Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative and at times absurd, it is just the kind of offbeat vision we have come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behaviour outlined in : Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honour, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war", remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-centre humour. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honour in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker
Choreographer-turned-director Bob Fosse turns the camera on himself in All That Jazz, a nervy, sometimes unnerving 1979 feature, a nakedly autobiographical piece that veers from gritty drama to razzle-dazzle musical, allegory to satire. It's an indication of his bravura, and possibly his self-absorption, that Fosse (who also co-wrote the script) literally opens alter ego Joe Gideon's heart in a key scene--an unflinching glimpse of cardiac surgery, shot during an actual open-heart procedure. Roy Scheider makes a brave and largely successful leap out of his usual romantic lead roles to step into Gideon's dancing pumps and supplies a plausible sketch of an extravagant, self-destructive, self-loathing creative dynamo, while Jessica Lange serves as a largely allegorical Muse, one of the various women that the philandering Gideon pursues (and usually abandons). Gideon's other romantic partners include Fosse's own protégé (and a major keeper of his choreographic style since his death) Ann Reinking, whose leggy grace is seductive both "onstage" and off. Fosse/Gideon's collision course with mortality, as well as his priapic obsession with the opposite sex, may offer insights into the libidinal core of the choreographer's dynamic, sexualised style of dance, but musical aficionados will be forgiven for fast-forwarding to cut out the self-analysis and focus on the music, period. At its best--as in the knockout opening, scored to George Benson's strutting version of "On Broadway", which fuses music, dance and dazzling camera work into a paean to Fosse's hoofer nation--All That Jazz offers a sequence of classic Fosse numbers--hard-edged, caustic and joyously physical. --Sam Sutherland
In the samurai tradition, Ghost Dog has pledged his loyalty to one master, Louie (John Tormey), a small-time mobster who saved Ghost Dog's life many years ago.
January 16th 1945. With the allies closing in on Berlin from the east and west and Allied bombers blasting Berlin by day and by night Adolf Hitler takes up permanent residence in his command bunker under the Chancellery Building. Refusing to believe the war is lost an increasingly irrational Hitler issues insane orders to a dwindling band of his most loyal followers even as his dreams die in flames all about him... A fine supporting cast includes Richard Jordan as Albert Speer Piper Laurie as Magda Goebbels Cliff Gorman as Josef Goebbels and Michael Lonsdale as Martin Bormann. Based upon the acclaimed best seller by James O'Donnell which in turn drew on numerous first hand accounts from those who actually lived through these events The Bunker is a milestone in television history.
The wheelchair bound Robert T. Ironside. Raymond Burr is reunited with stars of the original series: Don Galloway Barbara Anderson Elizabeth Baur and Don Mitchell. Ironside is about to retire as head of the San-Francisco Police Department to finally fulfill his dream - running his own vineyard. However when Ed Brown his former chief aid now Deputy Chief asks him to take over the Denver Police Department because of the murder of the former Chief of Police Ironside agrees to do so.
Producer-turned-director Irwin Winkler (The Net) crafted this 1992 remake of Jules Dassin's 1950 film noir about a small-time hustler in London who gets in over his head. Winkler's version is set in New York and stars Robert De Niro as crooked lawyer Harry Fabian who decides to get even with a boxing promoter (Alan King) who beats him in court. Fabian convinces 'friends' into helping the cause notably the brother (Jack Warden) of De Niro's enemy and a barmaid (Jessica Lange) who agrees to finance the operation.
When 5 millionaires' daughters are captured on the yacht Rosebud undercover agent Martin is sent to hunt the kidnappers down.
Producer-turned-director Irwin Winkler crafted this 1992 remake of Jules Dassin's 1950 film noir Night and the City, the tale of a small-time hustler in London who gets in over his head. Winkler's version is set in New York and stars Robert De Niro as a shyster lawyer who decides to get even with a boxing promoter (Alan King) who bests him in court. A couple of innocents are talked into helping the cause, notably the brother (Jack Warden) of De Niro's enemy and a barmaid (Jessica Lange) who agrees to finance the operation. Everything goes south, plunging the hero into prospects of real disaster. The film is far from an exemplary, contemporary noir, but its outstanding cast, with no shortage of charisma and dynamics, keeps things terribly interesting. So does the funny but terse script by Richard Price (Clockers), who also has a cameo as a doctor. Winkler's sensibilities as a tasteful and intelligent producer still get in the way of his daring as a director, but he does leave us with much to be satisfied about.--Tom Keogh, Amazon.com
The Yards:'The Yards' is a tense thriller set in the vast New York City subway yards. After serving time in prison for taking the fall for a group of friends Leo Handler (Mark Wahlberg) just wants to get his life back on track. So he goes to the one place he thinks he'll be safe: home. There he takes a job with his highly connected and influential uncle Frank (James Caan) and is reunited with his long-time friend Willie Gutierez (Joaquin Phoenix) and Willie's girlfriend Erica (Charlize Theron). But in the yards where his uncle now pulls the strings safe is not how they do business. Unwittingly he's drawn into a world of sabotage high stakes payoffs and murder. And the secret he discovers will make him the target of the most ruthless family in the city: his own. Now in the name of justice he'll have to do everything in his power to bring them down. Brother:In Japan the sworn brotherhood of the Yakuza is described as being 'thicker than the blood of kindred brothers'. With his life under threat disgraced Yakuza hard man Yamamoto escapes to Los Angeles in search of his half-brother Ken a small-time drug dealer. Unable to speak the language and confused by his surrounding Yamamoto teams up with Ken and his friend and fellow gang-member Denny. Soon Yamamoto finds himself back in the old routine. His ruthless efficiency in terrorising and killing rival gang members shocks even the blood hardened Americans and before long Yamamoto's gang is strong enough to join forces with a rival Japanese crime lord called Shirase. Ghost Dog:Ghost Dog lives above the world alongside a flock of birds in a homemade shack on the roof of an abandoned building. Guided by the words of an ancient Samurai text Ghost Dog is a professional killer able to dissolve into the night and move throughout the city unnoticed. When Ghost Dog's code is dangerously betrayed by the dysfunctional mafia family that occasionally employs him he must find a way to defend himself without breaking the code of the samurai.
A courtroom drama based on a true story which exposes the horrors of racial violence. On a cold night in 1986 three black men struggled to repair their car in a middle-class neighbourhood of New York City. Unable to start the vehicle they sought refuge in a small restaurant nearby. What happened next sent shockwaves throughout the world.
Seymour (John Leguizamo) is a good young man but he has the mind of a child thanks to some mental handicaps. His life revolves around the New York Knicks sneaking out for some smokes and above all else his mother Mona (Julie Carmen). She is a civil rights activist and a loving mother which makes Seymour's rather limited life that much better. Seymour has a special interest in the small pleasures of life but he is sent into a tailspin when a tragic turn of events lands him alone
Part tragic part comic this outrageous look at life in the fast lane is the Academy Award-winning musical about Bob Fosse's excessive life in show business (here played by an Oscar-nominated Roy Scheider). Dazzlingly presented this electrifying story about the perils of pushing yourself too hard is filled with Fosse's legendary song-and-dance choreography. Bonus CD Tracklisting: 1. Main Title (Instrumental) 2. On Broadway (George Benson) 3. Michelle 4. Take Off With Us 5. Vivaldi Concert In G (Instrumental) 6. Ponte Vecchio (Instrumental) 7. Everything Old Is New Again 8. South MT Sinai Parade (Instrumental) 9. After You've Gone (Leland Palmer) 10. There Will Be Some Changes Made (Ann Reinking) 11. Who's Sorry Now? 12. Some Of These Days 13. Going Home Now (Instrumental) 14. Bye Bye Love (Ben Vereen & Ray Scheider)
When He's Not A Stranger: An estimated one out of every three women will be sexually assaulted at some time in their life. Annabeth Gish portrays a shocked and violated victim who is lured into a false security and raped by her best friend's boyfriend. Little Girl Lost: Tess Harper and Frederic Forrest star in this inspiring story based on a real-life drama of the Brady family fighting to adopt a little girl who first came into their lives as a foster child.
Part tragic part comic this outrageous look at life in the fast lane is the Academy Award-winning musical about Bob Fosse's excessive life in show business (here played by an Oscar-nominated Roy Scheider). Dazzlingly presented this electrifying story about the perils of pushing yourself too hard is filled with Fosse's legendary song-and-dance choreography.
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