Bill & Ted's Bogus Journey is ample proof that not all sequels suck. Sometimes they're even better than the original. It is the future. Society has at last solved all its major problems, thanks to amiable lunkheads Bill and Ted and the inspiring music of their band, Wyld Stallyns. Only one man is dissatisfied with the way things have turned out, the evil De Nomolos (Joss Ackland). In an effort to change the future, De Nomolos sends evil Bill and Ted robots back in time to prevent the real Bill and Ted from winning a pivotal Battle of the Bands. What follows is a spirited journey through the afterlife as Bill and Ted try to rescue their girlfriends, save the future, and, oh, yeah, learn how to play the guitar. Bill & Ted's Bogus Journey swings easily between childish and clever humour, and is good at both: a Bergman reference is quickly followed by an equally funny bit about Death's stinky feet. Keanu Reeves and Alex Winter seem happy to be reprising their roles and even manage to add funny spins on Evil Robot Bill and Ted. William Sadler very nearly steals the movie as Death, playing both his wounded dignity and budding desire to be funky to a T. As if that weren't enough, George Carlin returns as Rufus and Pam Grier does a cameo just for the hell of it. --Ali Davis, Amazon.com
A student machinist (Keanu Reeves) finds himself caught in a maze of secret government cover-ups high tech espionage and murders after working on a groundbreaking scientific experiment. Eddie Kasalivich (Reeves) and Lily Sinclair (Rachel Weisz) are part of a team of scientists who have developed a revolutionary new source of energy. But no sooner have they finishes celebrating their triumph than their lab is destroyed and the head of their team killed. Named as the main suspects Ed
From cult film maker Sam Raimi comes the tale of Annie, a woman with rare psychic powers, is willing to use them to investigate a murder, but what she uncovers could well make her the killer's next victim.
Steven Seagal plays a Chicago cop who takes on CIA types in this action thriller from Andrew Davis (The Fugitive). Davis brings muscle to the project, including some strong set pieces that make Seagal (who also co-wrote and co-produced the film) look good. Co-stars Pam Grier and Sharon Stone also assist in this endeavour, yet nothing can really mitigate such ridiculous moments as Seagal's getting profound with a villain in his raspy monotone: "You think you're above the law. But you're not.". --Tom Keogh, Amazon.co.uk
Gene Hackman is a career officer assigned a routine mission well beneath him: deliver a prisoner (Tommy Lee Jones) from Europe to the United States. However, the simple assignment becomes a daring cat-and-mouse game played as the last flames of the Cold War are flickering. This is the first of three films that teamed Jones with director Andrew Davis. In 1989 Jones was a wild card: an actor respected but only popping up in grade B fare. After Davis' Under Siege and The Fugitive, Jones was America's favourite gruff character actor, with an Oscar on his mantel. With a weaker script, Davis still creates the same kind of magic here. Hackman is superb as the officer, an action role similar to others that the nearly 60-year-old unexpectedly excelled at (Bat 21, Narrow Margin) during this period. Tight, tense and with no letup in the third act, The Package is a good gem for a Saturday night flick. --Doug Thomas
From cult film maker Sam Raimi comes the tale of Annie, a woman with rare psychic powers, is willing to use them to investigate a murder, but what she uncovers could well make her the killer's next victim.
""A Wonderful Sports Movie: Hoosiers Works Magic!"" -Roger Ebert Nominated for two Academy Awards this triumphant tale of a high school basketball teams' long-shot attempt to ascend to the State Championship is filled with edge-of-your-seat suspense and breathless excitement! Featuring ""fast-break cinematography that catches the pace of the game"" (Washington Post) and intense heart-rending performances from Gene Hackman Barbara Hershey and Dennis Hopper Hoosiers redefined the spo
With more than a decade of cinema in Basic Instinct's wake it's fascinating to look back at just how influential Paul Verhoeven's "erotic thriller" has been. The director's endless fight with censorship and unwillingness to kowtow to social mores meant his movies became notorious for graphically depicting sex and violence while pushing contemporary boundaries of taste. This whodunit about a bisexual femme fatale (Sharon Stone in a career-best performance) caused an enormous furore on its release; but after years of generally inferior imitations there's not much in it that seems quite so shocking now. It's perhaps best appreciated in retrospect more for its Hitchcockian style than the steamy sex. On the DVD: one of the most welcome elements of the disc is an acknowledgement of the film's own influences--from Hitchcock's Vertigo to Verhoeven's own The Fourth Man. The print is far superior to the previous release, looking magnificent in 1:78.1. Jerry Goldsmith's Oscar-nominated score sounds terrific in either 5.1 or DTS, as does Verhoeven's thick accent on the first commentary track alongside then Director of Photography Jan De Bont (Speed), who together reminisce on locations and manipulating their actors' performances. A second commentary from feminist critic Camille Paglia is a brave way of putting paid to the gay/feminist community uproar. There are some standard inclusions (trailer, production notes, photo gallery etc) but far more interesting are two mini-documentaries; "Cleaning Up Basic Instinct" shows how and why the TV version was so dull, while "Blonde Poison" focuses on the film's making and marketing. Finally, there are three storyboard comparisons and nine minutes of screen tests for Stone and Tripplehorn. This is the definitive release of an oft-cited modern classic. --Paul Tonks
Gene Hackman attempts to exorcise some ghosts from his past by coaching a poor local basketball team into top league condition. Dennis Hopper turns in a fine performance as the town drunk with a wide knowledge of basketball whom Hackman rehabilitates into his assistant.
Long-time collaborators Adam Gierasch and Jace Anderson (Mother of Tears Night of the Demons) re-team for this rural shocker about an expectant couple who encounters supernatural terror after moving into New Hampshire farmhouse with a dark history. Emily (Leisha Hailey) and Nate Weaver (Gale Harold) are about to have a baby and they both agree that the country is the perfect place to start a family. At first Nate's secluded ancestral home offers all the comfort and privacy the couple could ever want but when a malevolent entity from his dark past takes possession of his body Emily unearths a terrifying secret about his family past. Now unless Emily can find a way to help Nate break free from the grip of the dark force that binds him they are destined to become yet another tragic footnote in the wicked history of this cursed house.
Long-time collaborators Adam Gierasch and Jace Anderson (Mother of Tears Night of the Demons) re-team for this rural shocker about an expectant couple who encounters supernatural terror after moving into New Hampshire farmhouse with a dark history. Emily (Leisha Hailey) and Nate Weaver (Gale Harold) are about to have a baby and they both agree that the country is the perfect place to start a family. At first Nate's secluded ancestral home offers all the comfort and privacy the couple could ever want but when a malevolent entity from his dark past takes possession of his body Emily unearths a terrifying secret about his family past. Now unless Emily can find a way to help Nate break free from the grip of the dark force that binds him they are destined to become yet another tragic footnote in the wicked history of this cursed house.
Frank (Steve Martin) is living the American dream. Blessed with a thriving dental practice and luxury home and happily engaged to his beautiful assistant Jean (Laura Dern). But his perfect life quickly unravels when Susan Ivey (Helena Bonham Carter) a seductive new patient with an appetite for painkillers settles into his dentist chair. Before long Frank is wanted by the police plunging him into a shadowy world of sex drugs and violence...
A town's future is riding with one man. A father-son action/drama based on the inspiring true story of the tiny river town of Madison Indiana and its legendary efforts during the hydroplane racing season of 1971. In addition to the thrills of 180-mph flat-bottomed boat racing the picture captures the spirit of a small American river town struggling to stay alive as water transportation has virtually disappeared.
They say the camera never lies but the real danger is in who interprets the film. Imagine the scene: three children running around the house in their pyjamas happily bouncing on their beds without a care in the world. Their godmother captures these precious moments on film. You will be amazed by this shocking true story where the bizarre becomes reality and a loving mother is accused of pornography scrutinised by the courts the media and even her friends. Her nightmare continues
She is a determined woman with a grim past and hopeful future an ex-con determined to go straight and stay clean - until a lover's betrayal sends her back to a nightmare of abuse humiliation and desperation at a women's prison where the staff brutalised the inmates and forced them to have sex. Yet even criminals have rights and Alice vows to fight for justice and expose the scandal with the help of a crusading lawyer. But with her freedom and even her life under threat just how far is she prepared to go and what price will she have to pay?
She is a determined woman with a grim past and hopeful future an ex-con determined to go straight and stay clean - until a lover's betrayal sends her back to a nightmare of abuse humiliation and desperation at a women's prison where the staff brutalised the inmates and forced them to have sex. Yet even criminals have rights and Alice vows to fight for justice and expose the scandal with the help of a crusading lawyer. But with her freedom and even her life under threat just how far is she prepared to go and what price will she have to pay?
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