This Carry On collection includes the following films: Carry On Up The Khyber: British India 1895. The Burpas are revolting but then again 'The Devils In Skirts' who guard the Khyber Pass are not too inviting either! Can Sir Sidney Ruff-Diamond (Sid James) prevent the scheming Khasi of Kalabar (Kenneth Williams) from starting a full blown rebellion massacring thousands of innocent people ending British rule and making his kushy job obselete? Can he rely on the help of the wayward Brother Belcher (Peter Butterworth)? And can he prevent the secret concerning the 3rd Foot and Mouth Regiment from becoming common knowledge among the natives? All will be revealed in this masterly tale of passion greed and missing underpants! Carry On Doctor: Frankie Howerd plays Francis Bigger a charlatan faith healer who ends up in hospital and what a hospital it is! Dr. Kilmore (Jim Dale) seems more interested in the staff nurses and Dr. Tinkle (Kenneth Williams) dismisses all ill health as a weakness. The Matron (Hattie Jaques) can cure any medical problem with a frosty glance and the nurses are always raising the blood pressure of the patients in the male ward.... much to their delight of course. Carry On Don't Lose Your Head: Carry On laughing until you have hysterics but...Don't Lose Your Head as the Carry On team destroy everything sacred about the classic story of the Scarlet Pimpernel set during the French Revolution. Sid James stars as the Black Fingernail always one jump ahead of Citizen Camembert and Citizen Bidet... Carry On Follow That Camel: When the carry on team head for the sea of sand there's a legion of laughs to be had plus pure gold in the raucous performance of 'Bilko' star Phil Silvers as Sergeant Nocker. Can fresh Foreign Legion recruits 'B.O.' West (Jim Dale) and his faithful manservant Simpson (Peter Butterworth) help defeat the ruthless Sheikh Abdul Abulbul (Bernard Bresslaw)? Find out in the hysterical historical spectacular featuring a host of harem beauties a bevy of blood thirsty Bedouins and a troupe of Legionnaires getting the hump!
Disney does Dickens in this animated version of Oliver Twist, in which a homeless New York City cat falls in with a bunch of mischievous dogs under the leadership of the appealing scoundrel Fagin. The roots of Disney's success with animation in the 1990s begins with this clever, energetic, atmospheric movie, which succeeds in capturing the grim world Dickens conjured. Lyricist Howard Ashman (The Little Mermaid) worked on the songs, the best of which is sung by Billy Joel, who provides the voice of (the Artful) Dodger. --Tom Keogh
That rarest of rare treasures, Monty Python's Life of Brian is both achingly funny and seriously satirical without ever allowing one to overbalance the other. There is not a single joke, sight gag or one-liner that will not forever burn itself into the viewer's memory as being just as funny as it is possible to be, but, extraordinarily, almost every line and every indestructibly hilarious scene also serves a dual purpose, making this one of the most consistently sustained film satires ever made. Like all great satire, the Pythons not only attack and vilify their targets (the bigotry and hypocrisy of organised religion and politics) supremely well, they also propose an alternative: be an individual, think for yourself, don't be led by others. "You've all got to work it out for yourselves", cries Brian in a key moment. "Yes, we've all got to work it our for ourselves", the crowd reply en masse, "Tell us more". Two thousand years later, in a world still blighted by religious zealots, Brian's is still a lone voice crying in the wilderness. Aside from being a neat spoof on the Hollywood epic, it's also almost incidentally one of the most realistic on-screen depictions of the ancient world--instead of treating their characters as posturing historical stereotypes, the Pythons realised what no sword 'n' sandal epic ever has: that people are all the same, no matter what period of history they live in. People always have and always will bicker, lie, cheat, swear, conceal cowardice with bravado (like Reg, leader of the People's Front of Judea), abuse power (like Pontius Pilate), blindly follow the latest fads and giggle at silly things ("Biggus Dickus"). In the end, Life of Brian teaches us that the only way for a despairing individual to cope in a world of idiocy and hypocrisy is to always look on the bright side of life. --Mark Walker
A rare Carry On with more interest in having a proper plot than tossing off gags every line, Cabby is also one of the friendliest of the series, built around the relationship between a cackling but good-hearted Sid James and an unusually touching Hattie Jacques. Sid's so obsessed with his taxi business that he neglects his wife, spending their wedding anniversary driving expectant father Jim Dale to and from the maternity hospital on a false alarm that naturally pays off with a delivery in the back of the cab. This drives Hattie to set up her own rival firm ("Glam Cabs"), employing dolly birds in tailored uniforms to undercut the likes of Kenneth Connor and Charles Hawtrey. It ends happily, with a pair of hold-up men trapped in a ring of taxis and the marriage saved. Among the expected Carry On bits: Connor in drag, Amanda Barrie in a corset, Hawtrey in a leather jacket as a devout rambler ("We like to go as far as we can"), Liz Fraser as Connor's perky intended. Kenneth Williams is missed, but his role as the obnoxious shop steward (Carry On producer Peter Rogers never missed a chance to be nasty about the unions) is ably taken by Norman Chappell. Other familiar faces are Bill Owen, Peter Gilmore, Milo O'Shea, Renee Houston and Michael Ward as the tweedy businessman who has apparently left a pearl earring in the back of Connor's cab. On the DVD: No extras, but it's a smashing widescreen presentation of a pristine black and white print. --Kim Newman
In Blumhouse's continuation of the cult hit The Craft, an eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.
Deuce is tricked again into man-whoring in Amsterdam while other man-whores are being murdered in his midst.
Charlie Mackenzie (Mike Myers) is a love-shy poet living in San Francisco who frequents neighborhood coffee houses reciting his tortured odes to unrequited love. Burned by a string of failed relationships Mackenzie's fear of commitment has intensified into outrageous extremes of paranoia. When he finds himself falling for the sweet-faced butcher (Nancy Travis) at his local meat shop he sees it as a final chance for love to overcome his painful cynicism. Feeling he has squelched his nagging fears Mackenzie marries the woman. But his anxiety quickly manifests itself in the conviction that his wife is actually an infamous axe murderer whose antics are described in juicy detail in each week's issue of the Weekly World News...
Carry On Camping (1969): Sid (Sid James) and his reluctant mate Bernie (Bernard Bresslaw) hit on the idea of a nudist camping holiday to spice things up with their girlfriends! The arrival of Dr Soaper (Kenneth Williams) headmaster of the Chayste Place Finishing School his matron Miss Haggard (Hattie Jacques) in charge of eleven nubile girls including star pupil Babs (Barbara Windsor) set the scene for one of the funniest frolics in the Carry On repertoire. Carry On Abroad (1972): The Carry On team take a package holiday that starts disastrously and rapidly goes downhill. The paradise island of Elsbels is not all it's cracked up to be.... The hotel isn't finished the staff are abit thin on the ground - in fact Pepe (Peter Butterworth) is the staff - and the locals are far from friendly! Carry On Follow That Camel (1967): Can fresh Foreign Legion recruits 'B.O.' West (Jim Dale) and his faithful manservant Simpson (Peter Butterworth) help defeat the ruthless Sheikh Abdul Abulbul (Bernard Bresslaw)? Find out in the hysterical historical spectacular featuring a host of harem beauties a bevy of blood thirsty Bedouins and a troupe of Legionnaires getting the hump! Carry On Girls (1973): You might think that a beauty contest would be the perfect place for the Carry On team to discover new heights of hilarity and new depths of depravity - well you'd be right! Sidney Fiddler brings a beauty contest to a quiet seaside resort. His problems start with two curvaceous Hells Angels Miss Easy Rider and Miss Dawn Brakes. There's Major Bumble Bernard Bresslaw as Britain's first drag beauty queen and last but not least Mrs Angel Prodworthy who is fighting on behalf of Women's Lib. Carry on Behind (1975): Archaelogists Professors Anna Vooshka (Elke Sommer) and Roland Crump (Kenneth Williams) are desparate to begin poking round the remains of a Roman encampment. Unfortunately the local caravan site has been built over the historic site. Holiday pals Ernie Bragg (Jack Douglas) and Fred Ramsden (Windsor Davies) have their sites set on the local beauty spots - campers Sandra (Carol Hawkins) and Carol (Sherrie Hewson)! Carry On At Your Convenience (1971): The Carry On team throw caution to the wind and present an hour and a half of good clean lavatorial humour. Kenneth Williams is WC Boggs the troubled owner of a small company trying to manufacture fine toiletware. Incompetent management and a bolshy union are just about the least of Bogg's problems as you'll soon discover in this hysterical comedy that tells you everything you always wanted to know about your home's most vital convenience.
Prepare for Six of the Best as the Carry On team cause chaos in the school yard. When a well-loved headmaster decides to retire his scheming pupils have other ideas. The cunning boys unleash a campaign of practical jokes armed with gin itching power and bombs! No one is safe from the classroom havoc in this Carry On starring all the regulars including the immortal Kenneth Williams Charles Hawtrey Hattie Jacques Kenneth Connor and Joan Sims.
A masterpiece of African American filmmaking and one of the finest debuts in cinema history Killer Of Sheep was chosen for the National Film Registry of the Library of Congress and named one of the 100 Essential Films by the National Society of Film Critics. In the Los Angeles community of Watts Stan a sensitive dreamer is growing detached and numb from the toll of working at a slaughterhouse. Frustrated by money problems he finds respite in moments of simple beauty: the warmth of a teacup against his cheek slow dancing with his wife holding his daughter. Combining lyrical moments with neorealist style Burnett unfolds his story with compassion and humor.
Charlie is a piano player in a rundown jazz bar he used to be Edouard Saroyan a gifted classical pianist but after suffering his wife's suicide gave up his rising fame. He's miserable and lonely and so self-absorbed that he can't see that Lena the bars waitress is in love with him. When Chico Charlie's crooked brother uses the bar as a refuge from two gangsters he's double-crossed Charlie becomes embroiled in the mayhem. Will the resulting events awaken Charlie's emotions again?
True Believer is an effective mystery by thrillmeister director Joseph Ruben (Sleeping with the Enemy), that allows star James Woods to do some real acting as he conveys his character's denial and sense of disappointment in himself. Eddie Dodd (Woods) is a former '60s radical lawyer who now spends his time cynically defending drug dealers for the big bucks. But an idealistic young protégé (Robert Downey Jr.) convinces him to take one case from the heart: a young Chinese immigrant unjustly accused in a gang slaying. Woods (complete with add-on ponytail) fairly hums with energy once he gets cooking here. Playing the been-there-done-that mentor--not to mention legal gadfly--gives him plenty of opportunity to run off at the mouth with spicy one-liners and zingers. --Marshall Fine, Amazon.com
Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry. On the DVD: The Complete History of Britain extras are generously packaged on a separate disc and include the original score and a Simon Schama biography. There's an interesting "promotional message" to camera in which Schama explains the role of a cab driver, Wally, in inspiring the series, along with an interview with Mark Lawson in which Schama stresses the deliberate subjectivity of these programmes and an inaugural BBC History lecture in which he defends TV's ability to transpose history to camera. --David Stubbs
Action adventure directed by Douglas Hickox and starring James Coburn and Robert Culp. When a rich industrialist by the name of Bracken (Culp) finds that his wife and children have been kidnapped by terrorists, he has the police try to capture them and rescue his family. But the police fail in every attempt and Bracken's last hope lies in his wife's former husband McCabe (Coburn) who has his own plan of action and recruits a team of professional hang gliders for a daring mountain top rescue.
A legendary title from the Video Nasties era, Joseph Ellison's relentlessly bleak and disturbing Don't Go In The House has lost none of its power to shock in the decades since it was first censored by the BBFC and seized by UK authorities. Donny Kohler (The Sopranos' Dan Grimaldi in a gripping central performance), a disturbed loner unhealthily obsessed with fire, comes home from his factory job one day to find his abusive mother has died. Now all alone in the large Gothic mansion he calls home and consumed in an inferno of insanity, he is finally able to fulfil his violent revenge fantasies against her. Soon, any woman unlucky enough to enter is forced to come face to face with the worst fate imaginable in the secret steelclad chamber of death he has built in the house's depths Now fully uncut and making its UK high definition premiere in a brand new 2K restoration, the film that dares to ask What if Norman Bates had a flamethrower? is back in a definitive collectors' edition with both original and extended versions. Limited Edition Contents: Limited edition Ocard featuring newly commissioned artwork by Christopher Shy Reversible sleeve and foldout doublesided poster featuring original and newly commissioned artwork by Christopher Shy Illustrated collectors' booklet featuring new writing on the film by Lindsay Hallam and James Flower Disc One: Brand new 2K restoration from the original negative by Severin Films High Definition (1080p) Bluray⢠presentation of two different versions of the film: the 83minute uncut Theatrical Version, and the 89minute Television Version with additional scenes and alternate footage Original lossless mono audio on both cuts Optional English audio description for the blind on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Brand new commentary on the Theatrical Version by director Joseph Ellison and producer Ellen Hammill Archive commentary on the Theatrical Version by star Dan Grimaldi House Keeping, a brand new featurette by Severin Films interviewing associate producer Matthew Mallinson and cowriter/producer Joe Masefield We Went in the House, a brand new featurette by Severin Films with Michael Gingold revisiting the locations from the film, including the iconic house Playing with Fire, an archive interview with star Dan Grimaldi from 2005 Original theatrical trailers and TV spots Image gallery Disc Two: High Definition (1080p) Bluray presentation of the Extended Version (92 mins) of the film, with the additional scenes from the Television Version reinserted into the uncensored Theatrical Version Original lossless mono audio Optional English audio description for the blind Optional English subtitles for the deaf and hard of hearing Brand new audio commentary on the Extended Version by Stephen Thrower, author of Nightmare USA Minds on Fire, a brand new video essay by David Flint putting the film into context Burn Baby Burn and The Burning Man, two archive interviews with director Joseph Ellison Grindhouse AllStars: Notes From the Sleaze Cinema Underground, a documentary by High Rising Productions from 2017 interviewing exploitation filmmakers Matt Cimber, Joseph Ellison, Roy Frumkes and Jeff Lieberman
Billed as the first East meets West Western, and directed by Terence Young, RED SUN is based on a true story from the American Wild West of 1870. When outlaw Link (Charles Bronson) is betrayed by his gang during a train robbery, he is forced by the Japanese Ambassador to help regain a priceless sword stolen by Link's double-crossing partner Gauche (Alain Delon). Link and the Ambassador's bodyguard, Kuroda (Toshiro Mifune), travel the West in pursuit of Gauche, attempting to lure him out by taking his girlfriend (Ursula Andress) as hostage. Although Kuroda plans to kill Gauche straight away, Link needs him alive to find the loot from their last robbery. Joined in an uneasy alliance, they have only seven days to find Gauche or Kuroda must follow his samurai code of honour and die by his own sword. EXTRAS: On the set of Red Sun - Extract from Pour le cinéma (Director: Pierre Mignot © INA 1971)NEW Interview with Steven Okazaki Original Trailer
Two kilograms of heroin are at the center of this intense action-drama. Ray Hicks smuggles the drugs into the country but now ruthless thieves want to take it from him. With the crooks in hot pursuit and his best friend's wife in tow Ray goes on the run leading to an amazing showdown between both sides that will knock you out...
All The Right Moves: Set in a dying mill town in the heart of Pennsylvania Stef (Cruise) dreams of winning a football scholarship to escape from a hopeless future... (Dir. Michael Chapman 1983) Legend: Young Jack (Cruise) lives in a magic forest populated with friendly and exotic creatures. But the delicate balance between good and evil is upset when the Lord of Darkness seizes Jack's beloved Lili (Sara) and a horn from one of the last unicorns thereby gaining con
Decorated Vietnam hero Frank Vega returns home only to get shunned by society leaving him without a job or his high school sweetheart. It's not until forty years later when an incident on a commuter bus (where he protects an elderly black man from a pair of skin heads) makes him a local hero where he's suddenly celebrated once again. But his good fortune suddenly turns for the worse when his best friend Klondike is murdered and the police aren't doing anything about it.
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