John Wayne and Maureen O'Hara are embroiled in an epic battle with the Apaches and each other in this John Ford classic. Lt Col. Yorke (Wayne) heads to the Rio Grande to fight a warring tribe. But Yorke faces his toughest battle when his unorthodox plan to outwit the elusive Apaches leads to possible court-martial. Locked in a bloody war he must fight to redeem his honour and save his family.
During the American Civil War a Union spy (Fess Parker) is asked to lead a band of Union soldiers into the South so that they could destroy the railway system. However things don't go as planned when the conductor of the train that they stole is on to them and is doing everything he can to stop them. Based on a true story. Available on DVD for the first time!
Rio Grande was the last and least memorable of John Ford's famous cavalry trilogy (following Fort Apache and She Wore a Yellow Ribbon), but it none the less maintains an interesting continuity about the gentlemanly rules of military conduct. Here the focus is on the family. While creating a heated controversy over his handling of the Apache war, John Wayne must also contend with disgruntled wife Maureen O'Hara and estranged son Claude Jarman Jr, a new recruit trying to earn his father's love and respect. Ford suggests that there are two conflicting codes of honour in every cavalry officer's life, the personal as well as the professional, and that it takes an act of heroism to maintain both. It's fascinating to observe Wayne's progression throughout the trilogy, as his personal stakes intensify. This is the first of five onscreen appearances between the Duke and O'Hara, each filled with a competitive spirit and stormy sexuality. --Bill Desowitz, Amazon.com
Contains some of Brando's finest but lesser known performances: Burn The Formula Bedtime Story The Men One Eyed Jacks (also directed by Brando). Burn (Dir. Gillo Pontecorvo 1969): (English - Dolby Digital (1.0) Mono / Fullscreen) Manipulative English mercenary Sir William Walker (Marlon Brando) is posted to a Portuguese colony in the Caribbean. Once there he uses his skills to engineer a slave revolt as part of his calculated plans for the English to seize control of t
Executive producer Robert Rodriguez (Grindhouse, Spy Kids) is the driving force behind this energetic reboot of the popular Predator films, which pits the dreadlocked alien hunters against a rogues' gallery of human antiheroes, led by a bulked-up Adrien Brody. The Oscar winner acquits himself nicely in the role of a gritty mercenary who finds himself stranded on a jungle planet with a host of criminals and professional killers (among them such scene-stealers as Walton Goggins and Danny Trejo), as well as a seemingly innocent doctor, well played by Topher Grace. They've been deposited there to serve as living targets for a horde of Predators--whose looks, designed by Gregory Nicotero and Howard Berger, are impressively varied and sleek--that use the planet as their private hunting grounds. Laurence Fishburne is also on hand as a soldier who has managed to survive for years in the jungle; he, Brody, and Grace do much to make the pulpy dialogue by Alex Litvak and Michael Finch (adapting a premise penned by Rodriguez in the mid-'90s) palatable. Likewise, Hungarian director Nimrod Antal (Vacancy) lends a great deal of atmosphere and Rodriguez-style momentum to the picture--perhaps more than necessary, since the end result is, like the 1987 original with Arnold Schwarzenegger, a fun B-movie and nothing more, designed entirely to give moviegoers a slick, unchallenging roller-coaster ride. Having said that, it's a vast improvement over the 1990 sequel and the dreadful tie-ins with the Alien franchise, and should provide movie monster aficionados with an afternoon's worth of thrills. --Paul Gaita
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