A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
1942: British soldier Jack Celliers (David Bowie) arrives at a Japanese POW camp run by the disciplinarian Yonoi (Ryuichi Sakamoto) who believes the prisoners are cowards because they have chosen to surrender instead of honourably committing seppuku (ritual suicide). When Yonoi meets Celliers he believes he is an evil spirit and a battle of wills begins between the two men.... This is not your average war movie and the performances by Bowie Sakamoto Tom Conti (who plays Mr Lawr
A highly unusual war movie with as many detractors as fans, this first English-language feature directed by Nagisa Oshima (In the Realm of the Senses) stars David Bowie as a silent, ethereal POW in a Japanese camp. In the face of the camp's brutal conditions and treatment of prisoners, Bowie's character earns the respect of the camp commandant (played by Japanese pop star Ryuichi Sakamoto, who also wrote the score) through his own enigmatic rebellion. While the two seem locked in an unspoken, spiritual understanding, another prisoner (Tom Conti) engages in a more conventional resistance against a monstrous sergeant (Takeshi). The film has a way of evoking as many questions as certainties, and it is not always easy to understand the internal logic of the characters' actions. But that's generally true of Oshima's movies, in which the power of certain relationships is almost hallucinatory in self-referential intensity. The cast is outstanding, and Bowie is particularly fascinating in his alien way. --Tom Keogh
A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
David Bowie stars in Nagisa Oshima's 1983 Palme d'Or-nominated portrait of resilience, pride, friendship and obsession among four very different men confined in the stifling jungle heat of a Japanese prisoner-of-war camp in Java during World War II.This powerful prisoner-of-war drama features a stunning cast - including David Bowie in one of his greatest roles - and is the first English-language film by acclaimed Japanese director Nagisa Oshima (In the Realm of the Senses).Set in Java at a Japanese POW camp in 1942, a war of wills - and unspoken erotic attraction - unfolds between a rebellious prisoner, David Bowie, and camp commandant Ryuichi Sakomoto, who is impressed by Bowie's defiance while bilingual prisoner Tom Conti (Mr. Lawrence) engages in a more adversarial relationship with sadistic sergeant Takeshi Kitano (Hana Bi), who finally offers Lawrence a sinister 'Christmas' present.Fine performances by Conti, Kitano (his first dramatic role), Sakamoto (his acting debut, he also contributed the memorable score) and Bowie, combined with stunning cinematography and brilliant direction by one of Japan's finest filmmakers, make this a memorable and compelling war drama.The Oshima Gang Featurette (The Making Of Merry Christmas Mr Lawrence)An Interview With producer Jeremy ThomasAn Interview With actor/composer Ryuichi SakamotoAn excerpt from Scenes by the Sea: The Life and Cinema of Beat Takeshi Kitano Theatrical Trailer
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