Defying the moral constraints of Victorian England and her parents a young woman engages in unbridled promiscuity with two partners before setting out to capture the full sensuality of life itself. Based on the novel by D.H. Lawrence.
Perry's first film is a classic tale of a woman scorned with a notable twist. Helen McCarter (Kimberly Elise) is the wronged wife summarily dumped by her attorney husband Charles (Steve Harris) after 18 years of marriage. Literally booted out of her Atlanta mansion Helen goes to live with her grandmother Madea (Tyler Perry) and begins the difficult process of rebuilding her life. Just as Helen has achieved a new sense of self-confidence through steady employment and new romance Charles suddenly reappears in her life in dire need of her help. For Helen it is a chance for revenge -- but also a chance for redemption through forgiveness.
SUFFRAGETTE is an intense drama that tracks the story of the foot soldiers of the early feminist movement as they fought for the right to vote, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalised and turning to violence as the only route to change, they were willing to lose everything in their fight for equality - their jobs, their homes, their children and their lives. Maud (Carey Mulligan) is one such foot soldier. The story of her fight for dignity is both heart-breaking and inspirational.
Correctly billed as the beginning of the end, Harry Potter and the Deathly Hallows Part 1 kicks off the two-part finale to the massively popular movie franchise, and it does it with some style. It shoots out of the traps, too. Its established in double-quick time that the evil Lord Voldemort is closing in on his play to kill Harry Potter, and courtesy of a tremendous opening escape sequence, the chase is soon on. This means that Harry, along with Ron and Hermione, spends the film away from the sort-of-safe grounds of Hogwarts, and theyre up against some sizeable dangers. It does all present Harry Potter and the Deathly Hallows Part 1 with a bit of a problem, though. Already having to contend with being the first half of a story that many are craving the ending to, its an elongated road movie for long periods, and not always one thats able to sustain the full sense of menace and excitement. But when it does perform, as Harry Potter and the Deathly Hallows Part 1 often does, its excellent blockbuster entertainment. Theres a boldness to large sequences of it, too, not least a terrific animated segment, and you get a lot of entertainment for your money, here. And, without question, it looks stunning in high definition. No corners have been cut here at all, and the cinematic quality of the picture and sound is reference standard. It ends with a bit of a sudden application of the brakes rather than a natural lead in to the next film, and its too long, certainly. Yet the pentultimate Harry Potter movie keeps the standard high, and most certainly whets the appetite for the final reckoning to come --Jon Foster
Patrick Duffy and Linda Carter star in this highly emotional story of love loss and rediscovered happiness. Oliver is a top advertising executive who seems to have it all - a beautiful wife three great children and a lovely home. But one fateful day his wife announces she is leaving home to become a mature student at a far away university. Her promise to return on weekends is quickly broken and Oliver must take on the role of both father and mother to his increasingly confused a
Taken from a long-running DC Comics strip, Wonder Woman was made into a popular television series between 1978 and 1981, starring former Miss America, Lynda Carter. Capturing the hearts of TV audiences with her sexy outfit as much as her superheroine abilities, Wonder Woman quickly became a kitsch icon, battling the forces of evil with the unforgettably camp "garb of justice", including bullet-proof bangles, a golden lasso and the belt of strength built into her corset. She had an invisible plane, too. Originally Princess Diana of Paradise Island (an uncharted land of Amazon women in the Bermuda Triangle), Wonder Woman is sent as an emissary to the outside world to protect the human race from the forces of evil. And so she becomes Diana Prince, the geeky, bespectacled assistant to Steve Trevor of the Inter Agency Defence Command in Washington, whose father she assisted against the Nazis in the 1940s. --Laura Bushell
Clint Eastwood's stardom was supernova, thanks to Dirty Harry; John Sturges, the man behind The Magnificent Seven and a dozen other memorably leathery Westerns, was directing; and Elmore Leonard was the screenwriter. It just goes to show. Joe Kidd is a muddle and a drag, the shoddiest Eastwood vehicle since Rowdy Yates trod in his last cow flop. Kidd, first seen as a duded-up drunk sleeping one off in jail, is supposed to be a horse rancher and an expert tracker--just the fellow a rapacious land-grabber (Robert Duvall committing lazy villainy) needs to chase down the uppity Latino (John Saxon) who's trying to reclaim the grabbed land for its rightful owners. Neither the characters nor the overland pursuit makes any sense, thanks to chasms in the continuity and no direction to speak of. An absurdly arbitrary assault-by-locomotive provides the climax; as Eastwood observed, "Jesus, anything at this point--let's end it." --Richard T. Jameson
Tumble down the rabbit hole with Alice for a fantastical adventure from Walt Disney Pictures and Tim Burton. Inviting and magical, Alice In Wonderland is an imaginative new twist on one of the most beloved stories of all time.
Wuthering Heights is Emily Bronte's classic tale of all-consuming love. When Mr. Earnshaw encounters Heathcliff a ragamuffin orphan he kindly brings the boy into his home and makes him part of the family. And from the start Heathcliff falls hopelessly in love with the daughter of the house the beautiful headstrong Catherine. She adores him too but when a wealthy neighbour woos her Catherine's material instincts get the better of her and she agrees to marry the man. However Catherine discovers that she cannot forget Heathcliff so easily... and that not even death can make them part...
Look who grew up: in Our Lips Are Sealed Mary-Kate and Ashley Olsen, once the sleepy-eyed preschoolers in the hit TV sitcom Full House, wake to find themselves ready for their first day of high school. But the day doesn't shape up as ultra-fantastically as in their dreams. A series of bizarre circumstances force them into a life-threatening situation in which only the FBI Witness Protection Program can help. It turns out that Mary-Kate and Ashley are their own worst enemies; the girls continually blow their cover until finally they're booted down under to the warm and sparkling recreation mecca of Sydney, Australia. Here the challenge to keep a secret takes second fiddle to the bigger challenges of fitting in with the popular group, learning Aussie lingo, and (apparently) changing into a new set of adorable clothes and accessories in almost every scene. Fans from the ages of 6 to 13 will probably enjoy the daft antics of the Olsens, their adventures with cute boyfriends, and their ability to thwart the goofy bad guys. Also, their acting ability--although crippled by yet another bubblehead script--continues to improve. To the parental crowd, the film plays somewhat like a New Age beach-blanket movie with plenty of surfer parties, flower-power fun, overblown story points, mild potty humour, and lots of belly buttons (LOTS of belly buttons). The movie also has some inexplicable references (to such grown-up phenomena as The Blair Witch Project and The Sopranos) that are bound to go way over the target audience's heads but it's absolutely clean fun that fans will eat up. --Liane Thomas, Amazon.com
Jesus Christ Superstar has been the definitive rock musical ever since its 1972 London stage premiere. Revived to great acclaim in the late 1990s, it has everything you'd expect from a blockbuster: great songs, strong characterisation and, crucially, a cracking story. This video is based on the 1998 London production. Director Gale Edwards pulls few punches in her efforts to draw a truly modern interpretation from a gifted cast. Pilate's cronies are sinister Darth Vader look-alikes. The whole thing has a hard, brutal edge, which both startles and thrills. And anyone who dismisses musicals as lightweight confections could do worse than look at the way Lloyd Webber and Rice treat Judas: this is a complex, well-written role. The performances are largely excellent: Jerome Pradon' Judas shines, and Renee Castle's Mary reinvents "I Don't Know How to Love Him" as a delicate exploration of her dilemma, far removed from its usual overblown treatment. Rik Mayall's relentlessly gurning Herod is less of a bonus than he would like us to believe, but will doubtless appeal to his fans. And the quality of Glenn Carter's singing in the title role makes up for a slight deficiency in the charisma department. --Piers FordOn the DVD: Die-hard groupies will appreciate the inclusion of a documentary about the making of the video, which includes interviews with the cast, the production team and Lloyd Webber and Rice. There are also previews for video productions of Cats and Joseph and his Amazing Technicolor Dreamcoat.
You're invited... A number of fighters are invited to DOA an invitational martial arts contest where combatants are then pooled against one another in a knock-out style tournament: the conquered is sent home while the conqueror progresses to the subsequent round. Four scantily-clad female fighters begin as rivals but consequently find themselves teaming up against an altogether mightier force..... Check your brains at the door and engage your sense of shameless high-kicking fun: it's the Hollywood interpretation of Tecmo's videogame brawler Dead or Alive!
The Young Victoria:The Young Victoria is a lavish costume drama that focuses on the early life of Queen Victoria (Emily Blunt, My Summer Of Love, The Devil Wears Prada), one of the most venerated monarchs in British history. Born into nobility, her ascent to the throne was assured. Politically however, Victoria's inexperience meant that she relied heavily upon advisers to guide her. None more so than her cousin Prince Albert (Rupert Friend, Pride And Prejudice), who, at the tender age of 21 she married and went on to have nine children with.Produced by Sarah Ferguson--herself no stranger to the trials and tribulations that befall young royalty--and directed by Jean-Marc Vallee (C.R.A.Z.Y), The Young Victoria is a visually-stunning film that gives candid insight into the challenges faced by those growing up in the public eye.Kings Speech:The untimely death of King George V (Michael Gambon) means that his son will be crowned as King Edward VIII (Guy Pearce), however due to his desire to marry a woman whom the church do not approve of, Edward has to step down.Bertie (Colin Firth) is appointed as leader of the country and named King George VI. Unfortunately Bertie has suffered from a speech problem for the majority of his life and can barely speak in private, let alone public. At a time when the country is at war and desperately needing a leader they can trust, King George VI is not the ideal candidate. His wife Elizabeth (Helena Bonham Carter) is forced to take it upon herself to fix the problem and hire an eccentric and unconventional speech therapist; Lionel Logue (Geoffrey Rush).A conflict immediately ensues between the teaching style Logue uses and the King. However, after an unorthodox course of treatment the two become good friends and eventually cure the problem, leaving the King to lead his country to victory.Based on the true story of King George VI, The King’s Speech tells the story of the royal and his battle with his stammer. Nominated for 12 Oscars including Best Actor (Colin Firth), Best Supporting Actress (Helena Bonham Carter) and Best Supporting Actor (Geoffrey Rush)The Queen:Following the death of Diana the 'People's Princess', the Queen (Helen Mirren) and her family remain hidden behind tradition and the closed doors of Balmoral Castle. whilst the heartbroken public becomes disillusioned with their Queen's absence, an increasingly popular Prime Minister, Tony Blair, must battle to convince the monarchy that its desire for privacy could lead to its ultimate downfall.With an outstanding performance from Helen Mirren, the Queen is Director Stephen Frears' engrossing, intimate and intelligently witty portrait of our monarchy's darkest days in the week following one of the nation's greatest tragedies.
DESPERATE AND DETERMINED TO SURVIVE Two convicts break out of Stonehaven Prison in the dead of winter, boarding a freight train with the intention of getting as far away as possible before their notoriously sadistic warden finds out. But the brakes fail and the driver has a heart attack, sending hundreds of tons of metal hurtling through the snowy Alaskan wastes at terrifying and unstoppable speed. Based on a script by Akira Kurosawa (Seven Samurai), with hardboiled prison slang added by real-life ex-con Edward Bunker (Mr Blue in Reservoir Dogs), this riveting thriller also boasts Oscar-nominated performances from Jon Voight and Eric Roberts with Voight playing spectacularly against type as a criminal so vicious that he served much of his sentence welded into his cell. Combining electrifying action with constant psychological tension (the only surviving member of the train crew is a young, inexperienced woman), Runaway Train is one of cinema's great thrill-rides. SPECIAL FEATURES: High Definition Blu-ray presentation of the film Original Uncompressed Stereo Audio Optional English SDH Subtitles for the deaf and hard of hearing Running on Empty An Interview with director Andrei Konchalovsky From Thespian to Fugitive Star Jon Voight shares his memories of his Academy Award-nominated role Sweet and Savage: Eric Roberts recalls his Academy Award-nominated performance The Calm Before the Chaos Co-star Kyle T. Heffner remembers Runaway Train Trailer with commentary by Rod Lurie Original Trailer Reversible sleeve featuring original and newly commissioned artwork by Joe Wilson
The Beast Waits Within. A 12-year old boy suddenly finds himself at the center of a battle between two clans of warring werewolves; one sworn to protect him the other to destroy him. His mother must find out why her son is at the center of this conflict before time runs out!
When lawyer and proud family man Chris Cleek (Sean Bridgers – True Blood, Deadwood) stumbles across a wild, feral woman (Pollyanna McIntosh – Exam, Burke and Hare) bathing in a woodland stream near his isolated country home, he makes a decision that will dramatically change both their lives. Capturing her, Chris chains The Woman up in the fruit cellar below his house, intending to tame and civilize her. But when the task at hand proves to be more difficult than first imagined, he sets in motion a collision course for a brutal showdown between his family and the wild female force of nature...From author Jack Ketchum (The Girl Next Door, The Lost) and director Lucky McKee (May), The Woman is laced with intense savagery and dark humour that builds to a haunting and simply unforgettable climax.
Titles Comprise: Uncle Buck (Dir. John Hughes 1989): An idle good natured bachelor is left in charge of his nephew and nieces during a family crisis. Unaccustomed to family life Buck soon charms his younger relatives but his style doesn't impress everyone including his girlfriend. The film charts his progress from slob to a reasonable human being by having to manage with girlfriend troubles unemployment a sex mad neighbour cooking breakfast and a beautiful but rebellious niece. The Great Outdoors (Dir. Howard Deutch 1988): When an unannounced uninvited and unwelcome family of fun-loving misfits converge upon a lakeside resort to join their relatives for a summer of relaxation the result is anything but restful. It's a vacationer's worst nightmare as wheeler-dealer Aykroyd his sexually repressed wife and eerie twin daughters 'join' the easygoing Candy and his straight-laced clan for a season of 'fun' in the sun. Unfortunately the only thing these two in-laws have in common is their intense dislike for each other. Soon it's brother-in-law against brother-in-law in an uproarious and hilarious fight to the finish to see which one really knows how to enjoy 'The Great Outdoors'. Brewster's Millions (Dir. Walter Hill 1985): Brewster (Pryor) a lowly pitcher with the minor league Hackensack Bulls baseball team suddenly is left $300 million by a distant relative. But there's a catch; he must spend $30 million in thirty days without having any assets to show for it. And if he reveals it to a soul the real reason why he's throwing away all his cash he will forfeit everything! So aided and abetted by his team mate Spike (Candy) and a stream of hangers-on Brewster begins a spending spree that would bring any self-respecting accountant to his knees... Going Berserk:Limo driver John Bourgignon is engaged to Nancy Reese. Her father Congressman Ed Reese is running for president and crusading against cult leader Sun Yi. Misadventure and intrigue stalk John and Nancy's path to the altar. The Blues Brothers:After the release of Jake Blues (John Belushi) from prison he and brother Elwood (Dan Aykroyd) go to visit the orphanage where they were raised by nuns. They learn that the church stopped its support and will sell the place unless the tax on the property is paid within 11 days. The brothers decide to raise the money by putting their blues band back together and staging a big gig. They may be on a ""mission from God"" but they're making enemies everywhere they go. Featuring performances by some of blues finest James Brown Cab Calloway Ray Charles Aretha Franklin and co-starring John Candy Carrie Fisher Henry Gibson and Steve Lawrence.
Michael Moore's "Capitalism: A Love Story" comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans.
This 3 hour mini-series tells the intimate history of a most illustrious brotherhood of Impressionist artists - Monet Degas Renoir Czanne and Manet. Entirely based on documentary evidence special effects transport the viewer inside some of the world's best-loved paintings. Populated by the cream of British acting talent The Impressionists will recreate the illuminated landscapes and haunting portraits of late 19th-century France.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy