Never Let Go: John Cummings (Richard Todd) is one of life's near failures. A toiletry salesman he buys a flash car he cannot afford to insure. When it is stolen by a gang running a car theft racket he vows to retrieve it whatever the cost - hi job his family and his dignity. He begins to delve into a sinister criminal underworld with potentially lethal consequences. The stark British thriller features Sellers in his first dramatic role as Cummings' nemesis a gangland villain. Soft Beds Hard Battles Peter Sellers plays six different characters in this hilarious sexploitation comedy. A renowned Paris brothel has turned into an active centre for the French Resistance. The girls assist the Allied war effort by attracting and eliminating the enemy amongst its clientele in the bedroom... The Wrong Arm Of The Law Sellers stars as gang-leader Pearly Gates who has a double life as Monsieur Jules the manager of a fashion house. The criminal world of London is being reduced to chaos by an Australian 'IPO mob' who acting on information provided by Gates' girlfriend Valerie (Nanette Newman) impersonate police officers and take the spoils of the true criminals after the crime has been safely committed. The crimes are relatively victimless involving jewellery thefts from the rich or robbery from institutions such as banks and post offices. Gates is instrumental in getting a deal between organised crime and Scotland Yard.
Cub Scout Pack 18 organizes a 25 year reunion to relive their fond childhood memories. But when the five friends meet up for a camping trip they discover that what little they had once known about wilderness survival has dwindled into nothing over the years. To make matters worse an escaped killer takes refuge in the campground...
I fell in the family way when I was 18 and I got married to a right bastard". Ken Loach's debut feature tells the story of Joy, a young mother (Carol White) whose chauvinistic thug of a husband is thrown into prison. She takes up with one of his friends, lovable, kind-hearted burglar Terence Stamp, but he too ends up in jail.It's intriguing to compare Poor Cow with Cathy Come Home, which Loach made for TV with the same actress at around the same time. Both are about mums trying to make a go of their lives in adverse circumstances. Cathy Come Home, shot in black and white, is an altogether tougher film. Poor Cow, with its Donovan music, gaudy colour photography, star names, and incongruously bawdy humour, seems lightweight by comparison. Certain sequences--Joy making love in the hay or posing half-naked for lecherous amateur photographers--must surely make Loach grimace now. There are some powerful moments--Joy desperately looking for her son who has wandered off, unattended, onto a building site, or trying to escape from her abusive husband--which anticipate such later Loach films as Ladybird, Ladybird or Raining Stones. The scenes between Joy and Stamp are played with real tenderness and humour. Don't be surprised if you think you've seen them before--some of the footage of Stamp was used in Steven Soderbergh's recent thriller, The Limey. --Geoffrey Macnab
The book has been opened... Revelation the sequel to Apocalypse begins three months after the troubles described therein. Counter-terrorism expert Stone (Fahey) is still disquieted by the inexplicable disappearance of his wife and family but is preoccupied with his investigations into the resistance activities of the anti-Messiah group The Haters. Soon the false Messiah will be dazzling the masses on the Day of Wonders which is actually a deadly trap unless Stone and his team can warn the world in time.
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