Comedy with Stan Laurel and Oliver Hardy. Chickens Come Home (b/w) Chickens Come Home (colourised) Politiquerias (Chickens Come Home in an extended Spanish-language edition with Laurel & Hardy speaking their own Spanish dialogue!) Come Clean (b/w) Love 'Em and Weep (b/w silent with music score) Sugar Daddies (b/w silent with music score) Early to Bed (b/w silent with music score) A collection of classic Laurel & Hardy shorts based around the theme of blackmail - actual or implied! In one of the team's best shorts 'Chickens Come Home' Ollie is a candidate for Mayor whose campaign is endangered by the reappearance of a girl from his past. Alongside the familiar version of this film is its feature-length Spanish equivalent 'Politiquerias' with L&H speaking their own foreign dialogue plus the early silent short 'Love 'Em And Weep' on which it was based. Another early silent 'Sugar Daddies' provides a variant on the idea (plus the same climactic gag!) while in the sound short 'Come Clean' regular foil Mae Busch - the blackmailer in 'Love 'Em And Weep' and its remake - is once again demanding money from Stan and Ollie. In the classic silent 'Early To Bed' Ollie has money to spare - and this time it's Stan who learns the power of blackmail!
A performance of the Verdi opera 'Simon Boccanegra'. Conducted by James Levine.
Most criminals answer to the law. The world's most savage executioner must answer to Bronson! Holland (Charles Bronson) a professional killer is persuaded to come out of retirement when his friend a Latin American journalist is tortured to death by his country's dictator - the sadistic Dr. Clement Moloch. The journalist's widow Rhiana (Theresa Saldana) and her daughter Sarah provide cover for Holland by posing as his family. As Holland gets closer to Moloch and his coterie he begins to fear more for 'his' family's safety and insists they leave so he can get on with his deadly mission but the idealistic Rhiana is determined to witness the death of her husband's killer.
A rare specimen from the more deranged end of the Grindhouse spectrum, Miss Leslie's Dolls is a memorably demented tale of possession and transvestitism from director Joseph G. Prieto (who, under the name Joseph P. Mawra, directed the outrageous 1965 lesbian sexploitation documentary Chained Girls). Believed lost for decades, it has been remastered from original film elements especially for this release. Stranded in the backwoods during a thunderstorm, a beautiful teacher and her three promiscuous students take refuge at a lonely house owned by the middle-aged Miss Leslie. Miss Leslie, however, is less a mild-mannered spinster and more an axe-wielding, homicidal cross-dresser intent on transferring his spirit into the nubile body of any girl foolish enough to come visiting...
What the devil hath joined together let no man cut asunder! Before 1973 Brian De Palma was impossible to pigeonhole: he made comedies political satires and openly experimental pieces. But with Sisters (originally released as Blood Sisters in the UK) he turned to the suspense thriller and discovered his natural home - and a style that would lead directly to later masterpieces like Carrie Dressed to Kill and Blow Out. When Danielle (Margot Kidder) meets potential boyfriend Philip (Lisle Wilson) after appearing on the TV show Peeping Toms (a nod to the Michael Powell shocker) she invites him home only to attract the ire of her twin sister Dominique. From across the courtyard Rear Window style reporter Grace (Jennifer Salt) witnesses Philip being murdered by one of the twins - but the police find no body or any physical evidence. Naturally Grace takes things into her own hands and discovers more about the sisters relationship than she bargained for...Strongly influenced by Alfred Hitchcock and Roman Polanski and with a score by the great Bernard Herrmann (Citizen Kane Psycho) Sisters was the first true 'Brian De Palma' film. Special Features: High Definition Digital Transfer Newly Created Exclusive Content Reversible Sleeve Featuring Original and Newly Commissioned Artwork by Graham Humphreys Collector's Booklet Featuring New Writing on the Film Archive Content and More!
This box set features the following films: Alien: The terror begins when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery a life form that breeds within a human host. Now the crew must fight not only for its own survival but for the survival of all mankind. Aliens: Sigourney Weaver returns as Ripley the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism until the mysterious disappearance of colonists on LV-426 lead her to join a team of high-tech colonial marines sent in to investigate... Alien 3: Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161 a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien a realisation that may compel Ripley to try destroying not only the horrific creature but herself as well. Alien Resurrection: Ellen Ripley (Sigourney Weaver) died fighting the perfect predator. Two hundred years and eight horrific experiments later she's back. A group of scientists have cloned her along with the alien queen inside her hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her ""creators"" as are the aliens. And soon a lot more than ""all hell"" breaks loose! To combat the creatures Ripley must team up with a band of smugglers including a mechanic named Call (Winona Ryder) who holds more than a few surprises of her own. Predator: Deep inside the jungles of Latin America a team of elite commandos are being slaughtered by a mysterious predator. No longer are they the hunters they are the prey: of an alien whose only instinct is to kill. One by one it strikes with inhuman ferocity. Now to survive with the jungle as their only ally they face their greatest challenge: to stay alive. Predator 2: Last time it landed in the jungle. This time it's chosen Los Angeles. Ravaged by open warfare between rival drug gangs L.A. is the perfect killing ground for the Predator who is drawn by heat and conflict. When the police find mutilated bodies Lieutenant Mike Harrigan (Danny Glover) thinks it's the work of the feuding gangs. Then a mysterious government agent (Gary Busey) arrives and orders him to stay off the case. Instead Harrigan sets out to learn what is really going on and comes face to face with the savage alien in a climatic electrifying confrontation... Alien Vs Predator: It may be our planet but it's their war! The discovery of an ancient pyramid buried in Antarctic
Nominated for the Oscar and winner of the BAFTA for Best Documentary Feature this is the inspiring story of man's first conquest of the world's highest mountain. Made in 1953 the film documents the breathtaking ascent of Everest by Hunt Hillary Tensing et al directed by a fellow expedition member .
It's non-stop romps as the Carry On team deliver the goods in one of the rudest and funniest of the Carry On films. The cast are all on top form as a bunch of no-hopers who join an agency in the search for a job. The anarchy mounts as they do a series of odd jobs including a chimps tea party trying to stay sober at a wine tasting and demolishing a house.
Like most of his later operas, Richard Strauss' Arabella ends with a meltingly lovely duet. But then criticising Strauss for composing melodically enduring operas is as pointless as lambasting Vermeer for painting only exquisite interior scenes. Those who say Strauss never improved on Rosenkavalier may be right but when such beguiling sounds kept coming from his music for the next 30 years of his life, there shouldn't be any quibbles. Arabella is, in a nutshell, the story of a woman who cannot make up her mind about a suitor. Taped at the Metropolitan Opera House in 1994 under the baton of conductor Christian Thielemann, this production features Kiri Te Kanawa in the title role; her acting is mediocre but vocally she never forces anything and at least sounds like the perfect Arabella. Wolfgang Brendel does well with Mandryka, who finally ends up with Arabella and Marie McLaughlin makes a sympathetic younger sister to the heroine as Zdenka. Otto Schenk's production is sturdily conservative, the video transfer is acceptable if unspectacular and the sound mix is CD-quality. --Kevin Filipski, Amazon.com
A marvellous rediscovery from the golden age of French cinema Jacques Feyder's Le Grand jeu is a tragic doppleg'nger romance steered by the fate of the tarot card and set against the dizzying exoticism of 1930s Morocco. When scandalous Parisian playboy Pierre Martel is forced by his family to leave France and his adored lover Florence (Marie Bell) he begins a new life in the Foreign Legion as Pierre Muller. Drowning his regrets in camaraderie whores and hell-raising he is astonished at meeting Irma (also Marie Bell) a prostitute with an uncanny resemblance to his beloved and begins a fitful scheme to allow her escape. An early benchmark of poetic realism and a fascinating precursor to both Duvivier's P''p'' le Moko and Hitchcock's Vertigo Feyder's fluid masterful storytelling make this a unique classic of the screen: vividly forceful yet subtle acutely observed yet fantastic world-weary yet tender.
It is 1492 and the Sultan of Turkey controls overland trade from the Far East to Europe. Christopher Columbus looking to make his fortune persuades the King and Queen of Spain to finance an expedition to find a new sea route to India.
Simmering with supernatural elements this is THE ORIGINALS from The Vampire Diaries executive producer/writer Julie Plec. The first season of THE ORIGINALS brought the most formidable creature on earth the Original vampire-werewolf hybrid Klaus Mikaelson back to his former home -- the vibrant and supernaturally charged city of New Orleans. When he arrived with his siblings Elijah and Rebekah not far behind he was stunned to learn that werewolf Hayley Marshall was pregnant with his child. Though Elijah hoped that the news of a baby might help rebuild their fractured family other forces threatened to destroy it further -- namely Marcel Gerard Klaus's beloved vampire protégé whom the Original siblings thought to be long dead along with a dark secret that Marcel and Rebekah held for a century. The Originals and Hayley soon found themselves caught in a bloody war between vampires and witches the stakes raised by a vengeful teenage witch Davina and by Klaus's surprising connection to Cami a student with a painful past. Meanwhile Hayley helped her exiled werewolf family return to the French Quarter unaware that a ruthless pack of wolves was already lurking in the city waiting to stage a violent coup on the vampires. As the first season came to a dramatic close the werewolves decimated the vampire community while the witches made a horrific assassination attempt against Klaus and Hayley's newborn daughter. Season two finds our heroes adjusting to a new status quo with the newly empowered werewolves controlling the city Klaus struggling to adjust to new weaknesses and Elijah desperate to save Hayley -- now a hybrid -- from a vicious spiral of self-destruction.
The husband-and-wife team of Charles and Ray Eames are widely regarded as America's most important designers, best remembered for their furniture, the Eames Office also created a mindbending variety of other products, from splints for wounded military during World War II, to photography, interiors, multi-media exhibits, graphics, games, films and toys. But their personal lives and influence on significant events in American life - from the development of modernism, to the rise of the computer age - has been less widely understood. Narrated by James Franco, Eames: The Architect and the Painter is the first film dedicated to these creative geniuses and their work.
In these five sumptuous vignettes set for the most part in New York, the black formal coat is the only linking device. We first come across the coat in short noir about a matinee idol (Charles Boyer) embroiled in a love triangle with a callous woman (Rita Hayworth) and her sadistic husband. The second is a comical tale starring Ginger Rogers, Cesar Romero and Henry Fonda about a love cheat and his best friend. The third is a tearjerker with Charles Laughton as an amateur musician yearning to.
How To Marry A Millionaire: Three screen goddesses - Betty Grable Lauren Bacall and Marilyn Monroe - star as golddigging models blessed with fabulous looks but limited brain power. The three blondes pool their resources and conspire to nab millionaire husbands renting an expensive penthouse to lure in their likely prey. But with Rory Calhoun Cameron Mitchell David Wayne Fred Clark Alex D'Arcy and William Powell playing the desired millionaires the ladies are pushed to
A big-budget movie crew descends upon the sleepy town of Waterford Vermont. Soon money will change hands careers will be jeopardised and love will bloom. Pity the poor film director (William H. Macy) who's arrive only to discover that the local mill - a crucial location for his movie The Old Mill - burned down in 1960. On top of this he is faced with a problematic cast and crew. The idealistic screenwriter (Philip Seymour Hoffman) would rather pursue a pure-hearted local girl (Rebecca Pidgeon) than do a last-minute rewrite; the bimbo starlet (Sarah Jessica Parker) is now baulking at her contractual nude scene; and a local teenager (Julia Stiles) is only too willing to exploit the indiscretions of the film's skirt-chasing star (Alec Baldwin). And of course the power-wielding producer (David Paymer) is panicking about everything. David Mamet's State and Main is a hilarious screwball comedy and movie satire.
Bing Crosby an Bob Hope star in the first of the 'Road to' movies as two playboys trying to forget previous romances in Singapore - until they meet Dorothy Lamour...
Dmitri Hvorostovsky In Concert
Edward Forester a genetic researcher of considerable talent becomes obsessed with creating a human/ape hybrid species. However when he succeeds in his aim he is ordered to destroy the result. Unable to kill the baby he hides Gor passing him off as his adopted son whilst going to painstaking lengths to teach him to walk and talk. Eventually under Forester's tutelage Gor is able to blend into society and communicate as humans do. However it's only a matter of time before the g
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