The point of a good production of Rossini's Il Barbiere di Siviglia is to have a Rosina and a Figaro who will knock your socks off in their respective arias, while holding back enough in all those crescendo ensembles in which the farce plot reaches its several culminations that the other stars get a chance to shine too. Cecilia Bartoli and Gino Quilico give full-blooded enough performances when on stage by themselves that self-effacement seems far from imminent, yet both are capable of less, and give it when it is needed. Of the others, David Kuebler is an attractively raffish Almaviva, while Robert Lloyd turns Basilio into a memorable cameo. Gabriele Ferro is one of the most intelligent of Rossini conductors--he understands the relationship between the pulse of the music and its dramatic function, and he is also outstanding in the delicacy of phrasing, even in climaxes, that ensures that every voice, every instrument, gets the moment of glory Rossini intended. Michael Hampe's solid reliable unfussy production keeps everything moving without drawing attention to itself. The DVD has subtitles in English, French, German, Italian and Spanish, as well as trailers for other Arthaus Musik discs. --Roz Kaveney
It is an oft-repeated saw, about life in the heavenly spheres, that the angels revere Bach but listen to Mozart. If they have DVD players, you can bet theyre now watching this stunning production of Le Nozze di Figaro ("The Marriage of Figaro"), which comes about as close to Mozartian perfection as one could possibly hope to get. The faultlessly cast youthful performers bubble with infectious energy. Alison Hagley is a sprightly Susanna with a voice as clear as a bell, and brilliantly matched by a 28-year-old Bryn Terfel both acting and sounding in fine form. Hillevi Martinpelto demonstrates why she is one of the worlds favourite Mozart singers with her melting tones, richly coloured voice and generous stage presence, and Rodney Gilfry gives a muscular, wonderfully controlled performance as the Count. Olivier Milles direction mixes knockabout comedy and restrained pathos with fluid inventiveness, and there are even--heavens, can this really be an opera?--quite a few belly laughs, and deliciously amusing details. (Susannas guitar playing during Cherubinos "Voi che sapete" is a comic delight, and Figaros hidden sneers at Count Almaviva are hilarious.) John Eliot Gardiner draws exquisite playing from his authentic-instrument orchestra and employs tempos that are ideal. Add to that gorgeous 18th-century costumes and effective sets--it doesnt get much better than this. On the DVD: the production is beautifully realised for home viewing, with clear sound (the sets are simple wooden panels, which continually and flatteringly push the sound to the front) and great camera direction. There are subtitles in Italian, English, French, German, Spanish and Chinese but no other special features.--Warwick Thompson
Mozart - Il Barbiere Di Siviglia (Bartoli Kuebler)
'Il Matrimonio Segreto' is Cimarosa's most famous opera which is reputed to have won immense admiration from Emperor Leopold II at its first performance in 1792. T Austrian Emperor liked this masterpiece so much that he ordered it to be played again from the beginning! Domenico Cimarosa's opera about the amorous bumblings of Bolognese gentry is performed by the Cologne Opera at the 1986 Schwetzingen Festival.
Recorded at the Schwetziner Festspiele in 1995.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy