a notorious past with which to face a respectable future! Made in 1963 and featuring an array of British comedy talent including Terry-Thomas Victor Spinetti and music-hall veterans Bud Flanagan and Gladys Morgan The Wild Affair is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. As her wedding day approaches secretary Marjorie begins to panic. Afraid that she will sink into the obscurity of marriage without ever having proved herself as a free-spirited woman she sees the office party as her last chance to flirt with intent. She sets off to work wearing a frilly plunging dress and as the day wears on garners a number of interesting offers and propositions both from her lecherous boss Godfrey and a tall dark handsome stranger... SPECIAL FEATURES: [] Image Gallery
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "End of the Road", "The Uninvited", "Sun Probe" and "Operation Crash Dive".
The story involves a rock drummer who accidentally kills a man and is drawn into a web of murder by a masked assassin who appears to have a vendetta against him.
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