Abhijan was Satyajit Ray's most popular film in Bengal: a ""conscious"" effort to communicate with a wider audience. The project was originally conceived by his friends and Ray stepped in when they panicked at the prospect of directing. Ray's mastery turned a starkly conventional plot into a subtly nuanced story which topped the Bengali box office for months. Set on the Bihar-Bengal border where Marwari businessmen - a powerful Hindi-dialect community of entrepreneurs much disl
Satyajit Ray's artistic legacy is one of the most formidable in all of film history. Exceptionally versatile his films covered almost every conceivable genre winning him nearly every major cinema award including an Oscar for lifetime achievement. Titles Comprise: Kapurush (a.k.a The Coward) (1965): Stranded in a small town screenwriter Amitabha Roy is astonished to encounter a former lover who is now married to the owner of a tea plantation. Recalling his inability to commit to her and the relationship's resultant breakdown Roy decides to make amends for the past. Mahapurush (a.k.a The Holy Man) (1965): Ray's rarely-seen gem is a comedy-drama in which a gullible and religiously devout retiree is completely taken in by a bogus holy man and enlists the charlatan's help in finding his daughter a husband. But she is being courted by a young man who determines to expose the fraudster. Joi Baba Felunath (1978): Set in the holy city of Benares where Ray had shot Aparajito over 20 years previously this adventure story adapted from Ray's own novel stars Soumitra Chatterjee as a detective investigating the theft of a priceless gold icon.
A story of a devout Hindu man who falls victim to a charlatan posing as a holy man by asking him to find his daughter a husband the lightness of this sharp quick-witted comedy belies a cutting criticism of Indian post-war society.
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