Matthew Perry stars as an aspiring architect given the additional job by a big client of spying on his mistress (Neve Campbell). As he begins to fall for her it becomes clear that everyone thinks he's gay, but does he really want to jeopardise his career
A would-be samaritan picks up a hitchhiker and soon discovers the man is a relentless serial killer. Framed by the cold-blooded murderer for a string of slayings, his only help comes from a caring waitress as they attempt to flee from both the law and the hitcher Special Features A new 4k restoration by Second Sight Films from the original camera negative supervised and approved by Director Robert Harmon Presented in HDR with Dolby Vision Features Dolby Atmos and original stereo audio mixes New audio commentary by Alexandra Heller-Nicholas Audio commentary with Robert Harmon and Writer Eric Red Scene specific audio commentary with Robert Harmon, Eric Red, Executive Producer Edward S Feldman, Composer Mark Isham, Director of Photography John Seale and Actors Rutger Hauer and C Thomas Howell The Projection Booth Podcast: featuring Robert Harmon and Rutger Hauer Bullseye: a new interview with Robert Harmon Penning the Ripper: a new interview with Eric Red Doomed to Live: a new interview with C Thomas Howell The Man from Oz: a new interview with John Seale A Very Formative Score: a new interview with Mark Isham Duel Runner: Leigh Singer on the evolution of The Hitcher and Rutger Hauer China Lake: a short film by Robert Harmon newly restored The Calling Card: Robert Harmon on China Lake Telephone: a short film by Eric Red The Hitcher: How do these movies get made? Trailers
Everyone's favorite serial killer is back for more in Season 7 of Showtime's wickedly good drama, Dexter. Golden Globe winner Michael C. Hall returns as the Miami forensics expert with blood on his hands – only now, he's finally forced to come clean to his sister, Deb, about his deadly ways. Meanwhile, there's a chance for possible romance with a beautiful fellow murderer, Deb learns how difficult it is to keep her brother's secrets, Batista pursues a dream away from the force, Quinn loses his heart, and LaGuerta gets closer to pinning the Bay Harbor Butcher killings on Dexter. Someone's got it coming...
Relive the adventure and magic in one of the most beloved motion pictures of all-time, E.T. The Extra Terrestrial, from Academy Award®-winning* director Steven Spielberg. Captivating audiences of all ages, this timeless story follows the unforgettable journey of a lost alien and the 10-year-old boy he befriends. Join Elliott (Henry Thomas), Gertie (Drew Barrymore) and Michael (Robert MacNaughton) as they come together to help E.T. find his way back home. Special Features: STEVEN SPIELBERG & E.T. - The director reflects on his experience making E.T. and the impact the beloved classic has had on his celebrated career. THE E.T. JOURNALS - Original on-set production footage takes you behind the scenes. DELETED SCENES A LOOK BACK THE EVOLUTION AND CREATION OF E.T. THE E.T. REUNION THE MUSIC OF E.T. THE 20TH ANNIVERSARY PREMIERE DESIGNS, PHOTOGRAPHS AND MARKETING
One of TV's more interesting tough-girl action shows, Dark Angel is a distinctive blend of the personal, the adventurous and the politically aware. Cocreators James Cameron (yes, that James Cameron) and Charles Eglee present a complex scenario of biological super-science and social collapse in which their gene-manipulated heroine and hacker/journalist hero can genuinely make a difference. In this first series they also provide an adversary who is a lot more than just a conventional villain. Jessica Alba is impressive as Max, bred and trained as a super-soldier but reclaiming her individual humanity; Michael Weatherly is scruffily attractive as Eyes Only, who sits semi-paralysed in his eyrie above Seattle uncovering crime, corruption and other skulduggeries and sending the woman whom he hopelessly loves out on deadly errands. Jon Savage has real authority as Lydeker, a man who has stretched his conscience to breaking point, but is not personally corrupt. Some of the best episodes here--"Prodigy" for example--are ones in which Lydeker and Max are forced into temporary alliance. Early on the relationship between Max and the other workers at Jam Pony--the courier firm that provides her with a cover identity--is a little forced, but later on the two parts of Max's life are more successfully integrated: "Shorties in Love", for example, is a genuinely touching tale about Diamond, the doomed criminal ex-lover of Max's lesbian roommate. Dark Angel was never a perfect show, but at its occasional best it manages to be simultaneously funny and dramatic. On the DVD: Dark Angel, Series 1's Region 2 DVD is ungenerous with special features, providing only short interviews with James Cameron and Charles Eglee and with the stars, and giving us a preview of the Dark Angel computer game. The episodes are presented in widescreen and have excellent Dolby Digital sound which gives vivid presence to both the dialogue and the hard-driving contemporary rock score that is part of the show's style. --Roz Kaveney
Keanu Reeves stars as an aimless young man who scalps tickets, gambles and drinks, and agrees to coach a Little League team from a Chicago housing project.
Based on the million-selling Orange Prize winning novel by Lionel Shiver and directed by acclaimed film-maker Lynne Ramsay, We Need To Talk About Kevin is an emotional thriller starring Academy Award Winner Tilda Swinton, Academy Award nominee John C. Reilly, & Ezra Miller.Eva (Tilda Swinton) puts her ambitions and career aside to give birth to Kevin. The relationship between mother and son is difficult from the very first years. When Kevin is 15, he does something irrational and unforgivable in the eyes of the community. Eva grapples with her own feelings of grief and responsibility. Did she ever love her son? And how much of what Kevin did was her fault?
Television's most unlikely crime-fighting team is back and their relationship is stronger than ever in ABC Studios' Castle: The Complete Fourth Season. Prepare for a season full of suspense as Castle works to identify Beckett's shooter while Beckett struggles with the aftermath of her near-death encounter. All the while, the duo tackles a new batch of New York City's most interesting cases. Castle gets spooked while investigating the death of a ghost hunter, a sexy insurance investigator helps out when a valuable sculpture vanishes and Castle is taken hostage during a bank robbery. Meanwhile, the Triple X Killer returns to New York and the team must race against the clock when Castle and Beckett go missing. Relive every misadventure with your favourite partners-in-crime with this 6-disc collection - complete with all 23 memorable episodes, plus exclusive bonus features only available on DVD. It's a must-have for every Castle fan! Special Features: View Rise with Audio Commentary by Director/Executive Producer Rob Bowman and Actors Jon Huertas, Seamous Dever and Tamala Jones View Cuffed with Audio Commentary by Creator/Executive Producer/Writer Andrew W. Marlowe, Writer Terri Miller and Actors Nathan Fillion and Stana Katic View The Blue Butterfly with Audio Commentary by Writer Terence Paul Winter, Costume Designer Like Reichle and Actors Susan Sullivan, Tamala Jones and Molly Quinn Fillion and Friends: Castle Goes Radio - Making the Show Workjuice Commercial Sparks Nevada Marshall on Mars, Cactoid Jim King of the Martian Frontier Submerged: An In-depth Looks at Stunts Bowman, Bowman and Castle Deleted Scenes Bloopers
Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker
Winning a raft of awards, not least of which four Oscars, including Best Picture and Best Director, Oliver Stone's Platoon was a box-office smash heralding Hollywood's second wave of Vietnam war films. Where predecessors The Deer Hunter (1978) and Apocalypse Now (1979) were elaborate epics, Platoon simply showed the daily reality of the war from the point of view of ordinary soldiers. Stone's own service in Vietnam gives his work a unique authenticity. Charlie Sheen gives his best performance to date, enduring a series of increasingly large-scale and bloody battles which retrospectively make one wonder why Saving Private Ryan was hailed as so new. Against this gruelling verity the film falters over the symbolic conflict between good and evil sergeants played by Willem Dafoe and Tom Berenger. Even though this was also based in real life, it strikes a too conventionally Hollywood-like note in a film which otherwise maintains much of the raw power of Stone's other film from 1986, Salvador. Johnny Depp fans should look out for an early appearance by the star. Stone would return to Vietnam with the more sophisticated Born on the Fourth of July (1989) and Heaven and Earth (1993). On the DVD: The 50-minute documentary "Tour of the Inferno" goes beyond the usual "making-of" to present a personal account both of the film and of Stone's own time in Vietnam. Likewise the two audio commentaries--one by Stone, the other by Captain Dale Dye, fellow veteran and military technical advisor--range between the making of the film and the degree to which the actors came to inhabit their parts, to their own wartime experiences. Both commentaries bring a fresh level of appreciation and understanding to the film. Also included is the original trailer and three TV commercials, together with well-presented stills galleries of behind-the-scenes photos and poster art. Following a credit sequence marred by dirt on the print, the anamorphically enhanced 1.77:1 image is sharp and clear. The many night scenes are very dark but remain easily comprehensible. The three-channel Dolby Digital sound is suitably raw and powerful, though an early sequence featuring rain in the jungle suffers from very distracting repeated drop-outs in the left channel. --Gary S Dalkin
Twenty years before the Farrelly Brothers turned raunch into acceptable film comedy, the team of David Zucker, Jim Abrahams and Jerry Zucker exploited it first. The college threesome made it big with Airplane in 1980, but this 1977 cinematic version of their live theatre show was the ground zero for their talents. Kentucky Fried Movie is a mish-mash of sketches, fake commercials, and parodies with no central theme--except their crudeness and laugh-out-loud humour. Highlights include a commercial for "Scot Free", a board game based on the Kennedy assassination conspiracy; "The Wonderful World of Sex", in which a couple goes through foreplay with a self-help narrator instructing them step-by-step; and a 20-minute spoof of Bruce Lee films entitled "A Fistful of Yen". Brazen to a fault, the movie will reach for any punchline, no matter how crude (and those who flocked to the film's initial release looking for R-rated sex will remember the final sketch and the infamous trailer for "Catholic High School Girls in Trouble".) Directed by then-unknown John Landis (who went on to make The Blues Brothers and An American Werewolf in London) on a shoestring budget, the film has aged. But crassness, when this funny, is forever. --Doug Thomas, Amazon.com
Written by and starring Ice Cube, this sequel to his 1995 smash Friday is an engaging farce that plays on the ludicrous charm of the original. It's Next Friday and Craig Jones (Ice Cube) has to pay the consequences for despatching Debo, the neighbourhood bully, to jail at the close of the first film. Hearing a rumour that Debo is to break out of the pen, Craig's father decides it would be safer if he holed up at his cousin Day-Day's house in the 'burbs. But as Craig finds out, this is one suburb that is filled with as much drama as the ghetto. Craig's Uncle Elroy is a layabout lottery winner with a sexually voracious young wife who has designs on her nephew. Day-day (Mike Epps) is being stalked for child support by a pregnant former girlfriend and lives in fear of his boss Pinky, a former pimp who runs a record store. His neighbours, a trio of pumped-up Chicano gangsters, are out for his blood after Craig is caught flirting with their sister Karla, and to top everything, Elroy's house is due to be repossessed in 24 hours due to tax violation. The ensuing hilarity centres around Craig's attempts to raise the necessary funds by fair means or foul. Much to Ice Cube's credit, this silly and scabrous comedy is laugh-out-loud funny without lapsing into American Pie-style frat-boy humour. On the DVD: The main feature is presented in 16:9 anamorphic format in an immaculate print with the choice of either Dolby Digital 2.0 or 5.1 sound and optional English subtitles. Among the special features is an alternate ending which features several small dialogue changes and a re-appearance by Cube's love interest Karla that provides a more satisfying conclusion than the actual ending to the film, which has been left intentionally open for a possible sequel, Friday After Next. Music videos by Ice Cube ("You Can Do It") and Lil' Zane ("Money Stretch") seem to have been included as an incentive to buy the all-star rap soundtrack. Additional features include a theatrical trailer and cast and crew filmographies. The "making-of" featurette advertised on the sleeve does not app ear anywhere on the disc. --Chris Campion
There's a new pecking order at the Fisher & Diaz funeral home but Nate Ruth David and Claire still try to make every day above ground a good one. Death and dysfunction are par for the course in The Complete Fourth Season of Six Feet Under. Episodes comprise: 1. Falling Into Place 2. In Case Of Rapture 3. Parallel Play 4. Can I Come Up Now 5. That's My Dog 6. Terror Starts At Home 7. The Dare 8. Coming And Going 9. Grinding The Corn 10. The Black Forest 11. The Bomb Shelter
Rene Zellweger, Catherine Zeta Jones and Richard Gere star in the big screen version of the hit musical about a nighclub star who finds herself on Chicago's death row and recruits the town's slickest lawyer.
A whole host of 20th Century Fox's most famous religious epics can be found in this here box set! Featuring: 1. Francis Of Assisi (Dir. Michael Curtiz 1961) 2. Story Of Ruth (Dir. Henry Koster 1960) 3. The Bible (Dir. John Huston 1966) 4. The Song Of Bernadette (Dir. Henry King 1943) 5. The Greatest Story Ever Told (Dir. George Stevens 1965) 6. The Passion Of The Christ (Dir. Mel Gibson 2004) 7. The Robe (Dir. Henry Koster 1953) 8. Demetrious And The Gladiators (Dir. Delmer Daves 1954
The Yellow Rolls Royce
Estranged teen sisters who live on opposite sides of the country are brought together as teammates in the TV show ""The Challenge"" much to their surprise. In order to win the grand prize - college scholarships - they'll need to reconcile their differences work together and keep their romances a secret from the producers all at the same time!
The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top", "Oh, What a Beautiful Mornin'" and "People Will Say We're in Love", and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no", and Rod Steiger overdoes it as the villainous Jud. --Tom Keogh
Even if the notorious 1970s porn-filmmaking milieu doesn't exactly turn you on, don't let it turn you off to this movie's extraordinary virtues, either. Boogie Nights is one of the key movies of the 1990s and among the most ambitious and exuberantly alive American movies in years. It's also the breakthrough for an amazing new director, whose dazzling kaleidoscopic style here recalls the Robert Altman of Nashville and the Martin Scorsese of Good Fellas. Although loosely based on the sleazy life and times of real-life porn legend John Holmes, at heart it's a classic Hollywood rise-and-fall fable: a naive, good-looking young busboy is discovered in a San Fernando Valley disco by a famous motion picture producer, becomes a hotshot movie star, lives the high life and then loses everything when he gets too big for his britches, succumbs to insobriety and is left behind by new times and new technology. Of course, it isn't exactly A Star Is Born or Singin' in the Rain. Writer-director Paul Thomas Anderson (in only his second feature!) puts his own affectionately sardonic twist on the old showbiz biopic formula: the ambitious upstart changes his name and achieves stardom in porno films as "Dirk Diggler." Instead of drinking to excess, he snorts cocaine (the classic drug of 70s hedonism); and it's the coming of home video (rather than talkies) that helps to dash his big-screen dreams. As for the britches ... well, the controversial "money shot" explains everything. And the cast is one of the great ensembles of the 90s, including Oscar nominees Burt Reynolds and Julianne Moore, Mark Wahlberg (who really can act--from the waist up, too!), Heather Graham (as Rollergirl), William H. Macy, John C. Reilly and Ricky Jay. --Jim Emerson
Teenage social outcast Peter (Andrew Garfield) spends his days trying to unravel the mystery of his own past and win the heart of his high school crush, Gwen Stacy (Emma Stone). A mysterious briefcase belonging to his father, who abandoned him when he was a child, leads Peter to his dad's former partner, Dr. Connors. The discovery of his father's secret will ultimately shape his destiny of becoming Spider Man and bring him face to face with Connors' villainous alter ego, the Lizard.
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