20 of the greatest British films ever produced by the world renowned Hammer film studio! Includes: 1. Blood From The Mummy's Tomb (Dir. Seth Holt 1971) 2. Demons Of The Mind (Dir. Peter Sykes 1972) 3. The Devil Rides Out (Dir. Terence Fisher 1968) 4. Viking Queen (Dir. Don Chaffey 1967) 5. Dracula Prince Of Darkness (Dir. Terence Fisher 1966) 6. Fear In The Night (Dir. Jimmy Sangster 1972) 7. Frankenstein Created Women (Dir. Terence Fisher 1967) 8. The Horror Of Frankenstein (Dir. Jimmy Sangster 1970) 9. The Nanny (Dir. Seth Holt 1965) 10. One Million Years BC (Dir. Don Chaffey 1966) 11. Plague Of The Zombies (Dir. John Gilling 1966) 12. Quatermass And The Pit (Dir. Roy Ward Baker 1967) 13. Rasputin The Mad Monk (Dir. Don Sharp 1966) 14. The Reptile (Dir. John Gilling 1966) 15. The Scars of Dracula (Dir. Roy Ward Baker 1970) 16. SHE (Dir. Robert Day 1965) 17. Slave Girls (Dir. Michael Carreras 1967) 18. To The Devil A Daughter (Dir. Peter Sykes 1967) 19. The Vengeance Of SHE (Dir. Cliff Owen 1968) 20. The Witches (Dir. Cyril Frankel 1966)
Coincidence throws Mij the otter and Graham Merrill (Bill Travers) the computer worker together on a busy London street in Ring of Bright Water. What transpires from this chance meeting is an epiphany that leads to the complete upheaval of Graham's life. Evicted from his city flat thanks to the antics of his newly acquired, mischievous otter, Graham embarks on a train journey to the Scottish Highlands. Suffice it to say that trying to smuggle Mij onboard as a "diving terrier" is not successful. When the pair finally arrives in Scotland, they fall in love with the countryside and a dilapidated cottage by the sea. Fate introduces Graham to the town's animal-loving doctor (Virginia McKenna), and an enduring friendship and romance are forged. The photography of both the Scottish Highlands and the antics of Mij the otter in this 1969 movie are truly wonderful--it might just make you reconsider your current digs and friendships. The story (based on Gavin Maxwell's book of the same name) is somewhat formulaic and dated by its romanticism, but enjoyable nonetheless. Slip into an ideal world of simple happiness and celebrate the cyclical nature of life, if only for 106 minutes. --Tami Horiuchi, Amazon.com
While the couple keep the affair under wraps other stars struggle to conceal their own ghosts. Former Queen of Soap Jane Adams is the victim of a violent and jealous husband but can she resist throwing herself into the arms of her co-star Zack Taylor? Sex-symbol Bill Warwick lands his first major role but then his success is marred by a police investigation into the suspicious death of his wife? Amidst all the scandal and the cover up the show must go on.... but can it?
While the couple keep the affair under wraps other stars struggle to conceal their own ghosts. Former Queen of Soap Jane Adams is the victim of a violent and jealous husband but can she resist throwing herself into the arms of her co-star Zack Taylor? Sex-symbol Bill Warwick lands his first major role but then his success is marred by a police investigation into the suspicious death of his wife? Amidst all the scandal and the cover up the show must go on.... but can it?
The story of Fortress takes place in drastically overpopulated America of the year 2017, where each woman is allowed only one pregnancy. John Brennick (Christopher Lambert) and his wife Karen (Loryn Locklin) flee to Mexico when she becomes pregnant after the death of their first child. They are captured by border police and sent to the Fortress, a subterranean high-security prison owned by the Men-Tel corporation and operated by "Zed-10", an omnipotent computer system, and a sadistic, genetically "enhanced" warden (Kurtwood Smith) who has nefarious plans involving Brennick's wife and unborn child. Along with his cellmates (including Jeffrey Combs, a favourite of director Stuart Gordon), Brennick plots a breakout and Fortress shifts into auto-pilot action mode. After making his reputation with such audacious horror films as From Beyond and Re-Animator, Stuart Gordon graduated to a bigger budget with Fortress but his penchant for exploitation remains deliriously intact. While borrowing elements from a variety of better sci-fi movies, Fortress indulges every prison-flick cliché, but does it with such enjoyable B-movie vigour that it qualifies as a bona-fide guilty pleasure (indeed, it deserves to be ranked with James Cameron's original Terminator in terms of its budgetary ingenuity). Featuring such giddy (and gory) devices as "intestinators" (deadly obedience devices implanted in prisoners' bodies) and a torturous "Mind Wipe Chamber", this is really just a drive-in action movie with lofty ambitions and the schlocky script hasn't a prayer of rising above the level of juvenile popcorn fodder. But there's no denying the energy and enthusiasm that Gordon brings to the film, which understandably became a global box-office hit and spawned a 1999 sequel starring Lambert and Pam Grier. --Jeff Shannon, Amazon.com
Legendary British stars Christopher Lee (Dracula Prince of Darkness, The Wicker Man, The Man with the Golden Gun), Joan Collins (Tales from the Crypt, The Stud, Dynasty) and Herbert Lom (The Phantom of the Opera, Mark of the Devil, Revenge of the Pink Panther) get together in a grisly tale of hidden loot in a haunted house. There's more than death waiting for you in dark places
He lives! They die! Christopher Lee as the fanged undead.
Join uber- Mod sex god Peter (Christopher Matthews- Scream And Scream Again Brides Of Dracula) as he cavorts across a not just swinging but fully bouncing and pulsating London at the turn of the two greatest decades it ever saw: the 60s and 70s. Flitting from one boho pad to another in his fully functional babe wagon - a white Triumph - he leaves his mark (sometimes literally) on a variety of beautiful women of all ages nationalities colours and shapes. The lucky ladies include later Gothic Goddesses Madeleine and Mary Collinson (Twins Of Evil) Annabel Leventon (Rocky Horror Strike It Rich Penmarric Armchair Theatre) and a young Nicola Pagett (Privates On Parade A Bit Of A Do Avengers Whodunnit Viking Queen Frankenstein The True Story) There's also a fully clothed (what do you mean damn?) appearance from Hammer scream queen Madeleine Smith (The Vampire Lovers Frankenstein And The Monster From Hell Tam Lin Theatre Of Blood) as the delectable daughter of one of Peter's classy conquests. With a superb pop-psych-bubblegum-library freakout soundtrack and some choice locations this is the film for anyone who wants to indulge in unadulterated enjoyment albeit with a twist. As director Donovan Winter put it it's like Alfie with more sex and here more is definitely what you get. Anyone seeking intellectual stimulation or 'pure cinema' can retire to the corner on the other side of the room where they can eulogise about Citizen Kane to their heart's content but in the meantime we're going to have some fun...and like Peter himself we'll come back many many times... Also included is Winter's early 40-minute featurette A Penny For Your Thoughts (1966) which again set to some of the grooviest tunes of the era tells us exactly what women talk about when the chaps aren't there...or do they? Starring Monty Python starlet Carol Cleveland Britsploitation heroine Sheila White (Here We Go Round The Mulberry Bush Confessions On The Buses) and character actress Yvonne Antrobus (Dr Who Wessex Tales Target) among the fillies in frillies.
The must have cult 80's TV adventure series! Long ago the Inhumanoids (Metlar Tendril and D'Compose) were defeated by the mutores (Granites Redwoods and Magnakor) who imprisoned the Inhumanoids deep within the Earth's crust. After centuries of confinement the Inhumanoids are unwittingly set free by unsuspecting human excavators unleashing their evil havoc. Now an elite team of scientists known as Earth Corps headed by noted geologist Armstrong must team up with the Muto
Based on a novel by Barbara Cartland, A Ghost in Monte Carlo is an undemanding period romp packed full of twists and turns. The perfect cinematic equivalent of Cartland's literary style, the film is a glossy, star-filled but ultimately shallow exercise. Lysette Anthony is the wide-eyed innocent Mistral, released from her convent upbringing into the care of her Aunt Emilie (Sarah Miles). On arriving in glamorous Monte Carlo, she immediately strikes up a relationship with a dashing young lord and sets out to experience her newfound freedom. Matters take an unexpected, darker turn as Mistral finds herself caught up in the plotting of her aunt and in increasing danger. The performances range from Anthony's passable purity to a ludicrously over-the-top turn from Miles. The much-vaunted all-star casting amounts to a series of brief cameos from the likes of Oliver Reed, Joanna Lumley, Lewis Collins and Gareth Hunt--presumably at the request of executive producer Lord Lew Grade. It's fun for what it is but only as long as you leave any critical sensibilities on hold. On the DVD:A Ghost in Monte Carlo is essentially a video release transferred directly to DVD. The sound is digitally remastered and there is a very poor interactive menu to guide you through the various chapters but no extras. --Phil Udell
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