Masculine/Feminine was Jean-Luc Godard's first (but not the last) foray into the burgeoning Children of the Sixties generationor, as Godard described it, the children of Marx and Coca-Cola . Impressionable teenager Jean-Pierre Leaud tries to make sense of the world by working as an interviewer for a research firm. Meanwhile, Leaud cohabits with aspiring singer Chantal Goya, with two additional young ladies joining the nocturnal festivities. Leaud jumps or is pushed from a window, leaving a pregnant Goya to move on to the next aimless youth she meets. While the nominal hero has failed to find fulfillment in personal relations, another male protagonist (Micheal Deborb), a political activist, is luckier an indication that the director favored revolutionary politics over simple emotionalism at this point in his career. Though Godard's free-form style is usually opposed to linear storytelling, Masculine Feminine has solid literary roots, having been inspired by two Guy de Maupassant.
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