Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her safely behind sacred glass and enlisting a priest's holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target--the Warrens' ten-year-old daughter, Judy, and her friends.
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her safely behind sacred glass and enlisting a priest's holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target--the Warrens' ten-year-old daughter, Judy, and her friends.
One year after her sister Melanie's disappearance, Clover and her friends head into the remote valley where she vanished in search of answers. In an abandoned visitor centre, they are hunted and murdered one by one ... only to find themselves reliving the night again and again - each time with a new terrifying threat. With limited deaths left, they must survive Until Dawn to escape.
A PLACE BEYOND YOUR DREAMS. A MOVIE BEYOND YOUR IMAGINATION. Following a notorious aborted attempt by Alejandro Jodorowsky in the 1970s, Frank Herbert's bestselling sci-fi epic Dune finally made it to the big screen as the third film by emerging surrealist wunderkind David Lynch, featuring an all-star cast that includes several of Lynch's regular collaborators. The year is 10,191, and four planets are embroiled in a secret plot to wrest control of the Spice Melange, the most precious substance in the universe and found only on the planet Arrakis. A feud between two powerful dynasties, House Atreides and House Harkonnen, is manipulated from afar by ruling powers that conspire to keep their grip on the spice. As the two families clash on Arrakis, Duke Atreides' son Paul (Kyle MacLachlan, in his screen debut) finds himself at the centre of an intergalactic war and an ancient prophecy that could change the galaxy forever. Though its initial reception ensured that Lynch largely eschewed mainstream filmmaking for the rest of his career, Dune has since been rightly re-evaluated as one of the most startlingly original and visionary science fiction films of the 1980s. Its astonishing production design and visual effects can now be appreciated anew in this spellbinding 4K restoration, accompanied by hours of comprehensive bonus features.
One year after her sister Melanie's disappearance, Clover and her friends head into the remote valley where she vanished in search of answers. In an abandoned visitor centre, they are hunted and murdered one by one ... only to find themselves reliving the night again and again - each time with a new terrifying threat. With limited deaths left, they must survive Until Dawn to escape.
In this futuristic thriller Earth is covered with water and the human race struggles to survive on dilapidated boats and makeshift floating cities. Kevin Costner portrays a drifter who becomes caught up in the struggle between the evil Deacon (Dennis Hopper) and a child's secret key to a wondrous place called ""Dryland""...
Remember the outfit Cher wore to the Oscars when she won an Academy Award for her performance in this 1987 film? Ay-yi-yi. The actress' more retiring character in this infectious comedy leaps several psychological hurdles just giving her hair a permanent. But then the original screenplay of Moonstruck, by John Patrick Shanley (Joe Versus the Volcano), is a wonderful, gently satirical tale of an Italian-American family dealing with repression and dissatisfaction against a backdrop of cultural expectations. Cher is focused and funny as a widow who feels she should marry an older fellow (Danny Aiello), but then falls for his black-sheep brother (Nicolas Cage). Olympia Dukakis and Vincent Gardenia are perfect as her parents, and John Mahoney (of TV's Frasier) has a memorable, small role as a middle-aged man on the make who gets a lecture from Dukakis's character. Shanley's dialogue is comically stylised in a way that makes one appreciate how much words can inform an actor's performance. Taking its cues from him and director Norman Jewison (And Justice for All), the cast immerse themselves in a pool of hilariously operatic emotion. --Tom Keogh
David Lynch's Dune is the brilliant but fatally flawed would-be epic feature film version of Frank Herbert's novel of the same name, the bestselling science fiction novel ever written. It is a complex but too heavily simplified version of a far more elaborate book, a darkly Gothic far future space opera revolving around an imperial, dynastic power struggle on the desert planet of Arrakis. With what was in 1984 an enormous $40 million budget, Lynch retained a surprising amount of the industrial/Victorian feel of his previous features, Eraserhead (1976) and The Elephant Man (1980), and was able to bring to the screen some of the most imaginative and awe-inspiring production designs, costumes and action then seen. Indeed, as a spectacularly atmospheric vision of the future Dune has as much to recommend it as the far more celebrated Blade Runner (1982), with which it even shares the female romantic lead, Sean Young--here just one star in a superb cast. The problem, which an unauthorised extended TV version failed to fix, is that Lynch's original vision of Dune was massively cut for length, and as such the final third is so rapidly paced as to undermine the superb first two thirds. A director's cut is sorely needed, the cinema version playing like a butchered masterpiece. Also available is an entirely unconnected four-and-a-half-hour mini-series, Frank Herbert's Dune (2000), which is less visionary but more coherent. On the DVD: The 2.35:1 image suffers from not being anamorphically enhanced. There are minor flecks of dirt and scratches, but generally the print used is in good condition although there is a considerable amount of grain in some scenes and the image could be more detailed. The packaging claims the sound is Dolby Digital 5.1, but it is actually three-channel sound (stereo plus centre speaker), with the main stereo feed being duplicated in the rear channels. A full 5.1 remastering would improve matters considerably. Special features consist of the original trailer and a pointless gallery of seven badly cropped stills. There is a very basic animated and scored menu using the portentous main theme music from the film. --Gary S Dalkin
Centuries of global warming have caused the polar ice caps to melt, flooding the earth as civilization is left adrift. The inhabitants of this once-flourishing planet cling to life on incredible floating cities, their existence constantly threatened by Smokers bands of marauding pirates who roam the featureless surface of Waterworld. For the survivors, one chance remains: a solitary hero, known only as the Mariner. Battling the Smokers and their ruthless leader, the Deacon, the Mariner sets out with a beautiful woman and a mysterious little girl on a search for a new beginning.
A Place Beyond Your Dreams. A Movie Beyond Your Imagination. Following a notorious aborted attempt by Alejandro Jodorowsky in the 1970s, Frank Herbert's bestselling sci-fi epic Dune finally made it to the big screen as the third film by emerging surrealist wunderkind David Lynch, featuring an all-star cast that includes several of Lynch's regular collaborators. The year is 10,191, and four planets are embroiled in a secret plot to wrest control of the Spice Melange, the most precious substance in the universe and found only on the planet Arrakis. A feud between two powerful dynasties, House Atreides and House Harkonnen, is manipulated from afar by ruling powers that conspire to keep their grip on the spice. As the two families clash on Arrakis, Duke Atreides' son Paul (Kyle MacLachlan, in his screen debut) finds himself at the centre of an intergalactic war and an ancient prophecy that could change the galaxy forever. Though its initial reception ensured that Lynch largely eschewed mainstream filmmaking for the rest of his career, Dune has since been rightly re-evaluated as one of the most startlingly original and visionary science fiction films of the 1980s. Its astonishing production design and visual effects can now be appreciated anew in this spellbinding 4K restoration, accompanied by hours of comprehensive bonus features. Special Features: Brand new 4K restoration from the original camera negative 60-page perfect-bound book featuring new writing on the film by Andrew Nette, Christian McCrea and Charlie Brigden, an American Cinematographer interview with sound designer Alan Splet from 1984, excerpts from an interview with the director from Chris Rodley's book Lynch on Lynch and a Dune Terminology glossary from the original release Large fold-out double-sided poster featuring original and newly commissioned artwork by Dániel Taylor Six double-sided, postcard-sized lobby card reproductions Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Dániel Taylor DISC ONE - FEATURE & EXTRAS (4K ULTRA HD BLU-RAY) 4K (2160p) UHD Blu-ray⢠presentation in Dolby Vision (HDR10 compatible) Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Brand new audio commentary by film historian Paul M. Sammon Brand new audio commentary by Mike White of The Projection Booth podcast Impressions of Dune, a 2003 documentary on the making of the film, featuring interviews with star Kyle MacLachlan, producer Raffaella de Laurentiis, cinematographer Freddie Francis, editor Antony Gibbs and many others Designing Dune, a 2005 featurette looking back at the work of production designer Anthony Masters Dune FX, a 2005 featurette exploring the special effects in the film Dune Models & Miniatures, a 2005 featurette focusing on the model effects in the film Dune Costumes, a 2005 featurette looking at the elaborate costume designs seen in the film Thirteen deleted scenes from the film, with a 2005 introduction by Raffaella de Laurentiis Destination Dune, a 1983 featurette originally produced to promote the film at conventions and publicity events Theatrical trailers and TV spots Extensive image galleries, including hundreds of still photos DISC TWO BONUS DISC (BLU-RAY) The Sleeper Must Awaken: Making Dune, a brand new feature-length documentary by Ballyhoo Motion Pictures exploring the making of the film, featuring dozens of new and archive interviews with cast and crew Beyond Imagination: Merchandising Dune, a brand new featurette exploring the merchandise created to promote the film, featuring toy collector/producer Brian Sillman (The Toys That Made Us) Prophecy Fulfilled: Scoring Dune, a brand new featurette on the film's music score, featuring interviews with Toto guitarist Steve Lukather, Toto keyboardist Steve Porcaro, and film music historian Tim Greiving Brand new interview with make-up effects artist Giannetto de Rossi, filmed in 2020 Archive interview with production coordinator Golda Offenheim, filmed in 2003 Archive interview with star Paul Smith, filmed in 2008 Archive interview with make-up effects artist Christopher Tucker *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
Nowadays, the word "event" is thrown around all too often when describing television programmes, but back in 1983 the debut of V: The Mini Series was a television event in the truest sense. The appearance of gigantic flying saucers over the world's largest cities heralds the arrival of aliens from a distant galaxy who look human and act benevolently. Of course, things aren't exactly what they seem, and when some suspicious humans start to question the visitors' intentions they uncover a vast alien conspiracy, along with some unusual culinary habits. Soon, the visitors have enslaved the Earth under their fascist rule, and small groups of human rebels are forced underground to fight for the freedom of their entire species. But with the future of the planet still in question the epic story comes to an abrupt end, forcing the viewer to wait for the resolution in V: The Final Battle and the on-going series. That's not to say that the original V isn't worth the price of admission: in over three hours, it manages to capture the spirit of the great classic science fiction of the 1950s and 60s. The feeling of paranoia and insecurity that runs throughout the whole thing makes it feel, at times, like an expanded episode of The Twilight Zone, only shinier (hey, it was the 1980s). The special effects were impressive for their day, inspiring similarly themed films in the 90s (the gigantic flying saucers were seen again in Independence Day, and the storage area of the mothership turns up in The X Files Movie and The Matrix). What does irritate, however, is the utter lack of subtlety in the allegorical storyline. In fact, it could only have been made more obvious by demanding that the entire cast wear "This is how it was in 1930s' Germany" t-shirts. But if V occasionally doesn't live up to its own high standards, it's still a remarkably high-quality slice of epic television drama. On the DVD: The picture is an impressive widescreen 1.85:1 ratio and the soundtrack is adequate Dolby stereo. The DVD boasts a feature-length commentary by writer and director Kenneth Johnson, as well as a 25-minute "Behind the Scenes" documentary. --Robert Burrow
The living nightmare of the Lutz family. They got out alive! but another family wasn't as lucky. They lived at 112 Ocean Avenue Amityville before the luckless Lutz family and what is the real history of this desirable family residence? In a sequel to the original film The Amityville Horror which tells the true story of the Lutz family's chilling supernatural encounter Amityville: The Possession dramatises other terrifying events which took place at the same house. Not for the faint hearted this is a tale of satanic possession that leads to cold blooded murder on a massive scale - you have been warned!
Let's be honest: this 1995 epic isn't nearly as bad as its negative publicity led us to expect. At the time it was the most expensive Hollywood production in history (it had a Titanic-sized $200 million budget), and the film arrived in cinemas with so much controversy and negative gossip that it was an easy target for ridicule. The movie itself, a flawed but enjoyable post-apocalypse thriller, deserves better. Waterworld stars Kevin Costner as the Mariner, a lone maverick with gills and webbed feet who navigates the endless seas of Earth after the complete melting of the polar ice caps. The Mariner has been caged like a criminal when he's freed by Helen (Jeanne Tripplehorn) and enlisted to help her and a young girl (Tina Majorino) escape from the Smokers, a group of renegade terrorists led by Dennis Hopper in yet another memorably villainous role. It is too bad the predictable script isn't more intelligent, but as a companion piece to The Road Warrior, this seafaring stunt-fest is adequately impressive. --Jeff Shannon
Dune: Special TV Edition is an extended US network television version prepared in 1988 from David Lynch's 1984 film of Frank Herbert's classic science fiction novel, Dune. The original cinema release of this complex tale of interplanetary intrigue was heavily shortened and this 176-minute TV edition should not to be confused with Lynch's still unreleased three-hour-plus "Director's Cut". In fact Lynch disowned this TV version, replacing his director's credit with the infamous pseudonym Alan Smithee and his screenplay credit with the name Judas Booth (a combination of two notorious traitors). What the network did was add 35 minutes, about 15 minutes in the first two thirds, which in the cinema cut is in any case superbly paced, and around 20 into the final 40. This latter material does help balance the frenetic rush of the cinema cut, restoring important scenes such as Paul Atreides' fight with Jamis, a Fremen funeral and Jessica Atreides' taking the "Water of Life". What primarily alienated Lynch was the imposition of a folksy, sometimes laughable narration, as well as the replacement of the original prologue with a far longer sequence explaining the Dune universe via pre-production paintings. This TV edit is a travesty of what, in the "Director's Cut" at least, is probably a great film, and is really only worth seeing to get a glimpse of the material Lynch was forced to remove. The unconnected mini-series, Frank Herbert's Dune (2000) does a far better job of telling a more complete version of the story. On the DVD: There is a fold-out colour booklet which contains a wealth of stills, a reproduction of the original cinema poster and a worthwhile essay on the original film that avoids any discussion of the TV version it accompanies. On the disc there is only the original theatrical trailer. The superb cinematography is ruined by the panned and scanned 4:3 image, which is grainy and has poor colour fidelity. It is also soft, lacking detail and washed-out, probably a result of being converted from American NTSC TV format video rather than coming directly from an original film print. Certainly the DVD of the cinema version looks far better. The audio is thin mono, completely failing to do justice to how fantastic a post-Star Wars 40-million-dollar science fiction epic should sound. --Gary S Dalkin
This two-disc special edition release of David Lynch's 1984 film Dune presents the same cut as originally shown theatrically, but with an improved transfer compared to the previous DVD edition and with the addition of new and archive documentary material. In case of confusion, it should be noted that this is not any of the following versions: the re-edited TV movie adaptation of Lynch's film, the long-sought-after extended version Lynch screened for cast and crew in January 1984, a new Director's Cut, or the Sci-Fi Channel mini series. The first disc contains a new anamorphically enhanced 2.35:1 transfer taken from a High Definition archive copy of the 1984 film, further restored to remove dirt and scratches, and a Dolby Digital 5.1 remix as well as the original stereo soundtrack. The film looks superb and sounds almost as good, though a DTS soundtrack would have been welcome. The main extras are a well illustrated 32-page booklet written by Paul Sammon, author of the excellent Future Noir: The Making of Blade Runner and The Making of Starship Troopers and a new 38-minute anamorphic widescreen documentary, Impressions of Dune. This is much superior to the average making-of, featuring significant new contributions from Kyle MacLachlan, producer Raffaella De Laurentiis, cinematographer Freddie Francis and others--though David Lynch is conspicuous by his absence. Destination Dune is a six-minute promotional featurette made by Sammon at the time of the film's release and the 4:3 image is fairly poor quality. An 83-second BBC interview with Frank Herbert is too short to be of more than passing interest, though the original trailer is a fine example of the 1980's way of selling movies. The set is completed with routine cast and crew profiles. Even with no involvement from Lynch and no commentaries, this is still the best Dune on DVD. --Gary S. Dalkin
A grim, disheartening view of the underside of city life, Q & A is a legal drama with a disturbing twist. Not exactly a whodunit--the guilt of policeman Nick Nolte is established early on--the plot follows the closing of the circle around him. Leading the murder investigation is Timothy Huttons young, idealistic district attorney Al Reilly, who finds himself battling a fraudulent and cynical culture. Racism, corruption and political machinations are all added to the mix, resulting in a film that is just a little too dense and slow moving to capture the imagination. Director Sidney Lumet creates a feeling of enveloping darkness around Hutton, who slowly manages to let the light in and bring the truth to the surface. With an obviously small budget, the film has more of a made-for-television feel than that of a big blockbuster and some of the performances err too much on the side of cliché. The concept of the New York melting pot is fairly effectively dismissed by the film, painting a picture of distrust between communities that often spills into verbal and physical violence. Not quite as unremittingly bleak as Harvey Kietels Bad Lieutenant, Q & A is still a tough, dark piece of cinema. On the DVD: Q & A is very much a film of the night, with much of the action taking place either in the shadows or in rooms with harsh, artificial light. The picture on the DVD reflects that perfectly, although the lack of budget is hard to disguise. The soundtrack quality is good, if not startling, but there are no extras aside from the movies theatrical trailer. All in all, its a fairly average package. --Phil Udell
The living nightmare of the Lutz family. They got out alive! but another family wasn't as lucky. They lived at 112 Ocean Avenue Amityville before the luckless Lutz family and what is the real history of this desirable family residence? In a sequel to the original film ""The Amityville Horror"" which tells the true story of the Lutz family's chilling supernatural encounter ""Amityville: The Possession"" dramatises other terrifying events which took place at the same house. Not f
Arthur Goldman a rich Jewish industrialist who lives in luxury in Manhattan and is irreverent about many things Jewish is arrested by Israeli secret agents for allegedly being a Nazi war criminal... Robert Shaw best known for his acting roles in movies such as 'From Russia With Love' and 'Jaws' turned playwright to create this brilliant drama inspired by the trial of Adolf Eichmann concerned with guilt paranoia conspiracy theories and martyrdom. Directed by Arthur Hiller
Gangster No. 1 Vincent Dianni (Danny Aiello) is one of the mob's most loyal foot soldiers. He has always obeyed his Mafia bosses no matter how vicious the jobs they give him. Vinnie decides to leave the underworld but his employers are getting worried that he might rat them out to save his increasingly tortured conscience. The only answer is to arrange for him to be taken out by his young protege Tommy (William Forsythe) but is Tommy ruthless enough to murder his best friend in cold blood?
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