Dances with Wolves is the film that sent director-producer-actor Kevin Costner on his hubristic way; yet it is such a resonant and powerful film that we can almost forgive him for inflicting upon us his later "epic" The Postman. Here Costner plays a Union solder stationed at the far edges of the West, and left there to rot at his post. He finally sees the wisdom of the Lakota Sioux and finds peace within their community. But his decision to "go native" is greatly frowned upon by his military commanders, and the subsequent culture clash forms the backbone of the narrative. The story is told simply, and wastes not one word of dialogue, while the South Dakota locations provide a magnificent backdrop. Costner is sympathetic and accessible as an American Everyman who awakens to himself and the world around him... --Rochelle O'Gorman, Amazon.com
A box-office hit when released in 1994, this sprawling, frequently overwrought familial melodrama may get sillier as its plot progresses, but it's the kind of lusty, character-based epic that Hollywood should attempt more often. It's also an unabashedly flattering star vehicle for Brad Pitt as Tristan--the rebellious middle son of a fiercely independent Montana rancher and military veteran (Anthony Hopkins)--who is routinely at odds with his more responsible older brother, Alfred (Aidan Quinn), and younger brother, Samuel (Henry Thomas). From the battlefields of World War I to his adventures as an oceangoing sailor, Tristan's life is full of personal torment, especially when he returns to Montana and finds himself competing with Alfred over Samuel's beautiful widow (Julia Ormond), whose passion for Tristan disrupts the already turbulent Ludlow clan. Under the wide-open canopy of Big Sky country, this operatic tale unfolds with all the bloodlust, tragedy, and scenery-chewing performances you'd expect to find in a hokey bestselling novel (in fact, it's based on the acclaimed novella by Jim Harrison), but it's a potent mix that's highly entertaining. Not surprisingly, John Toll won an Academy Award for his breathtaking outdoor cinematography. --Jeff Shannon
Kevin Costner's 1990 epic won a bundle of Oscars for a moving, engrossing story of a white soldier (Costner) who singlehandedly mans a post in the 1870 Dakotas, and becomes a part of the Lakota Sioux community who live nearby. The film may not be a masterpiece, but it is far more than the sum of good intentions. The characters are strong, the development of relationships is both ambitious and careful, the love story between Costner and Mary McDonnell's character is captivating. Only the third-act portrait of white intruders as morons feels overbearing, but even that leads to a terribly moving conclusion. Costner's direction is assured, the balance of action and intimacy is perfect--what more could anyone want outside of an unqualified masterpiece? --Tom Keogh
Brought in to investigate the murder of a young girl, a celebrated cop accidentally kills his partner and is blackmailed by a sadistic killer who witnessed it.
Tom travels to the country for the funeral of his lover. There he's shocked to find that no one knows who he is nor who he was to the deceased man whose menacing brother soon sets the rules of a twisted game. In order to protect the family's name and grieving mother Tom must now deny his own sexuality while playing the peacekeeper in an isolated household whose obscure past bodes even greater darkness for his trip to the farm. Adapted from the original play by acclaimed Quebecois playwright Michel Marc Bouchard Tom at the Farm is the fourth film by multi-award-winning young director Xavier Dolan who also takes the title role. This taut psychological thriller centres on the ever-growing gap between city and country and the often oppositional nature of men who live there. Special Feature: Original Theatrical Trailer
Colonel William Ludlow (Sir Anthony Hopkins) built a ranch in the remote foothills of the Montana Rockies where he brought up his three sons away from the carnage of the Indian wars. Alfred (Aidan Quinn) the eldest is dutiful and reserved Samuel (Henry Thomas) the beloved youngest is compassionate and idealistic while the middle brother Tristan (Brad Pitt) has a wild untameable spirit. Into this masculine world enters Susannah Finncannon (Julia Ormond) a beautiful intelligent woman who stirs a passion and rivalry in all three brothers that will change the course of their lives and shape their destinies forever. From the rugged prairie lands of 19th Century America to the trenches of World War I and the changing world beyond 'Legends of the Fall' is a sweeping star-studded epic - a passionate journey into the darkest secrets of love betrayal and the unbreakable bonds of blood.
ROBERT BRESSON (Au hasard Balthazar) plumbs great reservoirs of feeling with Mouchette, one of the most searing portraits of human desperation ever put on film. With a dying mother, an absent, alcoholic father, and a baby brother in need of care, the teenage Mouchette seeks solace and respite from her circumstances in the nature of the French countryside and daily routine. Bresson deploys his trademark minimalist style to heartbreaking effect in this essential work of French filmmaking, a hugely empathetic drama that elevates its trapped protagonist into one of the cinema's most memorable tragic figures. Special Features: New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary from 2006 by film scholar, critic, and festival programmer Tony Rayns Au hasard Bresson, a 1967 documentary by Theodor Kotulla, featuring director Robert Bresson on the set of Mouchette Segment of a 1967 episode of the French television series Cinéma, featuring on-set interviews with Bresson and actors Nadine Nortier and Jean-Claude Guilbert Original theatrical trailer, cut by Jean-Luc Godard PLUS: An essay by critic and poet Robert Polito
Luca Boni and Marco Ristori direct this zombie horror flick. When a bacteriological weapon the US government have been developing in secret accidentally causes a zombie outbreak in a small town in Eastern Europe, the US President (Uwe Boll) approves a plan to cover up the incident. A team of mercenaries are duly hired to smuggle an atomic bomb into the city's nuclear power plant so that the eradication of the infected area will seem like a tragic accident. However, with hordes of the undead b...
Tom travels to the country for the funeral of his lover. There he's shocked to find that no one knows who he is nor who he was to the deceased man whose menacing brother soon sets the rules of a twisted game. In order to protect the family's name and grieving mother Tom must now deny his own sexuality while playing the peacekeeper in an isolated household whose obscure past bodes even greater darkness for his trip to the farm. Adapted from the original play by acclaimed Quebecois playwright Michel Marc Bouchard Tom at the Farm is the fourth film by multi-award-winning young director Xavier Dolan who also takes the title role. This taut psychological thriller centres on the ever-growing gap between city and country and the often oppositional nature of men who live there. Special Feature: Original Theatrical Trailer
Vera Johnson (Rachael Leigh Cook) is two years out of high school but still lives with her parents. Wasting time with meaningless jobs she dreams of life beyond the limits of her small Montana town. When a young stranger walks into her life bearing a horrible dark secret it will turn her world upside down forever!
Welcome to the world of Cardinal Burns, the hit E4 comedy series in which Seb Cardinal and Dustin Demri-Burns invite us into their surreal and offbeat minds, and unleash a cast of uniquely funny characters. Listen to absurd late night tales with cockney cab controllers Phil and Terry, learn the art of flirting in the workplace with resident office geek Charlie and the exotic 'New Guy', watch as the drama unfolds in 'Young Dreams' following three girls on a fashion internship and peek behind the scenes of infamous street artist Banksy as he unveils his true identity for the very first time.
Half human half demon - all warrior. For a thousand years the Reapers guarded mankind from the demons that wait in the dark. Now at the beginning of a new age the Reapers are betrayed and slaughtered. Only one Reaper remains - Red and she's out to exact revenge. It's been 100 years since The Red Reaper was traded to the demons by the Teller Witch - her own mother. Rescued by the Reapers a sacred clan of human/ demon warriors they raised her as their own even though she was more demon than the rest of them. Abandoned by her mother at odds with her Reaper family struggling with her Reaper training and in love with one man she couldn't have - nothing was going right for the Red Reaper. She was untrained untested and shared none of her mother's magical abilities. She couldn't even see the future her mother's greatest gift. Until the day she did - and it changed the world forever.
Rewarded for his heroism in the Civil War Lt. John Dunbar (Costner) wants to see the American Frontier before it is gone. He is assigned to an abandoned fort where a Sioux tribe is his only neighbour. Overcoming the language barrier and their mutual fear and distrust Dunbar and the proud Indians gradually become friends. Eventually he falls in love with the beautiful Stands With A Fist (McDonnell) a white woman raised by the tribe. He learns the culture of the Sioux lives with them and even experiences the breathtaking excitement of a buffalo hunt but his knowledge of the fate that will ultimately befall the tribe torments him. Finally he is faced with a crucial decision that will cause him to examine his heart and soul before making a heroic choice that determines his destiny.
Perhaps the most accessible of Robert Bresson's films, this story of a 14-year-old schoolgirl at the mercy of the world around her is like a melodrama stripped of flourish. Mouchette is an angry adolescent in the French provinces, the daughter of a drunken bootlegger and a dying, bedridden mother, a pariah in school and a figure of village gossip. She rebels in typically adolescent ways, lobbing mud at teasing classmates and defying wagging tongues with a wilful stare, but her deep pain and loneliness pour from her hollow, sad eyes. There's no sentimentality in Bresson's portrait of village life but for a few brief moments the film explodes with energy and emotion. Mouchette rides the bumper cars at a local fair, flirting with a young boy in loving bumps and deliberate rams, and her dour expression flowers in a smile as the fairground speakers blare a rock & roll tune... until her father's heavy hand slaps her back to reality. It's a moment unlike any other in a Bresson film, a joyous reprieve from the monotony of her life, but if the rest of her existence is glum and hopeless, the film is unexpectedly beautiful. The style is often fragmented--the film opens on a stunning play of hands, feet and spying eyes as poacher and police both wait for their prey--but the beauty of the forests and meadows creates an idyllic naturalism that leavens Bresson's harsh portrait of the human condition. --Sean Axmaker
A love story of an improbable romance between a cosmopolitan career woman and a small-town fisherman. When sophisticated New York journalist Edith Iglauer (Jaclyn Smith) is assigned to go to British Columbia to write a frivolous piece on the fishing industry she butts heads with local fisherman and notorious loner John Daly (Tim Matheson). While she thrives on the fast-paced life of Manhattan he loathes pretension and could go days without speaking to anyone. But when the two are caught in a perilous situation they are forced to put aside their pettiness and re-examine their lives. With external factors stripped away they begin to fall in love. Ultimately Edith must decide between staying in the glamorous world she has always cherished or leaving it all behind for a chance at love.
Mouchette is one of Robert Bresson’s greatest cinematic achievements, plumbing immense emotional depths in a searing, heartbreaking portrait of human frailty. Hemmed in by a dying mother, an alcoholic father and a baby brother in need of care, the adolescent Mouchette searches for sanctuary in nature and domestic chores. As the delicate intricacies of her life are played out a touching, tender and tragic portrait is painted, making her of one of cinema’s most memorable tragic heroines. An essential piece of classic French filmmaking.
A box-office hit when released in 1994, this sprawling, frequently overwrought familial melodrama may get sillier as its plot progresses, but it's the kind of lusty, character-based epic that Hollywood should attempt more often. It's also an unabashedly flattering star vehicle for Brad Pitt as Tristan--the rebellious middle son of a fiercely independent Montana rancher and military veteran (Anthony Hopkins)--who is routinely at odds with his more responsible older brother, Alfred (Aidan Quinn), and younger brother, Samuel (Henry Thomas). From the battlefields of World War I to his adventures as an oceangoing sailor, Tristan's life is full of personal torment, especially when he returns to Montana and finds himself competing with Alfred over Samuel's beautiful widow (Julia Ormond), whose passion for Tristan disrupts the already turbulent Ludlow clan. Under the wide-open canopy of Big Sky country, this operatic tale unfolds with all the bloodlust, tragedy, and scenery-chewing performances you'd expect to find in a hokey bestselling novel (in fact, it's based on the acclaimed novella by Jim Harrison), but it's a potent mix that's highly entertaining. Not surprisingly, John Toll won an Academy Award for his breathtaking outdoor cinematography. --Jeff Shannon
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