A mythic and emotionally charged hero's journey, Dune tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existencea commodity capable of unlocking humanity's greatest potentialonly those who can conquer their fear will survive.
A mythic and emotionally charged hero's journey, Dune tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existencea commodity capable of unlocking humanity's greatest potentialonly those who can conquer their fear will survive.
A mythic and emotionally charged hero's journey, Dune tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existencea commodity capable of unlocking humanity's greatest potentialonly those who can conquer their fear will survive.
Director Ang Lees return to Chinese cinema is an action packed and critically acclaimed epic tale of ancient China.
In this pair of sharp, sprawling satires, one of Taiwan's most celebrated filmmakers, Edward Yang, captures the anything-can-happen mood of Taipei at the end of the twentieth century. Made in between his epic dramas A Brighter Summer Day and Yi Yi, A Confucian Confusion and Mahjong find Yang applying a lighter but no less masterly touch to his explorations of human relationships in an increasingly globalized, hypercapitalistic world. These intricately constructed ensemble comediesone set in a cutthroat corporate milieu, the other in a shady criminal underworldreveal the absurdity and cynicism at the heart of modern urban life.In this pair of sharp, sprawling satires, one of Taiwan's most celebrated filmmakers, Edward Yang, captures the anything-can-happen mood of Taipei at the end of the twentieth century. Made in between his epic dramas A Brighter Summer Day and Yi Yi, A Confucian Confusion and Mahjong find Yang applying a lighter but no less masterly touch to his explorations of human relationships in an increasingly globalized, hypercapitalistic world. These intricately constructed ensemble comediesone set in a cutthroat corporate milieu, the other in a shady criminal underworldreveal the absurdity and cynicism at the heart of modern urban life. Taiwan 1994 (A Confucian Confusion) 1996 (Mahjong) Colour 1.85:1 Mandarin, Taiwanese Spine #1275 A Confucian Confusion Edward Yang's first foray into comedy may have been a surprising stylistic departure, but in its richly novelistic vision of urban discontent, it is quintessential Yang. This relationship roundelay centres on a coterie of young Taipei professionals whose paths converge at an entertainment company where the boundaries between art and commerce, love and business, have become hopelessly blurred. Evoking the chaos of a city infiltrated by Western chains, logos, and attitudes, A Confucian Confusion is an incisive reflection on the role of traditional values in a materialistic, amoral society. Mahjong Edward Yang's follow-up to A Confucian Confusion is another dizzying comedy set in a globalized Taipei, but with a darker, more caustic edge. Amid a rapidly changing cityscape, the lives of a disparate group of swindlers, hustlers, gangsters, and expats collide, with a naive French teenager (Virginie Ledoyen) and a sensitive young local (Lawrence Ko) who tries to protect her caught dangerously in the middle. By turns brutal, shocking, tender, and bitingly funny, Mahjong is a dazzling vision of a multicultural Taipei where nearly every relationship has a price and newfound prosperity comes at the expense of the human soul. TWO-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations, with 5.0 surround DTS-HD Master Audio soundtracks Excerpts of director Edward Yang speaking after a 1994 screening of A Confucian Confusion New interview with editor Chen Po-wen New conversation between Chinese-cultural-studies scholar Michael Berry and film critic Justin Chang Performance of Yang's 1992 play Likely Consequence PLUS: An essay by film programmer and critic Dennis Lim and a 1994 director's note on A Confucian Confusion New cover by Tori Huynh
Director Ang Lees return to Chinese cinema is an action packed and critically acclaimed epic tale of ancient China.
Edward Yang's Family Epic, One Of The Most Acclaimed Movies Of The Decade. The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master EDWARD YANG (A Brighter Summer Day), follows a middleclass family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middleage father NJ's tentative flirtations with an old flame or precocious young son YangYang's attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century. Features: Newly restored digital transfer, with DTSHD Master Audio soundtrack. Audio commentary by writerdirector Edward Yang and Asiancinema critic Tony Rayns. Video interview with Rayns about Yang and the New Taiwan Cinema movement. Theatrical trailer
Crouching Tiger Hidden Dragon is so many things: an historical epic on a grand scale, an Asian martial-arts flick with both great effects and fantastic fighting (choreographed by The Matrix's guru Yuen Wo Ping), a story of magic, revenge and power played with a posse of star-crossed lovers thrown in for good measure. Set during the Qing dynasty (the late 19th century), the film follows the fortunes of righteous warriors Li Mu Bai and Yu Shu Lien (Asian superstars Chow Yun-Fat and Michelle Yeoh, respectively) whose love for one another has lain too long unspoken. When Li Mu Bai's legendary sword Green Destiny is stolen by wilful aristocrat's daughter Jen (exquisite newcomer Zhang Ziyi), who has been trained in the way of the gangster by Li Mu Bai's arch-rival Jade Fox, the warriors must fight to recover the mystical blade. The plot takes us all across China, from dens of iniquity and sumptuous palaces to the stark plains of the Western desert. Characters chase each other up walls and across roof and treetops to breathtaking effect, and Tan Dun's haunting, Oscar-winning East-West inflected score. Directed by Taiwanese-born Ang Lee and co-written by his longtime collaborator American James Schamus, Crouching Tiger Hidden Dragon joins the ranks of the team's slate of high-quality, genre-spanning literary adaptations. Although it superficially seems like a return to Ang's Asian roots, there's a clear throughline connecting this with their earlier, Western films given the thematic focus on propriety and family honour (Sense and Sensibility), repressed emotions (The Ice Storm) and divided loyalties in a time of war (Ride with the Devil). Nonetheless, a film this good needs no prior acquaintance with the director's oeuvre; it stands on its own. The only people who might be dismissive of it are jaded chop-socky fans who will probably feel bored with all the romance. Everyone else will love it. --Leslie Felperin On the DVD: As might be expected this superb anamorphic widescreen version of the original 2.35:1 theatrical ratio presents Peter Pau's spellbinding cinematography in its full glory; the same goes for the Dolby 5.1 audio track that showcases Tan Dun's haunting score. Annoyingly, however, the default language option is the dubbed English soundtrack, which means you have to select the original Mandarin version before playing. The extra features are good but not exceptional, with an obligatory "making-of" documentary and commentary from Ang Lee and James Schamus being the best options: the director and producer/cowriter chat amiably and in some detail about their martial arts version of Sense and Sensibility. But it's the breathtaking delight of the seeing the movie in such quality that really counts, and this disc does not disappoint. --Mark Walker
Crouching Tiger Hidden Dragon is so many things: a historical epic on a grand scale, an Asian martial-arts flick with both great effects and fantastic fighting (choreographed by The Matrix's guru Yuen Woo Ping) and a story of magic, revenge and power played with a posse of star-crossed lovers thrown in for good measure. Set during the Qing dynasty (the late 19th century), the film follows the fortunes of righteous warriors Li Mu Bai and Yu Shu Lien (Asian superstars Chow Yun-Fat and Michelle Yeoh, respectively) whose love for one another has lain too long unspoken. When Li Mu Bai's legendary sword Green Destiny is stolen by wilful aristocrat's daughter Jen (exquisite newcomer Zhang Ziyi), who has been trained in the way of the gangster by Li Mu Bai's arch-rival Jade Fox, the warriors must fight to recover the mystical blade. The plot takes us all across China from dens of iniquity and sumptuous palaces to the stark plains of the Western desert. Characters chase each other up walls and across roof and treetops to breathtaking effect and to Tan Dun's haunting, Oscar-winning East-West inflected score.Directed by Taiwanese-born Ang Lee and cowritten by his long time collaborator American James Schamus, Crouching Tiger Hidden Dragon joins the ranks of the team's slate of high-quality, genre-spanning literary adaptations. Although it superficially seems like a return to Ang's Asian roots, there's a clear thread connecting this with their earlier Western films, given the thematic focus on propriety and family honour (Sense and Sensibility), repressed emotions (The Ice Storm) and divided loyalties in a time of war (Ride with the Devil). Nonetheless, a film this good needs no prior acquaintance with the director's oeuvre; it stands on its own. The only people who might be dismissive of it are jaded chop-socky fans who will probably feel bored with all the romance. Everyone else will love it. --Leslie Felperin
Many legends have arisen surrounding the mysterious and untimely death of martial arts king Bruce Lee. Was he murdered? Was he involved in drugs and crime? Why did he leave the cryptic message If I die find out why? Whatever the reason fellow martial arts master Bruce Li determines to find the answers. With the assistance of Lee's former mistress Suzy he penetrates the dangerous underworld of Hong Kong. Captured by the criminals Suzy uncovers firm evidence about her lover's death. Bruce is forced to confront the gangsters in a final showdown with such superb fighting skill that he earns the accolade of Bruce Lee's successor...
Directed by John Woo, "Red Cliff" charts the remarkable events leading up to the most famous battle in Chinese history
Jackie Chan pays tribute to the late great Bruce Lee in this follow up sequel to the 1972 blockbuster Fist Of Fury. Produced and directed by Lo Wei who masterminded the original Jackie chops and kicks his way through numerous assailants to bring justice to the oppressed Chinese. Released for the first time in the UK with the Nunchaku sequence reinstated.
Named Best Picture of the Year by over 100 critics nationwide! Two master warriors (Chow Yun Fat and Michelle Yeoh) are faced with their greatest challenge when the treasured Green Destiny sword is stolen. A young aristocrat (Ziyi Zhang) prepares for an arranged marriage, but soon reveals her superior fighting talents and her deeply romantic past. As each warrior battles for justice, they come face to face with their worst enemy - and the inescapable, enduring power of love. Set against 19th-century China's breathtaking landscape, Crouching Tiger, Hidden Dragon is the action-packed, box office smash from acclaimed director Ang Lee (Life of Pi, Sense and Sensibility) featuring stunning martial arts choreography by Yuen Wo Ping (The Matrix).
Lai and Ho arrive in Argentina from Hong Kong as lovers but Ho leaves for Buenos Aires to become a good-time boy. Lai attempts to regain his emotional state but finds that he is consumed with the dream of being ""happy together"" once again with Ho. Wong Kar-Wai winner for Best Director at Cannes and cinematographer Christopher Doyle marry the rythmns of Buenos Aires and Frank Zappa's jazz to an astonishing array of images. A tribute to blind passion and creative intimacy Happy
Manic martial arts action.
A subtitled three-hour saga of an ordinary middle-class urban family in modern-day Taiwan, at first glance, A One and a Two might not seem the most appealing of prospects. But don't be misled: this is a film that draws you in with all the warmth and density of a good novel, and once you are past the surface unfamiliarity of Taipei society, there's nothing in this tale of a troubled family that would seem alien anywhere in the world. Romantic stories often end with a wedding. Realistic stories are as likely to begin with one. Writer-director Edward Yang's film starts in a mass of floaty white dresses and heart-shaped pink balloons, but the smiles seem a little too effusive, the jollity feels forced. And sure enough, disaster is lurking. The seeming simplicity of Yang's narrative style conceals a subtle, intricate design. His camera moves obliquely, often holding its distance from the action, letting us take in all the elements of a scene and draw our own conclusions. Wider social implications--about modern society, about international business ethics--are hinted at, but never rammed home. By the end we realise we've been watching a microcosm of human life, with all its humour and tragedy. For all the apparent narrowness of its canvas, A One and a Two makes most British and American films feel hopelessly parochial. The Best Director Prize at Cannes was rarely more richly deserved. On the DVD: A One and a Two comes to disc with a generous helping of extras. The original theatrical trailer, wordless and intriguing; numerous cast and crew biographies; a brief stills gallery; and, best of all, a full three-hour commentary track of Edward Yang in conversation with Tony Rayns, UK expert on Chinese-language cinema. Their discussion is relaxed and illuminating. The print, and the SR Dolby Digital sound, are clean and crisp, and we get the full 1.85:1 ratio of the original release. --Philip Kemp
Hou Hsiao- Hsien's Three Times is a lyrical exploration on the different expressions of love in different times. Set in three different eras 1966 1911 and 2005 Shu Qi and Chang Chen play different characters in each period and explore the central theme of Hsien's work in different circumstances. Episode 1 1966 Kaohsiung - A Time For Love ('Lian'ai meng'): Chen (Chang Chen) meets May (Shu Qi) who works at his favourite pool-hall. They play pool together soon after he enlists for national service. On a day-release from the army Chen comes to visit her but he finds out that she has quit her job and no one knows where she's gone... Episode 2 1911 Dadaocheng - A Time For Freedom (`Ziyou meng'): The owner of a tea plantation and his son discuss buying out a young courtesan's contract. Finding out that the son has got her pregnant Mr Chang (Chang Chen) steps in to hasten ne- gotiations: the courtesan is now the father's concubine...Mr Chang leaves for Japan to join a Chinese revolutionary who fled to escape persecution during the Japanese occupation of Taiwan. Episode 3 2005 Taipei - A Time For Youth (Qingchun meng'): Epileptic and losing sight in her right eye Jing (Shu Qi) is a singer in present day Taipei and lives with her mother and grandmother and also has a woman lover: Micky. Zhen (Chen Chang) works in a digital photo shop and lives with his girlfriend Blue. When Blue finds out that Zhen has fallen for Jing she hits the roof...Where can the four of them go from here? None of them will find happiness this side of the grave...
Three visionary directors. One erotic journey. Three short films - one each from directors Michelangelo Antonioni Steven Soderbergh and Wong Kar-Wai - address the themes of love and sex. - The Hand (dir. Wong Kar-Wai) - Equilibrium (dir. Steven Soderbergh) - Il Filo Pericoloso Delle Cose (dir. Michelangelo Antonioni)
A stash of gold has been hidden in a forest and only six imperial guards know of its location - watch the masters battle it out! A host of Kung Fu stars take to the screen in this martial arts epic!
Please wait. Loading...
This site uses cookies.
More details in our privacy policy