Here's how American critic Roger Ebert described the unique and lasting value of George Lucas' 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semi-autobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of DJ Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realised through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic. --Jeff Shannon, Amazon.com
A 4 disc box set featuring a quartet of the finest films starring motormouth funnyman Richard Pryor! R.I.P Ritchie... Car Wash ((Dir. Michael Schultz 1976): An earthy irreverent but affectionate look at a typical day in Los Angeles car wash! An ensemble piece which interweaves the lives of employees customers and passers-by Car Wash stars a galaxy of gifted actors most of whom are relatively unknown to movie goers and spotlights an array of guest stars in vivid cameo rol
The story of Beary Barrinson a ten year old bear cub raised by a human family after he was found abandoned in the forest. Beary is desperate to find out where he really came from and travels to Tennessee to seek out his family...
While other films directed by Nicolas Roeg have attained similar cult status (including Walkabout and Don't Look Now), none has been as hotly debated as this languid but oddly fascinating adaptation of the science fiction novel by Walter Tevis. In The Man Who Fell to Earth, David Bowie plays the alien of the title, who arrives on Earth with hopes of finding a way to save his own planet from turning into an arid wasteland. He funds this effort by capitalising on several highly lucrative inventions, and in so doing becomes the powerful leader of an international corporate conglomerate. But his success has negative consequences as well--his contact with Earth has a disintegrating effect that sends him into a tailspin of disorientation and metaphysical despair. The sexual attention of a cheerful young woman (Candy Clark) doesn't do much to change his outlook, and his introduction to liquor proves even more devastating, until, finally, it looks as though his visit to Earth may be a permanent one. The Man Who Fell to Earth is definitely not for every taste--it's a highly contemplative, primarily visual experience that Roeg directs as an abstract treatise on (among other things) the alienating effects of an over-commercialised society. Stimulating and hypnotic or frightfully dull, depending on your receptivity to its loosely knit ideas, it's at least in part about not belonging, about being disconnected from the world--about being a stranger in a strange land when there's really no place like home. --Jeff Shannon.
Titles Comprise: Car Wash: An ensemble piece which interweaves the lives of employees customers and passers-by Car Wash stars a galaxy of gifted actors most of whom are relatively unknown to movie goers and spotlights an array of guest stars in vivid cameo roles. Stir Crazy: Playwright Skip Donahue (Wilder) and actor Harry Monroe (Pryor) are out of work and penniless. Deciding they have had enough of Broadway they set off to make their fortunes and find freedom down South. On the way their funds get so low that they have to find work; as singing dancing Woodpeckers promoting a bank. Plagued by bad luck thieves steal their costumes and rob the bank and guess who gets the blame and get put jail? Brewster's Millions: Brewster (Pryor) a lowly pitcher with the minor league Hackensack Bulls baseball team suddenly is left 0 million by a distant relative. But there's a catch; he must spend million in thirty days without having any assets to show for it. And if he reveals it to a soul the real reason why he's throwing away all his cash he will forfeit everything! So aided and abetted by his team mate Spike (Candy) and a stream of hangers-on Brewster begins a spending spree that would bring any self-respecting accountant to his knees... See No Evil Hear No Evil: Two men are witness to a murder - a blind man who couldn't see it and a deaf man who couldn't hear it but somehow they become prime suspects in the case. They escape the police and set out to catch the bad guy themselves...
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