In 1971 when Carry On at Your Convenience hit our screens, the series had long since become part of the fabric of British popular entertainment. Never mind the situation, the characters were essentially the same, film after film. The jokes were all as old as the hills, but nobody cared, they were still funny. But it's just too easy to treat them as a job lot of postcard humour and music hall innuendo. This tale of revolt at a sanitary ware factory--Boggs and Son, what else?--certainly chimed in with the state of the nation in the early 1970s when strikes were called at the drop of a hat. Here, tea urns, demarcation and the company's decision to branch out into bidets all wreak havoc. Kenneth Williams as the company's besieged managing director, Sidney James and Joan Sims give their all as usual, but it's the lesser roles that really add some lustre. Hattie Jacques as Sid's budgerigar-obsessed, sluggish put-upon wife and Renee Houston as a superbly domineering battleaxe with a penchant for strip poker remind us that in the hands of fine actors, even the laziest of caricatures become real human beings. --Piers Ford
EL CAMINO: A BREAKING BAD MOVIE reunites fans with Jesse Pinkman (Emmy® Award-winner[i] Aaron Paul). In the wake of his dramatic escape from captivity, Jesse must come to terms with his past in order to forge some kind of future. This riveting thriller was written and directed by Vince Gilligan, the creator of Breaking Bad.
The writer-producer-director team of Charles Shyer and Nancy Meyers (Father of the Bride) can't lift this sugary ode to Howard Hawks's His Girl Friday to a believable--let alone enjoyable--plateau. Neither, unfortunately, can its two great and perfectly cast leads, Nick Nolte and Julia Roberts. As competing newspaper reporters after the same story, there should be enough sparks and brilliantly barbed dialogue flying between them to resurrect the screwball comedy genre of classic Hollywood. But the material isn't there, the charisma isn't there, and the direction (by Shyer) certainly isn't there. At more than two hours, I Love Trouble begins to dismantle itself, and the cute factor becomes a pain. --Tom Keogh
Chaplin plays two characters in his first full talkie. Adenoid Hynkel the dictator of Tomania and a Jewish Barber. The Barber recovers from amnesia to discover Hynkel is persecuting all the Jews in his country. The film ends with a message of hope for the world.
Ninth entry in the Carry On series. Ancient British slaves save Caesar (Kenneth Williams) from assassination in Rome 50 B.C. Meanwhile Mark Antony (Sid James) romances Egyptian Empress Cleopatra (Amanda Barrie). Revolting Britons include Kenneth Connor and Charles Hawtrey while Warren Mitchell plays a partner in the slave-trading firm Markus & Spencius.
It was her vanity that destroyed her... In the Paris of the early 20th century Louise wife of a general sells the earrings his husband gave her: she desperately needs money for a gambling debt. As the general should not know during an opera she acts as she had lost them. When the resulting fuss in Paris frightens the local jeweler he tells the truth to the general. The general secretly buys the earrings back and with disdain for his wife gives them to his mistress Lola. Lola sells the trinket to an Italian diplomat Baron Donati who buys them to impress his mistress back in Paris Louise... Ophuls camera glides with seemingly effortless elegance in this visually dazzling masterpiece which renowned film critic Andrew Sarris described as ""the most perfect film ever made.""
Three very different families become linked by the strong-minded Agnes Conway when at the beginning of the First World War she meets the wealthy Farrier clan for the first time...
George Clooney stars in the latest film from the Coen brothers, a musical about a con on the run in the Deep South of the 1930s.
Valentine Wilmot, the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victor's partner Mabel as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the club's scullery After many years of supporting roles in Hollywood, Anna May Wong left for Europe in search of better roles. And did she find one. Her electric, sexuallycharged performance in Piccadilly is a revelation. The camera adores her, and against Alfred Junge's astonishing set design, her beauty glows in every frame. Piccadilly was the brilliant apex to Dupont's trilogy of backstage life (Varieté and Moulin Rouge), showcasing the director's signature mix of great acting, amazing imagery and astonishing camera movements. Special Features Remastered by the BFI National Archive and presented in High Definition Talk of the Town (2021): an in-depth interview with film critic, author and filmmaker Jasper Sharp on the life and career of Anna May Wong Piccadilly: A Video Essay (2021): a newly recorded video essay by BFI curator and silent film expert Bryony Dixon Cosmopolitan London (1924, 10 mins) Neil Brand on composing for Piccadilly (2004, 20 mins): the composer discusses his score for the film Prologue from the sound version of the film (5 mins) Newly commissioned sleeve art by David Downton **FIRST PRESSING ONLY** Fully illustrated booklet with new writing on the film by BFI curator Bryony Dixon and an essay on the score by Neil Brand
Bedpan humour rules in Carry On Doctor, the vintage 1968 offering from gang, assisted by guest star Frankie Howerd as bogus faith healer Francis Bigger. Hospitals, of course, always provided the Carry On producers with plenty of material. Today, these comedies induce a twinge of serious nostalgia for the great days of the National Health Service when Matron (Hattie Jacques, naturally) ran the hospital as if it was a house of correction, medical professionals were idolised as if they were all Doctor Kildare and Accident and Emergency Departments were deserted oases of calm. But even if you aren't interested in a history lesson, Talbot Rothwell's script contains some immortal dialogue, particularly when Matron loosens her stays. "You may not realise it but I was once a weak man", says Kenneth Williams' terrified Doctor Tinkle to Hattie Jacques. "Once a week's enough for any man", she purrs back. Other highlights include Joan Sims, excellent as Frankie Howerd's deaf, bespectacled sidekick, Charles Hawtrey suffering from a phantom pregnancy, 1960s singer Anita Harris in a rare film role, and Barbara Windsor at her most irrepressible as nurse Sandra May. --Piers Ford
All 13 episodes from the fourth season of the American fantasy TV show. This spin-off from 'The Vampire Diaries' follows the Mikaelson vampire siblings, Klaus (Joseph Morgan), Elijah (Daniel Gillies) and Rebekah (Claire Holt), as they battle to retake control of New Orleans, the city they helped to build. In this season, five years on from the Mikaelson's worst defeat, Marcel (Charles Michael Davis) has become the sole vampire king of the city and holds Klaus captive, while his siblings remain in a state of slumber. When they are revived by Hayley (Phoebe Tonkin), the Mikaelsons race to rescue Klaus but find they also have other ancient threats to face. The episodes are: 'Gather Up the Killers', 'No Quarter', 'Haunter of Ruins', 'Keepers of the House', 'I Hear You Knocking', 'Bag of Cobras', 'High Water and a Devil's Daughter', 'Voodoo in My Blood', 'Queen Death', 'Phantomesque', 'A Spirit Here That Won't Be Broken', 'Voodoo Child' and 'The Feast of All Sinners'.
By the end of this fourth year, Red Dwarf had completed its metamorphosis from a modest studio-bound sitcom with a futuristic premise to a full-blown science-fiction series, complete with a relatively lavish (by BBC standards) special-effects budget, more impressive sets and more location shooting. Despite the heavier emphasis on SF, the character-based comedy remained as sharp as ever. Witness the Cat's reaction to Lister's pus-filled exploding head; Kryten's devastatingly sarcastic defence of Rimmer; or, the classic scene that opens the series, Lister teaching Kryten to lie. In "Camille", Robert Llewellyn's real-life wife plays a female mechanoid who transforms into something else entirely, as does the episode, which by the end becomes a delightful skit on Casablanca. "DNA" comes over all SF, with lots of techno-speak about a matter transmogrifier and a RoboCop homage--but in typical Dwarf fashion, turns out to be all about curry. "Justice" sees Rimmer on trial for the murder of the entire crew, while Lister attempts to evade a psychotic cyborg. Holly gets her IQ back in "White Hole", but wastes time debating bread products with the toaster. "Dimension Jump" introduces dashing doppelganger Ace Rimmer for the first time--he was to return in later series, with diminishingly funny results. Here his appearance is all the better for its apparent improbability. Finally, "Meltdown" goes on location (to a park in North London) where waxdroids of historical characters (played by a miscellaneous selection of cheesy lookalikes) are at war. Only intermittently successful, this episode is really memorable for Chris Barrie's tour-de-force performance, as Rimmer becomes a crazed, Patton-esque general. On the DVD: Red Dwarf, Series 4, like its predecessors, comes as a two-disc set complete with full cast commentary for every episode, an extensive retrospective documentary (mostly featuring the cast reminiscing), deleted scenes and lots of other fun bits of trivia. --Mark Walker
A hilarious romp through the bars and bedrooms of the Wild West with the Carry On gang! Sid James is on top form as the Rumpo Kid an outlaw who shakes up the sleepy residents of Stodge City. Kenneth Williams is the puritanical judge and Jim Dale plays Marshall P. Knutt a hapless plumber mistakenly sent to clean up the town. This is classic Carry On with a full cast of Carry On favourites including Charles Hawtrey as the firewater-guzzling Chief Big Heap Joan Sims and Bernard Bresslaw. Special Features: Audio Commentary Trailer
This mammoth box set includes the following BBC Shakespeare Adaptations: 1. Romeo And Juliet - Directed by Alvin Rakoff (1978) 2. Richard II - Directed by Jane Howell (1983) 3. As You Like It - Directed by Basil Coleman (1978) 4. Julius Caesar - Directed by Herbert Wise (1979) 5. Measure For Measure - Directed by Desmond Davis (1979) 6. Henry VIII - Directed Kevin Billington (1979) 7. Henry IV: Parts I & II - Directed by David Giles (1979) 8. Henry V: Parts I & II - Directed by Davi
After establishing a fine reputation in British television drama, Stephen Poliakoff directed his first feature film in 1987. A mystery wrapped in conspiracy and secrets, Hidden City tells the story of James Richards (Charles Dance), a writer sucked into a search for a lost piece of film by Sharon Newton (Cassie Stewart), a video librarian. What they stumble upon are cover-ups, tense searches, and possible danger. With the help of Witold Stoks' excellent cinematography, Poliakoff has crafted a rich look into London's dark history, with disused tram-tunnels and long-forgotten subterranean chambers serving as the backdrop to explore the depths of the British pre-occupation with secrecy. Featuring a sensational cast of stellar British talent including Charles Dance, Richard E. Grant and Bill Paterson, Stephen Poliakoff's rarely seen directorial debut is a stylish thriller ripe for rediscovery.Product FeaturesExtras Presented in High Definition Other extras TBC
Be very careful what you want... Because you might just get it. Shy, quiet Teddy Pierce wanted a little adventure. And one day it walked into his life in a red silk dress. Now his wife is packing a gun, his friends are going nuts trying to cover up for him and he's about to get caught with his pants down on the six o'clock news.
Ten To Midnight: The clock is ticking and time is running out as ace detectives Leo Kessler and Paul McAnn track down a psychotic killer who is brutally slaying young women. Caught in a web of red tape they seem unable to bring the murderer to justice until Kessler's daughter becomes the next victim and revenge becomes the most powerful of motives... Kinjite - Forbidden Subjects: A cop full of hatred can't work by the book. Charles Bronson is at his two-fisted best in this gritty action-packed thriller about a cop hellbent on wiping out a vicious child prostitution ring. Lt. Crow (Bronson) is a veteran L.A. vice cop who nearly goes berserk after his young daughter is molested by an unidentified Asian man. As he battles his own racial prejudices and feelings of rage Crowe is ordered to hunt down a brutal pimp who has kidnapped thedaughter of a Japanese businessman. Hindered by police force superiors Crowe is pushed into a personal war of vengeance pitting himself against a savage urban empire of drugs and sexual depravity. Messenger Of Death: Could a simple feud between brothers lead to the brutal massacre of an entire family? Garret Smith (Bronson) travels to a remote Rocky Mountain town to investigate and uncovers far more sinister motives. As he gets closer to the bizarre truth Smith unravels a plot of greed revenge and religious zealotry. But can he get to the bottom of the murders before an 'avenging angel' visits him with an equally deadly message? Murphy's Law: Charles Bronson is Jack Murphy an L.A. cop and the toughest loner who ever hit the streets. For years Jack made his own rules but now he has been set up accused of murdering his own wife. Handcuffed to a foulmouthed female thief with the police on his trail and the Mob after his blood Murphy must track down the real killer before it's too late!
A musical remake of the classic 1937 film of the same name, A Star is Born was designed as Judy Garland's comeback vehicle after she had been cruelly axed by MGM studios for professional unreliability. Her erratic moods caused serious production delays this time around, too, but the behind-the-scenes turmoil was certainly worth it--Garland gives just about the greatest one-woman show in movie history. The story is the stuff of pure Hollywood legend. Aspiring actress-singer Esther Blodgett meets fading matinee idol Norman Maine (James Mason), who navigates her to stardom under the more melodious handle of Vickie Lester. As she rises meteorically, he declines into alcoholic self-pity--and the result, if you haven't guessed, is plenty of heartbreak. Mason lends subtle support in a role Cary Grant refused as too downbeat for his image, but Garland grabs centre stage with an all-out emotional performance that rivets the attention. Director George Cukor was famous for coaxing the very best out of screen divas, and A Star is Born must be counted as his crowning achievement. The lush visual style that he contributes provides a suitable setting for Garland's deep, rich voice--throbbing with melancholy in the Harold Arlen-Ira Gershwin ballad "The Man That Got Away", then capering joyfully in the gargantuan musical number "Born in a Trunk". Moss Hart's script takes many cynical swipes at the pretensions of Tinsel Town--perhaps too many for the taste of studio boss Jack Warner, who ordered drastic cuts in the film after its premiere. --Peter Matthews
A stirring example of courage and the indomitable human spirit, for many John Sturges' The Great Escape is both the definitive World War II drama and the nonpareil prison escape movie. Featuring an unequalled ensemble cast in a rivetingly authentic true-life scenario set to Elmer Bernstein's admirable music (who writes contrapuntal march themes these days?), this picture is both a template for subsequent action-adventure movies and one of the last glories of Golden Age Hollywood. Reunited with the director who made him a star in The Magnificent Seven Steve McQueen presents a career-defining performance as the laconic Hilts, the baseball-loving, motorbike-riding "Cooler King". The rest of the all-male Anglo-American cast--Dickie Attenborough, Donald Pleasance, James Garner, Charles Bronson, David McCallum, James Coburn and Gordon Jackson--make the most of their meaty roles (though you have to forgive Coburn his Australian accent). Closely based on Paul Brickhill's book, the various escape attempts, scrounging, forging and ferreting activities are authentically realised thanks also to the presence of technical advisor Wally Flood on set, one of the original tunnel-digging POWs. Sturges orchestrates the climactic mass break-out with total conviction, giving us both high action and very poignant human drama. Without trivialising the grim reality, The Great Escape thrillingly celebrates the heroism of men who never gave up the fight. On the DVD: The Great Escape World Cup Special Edition includes all the features of the two-disc special edition, plus a full-size St George's Cross England flag, a feature on England footballers' World Cup memories and World Cup-themed packaging. --Mark Walker
Henry Horatio Hobson (Academy Award -Winner Charles Laughton) is the owner of a well-established boot shop in nineteenth century Salford Lancashire and the father of three daughters. The oldest Maggie (Brenda De Banzie) shoulders both home and business responsibilities while Hobson whiles the time away at the local pub. The younger sisters are both being courted by neighbours but Hobson refuses to give the couples settlements. Maggie becomes tired of his oafish behaviour and decides to take matters into her hands by seeking a husband. Much to the hilarity and consternation of her father aged spinster Maggie sets her sights on shy Will Mossop (John Mills) Hobson's master boot-maker. Mossop is at first stunned by the suggestion but eventually agrees to Maggie's authoritative persuasion and together they set up a rival boot shop. A timeless masterpiece that marked a temporary return to David Lean's period adaptations of Dickens (Great Expectations Oliver Twist). The film went on to win multiple awards. This film has been digitally restored to its former glory. Special Features: New and exclusive interviews with Prunella Scales and screenwriter Norman Spencer
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