Features SHOOT THE PIANIST, JULES ET JIM, THE SOFT SKIN, ANNE & MURIEL, A GORGEOUS GIRL LIKE ME, THE LAST METRO, THE WOMAN NEXT DOOR, FINALLY SUNDAY Extras Audio commentaries Presentations by Serge Toubiana on all titles Deleted scenes Trailers
Francois Truffaut's classic tale of a love triangle which takes place over 20 years both before and after World War I. Jeanne Moreau stars as Catherine the beautiful and unpredictable woman who maintains a delicate relationship with two friends the quiet German Jules (Oskar Werner) and the romantic Parisian Jim (Henri Serre). The War intervenes and drives the men to the opposing fronts; afterwards the two quickly resume their friendship but the balance of their relationship with Catherine is now upset by more adult concerns.
The Woman Next Door (1981) Madame Jouve the narrator tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day a couple Philippe and Mathilde Bauchard moves into the next house. This is the accidental reunion of Bernard and Mathilde who had a passionate love affair years ago. The relationship revives... A somber study of human feelings. The 400 Blows (1959) For his feature-film debut critic-turned-director Franois Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre Laud as Antoine Doinel Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble) Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness which he reveals in a fragmented series of monologues. Shoot the Pianist (1960) Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother Chico a crook takes refuge in the bar because he is chased by two gangsters Momo and Ernest. We will discover that Charlie's real name is Edouard Saroyan once a virtuose who gives up after his wife's suicide. Charlie now has to deal wih Chico Ernest Momo Fido (his youngest brother who lives with him) and Lena... Jules and Jim (1962) Acclaimed French director Franois Truffaut's third and for many viewers best film is an adaptation of a semi-autobiographical novel by Henri-Pierre Roch. Set between 1912 and 1933 it stars Oskar Werner as the German Jules and Henri Serre as the Frenchman Jim kindred spirits who while on holiday in Greece fall in love with the smile on the face of a sculpture. Back in Paris the smile comes to life in the person of Catherine (Jeanne Moreau); the three individuals become constant companions determined to live their lives to the fullest despite the world war around them. When Jules declares his love for Catherine Jim agrees to let Jules pursue her despite his own similar feelings; Jules and Catherine marry and have a child (Sabine Haudepin) but Catherine still loves Jim as well. Anne and Muriel (1971) Story of two British sisters who are in love with the same Frenchman over a period of 20 years. Screenplay by Francois Truffaut Jean Grault Based on the novel by Henri-Pierre Roche. Finally Sunday! (1963) Claude Massoulier is murdered while hunting at the same place than Julien Vercel an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers that Marie-Christine Vercel Julien's wife was Massoulier's mistress Julien is very suspected. But his secretary Barbara Becker while not quite convinced he is innocent defends him and leads her private investigations...
Francois Truffaut's classic tale of a love triangle which takes place over 20 years both before and after World War I. Jeanne Moreau stars as Catherine the beautiful and unpredictable woman who maintains a delicate relationship with two friends the quiet German Jules (Oskar Werner) and the romantic Parisian Jim (Henri Serre). The War intervenes and drives the men to the opposing fronts; afterwards the two quickly resume their friendship but the balance of their relationship with Catherine is now upset by more adult concerns.
Jules Et Jim' is Francois Truffaut's beautiful and enigmatic film about the lifelong friendship between two writers - French novelist Jim (Henri Serre) and Austrian children's author Jules (Oskar Werner) - and their mutual love for the eccentric Catherine (Jeanne Moreau). With artful black-and-white imagery the story begins in 1920s Paris when Jules and Jim first meet and become friends. As young single men they gallavant about Paris chasing women or studying ancient art. When they meet the equally energetic Catherine whose impulses range from dressing up as a man to taking midnight plunges into the Seine their circle is complete. But when World War II erupts with Jules and Jim fighting on opposite sides everything changes. Jules marries Catherine before going off to battle. After the war they settle into a quiet existence in the French countryside. But Catherine is restless and unfaithful. Jim reunites with his oldest and closest friend and Catherine makes room for him in their house asking him to move in and become her lover. Jim complies as he wants nothing more than to please his friend Jules who agrees to the plan...
Jules Et Jim (1960): Francois Truffaut's beautiful and enigmatic film about the lifelong friendship between two writers - French novelist Jim (Henri Serre) and Austrian children's author Jules (Oskar Werner) - and their mutual love for the eccentric Catherine (Jeanne Moreau). The story begins in 1920s Paris when Jules and Jim first meet and become friends. As young single men they gallavant about Paris chasing women or studying ancient art. When they meet the equally energetic Catherine whose impulses range from dressing up as a man to taking midnight plunges into the Seine their circle is complete. But when World War II erupts with Jules and Jim fighting on opposite sides everything changes. Jules marries Catherine before going off to battle. After the war they settle into a quiet existence in the French countryside. But Catherine is restless and unfaithful. Jim reunites with his oldest and closest friend and Catherine makes room for him in their house asking him to move in and become her lover. Jim complies as he wants nothing more than to please his friend Jules who agrees to the plan... The Last Metro (1980): Winning an incredible ten French Academy Awards in 1981 The Last Metro is one of Truffaut's most highly acclaimed and popular films. Starring Catherine Deneuve and Gerard Depardieu in magnetic performances the story is set in Paris 1942 during the Nazi occupation of France. When Lucas Steiner (Heinz Bennett) the Jewish owner of the Montparnasse Theatre is forced into hiding his wife and lead actress Marion (Deneuve) takes over. Desperate to keep both the troupe and Lucas alive she stages a new play which must be a success to continue. She hires the womanising actor Bernard Granger (Depardieu) for the lead in their next production. Just as the actors begin their rehearsals an anti-semitic journalist ensconces himself in the theatre creating an atmosphere of fear and insecurity. Will he discover Lucas' hideaway and the political affiliations of the group's lead actor? Truffaut delivers a captivating study of artists (the actors) struggling against the odds (the Nazis) and a compelling insight into the atmosphere of wartime Paris and the theatre set against a backdrop of exquisite period detail. La Peau Douce (1964): Pierre is a successful happily married publisher who meets Nicole a lovely airplane stewardess and begins a lustful affair with her. As his passion deepens he realizes he must choose between his wife Franca and his mistress. However the movie takes a suprising twist leading to one of the most startling conclusions in film history... The 400 Blows (1959): Praised by film-makers and critics the world over Truffaut's 400 Blows launched the Nouvelle Vague and paved the way for some of cinema's most important and influential directors. Twelve-year-old Antoine Doinel has troubles at home and at school. Ignored and neglected by his parents his relationship with his mother is further strained when he discovers that she has taken a secret lover. Added to this his school teachers have written him off as a troublemaker and with luck seemingly never on his side it is Antoine who ends up getting the blame for bad behaviour. Finding refuge only in his love of cinema Antoine soon finds it necessary to break free and discover what the world can offer outside of the confines of his everyday life. This remarkable film features the extraordinary talent of Jean-Pierre Leaud as the rebellious Antoine a character based on Truffaut himself. Doinel was to make appearances in a number of Truffaut's films (including Stolen Kisses Bed and Board and Love on the Run) all of which chart his further adventures into adulthood.
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