Enjoy all the spellbinding episodes of pretty teen witch Sabrina Spellman (Melissa Joan Hart) and her talking black cat, Salem (voice of Nick Bakay), as they conjure up outrageous mischief. Sabrina The Teenage Witch⢠brilliantly combines the supernatural world of magic with the normal life of a teenage girl. Enjoy all 162 spellbinding episodes in this 24 - disc, 7- season collection, now on DVD!
Set in the 1960s, against a backdrop of revolutionary social change, Endeavour chronicles the early criminal casebook of the young detective who will grow to be Colin Dexter's immortal Inspector Morse. Together with DCI Fred Thursday, his gruff yet kindly friend and mentor, DS Endeavour Morse investigates murders and dark deeds in the eternal city of dreaming spires. As Oxford's finest unravel a collection of unique and thrilling cases, writer Russell Lewis continues to reveal the hidden and secret history of Endeavour Morse.
Richard Benjamin's off-beat 1990 comedy Mermaids found Cher at the peak of her big-screen form. She plays Mrs Flax to the manner born. The eccentric mother feeds her two daughters on hors d'oeuvres and sticks a pin in the map to decide the family's next destination when her love affairs have run their course. When they reach New England, however, events--and an unlikely but amiable suitor (Bob Hoskins)--interrupt her self-centred progress and bring the facts of life home to roost with a vengeance. It's a well-made comedy with good performances from Cher and Hoskins, although neither of them is particularly stretched. There is also enough tension in the relationship between Mrs Flax and her eldest child to make it poignant as well as funny. As the Flax daughters, Winona Ryder (neurotic, unworldly Charlotte) and Christina Ricci (swimming-mad "fishhead") show plenty of the promise which has since made them two of America's most appealing film actresses. Stuffed with authentic 1960s detail, Mermaids is actually a modern "woman's picture" which affirms the often precarious bonds of family relationships. On the DVD: Presented in widescreen format, optimised for high-resolution television sets, Mermaids is a vibrant visual treat for anybody with an affection for 1960s kitsch and fashion. The picture quality is superb and the Dolby Digital 5.1 soundtrack sharp; some cracking dialogue has to share the sound waves with thumping hits of the day and, over the final credits, Cher's global smash hit rendering of "It's in His Kiss". But apart from a multilingual choice of soundtracks and subtitles and the original theatrical trailer, there are no extras. --Piers Ford
Enjoy all the spellbinding episodes of pretty teen witch Sabrina Spellman (Melissa Joan Hart) and her talking black cat, Salem (voice of Nick Bakay), as they conjure up outrageous mischief. Sabrina The Teenage Witch brilliantly combines the supernatural world of magic with the normal life of a teenage girl. Enjoy all 162 spellbinding episodes in this 24 disc, 7 season collection, now on DVD!
The Forsyte Saga is often cited as the first television miniseries; it wasn't, but there's no question that it was a singular, powerful cultural phenomenon that deservedly got under the skin of European viewers in 1967. Today the 26-episode production, based on several novels and short stories by John Galsworthy, is a more timeless enterprise than many of the protracted British TV dramas that have followed. While it would be wrong to consider The Forsyte Saga high art, it's certainly a mesmerizing and inspired mix of theater, sprawling Victorian narrative, thinking man's soap opera, and some finely tuned, 1960s black-and-white production values that (especially when shot outdoors) are strikingly handsome. Above all, Forsyte is driven by its characters--perhaps to an extreme, though the two-generation storyline makes no apologies for creating compelling people whose capacity for short-sighted blundering, bursts of grace, and slow-brewing redemption make them recognizably human. Eric Porter towers over everything as Soames Forsyte, a humorless attorney whose guiding principles of measurable value cause great heartache but slowly evolve, leaving him a graying, good father, arts patron, and sympathetic repository of memory. From the cast of 150 or so, other standouts include Susan Hampshire as Soames's troubled daughter, Nyree Dawn Porter as the wife of two very different Forsyte men, and Kenneth More as the family's artistic black sheep. --Tom Keogh
When Sabrina Spellman is informed by her aunts Hilda and Zelda that she is a witch on her 16th birthday she is hesitant to believe them. Having been sent to live with them in Massachusetts by her Warlock father and mortal mother Sabrina learns the tricks of magic in order to receive her witch's license. Along the way she gets into many scrapes while figuring out how certain spells work. She also has to keep the secret from her boyfriend Harvey friends Jenny and later Valerie s
Both an artistic and a commercial triumph, Steven Spielberg's Schindler's List manages to find some small glimmer of hope for the human spirit amid the abomination that was the Holocaust. The true story of flamboyant entrepreneur Oskar Schindler (Liam Neeson) and his attempts to save Jewish lives under the very noses of his Nazi associates gives Spielberg a focal point of conscience and humanity in an otherwise unrelentingly grim depiction of mankind's worst traits, here memorably embodied by Ralph Fiennes as the sadistic Nazi commandant Amon Goeth. Spielberg's determined and unflinching vision is supported by a dignified score from regular collaborator John Williams, and evocative black-and-white cinematography by Janusz Kaminski, which alternates a semi-documentary feel for the harrowing ghetto and concentration camp sequences with an altogether more decadent sensibility for the Nazis. The single use of colour tells of horror more shocking than any words could convey. It's true that towards the end Spielberg lets his sentimental streak off the leash when he chooses to focus on Schindler's grief, but otherwise this is filmmaking of the highest kind: compellingly dramatic, profoundly educational, and unfailingly emotive in the very best sense. On the DVD: Schindler's List is thinly spread across two discs, with a break at just over two hours into this three-hour movie. It's a little surprising that the feature could not have fitted onto one disc, especially given the absence of commentary or other additional tracks. The 1.85:1 anamorphic picture is fine, though displaying the graininess of the original film stock. Sound is available in highly detailed DTS. Extras on the second disc are limited to Voices from the List, a 77-minute documentary featuring the personal testimony of Schindler survivors, and an 11-minute feature on Spielberg's Shoah Foundation. There's nothing at all about the making of the movie. --Mark Walker
It's that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business.
Victoria Wood with All the Trimmings contains exactly what it says on the box. Harking back to the classic BBC Christmas comedy specials of yesteryear, the show features a star-studded cast: Alan Rickman, Richard E Grant, Michael Parkinson, Bob Monkhouse, Hugh Laurie, Angela Rippon, Roger Moore, Caroline Aherne, the list goes on. The show takes a typically idiosyncratic canter through a dream set of telly programmes for Christmas Day. Thus we get expertly played skits of A Christmas Carol (with Delia Smith as the cook); Brassed Off (in which Tony Blair solves the North/South divide by declaring everything The South); Brief Encounter (Parky as the station master, with a side order of drugs and lesbianism); a regency romantic drama (with the line "could you not stick your hand in your muff?") and lots more. What makes the production a true cut above, however, is the linking theme that takes a blatant pot shot at the modern BBC--or as Wood sees it--BBC Upmarket, BBC Downmarket, BBC Newmarket (for racing), BBC Makeover, BBC Takeover, etc. This is funny, cutting and achingly on the ball about the state of modern television.--Ian Watson
When Sabrina Spellman is informed by her aunts Hilda and Zelda that she is a witch on her 16th birthday she is hesitant to believe them. Having been sent to live with them in Massachusetts by her Warlock father and mortal mother Sabrina has to learn the tricks of magic in order to receive her witch's license. Along the way she gets into many scrapes while figuring out how certain spells work. She also has to keep the secret from her boyfriend Harvey friends Jenny and later Valerie stuck-up nemesis Libby and her ever-suspicious vice-principal Mr. Kraft.
More hilarious adventures with Rowan Atkinson's Mr Bean the hapless half-wit who seems to find trouble in the strangest of fashions! Includes the classic episodes: 1. The Curse Of Mr Bean 2. Mr Bean Goes To Town 3. The Trouble With Mr Bean
The second film in Oliver Stone's Vietnam trilogy moves from the brutality of war in Platoon to its equally traumatic aftermath. Based on the memoir of combat veteran Ron Kovic, the film stars Tom Cruise as Kovic, whose gunshot wound in Vietnam left him paralysed from the chest down. He is deeply embittered by neglect in a veteran's hospital and by the shattering of his patriotic idealism because of the horror and futility of the Vietnam conflict. While painfully and awkwardly adjusting to his disability and a changing definition of masculinity, Kovic joins the burgeoning movement of antiwar protest, culminating in a climactic appearance at the 1976 Democratic national convention. Born on theFourth of July is a powerfully intimate portrait that unfolds on an epic scale and is arguably Stone's best film (if you can forgive its often strident tone). Cruise's Oscar-nominated role is uncompromising in its depiction of one man's personal anguish and political awakening. --Jeff Shannon
When Sabrina Spellman is informed by her aunts Hilda and Zelda that she is a witch on her 16th birthday she is hesitant to believe them. Having been sent to live with them in Massachusetts by her Warlock father and mortal mother Sabrina has to learn the tricks of magic in order to receive her witch's license. Along the way she gets into many scrapes while figuring out how certain spells work. She also has to keep the secret from her boyfriend Harvey friends Jenny and later Valerie stuck-up nemesis Libby and her ever-suspicious vice-principal Mr. Kraft.
It's Christmas Eve the city goes dark and the few remaining tenants of The Ravenwood find themselves trapped in their building. And they are not alone.
Sabrina The Teenage Witch: Season 6
The story of Kate, a forty something headmistress in a small English village and her two single friends who get together every Monday to drink, eat chocolate and decide who is The Saddest Of The Week!
At 150 years old Mel Darryl and Roy have a lot of growing up to do. The time has come for Santa to decide who is going to take over the reigns of the big sleigh but it's clear to him that the triplets are more interested in monkey business than the family business! So with the help of Snorkel his right-hand elf Santa and his wife Ms Claus decide to teach the triplets the true meaning of Christmas. Little does Santa know that Snorkel plans to overthrow the whole family and gain
Welcome to Vegas...The odds are you won't leave alive! He's back! The Leprechaun is on the loose again this time trying his luck in Las Vegas. The terror begins when a young college student (Scott) gives a beautiful magician's assistant a lift into town. Once in Vegas Scott can't resist taking a turn at the roulette wheel. He has a run of bad luck and loses all his money. To win it back he decides to pawn his Rolex watch but while at the pawn shop he finds one of the Leprechaun's gold shillings. A single piece of the Leprechaun's gold he discovers will grant the fondest wish of the one who holds it. Thanks to the lucky coin Scott goes on a winning streak. Unfortunately the Leprechaun knows his coin is missing and will gladly kill to get it back.
In Red Planet the only thing thicker than the Martian atmosphere (which is breathable, by the way) is the layer of clichés that nearly smothers a formulaic beat-the-clock plot. Science fiction fans are sure to be forgiving, however, because the film is reasonably intelligent, boasts a few dazzling sequences, and presents fascinating technology in the year 2057. We don't know how the Mars-1 spaceship gets to Mars in only six months (newfangled propulsion, no doubt), but we do get some cool diagnostic read-outs on tinfoil scrolls, an abundance of well-designed hardware, and a service-robot-turned-villain that's a high-tech hybrid of RoboCop, Bruce Lee, and a slinky panther with plenty of lethal attitude. A perfectly suitable companion to another Year 2000 sci-fi thriller, Pitch Black, Red Planet is a fine way to kill a couple of hours. --Jeff Shannon, Amazon.comWhen Battlefield Earth was released theatrically, this inept sci-fi epic qualified as an instant camp classic, prompting Daily Variety to call it "the Showgirls of sci-fi shoot-'em-ups". Other reviews were united in their derision, and toy stores were left with truckloads of Battlefield Earth action figures that nobody wanted. Recklessly adapted from the novel by sci-fi author and Scientology founder L Ron Hubbard and set in the year 3000, the film is no worse than many cheesy sci-fi flicks, but the sight of Travolta as a burly, dreadlocked alien from the planet Psychlo provokes unintentional laughter from first frame to final credits. The best that Battlefield Earth can hope for is a Dune-like fate: it might improve in a longer director's cut--but that's wishful thinking. --Jeff Shannon, Amazon.comKurt Russell hits new heights in laconic action heroes with his portrayal of Sergeant Todd, born and bred to be a Soldier in a futuristic army. Raised to kill mercilessly, living only for battle, he finds himself at the twilight of his career (and so-called life) when a regiment of genetically enhanced warriors threatens to make his brand of soldiering obsolete. Soldier is one of those rare sci-fi movies that relies more on plot and action than special effects (though the trash planet is effectively wrought). The pace of action in the last half of the film is relentless and exciting, and Russell's portrayal of the old warrior as he warms to human emotions relies more on expression than words-in fact, he barely utters half-dozen lines. --Tod Nelson, Amazon.com
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