A biopic telling the life story of legendary music performer Ray Charles, as played by Jamie Foxx.
It is Christmas Eve for most of the Christian world but when Craig (Ice Cube) and Day-Day (Mike Epps) are rudely awaken by a burglar in a Santa suit it is definitely another FRIDAY in the ghetto. The phony Santa gets away with all the cousins' Christmas gifts and their overdue rent money after assaulting Craig with a paltry Christmas tree. Cops are called in and do little more than confiscate Craig and Day-Day's pot stash. Though the cousins may be used to such adversity in the 'hood they have never before had to think about getting real jobs in order to pay the bills. This third installment in the hip-hop stoner series follows L.A.'s lovable losers through their first day as rent-a-cops at a South Central strip mall.
A mild-mannered guy who is engaged to a monstrous woman meets the woman of his dreams, and schemes to find a way to be with her.
Twin brother codirectors Albert and Alan Hughes planned their first film, the 1991 ghetto crime drama Menace II Society as a response to John Singleton's Boyz N the Hood, which they considered wimpy and moralistic. They set their sights on The Deer Hunter in this ambitious follow-up, and they just about pull it off. Larenz Tate (from Why Do Fools Fall in Love) plays Anthony Curtis, an open-hearted African American teenager who gets shipped out to Vietnam with several of his pals, witnesses unspeakable horrors and then struggles to readjust to civilian life. The evolving textures of life in a declining inner-city neighbourhood over a period of a decade are seamlessly evoked and there's enough nuanced character development and personal interaction for a seven-hour miniseries. Still in their early 20s, the Hughes brothers are already poised and masterful movie makers; they cover an enormous amount of historical and emotional ground and every twist and turn is crystal clear. They betray their inexperience only at the very end, in an elaborately staged heist sequence that, while stunningly executed, feels a bit desperate, as if they were reaching blindly for a big pay off. Chris Tucker (Rush Hour) has a startling supporting role as a kid who becomes a junkie during the war and never quite recovers. --David Chute
See It! Live It! Spread It! A young R&B singer returns home to find his father's once powerful congregation in disarray. With his childhood nemesis creating a ""new vision"" for the church he is forced to deal with family career and relationship issues that send him on a collision course with redemption or destruction...
Following in the reptilian slime trail of Anaconda, this derivative monster movie from early 1998 plays like a cross between Titanic and Tremors, with parts of Aliens tossed in for good measure. Director Stephen Sommers couldn't recognise an original idea if it swallowed him whole--which, by the way, is exactly what happens to a lot of passengers on a luxury ship that is attacked by a giant serpent-like sea creature with a voracious appetite for human flesh. Treat Williams plays the leader of a mercenary crew whose members discover the ravaged ship and wage war on the creature; Famke Janssen joins him as an onboard thief and con artist who just happens to be highly skilled with automatic weapons. Of course, the action grows more intense as the body count rises and along the way the monster is gradually revealed in all of its gruesome glory. A guilty pleasure if ever there was one, Deep Rising arrived in cinemas shortly after another waterlogged thriller, Hard Rain and if nothing else it provides proof that the B-movie monsters of the 1950s are alive and well and as cheesy as ever in the age of digital special effects. --Jeff Shannon
A mild-mannered guy who is engaged to a monstrous woman meets the woman of his dreams, and schemes to find a way to be with her.
Either Dean Koontz shouldn't adapt his own bestsellers, or his 1983 novel Phantoms was a pack of horror clichés to begin with, or this movie is 15 years past its due date. What might have seemed fresh at the time of Poltergeist now feels like it was made from a derivative script with pages missing. Plagued by reckless leaps of logic, the movie starts with adequately eerie atmosphere and a perversely twisted performance by Scream 2's Liev Schreiber, but decays into a familiar hash of gross-out effects, resulting from the annihilation of a small Colorado town by an evil force known as "The Ancient Enemy". In a dreary role that insults the twilight of his distinguished career, Peter O'Toole plays a paleobiologist whose crackpot ideas have become tabloid fodder; but he holds the key to conquering the beast. Or does he? Sure enough, an obligatory coda leaves room for anticlimactic doubt. Phantoms has a few genuinely creepy highlights, including a devilish beastie resembling an angry flying scorpion, and horror fans will surely find something to admire, but everyone else is advised to proceed with caution and lowered expectations. --Jeff Shannon, Amazon.com
Avery had it all: his beautiful girlfriend Krista a young son and a full scholarship ahead of him. But in the blink of an eye it was all taken away. What started as a night out with his buddies ended with the shooting of a cop and Avery behind bars. He's innocent but that doesn't matter in a place that has its own set of rules. As Krista works to prove his innocence Avery struggles to survive the day-to-day hardships of prison life.
Sleepy-eyed hip-hop luminary Snoop Dogg stars in Bones, an energetic horror film about a hustler who returns from the dead. Jimmy Bones used to rule his street, but now his body lies in the basement of a gothic abandoned house. When a troupe of young DJs and promoters decide to turn the house into a nightclub, dark forces are, unsurprisingly, unleashed. Bones has a cutting sense of humour, and Ernest Dickerson's direction snaps, crackles and pops. It's not exactly subtle--the opening scene launches into gore and special effects--but there is some evocative imagery, particularly a large black hell-hound that the club kids foolishly adopt as a pet. Snoop casts an effectively spectral aura and Pam Grier, as the hustler's psychically gifted former girlfriend, has her usual presence and energy. All in all, a dynamic and enjoyable horror flick. --Bret Fetzer, Amazon.com
Rap star DMS stars as a stylish drug dealer who returns to his hometown seeking redemption but ends up only finding violent death.
Kool finds out the dangers of life in the streets where drugs gangs and a corrupt justice system are a distubing way of life. Kool is a young kid trying to do right in this world of chaos through the disciplines of the martial arts. He is befriended by his mentor ""Master Koyangi"" is deeply in love with his girlfriend Lashawana and his dream of becoming a rap star has guided him positively toward his goal. But when Lashawana is wrongfully charged with the murder of a police office
When Daryl Allen an ex-convict struggling to live a clean life meets Vanessa a woman who bears an uncanny resemblance to his former girlfriend he begins to be pursued by a mysterious gunman. Though Vanessa claims it is simply her ex-boyfriend trying to kill her Daryl soon discovers he has inadvertently become involved in a murder-for-diamonds plot where nothing and no one are what they seem.
Four African-American men - a banker, a doctor, a lawyer and a playboy - tackle love, sex, and commitment in this comedy drama.
Marty Kingston (Ray Liotta) is an undercover narcotics detective who is shot and barely survives a drug bust gone wrong to save the life of his partner. When his partner is killed by a masked gunman four years later, Marty must team up with hothead homicide detective Dan Sullivan (Hatosy) to investigate a string of brutal cop murders and hunt down the cop killer. The investigation that ensues is shrouded in deception and loaded with plot twists that question the line between the rules of law and justice.
Nominated for 6 Academy Awards including Best Picture, Ray stars Oscar winner Jamie Foxx as the one-of-a-kind innovator of soul who overcame impossible odds to become a music legend. It's the triumphant and remarkable story of one of America's true musical geniuses, Ray Charles. Ray is electrifying, hails Peter Travers of Rolling Stone. Witness the incredible true story of a musician who fought harder and went further than anyone could imagine. Special Features: Feature Commentary with Director Taylor Hackford Deleted Scenes with Optional Commentary Extended Musical Scenes Intros by Jamie Foxx Stepping into the Part Ray Remembered The Women of Ray The Filmmaker's Journey Ray: An American Story A Look Inside Ray Collectible 44 Page Book Pack
Street Kings Street Kings is a pungent bouquet of corruption, violence, multi-ethnic mayhem, macho glee laced with macho angst, and fluorescently obscene dialogue from the mind of James Ellroy. Its hero, though he'd scarcely consent to be called one, is L.A. police detective Tom Ludlow (Keanu Reeves), for whom life is a wound that won't heal and dealing out retribution to scumbags is the ongoing treatment. Ludlow's the star player--"the tip of the [expletive] spear"--on a team of detectives headed by Capt. Jack Wander (Forest Whitaker). Coach Wander relies on his boys to keep breaking lurid cases, usually through deeply darkside underground work, and raising his profile with the media and the department. In pursuit of these goals, nothing is forbidden except failure, and the truth is what you make it look like. This is familiar Ellroy territory, most effectively translated to the screen in L.A. Confidential (which should have won the 1997 Oscar, and would have if Titanic hadn't launched that year). If you know Ellroy's ground game, you can pretty much guess where Street Kings is going, and where it's been. Still, the twists and torques of its urban road-rage course maintain the centrifugal force needed to hold us in our seats (a tactical highlight: refrigerator adapted as rolling barricade), and the movie keeps bopping us with oddball casting coups: comic Jay Mohr and Northern Exposure/Sex and the City veteran John Corbett as two members of Coach Warden's gonzo detective squad; Cedric the Entertainer doing a nicely nuanced turn as a street creature; Hugh Laurie doing a less-hyper version of House, if House worked Internal Affairs. The problem is that director David Ayer keeps everything intense. Dialogues are shot too close-up, line readings are too strident, the action is too nonstop slam. Recall Curtis Hanson's L.A. Confidential and the mind's eye summons up a whole spectrum of existence, mood, place, historical period, emotional investment; there's an amplitude to the picture and the sensibility bringing it to us, something besides the whodunit and the endless rap sheet of nasty what-they-done. Everything in Street Kings is one-note, and with Keanu Reeves playing it implosive and Forest Whitaker locked in crazier-than-an-outhouse-rat mode, that's no way to stay the course. --Richard T. Jameson
An Evening With Ray Charles: Ray Charles in concert with the Edmonton Symphony in 1981. Tracklist: 1. Overture 2. Riding Thumb 3. Busted 4. Georgia On My Mind 5. Oh What A Beautiful Morning 6. Some Enchanted Evening 7. Hit The Road Jack 8. I Can't Stop Loving You 9. Take These Chains From My Heart 10. I Can See Clearly Now 11. What I'd Say 12. America The Beautiful Ray: The Movie (Dir. Taylor Hickford 2004): Jamie Foxx stars in this biopic of legendary soul and R&B singer Ray Charles. Riding high on a wave of Oscar buzz Foxx proved himself worthy of all the hype by portraying blind R&B legend Ray Charles in a warts-and-all performance that Charles approved shortly before his death in June 2004. Despite a few dramatic embellishments of actual incidents (such as the suggestion that the accidental drowning of Charles's younger brother caused all the inner demons that Charles would battle into adulthood) the film does a remarkable job of summarizing Charles's strengths as a musical innovator and his weaknesses as a philandering heroin addict who recorded some of his best songs while flying high as a kite. Foxx seems to be channeling Charles himself and as he did with the life of Ritchie Valens in La Bamba director Taylor Hackford gets most of the period details absolutely right as he chronicles Ray's rise from ""chitlin circuit"" performer in the early '50s to his much-deserved elevation to legendary status as one of the all-time great musicians. Foxx expertly lip-syncs to Ray Charles' classic recordings but you could swear he's the real deal in a film that honors Ray Charles without sanitizing his once-messy life. Jamie Foxx picked up a Best Actor gong for his efforts as 'The Genius'. Ray A Gospel Christmas: Legendary superstar Ray Charles was joined by the world famous 120 member Voices of Jubilation Gospel Choir of Newark New Jersey for his first ever Christmas Special. They combined their talents in this unprecedented musical showcase not only to entertain but also to spread positive messages to a wide audience. What makes this endeavor so special is that the twelve-time grammy winner Charles has never performed traditional holiday music in a live concert setting. And of course Ray Charles brings his own unique jazz/rhythm and blues interpretation to these traditional holiday favourities. Tracklist includes: The Christmas Song (Chestnuts Roasting on an Open Fire) Little Drummer Boy Have Yourself A Merry Little Christmas Silent Night The First Noel Hark The Herald Angels Sing Rudolph The Red Nose Reindeer and many more.
Hollywood California is turned upside down by a series of strange and horrific murders creating chaos and turmoil in tinsel town. One particular victim is kidnapped held captive and subjected to witness the torture and murder of numerous other victims. It is by her will strength and faith that she must survive the ordeal. Her escape seems hopeless and only worsens when outside supernatural forces become more difficult to contend with than her captor...
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