Jessica Lange deserves three cheers for her performance in Blue Sky as an army wife in the early 1960s. Sensuous and unpredictable, Lange bridles at the restrictions in her life and is constantly seeking attention. Tommy Lee Jones is the nuclear engineer who adores her, but is just as passionate toward his career. Lange and Jones sizzle in spite of a weak plot tangent concerning the military cover-up of nuclear testing in the Nevada desert. The love story is everything as it bursts with undercurrents of passion, regret, sorrow and joy. Lange's sexy, high-strung performance earned her an Oscar. It was director Tony Richardson's last film. --Rochelle O'Gorman, Amazon.com
After a nine-year break from the genre that made him an international star (the Western just before this one was The Outlaw Josey Wales, from 1976), Clint Eastwood returned in this gritty Western, crafted in the tradition of Shane and High Noon. Eastwood directed and stars as the nameless stranger known only as "Preacher" because he rides into a beleaguered mining town wearing a clerical collar. He's either an agent of death or an angel of mercy, and the echoes of Shane ring loud and clear when he comes to the aid of independent miners who are being terrorized by a local tycoon (Richard Dysart) and his ruthless band of hired guns. Befriended by a miner (Michael Moriarty) and idolized by the miner's wife and daughter (played by Carrie Snodgress and Sydney Penny, respectively), the "Pale Rider" sparks the defiant spirit of the underdog miners and takes after the bad guys with single-minded purpose. --Jeff Shannon
Jessica Lange deserves three cheers for her performance in Blue Sky as an army wife in the early 1960s. Sensuous and unpredictable, Lange bridles at the restrictions in her life and is constantly seeking attention. Tommy Lee Jones is the nuclear engineer who adores her, but is just as passionate toward his career. Lange and Jones sizzle in spite of a weak plot tangent concerning the military cover-up of nuclear testing in the Nevada desert. The love story is everything as it bursts with undercurrents of passion, regret, sorrow and joy. Lange's sexy, high-strung performance earned her an Oscar. It was director Tony Richardson's last film. --Rochelle O'Gorman, Amazon.com
Wild Things is the kind of lurid, trashy thriller that you'll either dive into with unabashed pleasure or turn away from in prudish disgust; it's entirely your choice, but we suggest the former option since it's obviously much more fun. The plot's so convoluted it's hardly worth describing, except to say that it's set in humid Florida and involves a respected high school teacher (Matt Dillon--yes, Matt Dillon as a teacher!) who is faced with accusations of rape by a student (Denise Richards, from Starship Troopers) who had been giving him the kind of attention most people would consider improper for such a "nice" young lady. Another student (Neve Campbell) raises a similar charge against the teacher, and that's when a police officer (Kevin Bacon) begins to investigate the allegations. Just when you think the movie's gone overboard with its shameless sex and absurdly twisted plot, in drops Bill Murray as an unscrupulous lawyer (of course) to spice things up with insurance scams and welcomed comic relief. As directed by John McNaughton (who has a way of making just the right moves with this kind of film noir melodrama), Wild Things is a bona fide guilty pleasure--the kind of movie you may be ashamed to enjoy, but what the heck, you'll enjoy it anyway. --Jeff Shannon
An elaborate game of mind control begins when the son of government agent Peter (Douglas) is kidnapped for his psychokinetic powers. Desperate to find him the father hires a girl (Irving) with similar psychic abilities. She soon reveals that his son is a prisoner at a secret U.S. agency where he's being used for dangerous mind experiments - and programmed for elimination...
Murphy's Law says that anything that can go wrong will go wrong and that's just how tough cop Jack Murphy (Charles Bronson, Death Wish, 10 to Midnight) feels. His marriage is over, he's drinking too much and oh boy now he's the target of a psycho trying to frame him for murder one. But Bronson isn't licked that easily. Aided and abetted by street punk Arabella (Kathleen Wilhoite, Witchboard), he fights back: someone's going to learn the hard way that you don't [mess*] with Jack Murphy... Produced by the fabled Cannon Film factory, Murphy's Law is a one of the best late-period Bronson flicks, brought to you by the criminal masterminds at 88 Films. Extras: Brand New Commissioned Artwork by Graham Humphreys HD Transfer in 1.85:1 Aspect Ratio Stereo DTS-HD MA Soundtrack Optional English SDH Subtitles Audio Commentary by Film Historian Nick Redman and actress Kathleen Wilhoite A Quick Survey of The Odd-Couple Handcuffed Together Subgenre - with Mike Malloy Original Theatrical Trailer
A spoilt rich kid, a troubled teen from the wrong side of the tracks, a carefree playboy and a dogged detective find themselves all caught up in the sex crime of the century in this steamy star-studded crime thriller from the director of Henry: Portrait of a Serial Killer. Popular and charming, student counsellor Sam Lombardo (Matt Dillon) is no stranger to being the focus of female attention within the moneyed cliques of Florida's Blue Bay. His fortunes are about to change dramatically, however, when one of the wealthiest students at his high school, sultry siren Kelly Van Ryan (Denise Richards), accuses him of rape. The charge looks sure to stick when another girl from the other end of the social spectrum, Suzie Toller (Neve Campbell), steps forward with her own allegations, but Detective Duquette (Kevin Bacon) smells something fishy, and the truth is as murky and dangerous as the alligator-infested swamps in the hinterlands of this affluent beach community. Presented in new 4K restorations of its original theatrical version and extended Unrated Edition', Wild Things is a classic piece of sexy late-90s neo-noir from director John McNaughton and writer Stephen Peters, whose serpentine plotting will keep you on the edge of your seat until the end credits roll. Product Features New 4K restorations of both the Original Theatrical Version and the Unrated Edition from the original camera negatives by Sony Pictures Entertainment 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Exclusive new audio commentary by director John McNaughton and producer Steven A. Jones Commentary by director John McNaughton, cinematographer Jeffrey Kimball, producers Steven A. Jones and Rodney Liber, editor Elena Maganini and score composer George S. Clinton Exclusive new interview with John McNaughton Exclusive new interview with Denise Richards Making of documentary An Understanding Lawyer outtakes Trailer Illustrated collector's booklet featuring new writing on the film by Anne Billson and Sean Hogan Double-sided fold-out poster Six double-sided, postcard-sized lobby card reproductions Reversible sleeve featuring original and newly commissioned artwork by Sam Hadley
Murphy's Law is a thoroughly unpleasant 1986 thriller stars Charles Bronson as a cop systematically framed for one murder after another. The killings, though, turn out to be the work of a female nutcase (Carrie Snodgress) he had once sent away to prison. Everyone involved in this leans on the atrocity-and-revenge formula, particularly Bronson and director J Lee Thompson (The Guns of Navarone), two Hollywood guys who once upon a time made plenty of classic films. Snodgress's performance is unhinged, interesting but hard to watch, as we never really got to know her onscreen after Diary of a Mad Housewife. Just think of this movie as having come from the same creepy planet as the Death Wish series. --Tom Keogh
Brian De Palma followed the huge success of Carrie with another slice of telekinetic horror upping the ante by featuring more than one psychic. John Cassavetes gives his most sinister performance since Rosemary's Baby as a man who kidnaps the telepathic son of his colleague (Kirk Douglas) aiming to turn him and similarly gifted individuals into human weapons. Meanwhile Gillian (Amy Irving) is worried enough about the destructive potential of her own powers to agree to be institutionalised - but is the Paragon Institute all that it's cracked up to be? De Palma pulls out all the stops with some spectacular set-pieces (including one that will put viewers off fairground rides for life) before a spectacularly explosive climax that unforgettably demonstrates why Gillian is so afraid of her powers. She can trigger nosebleeds without any effort so how much damage can she do when she's actually trying to hurt someone? Special Features: Blood on the Lens: An interview with Cinematographer Richard H. Kline Spinning Tales: Fiona Lewis on starring in The Fury The Fury - A Location Journal: An interview with Sam Irvin intern on The Fury author of the film's shooting diary and then correspondent for Cinefantastique magazine Original archive interviews from the 1978 promotional tour featuring Brian De Palma producer Frank Yablans and stars Carrie Snodgress and Amy Irving Double Negative: A short film tribute to Brian De Palma by Sam Irvin starring William Finley Gallery of behind-the-scenes production images Reversible sleeve featuring original and newly commissioned artwork by Jay Shaw Booklet featuring new writing on the film by Chris Dumas author of Un-American Psycho: Brian De Palma and the Political Invisible as well as a re-print of a contemporary interview with Brian De Palma and a brand new interview with screenwriter John Farris on the writing of the film his and De Palma's unrealised adaptation of Alfred Bester's The Demolished Man and more illustrated with original stills and posters
Relocated to a secretive Alabama army camp, military engineer Hank (Tommy Lee Jones) is assigned to work on a series of hazardous nuclear tests. Morally compromised, Hank becomes embroiled in a dangerous conflict with his superiors as he determines to expose the testing; a complex situation compounded by the volatility of his erratic wife, Carly (Jessica Lange). The final film by director Tony Richardson (released posthumously after his death), and featuring outstanding performances from Lee Jones as the whistleblowing patriarch and Lange, who won an Academy Award for her role, Blue Sky is a thrilling finale to one of cinema's most distinguished and celebrated careers. Extras Original trailer **FIRST PRESSING ONLY** Fully illustrated booklet with a new essay on the film by Jim Hemphill and full credits Other extras TBC
Product Features Superbly directed by Frank Perry (The Swimmer, Play It as It Lays), with a scathing screenplay by Eleanor Perry (David and Lisa, Ladybug Ladybug), Diary of a Mad Housewife tells the story of Tina Balser (Carrie Snodgress, The Fury, Pale Rider) a frustrated housewife trapped in an unhappy marriage to an insufferably controlling, status-obsessed bore (Richard Benjamin, Catch-22). Tina seeks solace in a fling with an abusive lover, the arrogant writer Georg Prager (Frank Langella, Dracula), who treats her like a sex object, leading to therapy and further unhappiness. A caustic deconstruction of male chauvinism, Diary of a Mad Housewife was a huge critical hit, earning its female lead an Academy Award nomination upon its release. The Perrys' film is presented here in both its theatrical cut, and a long-unseen alternative TV version. Product Features High Definition remaster Original mono audio Long unseen alternative TV version containing unique scenes, presented in Standard Definition, as originally broadcast Theatrical cut audio commentary with actor Rutanya Alda and film historian Lee Gambin (2022) TV version audio commentary with Frank Perry biographer Justin Bozung (2022) Video appreciation by Academy Award-winning editor and filmmaker Chris Innis (2022) Original theatrical trailer Larry Karaszewski trailer commentary (2020) Radio spot Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Paula MejÃa, a profile of novelist Sue Kaufman, extracts from interviews with Frank Perry, Eleanor Perry and Carrie Snodgress, a look at Snodgress and Neil Young's relationship, an overview of contemporary critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All extras subject to change
A spoilt rich kid, a troubled teen from the wrong side of the tracks, a carefree playboy and a dogged detective find themselves all caught up in the sex crime of the century in this steamy star-studded crime thriller from the director of Henry: Portrait of a Serial Killer. Popular and charming, student counsellor Sam Lombardo (Matt Dillon) is no stranger to being the focus of female attention within the moneyed cliques of Florida's Blue Bay. His fortunes are about to change dramatically, however, when one of the wealthiest students at his high school, sultry siren Kelly Van Ryan (Denise Richards), accuses him of rape. The charge looks sure to stick when another girl from the other end of the social spectrum, Suzie Toller (Neve Campbell), steps forward with her own allegations, but Detective Duquette (Kevin Bacon) smells something fishy, and the truth is as murky and dangerous as the alligator-infested swamps in the hinterlands of this affluent beach community. Presented in new 4K restorations of its original theatrical version and extended Unrated Edition', Wild Things is a classic piece of sexy late-90s neo-noir from director John McNaughton and writer Stephen Peters, whose serpentine plotting will keep you on the edge of your seat until the end credits roll. Product Features New 4K restorations of both the Original Theatrical Version and the Unrated Edition from the original camera negatives by Sony Pictures Entertainment High Definition Blu-ray (1080p) presentation Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Exclusive new audio commentary by director John McNaughton and producer Steven A. Jones Commentary by director John McNaughton, cinematographer Jeffrey Kimball, producers Steven A. Jones and Rodney Liber, editor Elena Maganini and score composer George S. Clinton Exclusive new interview with John McNaughton Exclusive new interview with Denise Richards Making of documentary An Understanding Lawyer outtakes Trailer Illustrated collector's booklet featuring new writing on the film by Anne Billson and Sean Hogan Double-sided fold-out poster Six double-sided, postcard-sized lobby card reproductions Reversible sleeve featuring original and newly commissioned artwork by Sam Hadley
Sean (Kerr Smith) is driving cross-country to deliver a vintage Mercedes and attend his sister's wedding when he picks up a hitchhiker, Nick (Brendan Fehr), who just happens to be a vampire hunter with a secret.
Directed by Chuck Parello, who had previously worked on Henry: Portrait Of A Serial Killer, Ed Gein is an in-depth psychological profile of the figure who served as inspiration for "Psycho", "The Texas Chainsaw Massacre" and "The Silence of the Lambs."
A gruelling competition of nerve strength and skill to stay on top of 2 000 pounds of wild animal for eight seconds: that's professional bull-riding. Champion Cowboy Lane Frost is driven by an obsession to exceed his father's expectations and gain his love. But the sacrifices he makes to his craft threatens not only his marriage but also his friendships. Set against an unpredictably precarious world this is a bittersweet love story about a maverick hero who elevated his sport in
Across The Tracks is a fast-paced and emotional story of a teenager's coming-of-age after returning home from reform school and the effects he has on the people around him. Billy (Rick Schroder) finds that he is no longer comfortable with the roles and actions he had previously relished and so must find new paths to lead him to manhood. His older brother Joe (Brad Pitt) has become dedicated to becoming the top half-mile runner in his high school division and soon the sibling rivalry manifests itself on the track. Through it all their mother (Carrie Snodgress) tries to cope with the lives they are leading and together they learn that life consists of making choices ''-and being ready to stand by them.
Bartleby is the only person to answer a job advert that describes the role as dead end and boring. After being hired he prefers not to work and after he is fired he prefers not to leave... Based upon Herman Melville's novella 'Bartleby' is a unique black comedy satire of modern bureaucracy. A film that will stay in your mind for a very long time!
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