This stunning box set contains 32 discs featuring all 88 episodes of the sci-fi show from Jim Henson Productions plus 15 hours of bonus features. John Crichton is an astronaut and test pilot who during a mission of his own design is flung through a wormhole and gets lost in a galaxy far from home. He finds himself in the middle of a battle surrounded by hostile aliens soaring through space inside a glorious living space ship called Moya. He soon discovers that Moya is populated by a band of escaping alien prisoners. Hunted by the relentless Peacekeepers he allies himself with his alien fellow refugees and searches for a way home. Prepare for the adventures of Farscape with Moya's crew - Crichton Peacekeeper Aeryn Sun warrior Ka D'Argo azure priestess Zhaan spiritely thief Chiana Dominar Rygel Pilot and many others.
Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and by the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics, and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. Among the first season's 22 episodes, "Premiere" introduces the characters and the basic premise: American astronaut John Crichton (Ben Browder) is flung through a wormhole and comes out in the midst of an interstellar prison escape on the other side of the universe. When the galactic cops (called "Peacekeepers") mark him as the new public enemy number one, Crichton is forced to ally himself with the convicts: hulking warrior D'Argo (Anthony Simcoe), blue-skinned priest Zhaan (Virginia Hey), fugitive peacekeeper Aeryn (Claudia Black), exiled king Rygel (Jonathan Hardy), and Pilot, the giant insectlike nerve center of their living ship, Moya. In the action-packed and stylishly directed "Throne for a Loss," a race of mercenary criminals called the Tavleks kidnap the imperious Rygel. "PK Tech Girl" and "That Old Black Magic" feature a peek into the pasts of Rygel and Zhaan as they hide from the fleets of Peacekeeper soldiers in the galactic frontier known as the Uncharted Territories. Leading toward the climax of the show's first season, "Nerve" and "The Hidden Memory" make for a bold two-parter that reunites Crichton with his Peacekeeper Tech girlfriend, Gilina, and introduces the dreaded Scorpius, who uses his Aurora Chair torture device to extract what he mistakenly believes is vital knowledge from Crichton. The final episode, "Family Ties," ends with a cliffhanger guaranteed to bring viewers back for more, as the duplicitous Rygel plans to turn traitor, which eventually leaves the fates of Crichton and D'Argo up for grabs and Moya's young offspring under the control of the conflicted villain Crais, among other developments.
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. In the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. --Paul TonksOn this DVD: This volume begins in confusion when the S.G.1 team discover a military camp training for "Rules of Engagement". All is not what it seems however. The same is true of "Forever in a Day", when Daniel's wife Sha're is killed by Teal'c. This episode begins an important storyline about her stolen child who is a "Harcesis", an illegal breeding between Goa'uld hosts. Then an earlier thread is picked up in "Past and Present" on planet Vyus whose people all suffer amnesia. Their leader Ke'ra (played by Megan Leitch who's portrayed Mulder's missing sister in The X-Files) is a link to the earlier "Prisoners" episode and the dangerous "destroyer of worlds". Closing the volume is a cliffhanger in which Sam must attempt to rescue her father, face Satan himself on a prison moon, and resurrect "Jolinar's Memories" from the Goa'uld she was briefly possessed by. Trapped in Hell, the team's escape seems impossible. As well as trailers for the next volume, the disc includes a 10-minute interview with Christopher Judge on his 97-year-old character Teal'c. He spends much of the time recalling plot points, but his philosophy of the show as a social allegory is refreshing. --Paul Tonks END
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. In this handsome box set, two discs contain the first four episodes of the first season, completely uncut. In "Premiere", astronaut John Crichton is inadvertently catapulted into a parallel universe where he is taken on board the bio-mechanical ship Moya and meets the inhabitants: D'Argo, a seven-foot-tall Luxan warrior, Zhaan, a blue-skinned Delvian priestess, and the diminutive slug-like Rygel, the Henson Creature Shop's proudest creation. Another humanoid (and potential love interest), formidable-yet-sexy Peacekeeper Aeryn Sun, joins soon after. In true Buck Rogers style, Ben Browder plays Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up. In episode 2, "Throne for a Loss", Rygel's devious side is developed further as he gets the crew into trouble when he "borrows" a crystal crucial to the operation of the ship and is kidnapped by some unpleasant characters. Disc Two opens with the wittily titled "Back and Back and Back to the Future", the obligatory time-travel episode, followed by "I, E.T.", in which Crichton feels the force of his earlier comment: "Boy did Spielberg get it wrong. Close Encounters, my ass." On the DVD: Disc One includes a "making of" documentary, with comments from the cast, Brian Henson and producer Rockne S. O'Bannon (the man also responsible for Alien Nation and SeaQuest), plus a profile of principal character John Crichton. Disc Two profiles Aeryn Sun and has the original trailer and DVD-ROM extras (screensaver and weblinks). --Mark Walker
Farscape is a groundbreaking science-fiction series that blends liveaction, CGI graphics and sophisticated puppetry to create a uniquely absorbing universe of action, adventure and comedy.
The first series of Farscape was a revitalising tonic for TV SF. An ambitious coproduction of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape launched itself with a refreshing mix of CGI, prosthetics and state-of-the-art puppetry to take a visual leap beyond other genre shows. The witty scripts, too, peppered with double-entendres and pop-culture references, are light years away from the staid style of Star Trek. Admittedly, the first season's basic premise is simply Buck Rogers updated (American astronaut John Crichton, played by Ben Browder, is catapulted to a far-flung galaxy populated by strange aliens), while the crew initially have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it all look and feel completely original. --Mark Walker
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. In the roles of Colonel Jack O'Neill and Dr. Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. There's something of The Time Tunnel to the show's premise, but Stargate has held its own with stories that put the science fiction back into TV sci-fi. On the DVD: Episodes: Absolute Power, The Light, Prodigy, Entity. The Harcesis child Shifu (an excellent young Lane Gates) decides Earth needs a lesson in what would happen if it acquired the "Absolute Power" its powers-that-be are greedily after. Daniel is the unwitting test subject, and by the time we see him unflinchingly destroy Moscow it's apparent just what this lesson is. Seeing "The Light" in another way, SG-1 find themselves like moths to a flame on a seemingly abandoned planet. After the shocking suicide of another team member, it takes everyone's individual talents (including the under-used Dr. Fraser) to crack the mystery of the pillar of energy from which all the trouble clearly emanates. In a rare glimpse of ordinary military life, Sam is presented with a "Prodigy" of sorts. The brilliant young Cadet Jennifer Hailey (Elisabeth Rosen) is precocious about her talents to the point of being obnoxious in the eyes of her tutors and peers. She naturally experiences quite a humbling come down when taken through the Stargate to assist on a science mission dealing with a pesky new life form. This episode is all about identifying personal flaws and what it takes to acknowledge them. In another strong show for Carter, a particularly elusive "Entity" imprints itself upon her consciousness as well as the base's computer systems. While every conceivable method of extraction is undertaken, the situation is made more complicated by the possibility that it's all been an enormous misunderstanding. Definitely the most heart-warming presentation of the life of a computer virus you'll ever see!
The 1994 film Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr. Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG 1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaoh-like Goa'uld--the ancient Egyptian Gods who are not too chummy after the events of the original film. The welcome notion of a continued plot-thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi.This peculiar chronological cut and paste from the opening year at least starts sensibly with the pilot "Children of the Gods". A year on from Stargate the motion picture, Earth's military have assembled crack units to protect against whatever might follow from planet Abydos. So naturally they make things worse discovering a new enemy on Chulak. In "There But for the Grace of God" Daniel plays out Star Trek's "Mirror Mirror" scenario in an alternate dimension. Then in "Politics" no one believes his warnings of an impending attack, instead rationalising the Gate's closure. The season's stunning cliffhanger--"Within the Serpent's Grasp"--lands the team aboard the Goa'uld flag attack ship headed to destroy Earth. This episode features some truly inspired one-liners: "We can't just upload a virus to the Mothership!" --Paul Tonks
It's clear right from the opening episodes of its third series that Farscape has finally developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second series. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. Season 3 is the year when the Wormhole story arc takes precedence, as the interactions between John Crichton and his nemesis Scorpius become ever more complicated (involving various different clones, real or "neural", of both antagonists). It's also the year that some major characters die, new ones are introduced and Crichton (well, one version of him anyway) and Aeryn finally consummate their relationship. Moya's crew endure a vertiginous emotional roller-coaster ride when powerful issues of love, loyalty and sacrifice loom large. They must also face their sternest challenge yet as the series' biggest story arc reaches an explosive climax aboard Scorpius' Command Carrier. Anyone who has not followed Farscape extremely closely from the very beginning of Series 1 will be utterly baffled by the convoluted plotting and complex character interactions. But for fans, this is the show's most rewarding year. --Mark Walker
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds in Dolby Digital 5.1) like every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.In this second box set there are five episodes spread across two discs. Although the generic Star Trek-style storylines seem a little over-familiar, the witty and fast-paced scripts help to keep things fresh. In "Exodus from Genesis" the crew of Moya are invaded by space cockroaches, who, in a suprising twist then help them fend off the Peacekeepers. "Thank God it's Friday Again" shows D'Argo finding happiness in a hippy commune where all is not what it seems; Crichton has a Matrix-style worm inserted in his navel before Rygel's bodily functions prove to be instrumental in rescuing the crew. Crichton finds love with the "PK Tech Girl", much to the consternation of Aeryn Sun, who goes into full Lt. Ripley mode and spends the episode running around with a pulse rifle under flickering strobe lighting. In "That Old Black Magic", a malevolent magician forces a confrontation between Crichton and his nemesis, Crais; Zhaan must revive her bad old ways in order to save the day. "DNA Mad Scientist" is the most original episode, with a neat twist on the Frankenstein scenario thanks to the splendid villain, Namtar; a distinctly unpleasant side to some of the characters is revealed as they bargain body parts in exchange for a map home. On the DVD: Because the first disc contains three episodes instead of the usual two, special features are limited to a trailer and some conceptual art. The second disc also has a profile of Zhaan. --Mark Walker
The final series of sci-fi extravaganza, Farscape, this 10-disc Box Set contains all 22 episodes, presented as widescreen and uncut features with Dolby Digital 5.1 Audio. Also included are more than 2½hrs of never before seen features.
Season Four features some of the most imaginative science-fiction seen in the series so far while always remaining true to the extraordinary characters passionate chemistry and whip-crack dialogue that have become Farscape signatures. A great deal of time passes between Seasons Three and Four which helps develop the show's extraordinary characters even more fully. More recent additions to the crew including Noranti and Sikozu - as well as a shocking former enemy - play major roles in a series of thrilling surreal and nearly lethal adventures. As each season has raised the stakes for the crew this season raises the stakes for the universe itself with a series of escalating dangers that threaten not only the Farscape galaxy but Crichton's home galaxy as well.
Pitch Black Owing a major debt to Alien and its cinematic spawn, Pitch Black is a guilty pleasure that surpasses expectations. As he did with The Arrival, director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon Dark Fury Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas The Chronicles of Riddick Bigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy roles that waste the talents of Thandie Newton (as a Necromonger conspirator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff Shannon
The second series of Farscape expands upon and develops the characters introduced in the ambitious first series. John Crichton's new nemesis is the deadly Scorpius, replacing Crais, who has taken the living ship Moya's offspring on a voyage into the unknown. Moya's regular crew--Aeryn, Zhaan, Chiana, D'Argo and Rygel--remain as divided and suspicious of each other as ever, yet somehow manage to pull together at times of crisis. The writers continue to exploit the show's gift for surprising as well as emotionally convincing character development, while the CGI effects, prosthetics and state-of-the-art puppetry--courtesy of Jim Henson's Creature Shop--continue to make Farscape the most original-looking SF show on TV. The witty scripts, peppered with postmodern pop-culture references and movie in-jokes, are also a breath of fresh air. Despite some wildly erratic shifts in tone, this is exceptional TV science fiction that continually pushes the accepted boundaries of the genre. --Mark Walker
The second series of Farscape expands upon and develops the characters introduced in the ambitious first series. John Crichton's new nemesis is the deadly Scorpius, replacing Crais, who has taken the living ship Moya's offspring on a voyage into the unknown. Moya's regular crew--Aeryn, Zhaan, Chiana, D'Argo and Rygel--remain as divided and suspicious of each other as ever, yet somehow manage to pull together at times of crisis. The writers continue to exploit the show's gift for surprising as well as emotionally convincing character development, while the CGI effects, prosthetics and state-of-the-art puppetry--courtesy of Jim Henson's Creature Shop--continue to make Farscape the most original-looking SF show on TV. The witty scripts, peppered with postmodern pop-culture references and movie in-jokes, are also a breath of fresh air. Despite some wildly erratic shifts in tone, this is exceptional TV science fiction that continually pushes the accepted boundaries of the genre. --Mark Walker
The fantastic Farscape universe is available as a complete four season box set for the very first time on DVD! Five years ago astronaut John Crichton (Ben Browder) attempted to use the Earth's atmosphere to propel his ship Farscape 1 at great speeds across the solar system. He went much further though and was sucked down a wormhole to a distant part of the galaxy and into the middle of a battle. He was rescued by a group of escaping prisoners and taken aboard their ship a living ship known as Moya... Imaginative daring and fun the award-winning Farscape blows other Sci-Fi shows out of the water! Season 1: 1. Premiere 2. I E.T. 3. Exodus From Genesis 4. Throne For A Loss 5. Back And Back And Back To The Future 6. Thank God It's Friday. Again. 7. PK Tech Girl 8. That Old Black Magic 9. DNA Mad Scientist 10. They've Got A Secret 11. Till All The Blood Runs Clear 12. Rhapsody In Blue 13. The Flax 14. Jeremiah Crichton 15. Durka Returns 16. A Human Reaction 17. Through The Looking Glass 18. A Bug's life 19. Nerve 20. The Hidden Memory 21. Bone To Be Wild 22. Family Ties Season 2: 1. Mind The Baby 2. Vitas Mortis 3. Taking The Stone 4. Crackers Don't Matter 5. The Way We Weren't 6. Picture If You Will 7. Home On The Remains 8. Dream A Little Dream 9. Out Of Their Minds 10. A Kiss Is But A Kiss 11. I Do I Think 12. The Maltese Crichton 13. My Three Crichtons 14. Beware of Dog 15. Won't Get Fooled Again 16. The Locket 17. The Ugly Truth 18. A Clockwork Nebari 19. A Not So Simple Plan 20. With Friends Like These... 21. Plan B 22. Die Me Dichotomy Season 3: 1. Season of Death 2. Suns and Lovers 3. Self-Inflicted Wounds (Part 1): Could'a Would'a Should'a 4. Self-Inflicted Wounds (Part 2): Wait for the Wheel 5. Different Destinations 6. Eat Me 7. Thanks for Sharing 8. Green Eyed Monster 9. Losing Time 10. Relativity 11. Incubator 12. Meltdown 13. Scratch n' Sniff 14. Infinite Possibilities (Part 1): Daedalus Demands 15. Infinite Possibilities (Part 2): Icarus Abides 16. Revenging Angel 17. The Choice 18. Fractures 19. I-Yensch You-Yensch 20. Into the Lion's Den (Part 1): Lambs to the Slaughter 21. Into the Lion's Den (Part 2): Wolf in Sheep's Clothing 22. Dog with Two Bones Season 4: 1. Crichton Kicks 2. What Was Lost (Part 1) 3. What Was Lost (Part 2) 4. Lava's A Many Splendored Thing 5. Promises 6. Natural Election 7. John Quixote 8. I Shrink Therefore I Am 9. A Prefect Murder 10. Coup By Clam 11. Unrealised Reality 12. Kansas 13. Terra Firma 14. Twice Shy 15. Mental As Anything 16. Bringing Home The Beacon 17. A Constellation Of Doubt 18. Prayer 19. We're So Screwed (Part 1) 20. We're So Screwed (Part 2) 21. We're So Screwed (Part 3) 22. Bad Timing Peackeeper Wars: The Farscape saga continues with this brand new multi-million dollar mini series. When a full-scale war is engaged by the evil Scarran Empire the Peacekeeper Alliance has but one hope: reassemble human astronaut John Crichton once sucked onto the Peacekeeper galaxy through a wormhole. Crichton's task: get the entire Peacekeeper race to safety before the last war of an era brings an end to the universe....
The 1994 film Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. In the roles of Colonel Jack O'Neill and Dr. Daniel Jackson are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" Goa'uld--the ancient Egyptian gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative lookalikes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. On this DVD: Picking up a week after the Season Three cliff-hanger "Nemesis", the Fourth Season finds the SG team split apart to win a few "Small Victories". Providing a nice change of scenery for the show, O'Neill and Teal'c are trapped aboard a Russian submarine fending off the remaining Replicator threat. Carter meanwhile is whisked away by Thor to come up with her best "stupid idea" to save the Asgard homeworld. Then the show respectfully broaches the subject of racial tolerance found on a planet at war on "The Other Side". The material is handled superbly by guest star Rene Auberjonois (formerly Star Trek: Deep Space Nine's Odo). A little comic relief is provided in "Upgrades". When Tok'ra scientist Anise/Freya (Vanessa Angel) shows off some fabled technology the team are initially cautious. But the armbands give the wearer increased strength and speed, and in no time at all Jack, Sam and Daniel are abusing them. The fun of seeing them at a local restaurant ordering multiple rare steaks gives way to practical use when it's revealed that arch-enemy Apophis is constructing a new battleship. If the Tok'ra's duplicity is off-putting to the SGC this time, it's nothing compared to seeing Anise/Freya again in "Crossroads". O'Neill notices the "sparkage" between Teal 'c and visiting Jaffa-babe Sho'nac. When she states she has a way for the Tok'ra to obtain information about the Goa'uld from her placid symbiote, it's just bound to go bad. --Paul Tonks
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" Pharaonic Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife; Sam's father literally joining a renegade faction of the Goa'uld; and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. On the DVD: To resolve the Season Two cliffhanger "Out Of Mind", General Hammond rounds up every conceivable ally to rescue the SG-1 team from Hathor's clutches and gets a much-needed field trip in the process. "Into the Fire " is actually a weak opening for the new year, but does boast some impressive visuals as Hammond and Brat'ac pilot a shuttle through an open Stargate (euphemistically called "threading the needle"). In the next episode, the team are troublingly advised that the ancient God of Evil--"Seth"--has been hiding on Earth for thousands of years. Daniel miraculously tracks him down in about five minutes through a quick surf on the Web! In "Fair Game" O'Neill is "beamed up" to his chum the Asgard Thor in the middle of Carter's promotion to Major. Thor warns him that the Goa'uld System Lords are miffed about his team thwarting Hathor in "Out of Mind". All manner of underhand trickery and subterfuge then follows at a treaty meeting between three representatives and the hapless Jack. "Legacy" on the other hand is a strange connection back to Season Two's "Holiday" when Daniel suffers a mental breakdown courtesy of scientist Ma'chello. Some unnerving imagery (slugs in the ear akin to Star Trek II: The Wrath of Khan) makes this one of the series' darker instalments. --Paul Tonks
Pitch Black: The daylight can burn you but the darkness will kill you! Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness... (Dir. David Twohy 2000) The Chronicles Of Riddick: The wanted criminal Riddick arrives in Helion Prime and finds himself against the invading Necromongers an army that plans to convert or kill all humans... (Dir. David Twohy 2004) Doom:No one gets out alive! Based on the hugely popular video game Doom is an explosive action-packed thrill ride! A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban they descend into the Olduvai Research Station where they find a legion of nightmarish creatures lurking in the darkness killing at will. Once there the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. (Dir. Andrzej Bartkowiak 2005)
Episodes 6-10 of Farscape's fourth series continue the themes set at the start of the year while concentrating on one-off adventures. John Crichton is still upset that Aeryn Sun has not confided in him about her pregnancy; Aeryn is still trying to cope with the loss of his dead copy; Chiana is trying in her lascivious way to get them back together; Scorpius and Sikozu are gradually becoming integrated into the life of the crew, and John and the others are trying to learn to trust their former arch-enemy. In "'Natural Election"', the process of choosing which of the crew shall be captain becomes more urgent when the living ship Moya is attacked by a space-dwelling plant that hangs around wormholes; "John Quixote" has Crichton and Chiana trapped in a surreal gameworld full of old friends and enemies; in "I Shrink, Therefore I Am", Crichton has to rescue his friends from bounty-hunters who have shrunk them and hidden them in their heavily-armoured bodies. Aeryn finds herself compelled to homicidal violence in "'A Prefect Murder"' and time goes wonky on her; Crichton has to get into drag and Scorpius has to vomit a lot to save their crewmates from getting caught in the cross-fire of "Coup by Clam". These are enjoyable albeit routine episodes of the most imaginative space opera ever to hit the TV screen, though they only hint at the wonders that were to come later in this final series. On the DVD: Farscape 4.2 has a wealth of special features that include two deleted scenes--one of them a touching discussion of their love lives between Aeryn and Chiana--and a text guide to swearing in the Farscape universe. There is a documentary about the special effects and a prolonged interview with Claudia Black in which she talks about how the show stretched her as an actress. It is presented in widescreen with a visual aspect ratio of 4:3 and has Dolby Digital sound. --Roz Kaveney
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