ULTIMATE JORDAN: DELUXE EDITION is the ultimate tribute to the greatest basketball player of all time. Newly re-mastered and packed with exclusive bonus features, this collection is a slam dunk for Michael Jordan fans. Includes the Classic Highlight Films: Come Fly with Me Michael Jordans Playground Airtime Above and Beyond His Airness Plus Five of Michaels Greatest Games in their Entirety: 1986 Playoffs: Chicago vs Boston (Scores 63 pts.) 1990 Playoffs: Chicago vs Cleveland (Scores 69 pts.) 1993 Finals Game 4: Chicago vs Phoenix (Scores 55 pts.) 1997 Finals Game 5: Chicago vs Utah (The Flu Game) 1998 Finals Game 6: Chicago vs Utah (The Sixth Title) More than an hour of Bonus Features: 2009 Hall of Fame Induction Speech Slam Dunk Contest Highlights Michaels Great 8 The Making of Michael Jordans Playground And much more!
At the turn of the 20th century the film industry sought to elevate its lowbrow status by imitating the theatre. While cinemas decked themselves out like theatres filmmakers signed up stage stars and turned to the classics. Shakespeare provided the greatest challenge especially since many of the films made before the First World War were only one or two reels long.
The first of the Carry On movies, 1958's Sergeant is rather different from its successors, much more a film of its time (the latter days of National Service) and rather less a bawdy picture postcard. Sergeant Grimshaw (William Hartnell long before Doctor Who) is about to retire and hopes that he can get his last platoon into shape as Champion Platoon of its intake. Unfortunately, the new recruits include the clumsy Golightly (Charles Hawtrey), the barrack-room lawyer Bailey (Kenneth Williams) and the hypochondriac Horace Strong (Kenneth Connor). Love interest is provided by Bob Monkhouse and Shirley Eaton--newlyweds separated by the call-up and reunited by her taking a job in the canteen--and by the pursuit of Horace by Dora Bryan's Nora. The film relies heavily on a mixture of slapstick and paradoxical revelations of character complexity--the obnoxious Bailey nonetheless takes the trouble to coach the incorrigibly dense Herbert (Norman Rossington); the series' later obsession with low comedy only really emerges in the scenes between Horace and the medic Captain Clark (Hattie Jacques). The platoon's eventual coming together as other than total incompetents is predictable, but likable.On the DVD: The DVD has no frills whatever except for a widescreen picture and chapter selections; it has been cleaned up however so that we get a remarkably crisp mono picture and mono sound, which brings out the quality of the military-band score by Bruce Montgomery, who was also the writer Edmund Crispin. --Roz Kaveney
Planet Mongo breaks out of its orbit and is sent hurtling on a collision course with Earth. Renowned scientist Dr Zarkov builds a rocket in order to investigate the impending disaster at close quarters. He is joined on his mission by Flash Gordon and Dale Arden who have recently survived a plane crash and the three soon find there is more to planet Mongo than originally thought not least the evil ruler Emperor Ming. Based on the original Flash Gordon comic strip series Space sold
BEING TERRIFIED IS JUST THE BEGINNING... Initially reviled in its native land (some critics took exception to the fact the film was largely funded by the Canadian taxpayer), Shivers is an intensely claustrophobic, subversive masterpiece and an essential entry in the oeuvre of one of the horror genre s most gifted auteurs. Some 40 years after its release, it still retains its power to shock. Starliner Island is an idyllic community. Cut off from the rest of the world, the luxury apartment block affords its occupants the chance to escape from the hustle and bustle of the big city. But this isolation is to prove fatal when a new breed of parasite a combination of aphrodisiac and venereal disease which arouses sexual aggression in its hosts is let loose in the building, resulting in an orgy terror and mayhem. Known under a host of alternate titles such as The Parasite Murdersand They Came From Within!, Shivers is the startling debut full-length feature from director David Cronenberg which anticipates the body-horror concerns of his later films such as The Fly and Videodrome.
The granddaddy of giant monster movies, The Lost World was one of the most expensive movies ever made in 1925, costing more than a million dollars, and has remained one of the most influential. Every larger-than-life creature feature since--from King Kong to Godzilla and Jurassic Park--owes a debt to this original adventure fantasy based on Arthur Conan Doyle's novel. It's the story of a maverick scientist (Wallace Beery under a bushy beard) who finds a land that time forgot on a plateau deep within the South American jungles and comes back to London with a captured brontosaurus to prove it. His expedition includes Bessie Love, the daughter of an explorer who disappeared on the previous expedition, and big game hunter Lewis Stone. The ostensible stars of the picture are all upstaged by Willis O'Brien's dinosaurs, simple models brought to life with primitive stop-motion animation (the technique was soon to be perfected by O'Brien for King Kong). Hardly realistic by any measure, these pioneering special effects are still a sight to behold, especially the lumbering brontosaurus which receives the most care from O'Brien, both foraging in his jungle and rampaging through the streets of London. With the coming of talkies, The Lost World became obsolete: all known American prints were destroyed in favour of a sound remake (which became King Kong) and the film only survived in a severely truncated form (even the original negative was lost). For this release David Shepard meticulously "rebuilt" the film using material from eight different surviving prints from all over the world, cleaning and restoring along the way. The result is 50% longer than previously extant prints, still not complete but closer than any version since its 1925 debut. The difference is not merely in restored scenes but in a rediscovered sense of grace in scenes filled out to their original detail and pace. The film moves and breathes once again like a silent film. On the DVD: From the attractive solid slipcase to the wonderful "period" menu interface, this is a delightful DVD package. The film itself looks surprisingly good--a real tribute to the restoration team's efforts--with careful tinting in the style of the period (blues for evening, reds for dawn etc.). The disc features the choice of either an original score by The Alloy Orchestra or a classical orchestral score compiled and conducted by Robert Israel (both enjoyable and effective), 13 minutes of O'Brien's animation outtakes (including a couple of isolated frames that capture O'Brien manipulating his models) and a well-meaning but basic commentary by Arthur Conan Doyle historian Roy Pilot. There's also a text biography of Conan Doyle and a display of original postcards, posters and other promotional items. --Sean Axmaker, Amazon.com
Keep 'Em Flying: When a barnstorming stunt pilot decides to join the air corps his two goofball assistants decide to go with him. Since the two are Abbott & Costello the air corps doesn't know what it's in for. Ride 'Em Cowboy: Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch despite the fact that neither of them knows anything about cowboys horses or anything else.
No priceless bauble or exquisite jewel is safe from the leering eyes and stealthy hands of Jing the King of Bandits. With a heart of gold and girl-crazy albatross sidekick Kir Jing steals his way through one exciting adventure after another! The Capital Of Thieves: The notorious Capital Of Thieves is home to the fabled Double Mermaids a treasure under guard by the city's evil mayor: Jing will do anything to retreive the prize but this jewel isn't quite what everyone expe
Real badge. Real gun. Fake cop! Upon his release from prison sociopath Frederick J. Frenger Jr. decides to start over in Miami where having stolen a policeman's credentials he starts a violent one-man crime wave...
Detective Jake Swan does things by the book - his book. But when a drug bust he plans results in his partner's death Jake goes on a rampage that ends in his suspension from the force and a quick slide into booze and guilty depression.
Beethoven's 2nd, the 1993 sequel to the St Bernard hit, finds big, fluffy Beethoven now at home with gruff-but-lovable dad Charles Grodin, supermum Bonnie Hunt, and their three children. The story continues with Beethoven falling for a female St Bernard and having a litter, unbeknown to Grodin, while the new dog's owner (Debi Mazar) starts angling for benefits from this union. The larger dog pool certainly adds more cuteness and laughs to this follow-up, and Grodin and Hunt--consummate professionals--don't let sequel-itis lower their energy or their wonderfully idiosyncratic way with dialogue. Mazar brings her own edge to the proceedings but in the end, the film's accent is still very much on a feel-good experience for everyone. --Tom Keogh, Amazon.com DVD special features: Production notes Cast and Filmmakers' Biographies Theatrical Trailer Running time: 85 minutes approximately
Two men one purpose: track and destroy a legendary animal. But when the final confrontation comes only one man stands alone in the path of his rampaging enemy.
His Airness and His Hareness; what a team! Michael Jordon slams Bugs Bunny jams and a cavalcade of Looney Tunes and NBA stars hoop it up in the rim-rattlin out of this world roundball romp: Space Jam.
Remarkably, the Johnny Mortimer-scripted series Never the Twain ran to over 50 episodes between 1981 and 1984 on ITV. It starred Donald Sinden as Simon Peel, a stuffy, upper-middle class antiques dealer who lives next door to Oliver Smallbridge (Windsor Davies of It Aint Half Hot, Mum fame), a working-class lad made good, also in the antiques trade. As the first series establishes, theirs is a prickly relationship, not just because theyre rivals in trade but also rivals for the affections of the middle-aged, comely Veronica. They are aghast when they discover their respective son and daughter plan to marry, coming on like the Capulets and Montagues of Middle England. Never the Twain is a pleasantly predictable antique of the sitcom variety, redeemed by Sinden and Davies gruff, blustery and persistent antagonism. It depicts a cosy, never-never world of "dirty weekends", huge suburban houses, borderline homophobic mirth and reliable puns on "genes" and "jeans"--the sort of series in which characters greet surprising news by spraying a mouthful of tea halfway across the room. Some will find it barely endurable, others a welcome reminder of a bygone televisual era before alternative comedy became the ubiquitous norm. This DVD contains an episode guide and picture gallery. --David Stubbs
The sixth series of The X-Files picks up after the events of the big-screen movie. So it is that "The Beginning" attempts to fit the film into the TV chronology before moving on to tackle plot points left dangling from series five's "The End" (note the guard asleep at the nuclear power plant console is named Homer!). Between story arc threads are several pleasing one-off excursions: time travel to a Bermuda Triangle boatload of Nazis ("Triangle"); further temporal escapades akin to Groundhog Day ("Monday"); a demonic baby case featuring genre stalwart Bruce Campbell ("Terms of Endearment"); and "The Dreamland, Parts 1 and 2", in which David Duchovny gets to play someone else via personality switching. Back in the conspiracy scheme of things, Mulder chases "S.R. 819", a Senate resolution tying conspiracies together; "Two Fathers" and "One Son" indicates that the abductee experiments are intended to cure the black oil disease; and the year finishes with "BioGenesis", in which a beach-buried UFO has Scully and the audience wondering if we are from Mars. --Paul Tonks
What The Devil Hath Joined Together Let No Man Cut Asunder! Before 1973, Brian De Palma was impossible to pigeonhole: he made comedies, political satires and openly experimental pieces. But with Sisters (originally released as Blood Sisters in the UK) he turned to the suspense thriller and discovered his natural home and a style that would lead directly to later masterpieces like Carrie, Dressed to Kill and Blow Out. When Danielle (Margot Kidder) meets potential boyfriend Philip (Lisle Wilson) after appearing on the TV show Peeping Toms (a nod to the Michael Powell shocker), she invites him home, only to attract the ire of her twin sister Dominique. From across the courtyard, Rear Window style, reporter Grace (Jennifer Salt) witnesses Philip being murdered by one of the twins but the police find no body or any physical evidence. Naturally, Grace takes things into her own hands, and discovers more about the sisters' relationship than she bargained for Strongly influenced by Alfred Hitchcock and Roman Polanski, and with a score by the great Bernard Herrmann (Citizen Kane, Psycho), Sisters was the first true Brian De Palma film. Features: Brand new High Definition digital transfer High Definition Blu-ray (1080p) and Standard Definition DVD presentation Original Mono audio (uncompressed PCM on the Blu-ray) What the Devil Hath Joined Together: Brian De Palma's Sisters A visual essay by author Justin Humphreys All new interviews with co-writer Louisa Rose, actress Jennifer Salt, editor Paul Hirsch and unit manager Jeffrey Hayes The De Palma Digest a film-by-film guide to the director's career by critic Mike Sutton Archive audio interview with star William Finley (excerpt) Theatrical Trailer Gallery of Sisters promotional material from around the world Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys
Take An Easy Ride: Special Edition
The last film in the Look Who's Talking minifranchise goes to the dogs, literally, to keep the series' major gimmick intact--letting the audience hear the thoughts of the little newcomers in the Ubriacco family. The kids who were once babies in the two prior films can now babble for themselves, so the script finds the adult characters taking in two mutts who do a "Lady and the Tramp" thing while we listen in. Travolta (rescued a year later in 1994's Pulp Fiction) and Alley mark time while Danny De Vito and Diane Keaton provide the most entertainment performing the dogs' voices. Not awful, but not necessary either, and a long way from the small but real qualities of the first film. --Tom Keogh
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