A scary and stylish accolade to female destructiveness De Palma's first foray into horror voyeurism is a stunning amalgam of split screen effects bloody birthday cakes and a chilling score by frequent Hitchcock collaborator Bernard Hermann. Margot Kidder stars as Danielle a beautiful model separated from her Siamese twin Dominique. When a hotshot reporter (Jennifer Salt) suspects Dominique of a brutal murder she becomes dangerously ensnared in the sisters' insidious sibling bo
The rules are simple: kill or be killed. Homeless man Mason (Ice-T) recruited by a band of wealthy hunters to lead an expedition into the Pacific Northwest. But on the first day of the hunt he discovers a lethal surprise: he's the prey! It's gut-wrenching action from start to finish as the game begins and the hunters learn a deadly lesson; never underestimate a man who's got nothing to lose...
Tootsie inevitably looks dated in some respects now, but it's still fabulous in others--the sexual politics look distinctly faded in their sniggering approach to sexual ambiguities, while the sardonic portrayal of a showbiz that loathes perfectionism is still both timely and hysterically funny. Dustin Hoffman's portrayal of Michael Dorsey is a memorable self-caricature--the man is so obsessed with the craft of acting that he refuses to sit down when playing a tomato in a commercial, and so producers run away rather than work with him. By playing Dorothy Michaels playing her soap character, Dorsey gives himself the freedom to be a bad and popular actor. He is so busy with the surface of being a woman--the voice, the hair, the frocks--and with all the bad faith of his and Dorothy's emotional lives, that he learns to relax into the pleasure of performance. This aspect of the film is far more interesting, ironic and funny than the corny New Man moralising about sexual roles that goes with it. Jessica Lange got, and earned, an Oscar for her sensitive straight woman performance as the colleague Michael falls for, and Bill Murray, Teri Garr, Geena Davis (momentarily) and Charles Durning all turn in reliable supporting roles. Sydney Pollack directs efficiently rather than inspiredly--oddly, he earns almost more credit for his well-observed performance as Michael's world-weary agent. On the DVD: The DVD is presented in crisp Dolby Digital sound and with the original theatrical visual ratio of 2.35:1; enhanced for 16:9 widescreen televisions. It is dubbed into French, German, Italian and Spanish and has subtitles in most European languages as well as Arabic, Hindi and Hebrew. The only special features are the theatrical trailer and filmographies for the leading performers and director. --Roz Kaveney
He's Judge, Jury and Executioner! Paul Kersey doesn't seek out violence. It just seems to find him. But when it does... he's not about to back down! Charles Bronson brings out the heavy artillery in this gun-blazing, no-holds-barred thriller! Road-worn and battle-weary, Kersey longs to leave his fighting days behind him. But when he arrives in New York to visit an old friend, he finds him brutally attacked and gasping for breath in a pool of blood! Now the silent avenger must wage war once more on the city's punks, thugs and hoodlums. But this time he's brought a small arsenal of guns, knives - and even a bazooka - to help him!
Horton the Elephant (Jim Carrey) struggles to protect a microscopic community from his neighbours who refuse to believe it exists.
Erik a fine example of a Viking one day questions the ethics of his livelihood; raping and pillaging so he sets out for enlightenment and the gods of Valhalla. His men become adept at creating chaos on this wacky adventure.
It's 1892: Jesse Lee (Van Peebles) is a marksman who has fought at the frontline in the Spanish-American war only to find himself turned in by his corrupt colonel (Billy Zane). He joins forces with Lieutenant Little J (Stephen Baldwin) the giant Obobo (`Tiny' Lister) Weezie (Charles Lane) the riverboat gambler Father Time; with revenge and justice in mind this gang charges through the West!
Featuring stunning performances from two young actors who went on to become prominent Hollywood stars - Brad Pitt and Juliette Lewis - the shocking hard hitting true story 'Too Young To Die?' confronts one of the most difficult dilemmas facing the US legal system: should teenage murderers be executed for their crimes? By the age of 14 Amanda Sue Bradley has already suffered a lifetime of cruelty and neglect. She's alone in the world and desperate for love. All too easily she falls prey to a seductive hustler who introduces her to a tawdry world of strip joints and drug abuse. One night high on speed and alcohol they take off on a murderous spree. Their victim: the one man who has ever shown Amanda love and compassion. Amanda is arrested for the kill and the crime is so brutal that despite her age she face trial as an adult. If she's found guilty of murder the penalty will be the ultimate one: the gas chamber.
Samuel L Jackson and Colin Farrell swagger through S.W.A.T., a guns-and-big-trucks macho extravaganza based on the 1970s TV show of the same name, in which police teams are brought in to take care of extremely dangerous situations. Jackson plays a sergeant brought out of retirement to form a new squad, which includes rebellious Farrell and tough babe Michelle Rodriguez. After a lot of training and head-butting with a smarmy police captain, the squad gets assigned to transfer the head of a European crime cartel (Olivier Martinez) who's declared on television that he'll give $100 million to anyone who gets him out. Every scumbag in Los Angeles descends to claim the money, turning a routine transfer into a bullet-filled gauntlet. Despite some gaps in logic and a generic flavour, S.W.A.T. will satisfy most action-movie junkies. --Bret Fetzer
As with earlier releases, The X-Files: Providence splices together two episodes, "Provenance" and "Providence", into a pseudo-movie. Again, the results fall way below the series average as the long-dead alien conspiracy business is flogged, with a lot of running around and ominous rumbling still not adding up to anything like an actual story. FBI agent Neal McDonaugh (of Minority Report) inexplicably survives a flaming motorcycle crash, leaving behind brass rubbings taken from an alien spaceship, then shows up and tries to murder Scully's psychokinetic baby, who is promptly kidnapped by a UFO cult. In Part 2, Scully (Gillian Anderson) and Reyes (Annabeth Gish) fend off enemies and friends within the bureau as they track down the cultists, who are having trouble with a spaceship they've dug up, and a typical pointless climax has things happen without the characters doing anything to contribute. Even at this late, post-Duchovny stage in the game, The X-Files has turned out some fine stand-alone episodes, but these dreary wallowings go a long way towards explaining why only diehards are still watching. After the child says "I made this" at the end of the credits, it's becoming very hard not to shout "well, clean it up then". On the DVD: The X-Files: Providence, as with Nothing Important Happened Today, arrives in a great-looking anamorphic widescreen transfer. There are two slight promotional "featurettes"--three-minute clips/talking heads promos focusing on the episode "Providence" and actor Cary Elwes' character. --Kim Newman
Based on the acclaimed book by neurologist Oliver Sacks, director Penny Marshall's hit 1990 drama Awakenings stars Robin Williams as Dr. Malcolm Sayer. Sayer is a neurologist who discovers that the drug L-Dopa can be used to "unlock" patients in a mental hospital from the mysterious sleeping sickness that has left them utterly immobilized. Leonard (Robert De Niro) is one such patient who awakens after being in a comatose state for 30 years, leaving Sayer to guide Leonard in adjusting to the world around him. Penelope Ann Miller costars as the daughter of another patient, with whom Leonard falls tenuously in love. Earning Oscar nominations for best picture, actor and screenplay, this moving fact-based drama was a hit with critics and audiences alike. --Jeff Shannon
A group of eager young Navy pilots become frustrated when their superiors enact a non-combat strategy against the Japanese. To make matters worse the pilots must answer to a rigid unyielding commander (Ameche). Against all odds the men fly into action in the decisive Battle of Midway. Nominated for a 1944 Best Original Screenplay Oscar'' this stunning war drama uses actual combat footage to tell its engrossing story.
Starman is easily director John Carpenter's warmest and most beguiling film, and the only one that ever earned him an Oscar nomination. While most movie buffs are likely to call Halloween the best movie from Carpenter, die-hard romantics and anyone who cried while watching E.T. will vote in favour of the director's 1984 hit. Jeff Bridges is the alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity and lighthearted humour. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon, Amazon.com On the DVD: Starman on disc is presented in anamorphic widescreen transferred from NTSC and letterboxed at 2.35.1. The picture is clear and sharp with very little grain. The soundtrack is crisp, perfectly complementing the romantic nature of this film. The overriding reason to shell out on this special edition is the commentary from John Carpenter and Jeff Bridges, in which director and actor show a genuine affection for the film. Other extras are a featurette filmed around the original release in 1884, a music video starring Bridges and costar Karen Allen covering The Everly Brothers classic "All I Have to Do is Dream", and a trailer for Close Encounters of the Third Kind. --Kristen Bowditch
Sparks fly and fireworks ignite as TV's favorite private detectives Maddie Hayes (Cybill Shepherd) and David Addison (Bruce Willis) unravel the secrets to pulse-pounding thrills and nonstop laughter in the complete fourth season of Moonlighting.
This minor 1948 film by Alfred Hitchcock beats a familiar Hitchcockian drum: an attorney (Gregory Peck), in love with the client (Alida Valli) he is defending on a murder charge, implicates himself in her guilt by trying to put the blame on another man. The no-one-is-innocent theme may be consistent with Hitchcock's best films and world view, but this is one of the movies that got away from his crucial passion for the plastic side of creative directing. Stuck in a courtroom for much of the story, the film is fit to burst with possibility but is pinned down like a freshly caught butterfly in someone's airless collection. --Tom Keogh
An action-packed romantic movie about an engineer's attempt to build a railroad tunnel in the Andes Mountains. Johnny Munroe is a tough builder who along with partner Pop Mathews has been hired by tycoon Frederick Alexander to pull off the difficult task. Although Johnny and Pop think that it would be far easier to lay the train tracks on a bridge spanning a river Frederick insists on a tunnel.
Sean Connery made his final - officially-speaking - appearance as 007 in this riveting adventure which would lay the groundwork for Mr Moore's incarnation as the suave super-spy. While investigating mysterious activities in the world diamond market 007 (Sean Connery) discovers that his evil nemesis Blofeld (Charles Gray) is stock-piling the gems to use in his deadly laser satellite. With the help of beautiful smuggler Tiffany Case (Jill St. John) Bond sets out to stop the madman - as the fate of the world hangs in the balance!
Filmed at the Metropolitan Opera House in 1995 this rendition of Verdi's 'Otello' is beautifully crafted by leading stars Placido Domingo and Renee Fleming. This was the first major success for Fleming at the Met and as this release illustrates she tackled the character of Desdemona wonderfully.
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Alias Mr. Hackenbacker", "Lord Parker's 'Oliday", "Ricochet" and "Give or Take a Million". Amazon.com
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