A nerdy florist finds his chance for success and romance with the help of a giant man-eating plant...
20 of the greatest British films ever produced by the world renowned Hammer film studio! Includes: 1. Blood From The Mummy's Tomb (Dir. Seth Holt 1971) 2. Demons Of The Mind (Dir. Peter Sykes 1972) 3. The Devil Rides Out (Dir. Terence Fisher 1968) 4. Viking Queen (Dir. Don Chaffey 1967) 5. Dracula Prince Of Darkness (Dir. Terence Fisher 1966) 6. Fear In The Night (Dir. Jimmy Sangster 1972) 7. Frankenstein Created Women (Dir. Terence Fisher 1967) 8. The Horror Of Frankenstein (Dir. Jimmy Sangster 1970) 9. The Nanny (Dir. Seth Holt 1965) 10. One Million Years BC (Dir. Don Chaffey 1966) 11. Plague Of The Zombies (Dir. John Gilling 1966) 12. Quatermass And The Pit (Dir. Roy Ward Baker 1967) 13. Rasputin The Mad Monk (Dir. Don Sharp 1966) 14. The Reptile (Dir. John Gilling 1966) 15. The Scars of Dracula (Dir. Roy Ward Baker 1970) 16. SHE (Dir. Robert Day 1965) 17. Slave Girls (Dir. Michael Carreras 1967) 18. To The Devil A Daughter (Dir. Peter Sykes 1967) 19. The Vengeance Of SHE (Dir. Cliff Owen 1968) 20. The Witches (Dir. Cyril Frankel 1966)
A policeman is shot dead and two South London boys stand accused of his murder. The verdict and the sentence passed the crime. Both the verdict and the sentence were subsequently quashed. This is the case that shocked the nation.
He's a composite of some 200 personalities each and every one a notorious killer. He's Sid 6.7 a virtual reality creation designed to put L.A. police officers to the test. But Sid isn't playing games anymore. He's escaped the bounds of cyberspace. And if you think he's unconquerable in the world of bits and bytes wait till you see what Sid has in store for a world of flesh and blood. Denzel Washington and Russell Crowe square off on opposite sides of the law and on both sides of
Just Cause is a film that relies on phony plot twists and steals openly from any other thriller that it can remember. If there was a drinking game requiring players to drink during every cinematic "homage", you'd be tanked after its first 45 minutes. Take one case of racial injustice, place it in an exotic, exquisitely photographed location (the Florida Everglades), and bring in an outsider, played by a bankable star, to save the day. Make sure nothing appears as it seems. Add a couple of plot twists, some over-the-top character actors (Ed Harris, shamelessly riffing on Hannibal Lecter), stir, and serve. The big name in this case is Sean Connery, who plays a Harvard law professor summoned to the swamps by an apparently innocent death row inmate (Blair Underwood), who swears he didn't rape and kill that 11-year-old girl. He says he confessed because maverick psycho-cop Tanny Brown (Laurence Fishburne) made him play a solo game of Russian roulette. He says his Serial-killer neighbour on death row (Harris) committed the crime. Connery buys it, the audience buys it, and how could they not? Director Arne Glimcher (who made the lacklustre Mambo Kings) coerces everyone with simplistic plot manipulations. Characters are given no depth, and the actors are pawns moved about like pieces on a Cluedo gameboard. -- Dave McCoy, Amazon.com
Samuel L. Jackson and Eugene Levy team up for this new fish out of water comedy.
Beware!... you could die laughing! This rarity a sequel that's better than the original... Make sure you see it. Alan Frank, Daily Star It's love at first fright when Gomez (Raul Julia) and Morticia (Anjelica Huston) welcome a new addition to the Addams household ± Pubert, their soft, cuddly, mustachioed baby boy. As Fester (Christopher Lloyd) falls hard for voluptuous nanny Debbie Jilinsky (Joan Cusack), Wednesday (Christina Ricci) and Pugsley (Jimmy Workman) discover she's a black-widow murderess who plans to add Fester to her collection of dead husbands. The family's future grows even bleaker when the no-good nanny marries Fester and has the kids shipped o to summer camp. But Wednesday still has a thing or two up her sleeve With gags and ghouls galore, Addams Family Values is quite brilliant... (Julie Burchill, The Sunday Times)
Yet another serial killer drama, Knight Moves is perhaps a little too in love with its own ingenuity. Chess Grand Master Peter Sanderson (Christopher Lambert) finds himself, in the middle of a crucial tournament, challenged to a game whose rules he does not know, by a killer who will murder women until Sanderson stops him. The local police, headed by Sedman (Tom Skerrit), suspect this is actually a game Sanderson is playing with them; while Kathy, a woman profiler brought in on the case, finds herself falling in love with Sanderson but still suspecting him. None of the performances are more than competent and Lambert's aloof neurotic is perhaps less likable than was intended. Director Carl Schenkel is too fond of odd camera angles and garish lighting, but the end result is a moderately successful detective story for those who are fond of puzzles. On the DVD: Knight Moves is ungenerous with special features, providing a bare minimum of filmographies, photo gallery and trailer. It has a visual aspect ratio of 2.35:1 and Dolby Digital sound. --Roz Kaveney
When a couple of small town cops stumble upon a pile of cash after a criminal's drug deal goes bad they decide to keep the money. However is there honour amongst even these usually law abiding thieves?
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